Bøker utgitt av The University of Michigan Press

Reveals the international and intercultural connections within contemporary performance from Oceania, focusing on theatre, performance art, art installations, dance, film, and activist performance in sites throughout Oceania and in Australia, Asia, North America, and Europe.

Provides a groundbreaking study of numbers in the works of five major ancient Greek historians.

How Tobin Siebers' foundational work in disability studies resonates in the field today

Focuses on drag and transgender performance and activism in Puerto Rico and its diaspora. Arguing for its political potential, Lawrence La Fountain-Stokes explores the social and cultural disruptions caused by Latin American and Latinx 'locas' and the various forms of violence that queer individuals in Puerto Rico and the US are subjected to.

The common understanding is that honour belongs to a bygone era, whereas civil society belongs to the future and modern society. Heikki Lempa argues that honour was not gone or even in decline between 1700 and 1914, and that civil society was not new but had long roots that stretched into the Middle Ages.

A book about agency. About how, in the face of powerful interests and seemingly insurmountable obstacles - political, psychological, economic, geographical, and physical - a small group of lawyers and survivors navigated a terrain of daunting barriers to begin building, case-by-case, new pathways to justice for those who otherwise would have none.

Identifies key threads in the global comparative discussion that continue to shed light on COVID-19 and shape debates about what it means for scholarship in health and comparative politics. The book's coverage is global, with a wide range of key and exemplary countries, and contains a mixture of comparative, thematic, and templated country studies.

How women playwrights illuminate the contemporary world while also contributing to its reshaping.

This second, revised edition of a pioneering volume, long out of print, presents translations of Japanese Zen poems on sorrow, old age, homesickness, the seasons, the ravages of time, solitude, the scenic beauty of the landscape of Japan, and monastic life.

Senshi was born in 964 and died in 1035, in the Heian period of Japanese history (794-1185). Most of the poems discussed here are what may loosely be called Buddhist poems, since they deal with Buddhist scriptures, practices, and ideas.

Published in 1906, Essays on the Modern Japanese Church was the first Japanese-language history of Christianity in Meiji Japan. Yamaji Aizan's account describes the reintroduction of Christianity to Japan - its development, rapid expansion, and decline - and its place in the social, political, and intellectual life of the Meiji period.

Graduate students have traditionally learned a good part of what they know about sources and research aids on modern China through hearsay and serendipity. It is now possible for beginning researchers to start with some shared basic knowledge of research aids and documentary resources. This research guide is meant to provide that knowledge.

Argues that while many competing positions can coexist in the same person, the seeds of the positive, instrumental value of individual autonomy in Chinese inquiry are beginning to compete in both scholarly and popular culture with other, older approaches.

A translation of Fujiwara Teika's only successful work of fiction

Presents two texts in translation that provide dual insight into the Painting Academy of Emperor Hui-tsung and the literati school of painting. The Shan-shui ch'un-ch'uan chi is a treatise for beginning landscape painters dated to the Hsuan-ho era. The Hua-chi is a history of painting written as a sequel to two earlier histories.

The last project of the late Robert H. Brower, Conversations with Shotetsu provides a translation of the complete Nihon koten bungaku taikei text, as edited by Hisamatsu Sen'ichi. Steven D. Carter has annotated the translation and provided an introduction.

With the establishment of the Ming dynasty, a major historical tension rose into prominence between more absolutist and less absolutist modes of rulership. This produced a distinctive style of rule that modern students have come to call Ming despotism. It proved a capriciously absolutist pattern for Chinese government into our own time.

Offers a systematic study of the effects of the comprehensive reform of traditional Chinese theatre conducted in the 1950s and '60s, and is based on a decade's worth of exhaustive research of official archival documents, wide-ranging interviews, and contemporaneous publications.

Much of our understanding of the world is framed from the perspective of a dominant power center, or from standard readings of historical events. This book employs the idea of remoteness as an analytical tool for viewing international law's encounter with the Americas from the unusual, peripheral perspective of the Atacama Desert.