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A thought-provoking challenge to our ideas about philanthropy, marking it as a deeply political activity that allows the wealthy to dictate more than we think.
Bette Davis's career becomes a vehicle for a deep examination of American race relations.
"This book draws on literature, painting, and a never-before-seen cache of photographs to explore the representation of catastrophe and the targeting of civilians in war. Focusing on images of Nazi Germany's bombed-out cities, the author connects the fraught aesthetics of ruins with the problem of how to acknowledge German suffering."--Provided by
Founded in 1968, the Metropolitan Museum Journal is a blind, peer-reviewed scholarly journal published annually that features original research on the history, interpretation, conservation, and scientific examination of works of art in the Museum's collection. Its scope encompasses the diversity of artistic practice from antiquity to the present day. The Journal encourages contributions offering critical and innovative approaches that will further our understanding of works of art.
Since 1979 the Crime and Justice series has presented a review of the latest international research, providing expertise to enhance the work of sociologists, psychologists, criminal lawyers, justice scholars, and political scientists. The series explores a full range of issues concerning crime, its causes, and its cures. In both the review and the thematic volumes, Crime and Justice offers an interdisciplinary approach to address core issues in criminology.
That the president uniquely represents the national interest is a political truism, yet this idea has been transformational, shaping the efforts of Congress to remake the presidency and testing the adaptability of American constitutional government.
The story of how Latin and Arabic spread across the Mediterranean to create a cosmopolitan world of letters.
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