Bøker utgitt av The MIT Press

"A stellar roster of essayists share their reimagings of the institutions of democracy and governance necessary to resolve the climate crisis, and call on the reader to do so as well"--

"Datafication threatens human rights, including privacy and the right to self-determination. This book argues not that we should own but that we are our data; and it proposes an expansion of international human rights to recognize and protect our data selves along with our physical ones"--

"How resistance to fix economic inequality is tied to the persistent myth of meritocracy, and how to change the narrative"--

"A guide for business leaders to calculate the quantifiable business value of social/environmental values"--

"An introduction to the biodiversity of ancient lakes, explaining the surprising, often controversial findings ancient lake research is yielding about the formation and persistence of species"--

A foundational work of queer theory.First published anonymously in the notorious "Three Billion Perverts" issue of Félix Guattari's journal Recherches—banned by French authorities upon its release in 1973—The Screwball Asses was erroneously attributed to Guy Hocquenghem when it was first published in English in 2009. This second edition of that translation, with a new preface by Hocquenghem biographer Antoine Idier that clarifies the different theoretical positions within France’s Front Homosexuel d’Action Révolutionaire, returns the text to its true author: writer, journalist, and activist Christian Maurel. In this dramatic treatise on erotic desire, Maurel takes on the militant delusions and internal contradictions of the gay-liberation movement. He vivisects not only the stifled mores of bourgeois capitalism, but also the phallocratic concessions of so-called homophiles and, ultimately, the very act of speaking desire. Rejecting any “pure theory” of homosexuality that would figure its “otherness” as revolutionary, Maurel contends that the ruling classes have invented homosexuality as a sexual ghetto, splitting and mutilating desire in the process. It is only when nondesire and the desire of desire are enacted simultaneously through speech and body that homosexuality can finally be sublimated under the true act of “making love.” There are thousands of sexes on earth, according to Maurel, but only one sexual desire. The Screwball Asses is a revelatory disquisition.

"A practical guide for business leaders to learn from moments of crisis and advance their digital capabilities"--

"Argues that a heterosexual bias is deeply embedded in the infrastructure of the Internet, with negative effects for society. In short, the Internet is straight"--

"A concise, reader-friendly overview of pragmatism, the most influential school of American philosophical thought"--

When the dead begin speaking to sixteen-year-old Kim Nguyen, her peaceful childhood is over.A delicate meditation on the nature of ghosts, belief, and how the future is shaped by the past. When the dead begin speaking to sixteen-year-old Kim Nguyen, her peaceful childhood is over. Suddenly everyone wants to exploit her new talent—her family, the Vietnamese government, and even the spirits themselves.

How ed tech was born: Twentieth-century teaching machines--from Sidney Pressey's mechanized test-giver to B. F. Skinner's behaviorist bell-ringing box.Contrary to popular belief, ed tech did not begin with videos on the internet. The idea of technology that would allow students to "go at their own pace" did not originate in Silicon Valley. In Teaching Machines, education writer Audrey Watters offers a lively history of predigital educational technology, from Sidney Pressey's mechanized positive-reinforcement provider to B. F. Skinner's behaviorist bell-ringing box. Watters shows that these machines and the pedagogy that accompanied them sprang from ideas--bite-sized content, individualized instruction--that had legs and were later picked up by textbook publishers and early advocates for computerized learning. Watters pays particular attention to the role of the media--newspapers, magazines, television, and film--in shaping people's perceptions of teaching machines as well as the psychological theories underpinning them. She considers these machines in the context of education reform, the political reverberations of Sputnik, and the rise of the testing and textbook industries. She chronicles Skinner's attempts to bring his teaching machines to market, culminating in the famous behaviorist's efforts to launch Didak 101, the "pre-verbal" machine that taught spelling. (Alternate names proposed by Skinner include "Autodidak," "Instructomat," and "Autostructor.") Telling these somewhat cautionary tales, Watters challenges what she calls "the teleology of ed tech"--the idea that not only is computerized education inevitable, but technological progress is the sole driver of events.

Why laws focused on data cannot effectively protect people-and how an approach centered on human rights offers the best hope for preserving human dignity and autonomy in a cyberphysical world.Ever-pervasive technology poses a clear and present danger to human dignity and autonomy, as many have pointed out. And yet, for the past fifty years, we have been so busy protecting data that we have failed to protect people. In Beyond Data, Elizabeth Renieris argues that laws focused on data protection, data privacy, data security and data ownership have unintentionally failed to protect core human values, including privacy. And, as our collective obsession with data has grown, we have, to our peril, lost sight of what's truly at stake in relation to technological development-our dignity and autonomy as people. Far from being inevitable, our fixation on data has been codified through decades of flawed policy. Renieris provides a comprehensive history of how both laws and corporate policies enacted in the name of data privacy have been fundamentally incapable of protecting humans. Her research identifies the inherent deficiency of making data a rallying point in itself-data is not an objective truth, and what's more, its "entirely contextual and dynamic" status makes it an unstable foundation for organizing. In proposing a human rights-based framework that would center human dignity and autonomy rather than technological abstractions, Renieris delivers a clear-eyed and radically imaginative vision of the future. At once a thorough application of legal theory to technology and a rousing call to action, Beyond Data boldly reaffirms the value of human dignity and autonomy amid widespread disregard by private enterprise at the dawn of the metaverse.

A study of the gruesome game characters we love to beat-and what they tell us about ourselves.Since the early days of video games, monsters have played pivotal roles as dangers to be avoided, level bosses to be defeated, or targets to be destroyed for extra points. But why is the figure of the monster so important in gaming, and how have video games come to shape our culture's conceptions of monstrosity? To answer these questions, Player vs. Monster explores the past half-century of monsters in games, from the dragons of early tabletop role-playing games and the pixelated aliens of Space Invaders to the malformed mutants of The Last of Us and the bizarre beasts of Bloodborne, and reveals the common threads among them.Covering examples from aliens to zombies, Jaroslav Švelch explores the art of monster design and traces its influences from mythology, visual arts, popular culture, and tabletop role-playing games. At the same time, he shows that video games follow the Cold War-era notion of clearly defined, calculable enemies, portraying monsters as figures that are irredeemably evil yet invariably vulnerable to defeat. He explains the appeal of such simplistic video game monsters, but also explores how the medium could evolve to present more nuanced depictions of monstrosity.

The play element at the heart of our interactions with computers-and how it drives the best and the worst manifestations of the information age.Whether we interact with video games or spreadsheets or social media, playing with software shapes every facet of our lives. In this book, Miguel Sicart delves into why we play with computers, how that play shapes culture and society, and the threat posed by malefactors using play to weaponize everything from conspiracy theories to extractive capitalism. Starting from the controversial idea that software is an essential agent in the information age, Sicart considers our culture in general-and our way of thinking about and creating digital technology in particular-as a consequence of interacting with software's agency through play.As Sicart shows, playing shapes software agency. In turn, software shapes our agency as we adapt and relate to it through play. That play drives the creation of new cultural, social, and political forms. Sicart also reveals the role of make-believe in driving our playful engagement with the digital sphere. From there, he discusses the cybernetic theory of digital play and what we can learn from combining it with the idea that playfulness can mean pleasurable interaction with human and nonhuman agents inside the boundaries of a computational system. Finally, he critiques the instrumentalization of play as a tool wielded by platform capitalism.

A guidebook to the institutional transformation of design theory and practice by restoring the long-excluded cultures of Indigenous, Black, and People of Color communities.From the excesses of world expositions to myths of better living through technology, modernist design, in its European-based guises, has excluded and oppressed the very people whose lands and lives it reshaped. Decolonizing Design first asks how modernist design has encompassed and advanced the genocidal project of colonization-then shows how design might address these harms by recentering its theory and practice in global Indigenous cultures and histories. A leading figure in the movement to decolonize design, Dori Tunstall uses hard-hitting real-life examples and case studies drawn from over fifteen years of working to transform institutions to better reflect the lived experiences of Indigenous, Black, and People of Color communities. Her book is at once enlightening, inspiring, and practical, interweaving her own lived experiences with extensive research to show what decolonizing design means, how it heals, and how to practice it in our institutions today. Under her guidelines, the origins, values, and methods of design move beyond the nineteenth-century European model to acknowledge and fully incorporate practices of making by peoples who predate and survive the effects of European colonization. For leaders and practitioners in design institutions and communities, Tunstall's work demonstrates how we can transform the way we imagine and remake the world, replacing pain and repression with equity, inclusion, and diversity-in short, she shows us how to realize the infinite possibilities that decolonized design represents.

A concise overview of fertility technology-its history, practical applications, and ethical and social implications around the world.In the late 1850s, a physician in New York City used a syringe and glass tube to inject half a drop of sperm into a woman's uterus, marking the first recorded instance of artificial insemination. From that day forward, doctors and scientists have turned to technology in ever more innovative ways to facilitate conception. Fertility Technology surveys this history in all its medical, practical, and ethical complexity, and offers a look at state-of-the-art fertility technology in various social and political contexts around the world.Donna J. Drucker's concise and eminently readable account introduces the five principal types of fertility technologies used in human reproduction-artificial insemination; ovulation timing; sperm, egg, and embryo freezing; in vitro fertilization; and IVF in uterine transplants-discussing the development, manufacture, dispersion, and use of each. Geographically, it focuses on countries where innovations have emerged and countries where these technologies most profoundly affect individuals and population policies. Drucker's wide-ranging perspective reveals how these technologies, used for birth control as well as conception in many cases, have been critical in shaping the moral, practical, and political meaning of human life, kinship, and family in different nations and cultures since the mid-nineteenth century.

Stories from the future of intelligent machines-from rescue drones to robot spouses-and accounts of cutting-edge research that could make it all possible.Tech prognosticators promised us robots-autonomous humanoids that could carry out any number of tasks. Instead, we have robot vacuum cleaners. But, as Dario Floreano and Nicola Nosengo report, advances in robotics could bring those rosy predictions closer to reality. A new generation of robots, directly inspired by the intelligence and bodies of living organisms, will be able not only to process data but to interact physically with humans and the environment. In this book, Floreano, a roboticist, and Nosengo, a science writer, bring us tales from the future of intelligent machines-from rescue drones to robot spouses-along with accounts of the cutting-edge research that could make it all possible. These stories from the not-so-distant future show us robots that can be used for mitigating effects of climate change, providing healthcare, working with humans on the factory floor, and more. Floreano and Nosengo tell us how an application of swarm robotics could protect Venice from flooding, how drones could reduce traffic on the congested streets of mega-cities like Hong Kong, and how a "e;long-term relationship model"e; robot could supply sex, love, and companionship. After each fictional scenario, they explain the technologies that underlie it, describing advances in such areas as soft robotics, swarm robotics, aerial and mobile robotics, humanoid robots, wearable robots, and even biohybrid robots based on living cells. Robotics technology is no silver bullet for all the world's problems-but it can help us tackle some of the most pressing challenges we face.

An alternative history of art in Berlin, detaching artistic innovation from art world narratives and connecting it instead to collective creativity and social solidarity.In pre- and post-reunification Berlin, socially engaged artists championed collective art making and creativity over individual advancement, transforming urban space and civic life in the process. During the Cold War, the city's state of exception invited artists on both sides of the Wall to detour from artistic tradition; post-Wall, art became a tool of resistance against the orthodoxy of economic growth. In Free Berlin, Briana Smith explores the everyday peculiarities, collective joys, and grassroots provocations of experimental artists in late Cold War Berlin and their legacy in today's city. These artists worked intentionally outside the art market, believing that art should be everywhere, freed from its confinement in museums and galleries. They used art as a way to imagine new forms of social and creative life. Smith introduces little-known artists including West Berlin feminist collective Black Chocolate, the artist duo paint the town red (p.t.t.r), and the Office for Unusual Events, creators of satirical urban political theater, as well as East Berlin action art and urban interventionists Erhard Monden, Kurt Buchwald, and others. Artists and artist-led urban coalitions in 1990s Berlin carried on the participatory spirit of the late Cold War, with more overt forms of protest and collaboration at the neighborhood level. The temperament lives on in twenty-first century Berlin, animating artists' resolve to work outside the market and citizens' spirited defenses of green spaces, affordable housing, and collectivist projects. With Free Berlin, Smith offers an alternative history of art in Berlin, detaching artistic innovation from art world narratives and connecting it instead to Berliners' historic embrace of care, solidarity, and cooperation.

The socially constructed phenomenon of whiteness: how it was created, how it changes, and how it protects and privileges people who are perceived as white.This volume in the MIT Press Essential Knowledge series examines the socially constructed phenomenon of whiteness, tracing its creation, its changing formation, and its power to privilege and protect people who are perceived as white. Whiteness, author Martin Lund explains, is not one single idea but a shifting, overarching category, a flexible cluster of historically, culturally, and geographically contingent ideals and standards that enable systems of hierarchical classification. Lund discusses words used to talk about whiteness, from white privilege to white fragility; the intersections of whiteness with race, class, and gender; whiteness in popular culture; and such ideas as "e;colorblindness"e; and "e;reverse racism,"e; which, he argues, actually uphold whiteness.Lund shows why it is important to keep talking and thinking about whiteness. The word "e;whiteness,"e; he writes, doesn't describe; it conjures something into being. Drawing on decades of critical whiteness studies and citing a range of examples (primarily from the United States and Sweden), Lund argues that whiteness is continually manufactured and sustained through language, laws, policies, science, and representations in media and popular culture. It is often positioned as normative, even universal. And despite its innocuous-seeming manifestations in sitcoms and superheroes, whiteness is always in the service of racial domination.

How politicians' digital strategies appeal to the same fantasies of digital connection, access, and participation peddled by Silicon Valley.Smartphones and other digital devices seem to give us a direct line to politicians. But is interacting with presidential tweets really a manifestation of digital democracy? In Selfie Democracy, Elizabeth Losh examines the unintended consequences of politicians' digital strategies, from the Obama campaign's pioneering construction of an online community to Trump's Twitter dominance. She finds that politicians who use digital media appeal to the same fantasies of digital connection, access, and participation peddled by Silicon Valley. Meanwhile, smartphones and social media don't enable participatory democracy so much as they incentivize citizens to perform attention-getting acts of political expression. Losh explores presidential rhetoric casting digital media as tools of democracy, describes the conflation of gender and technology that contributed to Hillary Clinton's defeat in 2016, chronicles the Biden campaign's early digital stumbles in 2020, and recounts the TikTok campaign that may have spoiled a Trump rally. She shows that although Obama and Trump may seem diametrically opposed in both style and substance, they both used mobile digital media in ways that reshaped the presidency and promised a new kind of digital democracy. Obama used data and digital media to connect to citizens without intermediaries; Trump followed this strategy to its most extreme conclusion. What were the January 6 insurrectionists doing, as they livestreamed themselves and their cohorts attacking the Capitol, but practicing their own brand of selfie democracy?

"The Effect of Tropical Light on White Men is "a skewed and illustrated encyclopedia of the Caribbean island of Dominica." Working with a book designer, and conducting research that draws material from a wide range of archival sources as well as from the artist's family history, Catherine Lord creates a work that functions as both a museum and a memoir. The book takes an unconventional approach to understanding Caribbean history and culture through an investigation of its flora, fauna, cooking, and "bad art objects" made by its European colonizers. By gathering source materials from whites who have left the Caribbean for Western countries worldwide, The Effect of Tropical Light on White Men attempts to broaden the dialogue on issues of colonialism, race, and cultural property."--from Creative Capital website.

"More Voices of the Radium Age will showcase proto- and early sf stories by much-admired authors best known today for their non-sf work (E. Nesbit, author of Three Children and It and other popular children's fantasies, and Booth Tarkington, Pulitzer Prize-winning author of The Magnificent Ambersons); authors whose outsized success with readers would influence the subsequent development of the sf genre (H.G. Wells, who continued to make startling predictions in the early 20th century, and Abraham Merritt and George Allan England, who along with Edgar Rice Burroughs ushered in the crucial era of the pulp scientific romance); as well as writers who have now fallen into obscurity (George C. Wallis, the Russian Symbolist litterateur Valery Bryusov, "weird" horror master Algernon Blackwood, and Francis Stevens, "the woman who invented dark fantasy"). Note that Nesbit and Stevens are two of sf's only female writers pre-1926"--

"First published by Penguin Random House India."--Title page verso.

"Designing for resilience is a critical issue of the 21st century. This is the first book-length work that shows us how to design for a future that lasts, and why we should want to"--

A surprising vision of how human intelligence will coevolve with digital technology and revolutionize how we think and behave.It is natural for us to fear artificial intelligence. But does Siri really want to kill us? Perhaps we are falling into the trap of projecting human traits onto the machines we might build. In Evolutionary Intelligence, Neuman offers a surprisingly positive vision in which computational intelligence compensates for the well-recognized limits of human judgment, improves decision making, and actually increases our agency. In artful, accessible, and adventurous prose, Neuman takes the reader on an exciting, fast-paced ride, all the while making a convincing case about a revolution in computationally augmented human intelligence.Neuman argues that, just as the wheel made us mobile and machines made us stronger, the migration of artificial intelligence from room-sized computers to laptops to our watches, smart glasses, and even smart contact lenses will transform day-to-day human decision making. If intelligence is the capacity to match means with ends, then augmented intelligence can offer the ability to adapt to changing environments as we face the ultimate challenge of long-term survival.Tapping into a global interest in technology’s potential impacts on society, economics, and culture, Evolutionary Intelligence demonstrates that our future depends on our ability to computationally compensate for the limitations of a human cognitive system that has only recently graduated from hunting and gathering.