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"The Monkey and The Tiger" includes two detective stories, "The Morning of the Monkey" and "The Night of the Tiger." In the first, a gibbon drops an emerald in the open gallery of Dee's official residence, leading the judge to discover a strangely mutilated body in the woods--and how it got there. In the second, Dee is traveling to the imperial capital to assume a new position when he is separated from his escort by a flood. Marooned in a large country house surrounded by fierce bandits, Dee confronts an apparition that helps him solve a mystery.

Steinberg argues in this work that the artists regarded the deliberate exposure of Christ's genitalia as an affirmation of kinship with the human condition.

"All art should become science and all science art; poetry and philosophy should be made one." Friedrich Schlegel's words perfectly capture the project of the German Romantics, who believed that the aesthetic approaches of art and literature could reveal patterns and meaning in nature that couldn't be uncovered through rationalistic philosophy and science alone. In this wide-ranging work, Robert J. Richards shows how the Romantic conception of the world influenced (and was influenced by) both the lives of the people who held it and the development of nineteenth-century science. Integrating Romantic literature, science, and philosophy with an intimate knowledge of the individuals involved--from Goethe and the brothers Schlegel to Humboldt and Friedrich and Caroline Schelling--Richards demonstrates how their tempestuous lives shaped their ideas as profoundly as their intellectual and cultural heritage. He focuses especially on how Romantic concepts of the self, as well as aesthetic and moral considerations--all tempered by personal relationships--altered scientific representations of nature. Although historians have long considered Romanticism at best a minor tributary to scientific thought, Richards moves it to the center of the main currents of nineteenth-century biology, culminating in the conception of nature that underlies Darwin's evolutionary theory. Uniting the personal and poetic aspects of philosophy and science in a way that the German Romantics themselves would have honored, The Romantic Conception of Life alters how we look at Romanticism and nineteenth-century biology.

Judge Dee, the master detective of seventh-century China, sets out to solve a puzzling double murder and discovers complex passions lurking beneath the placid surface of academic life. To connect crimes with betrayals and adulteries from decades past, the clever judge must visit a high-class brothel and the haunted shrine of the Black Fox.

What happens when the meaning of life based on a divine revelation no longer makes sense? Luc Ferry argues that modernity has not killed the search for meaning but has transformed the search into a more humanitarian language.

Against the backdrop of the violent partition of India and Pakistan, this volume sketches one last bittersweet romance, revealing the divided loyalties of the British as they flee, retreat from, or cling to India.

Explores how musicians, both individually and collectively, learn to improvise. Chronicling musicians from their first encounters with jazz to the development of a unique improvisatory voice, Berliner demonstrates that a lifetime of preparation lies behind the skilled improviser's every note.

Willcock provides a line-by-line commentary that explains allusions and Homeric conventions that a student or general reader could not be expected to bring to an initial encounter with the Iliad.

This book presents some of the most stimulating ideas on mind and meaning I have ever read. It is a book that has far-reaching consequences and is sure to rattle the foundations of thinking and research in the cognitive sciences.

This dictionary includes descriptions of hundreds oflanguages from A to Z and definitions of literary and grammatical concepts, as well as explanations of terms used in linguistics, language teaching, and speech pathology.

The continuation of Alexis de Toccqueville's great meditation on the origins and meanings of the French Revolution. With his monumental work The Old Regime and the Revolution, Alexis de Tocqueville (1805-59)-best known for his classic Democracy in America-envisioned a multivolume philosophical study of the origins of modern France that would examine the implications of French history on the nature and development of democratic society. Volume I, which covered the eighteenth-century background to the Revolution, was published to great acclaim in 1856. On the continuation of this project, he wrote: "When this Revolution has finished its work, [this volume] will show what that work really was, and what the new society which has come from that violent labor is, what the Revolution has taken away and what it has preserved from that old regime against which it was directed." Tocqueville died in the midst of this work. Here in Volume II is all that he had completed, including the chapters he started for a work on Napoleon, notes and analyses he made in the course of researching and writing the first volume, and his notes on his preparation for his continuation. More than ever before, readers will be able to glean how Tocqueville's account of the Revolution would have come out, had he lived to finish it. This handsomely produced volume completes the set and is essential reading for anyone interested in the French Revolution or in Tocqueville's thought.

"Stâephane Gerson's edited collection spotlights historians who have embraced the methodological, practical, and ethical challenges of writing about that most slippery and opaque of subjects, their own families-a practice that many historians have long felt has been discouraged professionally. In a remarkable number of ways, the diverse lineup of contributors here bring into the open the difficulties and complexities-personal, professional, and historiographic-that ensue from not distancing themselves from their subjects but stressing their closeness. Gerson suggests that historians overall might write better histories if they felt free to acknowledge that what speaks to them professionally might also be what moves them personally"--

"Stâephane Gerson's edited collection spotlights historians who have embraced the methodological, practical, and ethical challenges of writing about that most slippery and opaque of subjects, their own families-a practice that many historians have long felt has been discouraged professionally. In a remarkable number of ways, the diverse lineup of contributors here bring into the open the difficulties and complexities-personal, professional, and historiographic-that ensue from not distancing themselves from their subjects but stressing their closeness. Gerson suggests that historians overall might write better histories if they felt free to acknowledge that what speaks to them professionally might also be what moves them personally"--

Offers an expansive, unified theory of thought that brings together the vast resources of neuroscience, computation, and cognitive linguistics. What is an idea, and where does it come from? We experience thought as if it were abstract, but every thought is actually a physical thing, carried out by the neural systems of our brains. Thought does not occur neuron-by-neuron; it happens when neurons come together to form circuits and when simple circuits combine to form complex ones. Thoughts, then, derive their structures from the circuitry we also use for vision, touch, and hearing. This circuitry is what allows simple thoughts to come together into complex concepts, making meaning, creating metaphors, and framing our social and political ideas. With The Neural Mind, George Lakoff, a pioneering cognitive linguist, and computer scientist Srini Narayanan deftly combine insights from cognitive science, computational modeling, and linguistics to show how thoughts arise from the neural circuitry that runs throughout our bodies. They answer key questions about the ways we make meaning: How does neural circuitry create the conceptual "frames" through which we understand our social lives? What kind of neural circuitry characterizes metaphorical thought, in which ideas are understood in terms of other ideas with similar structures? Lively and accessible, the book shows convincingly that the "metaphors we live by"--to use Lakoff's famous phrase--aren't abstractions but deeply embodied neural constructs. The Neural Mind is the first book of its kind, bringing together the ideas of multiple disciplines to offer a unified, accessible theory of thought. A field-defining work, Lakoff and Narayanan's book will be of interest not just to linguists and cognitive scientists, but also to psychologists, philosophers, anthropologists, journalists, sociologists, and political scientists--and to anyone who wants to understand how we really think.

"Along with Dante and Petrarch, Boccaccio (1313-1375) is one of the "Three Crowns" of Italian literature, a trio of writers who shaped the history of humanism, literature, and poetry in Italy, Europe, and beyond. Much as Dante established vernacular Italian in poetry, Boccaccio did the same for prose, most notably in his best-known work, the Decameron, an unforgettable work that takes an unflinching look at human passion, celebrates storytelling and community as a means of survival. This major biography by the esteemed literary scholar Marco Santagata sheds new light on Boccaccio's life-his family, friends, and foes; his aspirations, fears, and frustrations. Santagata shows in this rich portrait how the transformations Italy was undergoing at the time affected Boccaccio at various stages of his life. Most importantly, he shows how the world around him shaped Boccaccio's understanding of what literature could be; what kinds of stories it could or should convey and what kinds of characters it could depict; and, perhaps most importantly, what role literature and art can play in a changing world. This work promises to be the definitive biography of Boccaccio for many years to come"--

The vital and untold story of Karl Marx's stamp on American life. To read Karl Marx is to contemplate a world created by capitalism. People have long viewed the United States as the quintessential anti-Marxist nation, but Marx's ideas have inspired a wide range of people to formulate a more precise sense of the stakes of the American project. Historians have highlighted the imprint made on the United States by Enlightenment thinkers such as Adam Smith, John Locke, and Thomas Paine, but Marx is rarely considered alongside these figures. Yet his ideas are the most relevant today because of capitalism's centrality to American life. In Karl Marx in America, historian Andrew Hartman argues that even though Karl Marx never visited America, the country has been infused, shaped, and transformed by him. Since the beginning of the Civil War, Marx has been a specter in the American machine. During the Gilded Age, socialists read Marx as an antidote to the unchecked power of corporations. In the Great Depression, communists turned to Marx in hopes of transcending the destructive capitalist economy. The young activists of the 1960s were inspired by Marx as they gathered to protest an overseas war. Marx's influence today is evident, too, as Americans have become increasingly attuned to issues of inequality, labor, and power. After decades of being pushed to the far-left corner of intellectual thought, Marx's ideologies have crossed over into the mainstream and are more alive than ever. Working-class consciousness is on the rise, and, as Marx argued, the future of a capitalist society rests in the hands of the people who work at the point of production. A valuable resource for anyone interested in Marx's influence on American political discourse, Karl Marx in America is a thought-provoking account of the past, present, and future of his philosophies in American society.

Fish don't heed state boundaries, nor does this comprehensive, photo-filled guide to the diverse species of Chicago and beyond. Encompassing southern Lake Michigan, northeastern Illinois, and adjacent areas of Indiana, Michigan, and Wisconsin, the Chicago Region is home to rare habitats supporting diverse fish populations. From small creeks to large rivers, and small ponds to one of the world's largest freshwater ecosystems, Lake Michigan, these systems are home to some 164 fish species representing 31 families. We meet them all--lampreys, sturgeon, paddlefish, gars, drum, darters, perches, sticklebacks, sculpins, and more--in this book, the most complete and up-to-date reference for fishes in the Chicago Region. Written by leading local ecologists, and featuring a pictorial family key, color photographs, and detailed distribution maps for each species, as well as natural history summaries with observations unique to the region, this go-to guide belongs on the shelf--and in the boat--of every angler, naturalist, fisheries manager, and biologist.

A new history of how the musical worlds of German towns and cities were transformed during the Nazi era. In the years after the Nazis came to power in January 1933 and through the war years all aspects of life in Germany changed. However, despite the social and political upheaval, gentile citizens were able to continue leisure activities such as attending concerts. In this book, historian Neil Gregor surveys the classical concert scene in Nazi Germany from the perspective of the audience, rather than institutions or performers. Gregor delves into the cultural lives of ordinary Germans under conditions of dictatorship. Did the ways in which Germans heard music in the period change? Did a Nazi way of listening emerge? For audiences, Gregor shows, changes to the concert experience were small and often took place around the edges. This, combined with the preserved idea of the concert hall as a space of imagined civility and cultivation, led many concertgoers and music lovers to claim after the war that their field and their practice had been innocent-a place to retreat from the vicious violence and racism of the Nazi regime. Drawing on untapped archival sources, The Symphony Concert in Nazi Germany reveals that the true history was one of disruption but also of near effortless adaptation. Through countless small acts, the symphony concert was reframed within the languages of strident nationalism, racism, and militarism to ensure its place inside the cultural cosmos of National Socialist Germany.