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A wide-reaching exploration of how technological advancements influence and shape productivity and economic growth. Current technological developments in several industries, such as the rise of artificial intelligence and innovations associated with the green energy transition, are likely to have significant and wide-ranging effects. This volume explores the implications of rapid changes in advanced technology and considers how to conceptualize and model these advances and improve measures of productivity and economic growth. The study of these issues is facilitated both by new methods for using and integrating disparate data sources and by the availability of new data sources. The chapters in this volume leverage these developments to offer fresh insights into long-standing issues in productivity analysis and technological change.

An engrossing origin story for the personal computer--showing how the Apple II's software helped a machine transcend from hobbyists' plaything to essential home appliance. Skip the iPhone, the iPod, and the Macintosh. If you want to understand how Apple Inc. became an industry behemoth, look no further than the 1977 Apple II. Designed by the brilliant engineer Steve Wozniak and hustled into the marketplace by his Apple cofounder Steve Jobs, the Apple II became one of the most prominent personal computers of this dawning industry. The Apple II was a versatile piece of hardware, but its most compelling story isn't found in the feat of its engineering, the personalities of Apple's founders, or the way it set the stage for the company's multibillion-dollar future. Instead, historian Laine Nooney shows, what made the Apple II iconic was its software. In software, we discover the material reasons people bought computers. Not to hack, but to play. Not to code, but to calculate. Not to program, but to print. The story of personal computing in the United States is not about the evolution of hackers--it's about the rise of everyday users. Recounting a constellation of software creation stories, Nooney offers a new understanding of how the hobbyists' microcomputers of the 1970s became the personal computer we know today. From iconic software products like VisiCalc and The Print Shop to historic games like Mystery House and Snooper Troops to long-forgotten disk-cracking utilities, The Apple II Age offers an unprecedented look at the people, the industry, and the money that built the microcomputing milieu--and why so much of it converged around the pioneering Apple II.

Albert Camus's lively journals from his eventful visits to the United States and South America in the 1940s, available again in a new translation. In March 1946, the young Albert Camus crossed from Le Havre to New York. Though he was virtually unknown to American audiences at the time, all that was about to change--The Stranger, his first book translated into English, would soon make him a literary star. By 1949, when he set out on a tour of South America, Camus was an international celebrity. Camus's journals offer an intimate glimpse into his daily life during these eventful years and showcase his thinking at its most personal--a form of observational writing that the French call choses vues (things seen). Camus's journals from these travels record his impressions, frustrations, joys, and longings. Here are his unguarded first impressions of his surroundings and his encounters with publishers, critics, and members of the New York intelligentsia. Long unavailable in English, the journals have now been expertly retranslated by Ryan Bloom, with a new introduction by Alice Kaplan. Bloom's translation captures the informal, sketch-like quality of Camus's observations--by turns ironic, bitter, cutting, and melancholy--and the quick notes he must have taken after exhausting days of travel and lecturing. Bloom and Kaplan's notes and annotations allow readers to walk beside the existentialist thinker as he experiences changes in his own life and the world around him, all in his inimitable style.

A new edition of a classic resource-comprised of twenty-three essays written specifically for this volume. First published nearly thirty years ago, Critical Terms for Religious Studies proved a vital resource for an emerging interdisciplinary conversation. We still use much of the same language in the study of religion, but fresh concerns have both changed their meaning and given rise to new terms altogether. This edition consists of twenty-three entirely new essays that offer students and scholars alike the tools to historicize and evaluate the shifting role of familiar and emerging critical terms in religious studies.            These are "critical terms" both because they are important in our cultural moment-identity, race, sex, catastrophe, power, and money-and because thinking through them reveals how religions are embedded in and shaped by material, social, economic, and political forces. A shared conviction unites contributors from a range of traditions and methodologies: a recognition that our world is saturated by the persistence of religious traditions as shape-shifting (not static or transcendent) forces of authority, as powerful today as ever before.

A wide-ranging collection of essays that centers Latinos in the history of American cities and suburbs.   Latino urban history has been underappreciated not only in its own right but for the centrality of its narratives to urban history as a field. A scholarly discipline that has long scrutinized economics, politics, and the built environment has too often framed race as literally Black and white. This has resulted in a fundamental misunderstanding of the full social canvas of American cities since at least the early twentieth century.   Traversing cities like Atlanta, Chicago, El Paso, Fort Worth, Los Angeles, Miami, and New York, this collection of essays brings together both established and emerging scholars, including long-time urbanists and academics working in the fields of Latino, borderlands, political, landscape, and religious history. Organized at different scales-including city, suburb, neighborhood, and hemisphere-this impressive body of work disrupts long-standing narratives about metropolitan America. The contributors-Llana Barber, Mauricio Castro, Eduardo Contreras, Sandra I. Enríquez, Monika Gosin, Cecilia Sánchez Hill, Felipe Hinojosa, Michael Innis-Jiménez, Max Krochmal, Becky M. Nicolaides, Pedro A. Regalado, Iliana Yamileth Rodriguez, and Thomas J. Sugrue-engage a diverse range of subjects, such as urban rebellions, the suburbanization of Latinos, affordable housing, labor, the built environment, transnationalism, place-making, and religious life. The scholars also explore race within Latino communities, as well as the role that political and economic dynamics have played in creating Latino urban spaces. After reading this book, you will never see American cities the same way again.

A wide-ranging collection of essays that centers Latinos in the history of American cities and suburbs.   Latino urban history has been underappreciated not only in its own right but for the centrality of its narratives to urban history as a field. A scholarly discipline that has long scrutinized economics, politics, and the built environment has too often framed race as literally Black and white. This has resulted in a fundamental misunderstanding of the full social canvas of American cities since at least the early twentieth century.   Traversing cities like Atlanta, Chicago, El Paso, Fort Worth, Los Angeles, Miami, and New York, this collection of essays brings together both established and emerging scholars, including long-time urbanists and academics working in the fields of Latino, borderlands, political, landscape, and religious history. Organized at different scales-including city, suburb, neighborhood, and hemisphere-this impressive body of work disrupts long-standing narratives about metropolitan America. The contributors-Llana Barber, Mauricio Castro, Eduardo Contreras, Sandra I. Enríquez, Monika Gosin, Cecilia Sánchez Hill, Felipe Hinojosa, Michael Innis-Jiménez, Max Krochmal, Becky M. Nicolaides, Pedro A. Regalado, Iliana Yamileth Rodriguez, and Thomas J. Sugrue-engage a diverse range of subjects, such as urban rebellions, the suburbanization of Latinos, affordable housing, labor, the built environment, transnationalism, place-making, and religious life. The scholars also explore race within Latino communities, as well as the role that political and economic dynamics have played in creating Latino urban spaces. After reading this book, you will never see American cities the same way again.

A definitive, international guide to the thought of the most important twentieth-century Jewish philosopher.   In his 1923 essay, I and Thou, the philosopher, theologian, and activist Martin Buber introduced a philosophy of dialogue that achieved a global, interdisciplinary resonance. For Buber, dialogue was more than a conversation; dialogue discloses something essential about our orientation and our lives with one another. This companion assembles twenty-six scholars from a dozen countries to explore Buber's international reputation and legacy in education, interfaith relations, Judaism, philosophy, politics, and psychology. The result is an essential guide to one of the most influential Jewish thinkers of the twentieth century.

A definitive, international guide to the thought of the most important twentieth-century Jewish philosopher.   In his 1923 essay, I and Thou, the philosopher, theologian, and activist Martin Buber introduced a philosophy of dialogue that achieved a global, interdisciplinary resonance. For Buber, dialogue was more than a conversation; dialogue discloses something essential about our orientation and our lives with one another. This companion assembles twenty-six scholars from a dozen countries to explore Buber's international reputation and legacy in education, interfaith relations, Judaism, philosophy, politics, and psychology. The result is an essential guide to one of the most influential Jewish thinkers of the twentieth century.

A thoroughly revised edition of the comprehensive guide to building and maintaining a successful career in writing.   Writers talk about their work in many ways: as an art, as a calling, as a lifestyle. Too often missing from these conversations is the fact that writing is also a business, and those who want to make a living from their writing must understand the basic business principles underlying the industry. The Business of Being a Writer offers the business education writers need but so rarely receive. Jane Friedman is one of today's leading experts on the publishing industry. Through her website, social media presence, online courses, email newsletters, and other media, she helps writers understand how to navigate the industry with confidence and intentionality. This book advises writers on building a platform in a way that aligns with their values; critical mindset issues that might sabotage their efforts before they even begin; how to publish books and short works strategically; and what it means to diversify income streams beyond book sales. For this second edition, Friedman has updated every topic to reflect how the industry has evolved over the past half-decade. New features include a section on business and legal issues commonly faced by writers, exercises at the end of each chapter, and a wealth of sample materials posted on a companion website.  Reaching beyond the mechanical aspects of publishing, The Business of Being a Writer will help both new and experienced writers approach their careers with the same creative spirit as their writing. Friedman is encouraging without sugarcoating reality, blending years of research with practical advice that will help writers market themselves and maximize their writing-related income. Her book will leave them empowered, confident, and ready to turn their craft into a sustainable career.

A pioneering look at an immensely creative period in Japanese art that developed amid the Cold War. Alicia Volk brings to light a significant body of postwar Japanese art, exploring how it accommodated and resisted the workings of the American empire during the early Cold War. Volk's groundbreaking account presents the points of view of Japanese artists and their audiences under American occupation and amid the ruins of war. Each chapter reveals how artists embraced new roles for art in the public sphere--at times by enacting radical critiques of established institutions, values, and practices--and situates a range of compelling art objects in their intersecting artistic and political worlds. Centering on the diverse and divisive terrain of Japanese art between 1945 and 1952, In the Shadow of Empire creates a fluid map of relationality that brings multiple Cold War spheres into dialogue, stretching beyond United States-occupied Japan to art from China, Europe, the Soviet Union, and the United States, and demonstrates the rich potential of this transnational site of artmaking for rethinking the history of Japanese and global postwar art.