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The idea of teaching writing through genres - rather than through prescriptive forms, templates, and rhetorical modes - is intuitively appealing. Yet many teachers have questions. This book tackles some of the most common questions that teachers, teacher educators, and administrators may have when moving toward a genre-based teaching approach.
Spans a variety of business areas relevant to corporate renewal and turnaround management. The cases in this book were selected to cover the knowledge and skills needed by successful turnaround managers, including ethical and legal issues; developing a plan of reorganization; and defining problems and their solutions.
For this new edition, Platt has revised, updated and expanded his text, including a new chapter on bankruptcy law, a profile of the turnaround manager, and an overview of the typical turnaround engagement.
A unique document that opens a window onto the world of Buddhist religious experience - especially for women - in high classical Japan, the time of Sei Shonagon's Pillow Book and Murasaki Shikibu's Tale of Genji.
Examines the extent to which gender influences the political policy views and attitudes of women
A translation of eight declamations written by or ascribed to Libanius, fourth-century CE sophist of Antioch
An anthology of translated Japanese literature about men behaving lovingly, erotically, and intimately with other men. Covering more than 125 years of modern and contemporary Japanese history, this book introduces a diverse array of authors to an English-speaking audience and provide further context for their works.
Yosano Akiko has long been recognised as one of the most important literary figures of prewar Japan. Her renown derives principally from the passion of her early poetry and from her contributions to 20th-century debates about women. This study shows that facile descriptions of Akiko as a 'poetess of passion' or 'new woman' no longer suffice.
Proposes that theatre spectatorship has made a significant contribution to the historical development of a distinctive bourgeois sensibility, characterized by the cultivation of distance. This study of history, class, and spectatorship offers proof of 'why theatre matters', and demonstrates the importance of examining the question historically.
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