Bøker utgitt av The University of Chicago Press

This heartfelt collection is a testament to sociology's power to heal people and transform societies. The world is a tough place right now. Climate change, income inequality, racist violence, and the erosion of democracy have exposed the vulnerability of our individual and collective futures. But as the sociologists gathered here by Marika Lindholm and Elizabeth Wood show, no matter how helpless we might feel, it's vital that we discover new paths toward healing and change. The short, accessible, emotionally and intellectually powerful essays in Between Us offer a transformative new way to think about sociology and its ability to fuel personal and social change. These forty-five essays reflect a diverse range of experiences. Whether taking an adult son with autism grocery shopping or fighting fires in Barcelona, contending with sexism at the beach or facing racism at a fertility clinic, celebrating one's immigrant heritage, or acknowledging one's KKK ancestors, this book shows students that sociology is deeply rooted in everyday life and can be used to help us process and understand it. A perfect introduction to the discipline and why it matters, Between Us will resonate with students from all backgrounds as they embark on their academic journey.

This heartfelt collection is a testament to sociology's power to heal people and transform societies. The world is a tough place right now. Climate change, income inequality, racist violence, and the erosion of democracy have exposed the vulnerability of our individual and collective futures. But as the sociologists gathered here by Marika Lindholm and Elizabeth Wood show, no matter how helpless we might feel, it's vital that we discover new paths toward healing and change. The short, accessible, emotionally and intellectually powerful essays in Between Us offer a transformative new way to think about sociology and its ability to fuel personal and social change. These forty-five essays reflect a diverse range of experiences. Whether taking an adult son with autism grocery shopping or fighting fires in Barcelona, contending with sexism at the beach or facing racism at a fertility clinic, celebrating one's immigrant heritage, or acknowledging one's KKK ancestors, this book shows students that sociology is deeply rooted in everyday life and can be used to help us process and understand it. A perfect introduction to the discipline and why it matters, Between Us will resonate with students from all backgrounds as they embark on their academic journey.

"The women's health movement in the United States, beginning in 1969 and taking hold in the 1970s, was a broad-based movement seeking to increase women's bodily knowledge, reproductive control, and well-being. It was a political movement that insisted that bodily autonomy provided the key to women's liberation. It was also an institution-building movement that sought to transform women's relationship with medicine; it was dedicated to increasing women's access to affordable health care without the barriers of homophobia, racism, and sexism. But the movement did not only focus on women's bodies. It also encouraged activists to reimagine their relationships with one another, to develop their relationships in the name of personal and political change, and, eventually, to discover and confront the limitations of the bonds of womanhood. This book examines historically the emergence, development, travails, and successes of the women's health movement in the United States. By bringing medical history and the history of women's bodies into our emerging understandings of second-wave feminism, the author sheds light on the understudied health needs and health activism of lesbians and others outside the hospital-in the home, the dispensary, the church basement, the bookshop, and the clinic. At its center are the politics, institutions, and relationships created by and within the women's health movement, depicted primarily from the perspective of the activists who shaped its priorities, fought its battles, and struggled with its shortcomings"--

"Heather Hendershot argues that a moment long understood as sitting at the crux of American political history-the chaos of the 1968 Democratic convention in Chicago-is also crucial to understanding the country's media history. By scrutinizing those events and broadcasts in precise detail, Hendershot documents the emergence of the idea that the media are inherently liberal. As she shows, the public was unwilling to accept what was happening, and when exposed to even a fraction of the chaos, recoiled at what they thought could only be the malicious bias of the gatekeepers of the airwaves"--

"From precognitive dreams and telepathic visions to near-death experiences, UFO encounters, and beyond, so-called impossible phenomena are not supposed to happen, but do happen all the time. These are the kinds of fantastic experiences that Jeffrey J. Kripal takes up in How to Think Impossibly. The impossible, Kripal asserts, is a function not of reality, but of our present social constructions and subsequent perceptions and cognitions. In other words, we think these events and experiences are impossible, but they are only impossible within our historically constructed frameworks. In How to Think Impossibly, Kripal thinks-with specific individuals and their extraordinary experiences in vulnerable, open, and often humorous ways. These lines of thought interweave the mental and material dimensions of humanistic and scientific inquiry, resulting in a developing awareness in the reader that what we think of as the impossible is not impossible at all"--

"The group of artists known as the "Pictures Generation" are usually thought to have rebelled against abstract and minimalist art by bringing back figural techniques and borrowing liberally from the aesthetics of mass media and advertising. Challenging conventional interpretations of this group, Alexander Bigman argues that these artists-especially Robert Longo, Jack Goldstein, Sarah Charlesworth, Gretchen Bender, and Troy Brauntuch-deployed totalitarian and fascist iconography to pose new, politically loaded questions about what it means to perceive the world historically in a society saturated by images. Throughout, he also situates their work in the context of other developments taking place in New York City at the time, including music, fashion, cinema, and literature. This is a book about art, popular culture, and memory, and especially about how the specter of fascism loomed for these artists in the 1970s and 1980s, and the ways it still looms for us today"--

"Flying saucers. Bigfoot. Frogs raining from the sky. Such phenomena fascinated Charles Fort, the maverick writer who scanned newspapers, journals, and magazines for reports of bizarre occurrences: dogs that talked, vampires, strange visions in the sky, and paranormal activity. His books of anomalies advanced a philosophy that saw science as a small part of a larger system in which truth and falsehood continually transformed into one another. His work found a ragged following of skeptics who questioned not only science but the press, medicine, and politics. Through their worldviews varied, they shared compelling questions about genius, reality, and authority. At the center of the community was adman, writer, and enfant terrible Tiffany Thayer, who founded the Fortean SOciety and ran it for almost three decades, collecting and reporting on every manner of oddity and conspiracy. In Think to New Worlds, Joshua Blu Buhs argues that the FOrtean effect on modern culture is deeper than you think. Fort's descending provided tools to expand the imagination, explore the social order, and demonstrate how power is exercised. Science fiction writers put these ideas to work as they sought to uncover the hidden structures undergirding reality. Avant-garde modernists--including the authors William Gaddis, Henry Miller, and Ezra Pount, as well as Surrealist visual artists--were inspired by Fort's writing about metaphysical and historical forces. And in the years following World War II, flying saucer enthusiasts convinced of alien life raised questions about who controlled the universe."--Publisher marketing.

"Though widely recognized as the founder of the legendary Fluxus movement, George Maciunas has long been a puzzling figure in the history of twentieth-century art. Many have questioned whether he should be considered an artist at all. In Fluxus Administration, critic and art historian Colby Chamberlain reveals the consistent artistic practice hidden behind Maciunas's varied work in architecture, music, performance, publication, graphic design, film, and real estate as an attempt to create models for community through structures of bureaucracy. In this deeply researched study, Chamberlain traces how Maciunas's art insinuated itself into settings as unlikely as the routes of the postal service, the fine print of copyright law, the zoning strictures of urban planning, and the corridors of hospitals. These shifting frames of reference expand our understanding of where an artistic practice can operate and what forms it might assume. In particular, Chamberlain draws on media theory to highlight Maciunas's ingeniously crafted paperwork, much of which is beautifully reproduced here for the first time"--

"A fascinating retelling of the first banking and financial collapse in eighteenth-century France. The Scottish economist John Law has been described as the architect of modern central banking. His "System," established in Regency France between 1716 and 1720, saw the founding of a bank issuing paper money and the establishment of State commercial and colonial enterprises aimed at consolidating public debt. What at first seemed like financial wizardry, however, resulted in rampant speculation and economic collapse. In The Politics of Utopia, Arnaud Orain offers a provocative rereading of this well-known episode. Starting in the seventeenth century, he reconstructs the figures and ideas, long predating Law, that anticipated and laid the groundwork for the System, which, he argues, is best understood as a failed social utopia aimed at the total transformation of society. Overturning familiar narratives of this seismic event, this book rewrites a stunning chapter in economic history by dealing with cultural, colonial, religious, and political dimensions of the (in)famous "System" till the French Revolution, revealing new lessons for today's fraught financial landscape"--

"How do people live in a time after promises of progress have revealed themselves to be empty? In Futures after Progress, anthropologist Chloe Ahmann examines the grave, lethal threat posed by long-term air pollution in Baltimore, MD. Focusing on the industrialized community of Curtis Bay-ranked first in the country for air pollutants released from stationary sources-she examines competing visions of the future and the severe human toll they can take. Examining the rifts between white and Black communities, advocates of big industry and environmental activists, and older and younger generations, Ahmann shows how this community has become a battleground in which lives lost to pollution are seen by some as a regrettable side effect on the road to economic renewal. A rigorous, moving study of environmental risk and disaster, this book offers deep insights for our current condition and the possibility of a postindustrial world"--

A history of early modern libraries and the imperial desire for total knowledge. Medieval scholars imagined the library as a microcosm of the world, but as novel early modern ways of managing information facilitated empire in both the New and Old Worlds, the world became a projection of the library. In The Librarian's Atlas, Seth Kimmel offers a sweeping material history of how the desire to catalog books coincided in the sixteenth and seventeenth centuries with the aspiration to control territory. Through a careful study of library culture in Spain and Morocco--close readings of catalogs, marginalia, indexes, commentaries, and maps--Kimmel reveals how the book-lover's dream of a comprehensive and well-organized library shaped an expanded sense of the world itself.

How inflation and deflation fears shape American democracy. Many foundational moments in American economic history--the establishment of paper money, wartime price controls, the rise of the modern Federal Reserve--occurred during financial panics as prices either inflated or deflated sharply. The government's decisions in these moments, intended to control price fluctuations, have produced both lasting effects and some of the most contentious debates in the nation's history. A sweeping history of the United States' economy and politics, Shock Values reveals how the American state has been shaped by a massive, ever-evolving effort to insulate its economy from the real and perceived dangers of price fluctuations. Carola Binder narrates how the pains of rising and falling prices have brought lasting changes for every generation of Americans. And with each brush with price instability, the United States has been reinvented--not as a more perfect union, but as a reflection of its most recent failures. Shock Values tells the untold story of prices and price stabilization in the United States. Expansive and enlightening, Binder recounts the interest-group politics, legal battles, and economic ideas that have shaped a nation from the dawn of the republic to the present.