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In this, the second volume of The Library of America's definitive edition of the collected works of Philip Roth, published by special arrangement with the author, the range and inventiveness of Roth's fiction is dazzlingly displayed in four extraordinarily diverse works.When She Was Good (1967) is the trenchant portrait of Lucy Nelson, a young midwestern woman whose perception of her own suffering turns her into a ferocious force, "enemy-ridden and unforgivingly defiant," as Roth would later describe her. A small-town 1940s America of restrictive social pressures and foreclosed opportunities provides the novel's background.The publication of the hilarious Portnoy's Complaint (1969) was a cultural event that turned Roth into a reluctant celebrity. The confession of a bewildered psychoanalytic patient thrust through life by his unappeasable sexuality yet held back by the iron grip of his unforgettable childhood, Portnoy unleashed Roth's comic virtuosity and opened new avenues for American fiction.In Our Gang (1971), described by Anthony Burgess as a "brilliant satire in the real Swift tradition," Roth effects a savage takedown of the administration of Richard Nixon (who figures here as Trick E. Dixon). Written before the revelations of the Watergate scandal, Our Gang continues to resonate as a broad and outraged response to the clownish hypocrisy and moral theatrics of the American political scene.The Kafkaesque excursion The Breast (1972) introduces David Kepesh in the first volume of a trilogy that continues with The Professor of Desire (1977) and The Dying Animal (2001). The Breast prompted Cynthia Ozick to remark, "One knows when one is reading something that will permanently enter the culture."LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The second volume of the Library of America's definitive two-volume selection of the nonfiction writings of our greatest living advocate for sustainable culture.Writing with elegance and clarity, Wendell Berry is a compassionate and compelling voice for our time of political and cultural distrust and division, whether expounding the joys and wisdom of nonindustrial agriculture, relishing the pleasure of eating food produced locally by people you know, or giving voice to a righteous contempt for hollow innovation. He is our most important writer on the cultural crisis posed by industrialization and mass consumerism, and the vital role of rural, sustainable farming in preserving the planet as well as our national character. Now, in celebration of Berry's extraordinary six-decade-long career, Library of America presents a two-volume selection of his nonfiction writings prepared in close consultation with the author. In this second volume, forty-four essays from ten works turn to issues of political and social debate--big government, science and religion, and the meaning of citizenship following the tragedy of 9/11. Also included is his Jefferson Lecture to the National Endowment for the Humanities, "It All Turns on Affection" (2012). Berry's essays remain timely, even urgent today, and will resonate with anyone interested in our relationship to the natural world and especially with a younger, politically engaged generation invested in the future welfare of the planet.INCLUDES: Life is a Miracle AND SELECTIONS FROM Sex, Economy, Freedom & Community Another Turn of the Crank Citizenship Papers The Way of Ignorance What Matters? Imagination in Place It All Turns on Affection Our Only World The Art of Loading BrushLIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Three beloved children''s classics collected in a deluxe illustrated gift edition perfect for every family library"You are a story--I am a story." Introduce to your family or rediscover for yourself three classic children''s novels by Frances Hodgson Burnett, an English-born writer who moved to America at age 15 and who now joins the Library of America. This authoritative edition restores the novels to their original American texts, as Burnett wrote them and features over 40 painstakingly restored illustrations--16 in full color--plus a ribbon marker, helpful annotations, and a short chronology of Burnett''s life by her biographer Gretchen Gerzina Holbrook. In The Secret Garden (1911), spoiled orphan Mary Lennox is sent to live at her uncle''s manor, where she finds an abandoned walled garden. When she decides to restore the garden, she discovers the key to unlocking her own true self. Sara Crewe is the star pupil at her London boarding school in A Little Princess (1905) until news arrives that her father has died penniless. Sara is forced to become a servant, but she stays hopeful by imagining that she is secretly a princess. And in Little Lord Fauntleroy (1886), seven-year-old Cedric Errol lives in New York City and unexpectedly learns that his grandfather is an English earl. The Earl wants to teach Cedric about power and privilege, but little suspects that the innocent young American will completely change his own life. Soon to be a live action Disney movie starting Colin Firth and Julie Walters, The Secret Garden joins A Little Princess and Little Lord Fauntleroy in one deluxe illustrated volume, a perfect gift for young readers or for family libraries.

On its 150th anniversary, four acclaimed authors offer personal reflections on their lifelong engagement with Louisa May Alcott''s classic novel of girlhood and growing up.For the 150th anniversary of the publication of Louisa May Alcott''s Little Women, Kate Bolick, Jenny Zhang, Carmen Maria Machado, and Jane Smiley explore their strong lifelong personal engagement with Alcott''s novel--what it has meant to them and why it still matters. Each takes as her subject one of the four March sisters, reflecting on their stories and what they have to teach us about life. Kate Bolick finds parallels in oldest sister Meg''s brush with glamour at the Moffats'' ball and her own complicated relationship with clothes. Jenny Zhang confesses to liking Jo least among the sisters when she first read the novel as a girl, uncomfortable in finding so much of herself in a character she feared was too unfeminine. Carmen Maria Machado writes about the real-life tragedy of Lizzie Alcott, the inspiration for third sister Beth, and the horror story that can result from not being the author of your own life''s narrative. And Jane Smiley rehabilitates the reputation of youngest sister Amy, whom she sees as a modern feminist role model for those of us who are, well, not like the fiery Jo. These four voices come together to form a deep, funny, far-ranging meditation on the power of great literature to shape our lives.

A philandering professor on the faculty of an Ivy League school is found murdered, setting off ripple effects of anxiety, suspicion, and panic in this Edgar Award-winning classic from 1946.The Horizontal Man was Helen Eustis's only crime novel, and she won an Edgar Award for it, combining a wildly disparate set of elements into an enduringly fascinating work. In its way it is a classical whodunit that stands comparison with old-school practitioners such as Agatha Christie or Dorothy Sayers. This mystery transpires in the rarefied precincts of the English department of a venerable New England college, one very much of the restless postwar moment, echoing with references to Freud and Kafka. Eustis finds comedy high and low in a cavalcade of characters bursting at the seams with repressed sexual longings and simmering malice. Beyond the satire, she stirs up--with a narrative whose multiple viewpoints give the book a striking modernistic edge--a troubling sense of the mental chaos lurking just beneath the civilized surfaces of her academic setting.

For the Whitman bicentennial, a delightful keepsake edition of the incomparable wisdom of America's greatest poet, distilled from his fascinating late-in-life conversations with Horace Traubel.Toward the end of his life, Walt Whitman was visited almost daily at his home in Camden, New Jersey, by the young poet and social reformer Horace Traubel. After each visit, Traubel meticulously recorded their conversation, transcribing with such sensitivity that Whitman's friend John Burroughs remarked that he felt he could almost hear the poet breathing. In Walt Whitman Speaks, acclaimed author Brenda Wineapple draws from Traubel's extensive interviews an extraordinary gathering of Whitman's observations that conveys the core of his ethos and vision. Here is Whitman the sage, champion of expansiveness and human freedom. Here, too, is the poet's more personal side-his vivid memories of Thoreau, Emerson, and Lincoln, his literary judgments on writers such as Shakespeare, Goethe, and Tolstoy, and his expressions of hope in the democratic promise of the nation he loved. The result is a keepsake edition to touch the soul, capturing the distilled wisdom of America's greatest poet.

A first-of-its-kind celebration of the newspaper scribes who made sportswriting a glorious popular art, and immortalized America's greatest games and athletesSpanning nearly a century, The Great American Sports Page presents essential columns from more than three dozen masters of the press-box craft. These unforgettable dispatches from World Series, Super Bowls, and title bouts for the ages were written on deadline with passion, spontaneity, humor, and a gift for the memorable phrase. Read avidly day in and day out by a sports-mad public, these columnists became journalistic celebrities in their home cities, their coverage trusted and savored, their opinions hotly debated. Some even helped change the games they wrote about. Gathered here in a groundbreaking anthology, their writings capture some of sport's most enduring moments and many of its all-time greats: Babe Ruth, Jackie Robinson, Muhammad Ali, and Michael Jordan among them. But the best American sportswriters also found ways to write powerfully about lesser-known athletes and to convey, often with heartbreaking honesty and insight, the less glamorous and more tragic facets of the games we love. In its survey of the finest American sportswriting from Ring Lardner to Thomas Boswell, from Red Smith and Jimmy Cannon to Bob Ryan and Michael Wilbon, The Great American Sports Page takes the measure of the human richness, complexity, and competitive spirit of sports and the athletes who continue to fascinate and inspire us.

For the last half century, the novels of Philip Roth have re-energized American fiction and redefined its possibilities, leading the critic Harold Bloom to proclaim Roth ?our foremost novelist since Faulkner.? Roth?s comic genius, his imaginative daring, his courage in exploring uncomfortable truths, and his assault on political, cultural, and sexual orthodoxies have made him one of the essential writers of our time. By special arrangement with the author, The Library of America continues the definitive edition of Roth?s collected works. This fifth volume of The Library of America?s definitive edition of Philip Roth?s collected works presents four books that exemplify the description of Roth, proposed by British novelist Anthony Burgess, as a writer ?who never steps twice into the same river.? The Counterlife (1986) is a novel told from conflicting perspectives about people enacting drastic dreams of renewal and escape. The Facts (1988)?the first of the ?Roth Books??is a novelist?s autobiography in which the author presents his own battles defictionalized and unadorned. In the second Roth book, Deception (1990), a married American named Philip, living in London, and the married Englishwoman who is his mistress meet sporadically in a secret trysting place where the woman eloquently reveals herself to her lover as they talk before and after making love. In the third Roth book, Patrimony (1991), the author watches as his 86-year-old father, Herman Roth, battles a fatal brain tumor.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Unique among American books for its epic scope and panoramic social sweep, U.S.A. has long been acknowledged as a monument of modern fiction. Now The Library of America presents an exclusive one-volume edition of this enduring masterwork by John Dos Passos, including for the first time detailed notes and a chronicle of the world events that serve as a backdrop.In the novels that make up the trilogy-The 42nd Parallel, 1919, and The Big Money-Dos Passos creates an unforgettable collective portrait of America, shot through with sardonic comedy and brilliant social observation. He interweaves the careers of his characters and the events of their time with a narrative verve and breathtaking technical skill that make U.S.A. among the most compulsively readable of modern classics.A startling range of experimental devices captures the textures and background noises of twentieth-century life: "Newsreels" with blaring headlines; autobiographical "Camera Eye" sections with poetic stream-of-consciousness; "biographies" evoking emblematic historical figures like J.P. Morgan, Henry Ford, John Reed, Frank Lloyd Wright, Thorstein Veblen, and the Unknown Soldier. Holding everything together is sheer storytelling power, tracing dozens of characters from the Spanish-American War to the onset of the Depression.The U.S.A. trilogy is filled with American speech: labor radicals and advertising executives, sailors and stenographers, interior decorators and movie stars. Their crisscrossing destinies take in wars and revolutions, desperate love affairs and harrowing family crises, corrupt public triumphs and private catastrophes, in settings that include the trenches of World War I, insurgent Mexico, Hollywood studios in the silent era, Wall Street boardrooms, and the tumultuous streets of Boston just before the execution of Sacco and Vanzetti.The volume contains newly researched chronologies of Dos Passos's life and of world events cited in U.S.A., notes, and an essay on textual selection.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Fifty years after the turmoil of 1968, modern America's most turbulent decade comes to life though the collected writings of its greatest literary provocateurNo writer plunged more wholeheartedly into the chaotic energies of the 1960s than Norman Mailer, as he fearlessly revolutionized literary norms and genres to capture the political, social, and sexual explosions of an unsettled era. Here, in a deluxe two-volume Library of America boxed set, are two novels, two booklength masterpieces of new journalism, and thirty-three essays. Four Books of the 1960s presents An American Dream, Mailer's hallucinatory voyage through the dark night of an America awash in money, sex, and violence; Why Are We in Vietnam?, in which a motor-mouthed 18-year-old Texan on the eve of military service recounts with manic and obscene exuberance a grizzly bear hunt in Alaska that exposes the macho roots of the war; and the acclaimed "non-fiction novel" The Armies of the Night(winner of the Pulitzer Prize and National Book Award) and its follow-up Miami and the Siege of Chicago, on-the-scene/in-the-scene accounts of an antiwar march on the Pentagon and the party conventions of 1968. In these revolutionary books Mailer cast himself as a player in the drama he reports, bringing a sharp and merciless eye on the decade's political upheavals. In Collected Essays of the 1960s acclaimed Mailer biographer J. Michael Lennon gathers for the first time all the essential essays from the classic collections The Presidential Papers (1963), Cannibals and Christians (1966), and Existential Errands (1972), each a fascinating window on one of the most extraordinary and tumultuous decades in the nation's history. A self-appointed exorcist of the culture's demons and an unrestrained mythologizer of his own identity, Mailer contemplated and often skewered icons of politics and literature, charted psychosexual undercurrents and covert power plays, and gloried in the exercise of a pugnacious prose style that was all his own. Whether writing about Jackie Kennedy or Sonny Liston, the realist tradition in America or the internal culture wars of the Republican Party, the death of Ernest Hemingway or the battle against censorship, Mailer was always ready to intervene in what he called "the years of the plague."LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Ross Macdonald transformed the detective novel into a literary expression of unique psychological depth and drama. Here, for the first time in a deluxe three-volume Library of America boxed set, are eleven of his classic Lew Archer mysteries.Contains:Four Novels of the 1950s (Library of America volume #264)  The Way Some People Die The Barbarous CoastThe DoomstersThe Galton CaseThree Novels of the Early 1960s (Library of America volume #279)The Zebra-Striped HearseThe ChillThe Far Side of the DollarFour Later Novels (Library of America volume #295)Black MoneyThe Instant EnemyThe Goodbye LookThe Underground ManLIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

America’s most celebrated writer returns with a definitive edition of his essential statements on literature, his controversial novels, and the writing life, including including six pieces published here for the first time and many others newly revised.Throughout a unparalleled literary career that includes two National Book Awards (Goodbye, Columbus, 1959 and Sabbath’s Theater, 1995), the Pulitzer Prize in fiction (American Pastoral, 1997), the National Book Critics Circle Award (The Counterlife, 1986), and the National Humanities Medal (awarded by President Obama in 2011), among many other honors, Philip Roth has produced an extraordinary body of nonfiction writing on a wide range of topics: his own work and that of the writers he admires, the creative process, and the state of American culture. This work is collected for the first time in Why Write?, the tenth and final volume in the Library of America’s definitive Philip Roth edition. Here is Roth’s selection of the indispensable core of Reading Myself and Others, the entirety of the 2001 book Shop Talk, and “Explanations,” a collection of fourteen later pieces brought together here for the first time, six never before published. Among the essays gathered are “My Uchronia,” an account of the genesis of The Plot Against America, a novel grounded in the insight that “all the assurances are provisional, even here in a two-hundred-year-old democracy”; “Errata,” the unabridged version of the “Open Letter to Wikipedia” published on The New Yorker’s website in 2012 to counter the online encyclopedia’s egregious errors about his life and work; and “The Ruthless Intimacy of Fiction,” a speech delivered on the occasion of his eightieth birthday that celebrates the “refractory way of living” of Sabbath’s Theater’s Mickey Sabbath. Also included are two lengthy interviews given after Roth’s retirement, which take stock of a lifetime of work.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

In On the Road and other iconic works, Jack Kerouac created a quintessentially American voice and a revolutionary prose style. This remarkable gathering of previously unpublished writings reveals as never before the extraordinary literary journey that led to his phenomenal success-a journey with deep roots in the language and culture of Kerouac's French Canadian childhood.Edited and published with unprecedented access to the Kerouac archives, The Unknown Kerouac presents two lost novels, The Night Is My Woman and Old Bull in the Bowery, which Kerouac wrote in French during the especially fruitful years of 1951 and 1952. Discovered among his papers in the mid-nineties, they have been translated into English for the first time by Jean-Christophe Cloutier, who incorporates Kerouac's own partial translations.Also included are two journals from the heart of this same crucial period. In Private Philologies, Riddles, and a Ten-Day Writing Log, Kerouac recounts a brief stay in Denver-where he works on an early version of On the Road, reads dime novels, and even rides in a rodeo-and shows him contemplating writers like Chaucer and Joyce and playing with riddles and etymologies. Journal 1951, begun during a stay in a Bronx VA hospital, charts, in ecstatic, moving, and self-revealing pages, the wave of insights and breakthroughs that led Kerouac to the most singular transformation of American prose style since Hemingway.This landmark volume is rounded out with the memoir Memory Babe, a poignant evocation of childhood play and reverie in a robust immigrant community, in which Kerouac uncannily retrieves and distills the subtlest sense impressions. And finally, in an interview with his longtime friend and fellow Beat John Clellon Holmes and in the late fragment Beat Spotlight Kerouac reflects on his meteoric career and unlooked for celebrity.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Manny Farber (1917-2008) was a unique figure among American movie critics. Champion of what he called "termite art" (focused, often eccentric virtuosity as opposed to "white elephant" monumentality), master of a one-of-a-kind prose style whose jazz-like phrasing and incandescent twists and turns made every review an adventure, he has long been revered by his peers. Susan Sontag called him "the liveliest, smartest, most original film critic this country ever produced"; for Peter Bogdanovich, he was "razor-sharp in his perceptions" and "never less than brilliant as a writer."Farber was an early discoverer of many filmmakers later acclaimed as American masters: Val Lewton, Preston Sturges, Samuel Fuller, Raoul Walsh, Anthony Mann. A prodigiously gifted painter himself, he brought to his writing an artist's eye for what was on the screen. Alert to any filmmaker, no matter how marginal or unsung, who was "doing go-for-broke art and not caring what comes of it," he was uncompromising in his contempt for pretension and trendiness, for, as he put it, directors who "pin the viewer to the wall and slug him with wet towels of artiness and significance." The excitement of his criticism, however, has less to do with his particular likes and dislikes than with the quality of attention he paid to each film as it unfolds, to the "chains of rapport and intimate knowledge" in its moment-to-moment reality. To transcribe that knowledge he created a prose that, in Robert Polito's words, allows for "oddities, muddles, crises, contradictions, dead ends, multiple alternatives, and divergent vistas." The result is critical essays that are themselves works of art. Farber on Film brings together this extraordinary body of work in its entirety for the first time, from his early and previously uncollected weekly reviews for The New Republic and The Nation to his brilliant later essays (some written in collaboration with his wife Patricia Patterson) on Godard, Fassbinder, Herzog, Scorsese, Altman, and others. Featuring an introduction by editor Robert Polito that examines in detail the stages of Farber's career and his enduring significance as writer and thinker, Farber on Film is a landmark volume that will be a classic in American criticism.

The most extensive collection of Henry James's autobiographical writings ever published offers a revelatory self-portrait from one of America's supreme novelists and his famous family. In 1911, deeply affected by the death of his brother William the year before, Henry James began working on a book about his early life. As was customary for James in his later years, he dictated his recollections to his secretary Theodora Bosanquet, who recalled how "a straight dive into the past brought to the surface treasure after treasure." A Small Boy and Others (1913) and the two autobiographical books that followed-Notes of a Son and Brother (1914) and the incomplete, posthumously published The Middle Years-stand with his later novels as one of the enduring triumphs of his final years. Not only did James create one of the singular self-portraits in American literature, he also fashioned a richly detailed account of his renowned family, especially his father, the social philosopher Henry James Sr., his brother William, and his dear cousin Minny Temple, inspiration for the heroines of two of his greatest novels, The Portrait of a Lady and The Wings of the Dove.Rounding out the volume is a selection of eight other personal reminiscences and, as an appendix, his secretary's insightful and affectionate memoir, "Henry James at Work."LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Includes If Beale Street Could Talk, now a major motion picture directed by Barry Jenkins.The Library of America completes its edition of the collected fiction of the literary voice of the Civil Rights era with this volume gathering three revealing later works of the 1960s and '70s. With such landmark novels as Go Tell It on the Mountain, Giovanni's Room, and the essay collections Notes of a Native Son and The Fire Next Time, James Baldwin established himself as the indispensable voice of the Civil Rights era, a figure whose prophetic exploration of the racial and sexual fissures in American society raised the consciousness of American readers. But by the late 1960s and '70s many regarded Baldwin as being out of sync with the political and social currents transforming America: too integrationist for Black Arts Movement writers and others on the Left, yet too "pessimistic" for many white readers, and as a result his later novels have never received the consideration given his earlier fiction. Sober in outlook but ambitious in scope, these works show Baldwin responding with his signature passion-for music, for justice, for life-and searching intelligence to the new realities of a rapidly changing cultural landscape, as the Movement era gives way to the age of identity politics that we still live in today. This culminating volume in the Library of America edition of his fiction illustrates how Baldwin continues to be relevant in twenty-first-century America, especially in his dramatizing of the unequal treatment of black men by the police and the justice system, his nuanced depictions of the black family, and his explorations of sexuality.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

From his vantage point in Southern California-and through the eyes of his great creation, private eye Lew Archer-Ross Macdonald (the pseudonymn of Kenneth Millar) fashions a haunting, startlingly immediate vision of modern America: a swirling mix of sexual exploitation, intergenerational conflict, racial animosities, and ecological disaster.In Black Money, Archer is hired to find a wealthy man gone missing and soon finds himself investigating a suspicious seven-year-old suicide. The case becomes a peeling away of many levels of deception, delusion, and false identity. Exploring themes of immigration and border-crossing central to Macdonald's own life, Black Money also pays homage to The Great Gatsby, one of his favorite books.The Instant Enemy begins with Archer's search for a runaway teenage daughter and her troubled, possibly murderous boyfriend, a search that uncovers a morass of hidden wrongs. In an emotionally intense work that reflects the chaos and conflicts of his family's troubled past, Macdonald gives indelible and ultimately tragic expression to the generational conflict and drug culture of the DJHCs.An investigation into "a rather peculiar burglary" takes a drastic turn with the discovery of a body in an abandoned car on a beach in The Goodbye Look, the book that sealed Macdonald's reputation as the preeminent crime novelist of his time. Tracking a stolen heirloom, Archer follows a trail of violence that lays bare a miasma of buried secrets and unforgotten traumas."In our day," wrote Eudora Welty, "it is for such a novel as The Underground Man that the detective form exists." A raging wildfire stirred by the Santa Ana winds serves as prelude to a chain of kidnapping and murder. Youthful rebellion is pitted against the hypocrisies of the older generation in a novel, in Welty's estimation, "not only exhilaratingly well done; it is also very moving."LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.