Bøker utgitt av The University of Chicago Press

"Wow. No one ever told me this!" Wendy Laura Belcher has heard this countless times throughout her years of teaching and advising academics on how to write journal articles. Scholars know they must publish, but few have been told how to do so. So Belcher made it her mission to demystify the writing process. The result was Writing Your Journal Article in Twelve Weeks, which takes this overwhelming task and breaks it into small, manageable steps. For the past decade, this guide has been the go-to source for those creating articles for peer-reviewed journals. It has enabled thousands to overcome their anxieties and produce the publications that are essential to succeeding in their fields. With this new edition, Belcher expands her advice to reach beginning scholars in even more disciplines. She builds on feedback from professors and graduate students who have successfully used the workbook to complete their articles. A new chapter addresses scholars who are writing from scratch. This edition also includes more targeted exercises and checklists, as well as the latest research on productivity and scholarly writing. Writing Your Journal Article in Twelve Weeks is the only reference to combine expert guidance with a step-by-step workbook. Each week, readers learn a feature of strong articles and work on revising theirs accordingly. Every day is mapped out, taking the guesswork and worry out of writing. There are tasks, templates, and reminders. At the end of twelve weeks, graduate students, recent PhDs, postdoctoral fellows, adjunct instructors, junior faculty, and international faculty will feel confident they know that the rules of academic publishing and have the tools they need to succeed.

At one time a star in her own right as a singer, Anna Magdalena (1701-60) would go on to become, through her marriage to the older Johann Sebastian Bach, history's most famous musical wife and mother. The two musical notebooks belonging to her continue to live on, beloved by millions of pianists young and old. Yet the pedagogical utility of this music--long associated with the sound of children practicing and mothers listening--has encouraged a rosy and one-sided view of Anna Magdalena as a model of German feminine domesticity.             Sex, Death, and Minuets offers the first in-depth study of these notebooks and their owner, reanimating Anna Magdalena as a multifaceted historical subject--at once pious and bawdy, spirited and tragic. In these pages, we follow Magdalena from young and flamboyant performer to bereft and impoverished widow--and visit along the way the coffee house, the raucous wedding feast, and the family home. David Yearsley explores the notebooks' more idiosyncratic entries--like its charming ditties on illicit love and searching ruminations on mortality--against the backdrop of the social practices and concerns that women shared in eighteenth-century Lutheran Germany, from status in marriage and widowhood, to fulfilling professional and domestic roles, money, fashion, intimacy and sex, and the ever-present sickness and death of children and spouses. What emerges is a humane portrait of a musician who embraced the sensuality of song and the uplift of the keyboard, a sometimes ribald wife and oft-bereaved mother who used her cherished musical notebooks for piety and play, humor and devotion--for living and for dying.

A moving collection of intimate portraits of farm animals who somehow escaped the typical fate of their kind and got to experience old age. These photos have so much personality, and Leshko supplements them with accounts of each animal's life and her experience photographing them.

Brian Ladd examines the ongoing conflicts radiating from the fusion of architecture, history and national identity in present-day Berlin. He surveys the urban landscape and deconstructs the public debates and political controversies emerging from Berlin's past.

Fully updated for the digital age, this new edition of How to Lie with Maps examines the myriad ways that technology offers new opportunities for cartographic mischief, deception, and propaganda.

In the mid-twentieth century, scientists anxieties about survival and salvation led them to stockpile and freeze materials from communities that seemed to embody potentially valuable biological resources. This has grown into a monumental, tissue-based infrastructure that enables a huge range of contemporary research in the private and public sectors. Preserved tissues have been mined again and again, each time for new constituents, and arguments have been made about the urgency of acquiring ever more high quality specimens. At the same time, concerns about privacy and property have dominated the ethical, legal, and social discussions surrounding what has been referred to as the stored tissue issue. In this book Joanna Radin explains the unique cultural and technical circumstances that created and gave momentum to the phenomenon of life on ice. This is a fascinating inquiry into how and why the question who do I think I am? came to be asked in the language of science and how the practice of accumulating blood samples shaped the emergence of biomedicine at the dawn of the genomic age."

The essence of the correspondence between Arendt and Scholem can be said to lie in three things. Above all it provides an intimate account of how two great intellectuals try to come to terms with being both German and Jewish, and how to think about Germany before, during, and after the Holocaust. They also debate the issue of what it means to be Jewish in the post-Holocaust world whether in New York or in Jerusalem. Finally, the specter of Benjamin haunts the work and in a sense the letters are as much about Benjamin as the other two questions since his life and tragic death epitomize them both. Arendt and Scholem's letters on these weighty questions are lightened by more routine exchanges: on travel itineraries, lunch or dinner parties where important people were present, and so forth. These daily details are woven throughout the correspondence and provide vivid biographical information about Arendt and Scholem that is unavailable in any other source.

While the natural world is often described as organic, it is in fact structured to the very molecule, replete with patterned order that can be decoded with basic mathematical algorithms and principles. In a nautilus shell one can see logarithmic spirals, and the Golden Ratio can be seen in the seed head of the sunflower plant. These patterns and shapes have inspired artists, writers, designers, and musicians for thousands of years. "Patterns in Nature: Why the Natural World Looks the Way It Does" illuminates the amazing diversity of pattern in the natural world and takes readers on a visual tour of some of the world s most incredible natural wonders. Featuring awe-inspiring galleries of nature s most ingenious designs, "Patterns in Nature" is a synergy of art and science that will fascinate artists, nature lovers, and mathematicians alike."

It is time for the story of the evolution of language to be rewritten. Michael Corballis breaks tradition with the likes of Chomsky, Pinker, and Gould and shows how language was neither a great leap nor a merge of mental wires. Language, he argues, is a device for sharing our thoughts, and is not thought itself; thought evolved independently of language, and was not necessary for its later emergence. His story centers on the ability of mental time travel, that is to entertain thoughts that are not tied to the present, and the theory of mind, or the ability to read other people s minds. Language in this framework becomes a way of sharing our thoughts, of communicating about aspects of the world, exquisitely shaped to communicate about the non-present; ideas, and stories, that are housed in our minds. This involved grammar, a set of conventions by which our thinking can be put into words, so that others can share them. The main attributes of grammatical language were shaped gradually from some 2.5 million years ago, during the Pleistocene. It did not, Corballis contends, emerge in a fortuitous big bang a mere 60,000 years ago. Corballis sees the evolution of language as one of the strongest test cases for Darwin s theory of evolution by natural selection. Language evolution has been referred to as the hardest problems in science, and Corballis here offers some meaningful paths to its solution. "

Consider Miles Davis, horn held high, sculpting a powerful musical statement full of tonal patterns, inside jokes, and thrilling climactic phrases--all on the fly. Or think of a comedy troupe riffing on a couple of cues from the audience until the whole room is erupting with laughter. Or maybe it's a team of software engineers brainstorming their way to the next Google, or the Einsteins of the world code-cracking the mysteries of nature. Maybe it's simply a child playing with her toys. What do all of these activities share? With wisdom, humor, and joy, philosopher Stephen T. Asma answers that question in this book: imagination. And from there he takes us on an extraordinary tour of the human creative spirit. Guided by neuroscience, animal behavior, evolution, philosophy, and psychology, Asma burrows deep into the human psyche to look right at the enigmatic but powerful engine that is our improvisational creativity--the source, he argues, of our remarkable imaginational capacity. How is it, he asks, that a story can evoke a whole world inside of us? How are we able to rehearse a skill, a speech, or even an entire scenario simply by thinking about it? How does creativity go beyond experience and help us make something completely new? And how does our moral imagination help us sculpt a better society? As he shows, we live in a world that is only partly happening in reality. Huge swaths of our cognitive experiences are made up by "what-ifs," "almosts," and "maybes," an imagined terrain that churns out one of the most overlooked but necessary resources for our flourishing: possibilities. Considering everything from how imagination works in our physical bodies to the ways we make images, from the mechanics of language and our ability to tell stories to the creative composition of self-consciousness, Asma expands our personal and day-to-day forms of imagination into a grand scale: as one of the decisive evolutionary forces that has guided human development from the Paleolithic era to today. The result is an inspiring look at the rich relationships among improvisation, imagination, and culture, and a privileged glimpse into the unique nature of our evolved minds.

This image-rich essay offers a radical rethinking of the ab-ex painter Willem de Kooning by one of the greatest American art critics. Many have written about de Kooning s startling canvases of monstrous women, but none have approached them this way. In prose as energetic as her subject, Rosalind Krauss demonstrates how de Kooning could never stop reworking the same subject. Deploying one telling image after another, she shows that, from the early days of his career, de Kooning nearly always (1) worked with a tripartite vertical structure, (2) projected his own figure and point of view as the (male) artist into the painting, and (3) was compelled to produce the female figure, legs splayed obscenely or knees projected into the viewer s space in practically everything he made. Hidden in plain sight even in paintings of highways, boats, and landscapes, Woman is always there. How could we have missed this?"

Examines the ways that people around the world have sought to identify and preserve old. By cultivating the edible memories, the author reveals that you can stay connected to a delicious heritage of historic flavors and to the pleasures and possibilities for generations of feasts to come.

The Western discovery of Japanese paintings at nineteenth-century world's fairs and export shops catapulted Japanese art to new levels of popularity. This volume explores the visual characteristics and social functions of nihonga and traces its relationship to the past, its viewers, and emerging notions of the modern Japanese state.

The Indian subdistrict of Shahabad, located in the southeastern tip of Rajasthan, is an area of extreme poverty. It is home to the Sahariyas, officially classified as Rajasthan's only "primitive tribe." The author organizes his study around two themes: power and ethics, through which he explores a complex terrain of material and spiritual forces.

Before publishing his book How the Other Half Lives, Jacob Riis (1849-1914) spent his first years in the US as an immigrant and itinerant laborer, until he landed a job as a muckraking reporter. This book places Jacob Riis' images in historical context. It explores Riis' reporting and activism within the gritty specifics of Gilded Age New York.

Offers recommendations on all matters of writing style and citation. Developed by the Council of Science Editors (CSE), the leading professional association in science publishing, this guide encompasses all areas of the sciences. It has been fully revised to reflect the best practices in scientific publishing.

Zookeepers are responsible for the care and welfare of animals in zoos and aquariums and also serve as public ambassadors for the animals. This book offers an overview of the profession geared toward new animal keepers and anyone who needs a foundational account of the topics most important to the day-to-day care of zoo and aquarium animals.

Combines an inventive reading of Jean-Luc Nancy with queer theoretical concerns to argue that while scenes of intimacy are spaces of sharing, they are also spaces of separation. The author shows that this tension informs our efforts to coexist ethically and politically, an experience of sharing and separation that informs any decision.

Distant relatives of modern lobsters, horseshoe crabs, and spiders, trilobites swam the planet's prehistoric seas for 300 million years, from the Lower Cambrian to the end of the Permian eras - and they did so very capably. This is a revealing guide to these surreal arthropods of ancient Earth.

Based on interviews with individuals who abstain from habits as diverse as sex, cigarettes, sugar, and technology, this book identifies four different types of abstainers: quitters; those who have never done something and never will; those who haven't done something yet, but might in the future; and those who are not doing something temporarily.

Parker robs a rock concert, but the heist goes sour, and he finds himself - and his woman, Claire - menaced by a pair of sadistic, drug-crazed hippies. Slayground turns the hunter into prey, as Parker gets trapped in a shuttered amusement park, besieged by a bevy of local mobsters.

A work that traces the storied past of the author's hometown, from the explorations of Joliet and Marquette in 1673 to the new wave of urban pioneers today. It gives voice to the city's steelyard workers and kill floor operators, and maps the neighborhoods distinguished not by Louis Sullivan masterworks but by bungalows and corner taverns.