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Has a united or singular "Chinese Australian community" ever actually existed? If so, would a united community be a means to an end or an end in itself? And where would this community sit in contemporary multicultural Australia?In the Face of Diversity offers answers to these questions with the history of more than a dozen Chinese Australian community organisations from across the country, drawing on the English- and Chinese-language materials produced by these organisations, as well as interviews with past and present leaders. Instead of a single community, the evidence demonstrates the existence of many diverse Chinese Australian communities. Familiar and fascinating moments of recent Australian history are treated with new and evocative perspectives in relation to Chinese Australian communities, from the official turn away from the White Australia policy and embrace of multiculturalism in the 1970s to the debate about China's influence upon Australian politics and society, beginning in the 2010s and continuing into the present. In the Face of Diversity advances that "unity" has only ever been momentarily or partially grasped by Chinese Australian community organisations but that it has nonetheless produced real-world outcomes, the most prominent being a highly participatory style of Australian multiculturalism. Gardner Molina dismantles the myth of a single Chinese Australian community and rebuilds a solid understanding of many diverse communities instead; each with their own aims, needs and participatory capacities.

Australia's higher education sector was hit hard by the COVID-19 pandemic. Student and staff numbers declined, and the government assistance afforded to other sectors was all but missing for universities. In a callous example of abandonment in an hour of need, Australian's international students were similarly ignored by the federal government.

Keeping Time: Dialogues on music and archives in Honour of Linda Barwick explores current issues in ethnomusicology and the archiving and repatriation of ethnographic field recordings. The 19 chapters by 36 authors consider archiving practices as a site of interaction between researchers and cultural heritage communities; cross-disciplinary approaches to understanding song; and the role of musical transcription in non-Western music. This volume is international in scope with case studies with Indigenous and minority peoples from Papua New Guinea, China, India, the Torres Strait and mainland Aboriginal Australia; the latter being the focus of the majority of chapters. Topics include the revival of songs from early written sources, creation of new songs based in old genres, the concept of "sing" in other languages, spirits as the origin of song knowledge, and how to manage ethnographic records over time. Keeping Time approaches Indigenous practices from a range of disciplines, including linguistics, history and performing arts, as well as Indigenous Studies, cultural revitalisation (including reclamation of Indigenous languages), Indigenous knowledge and application to climate change. Offered in honour of Emeritus Professor Linda Barwick, the founder of the Indigenous Music, Language and Performing Arts series, Keeping Time offers a diverse range of opinions on ethnographic research practices and their value to society.

Penny Crook's research interests include 19th-century material culture, assemblage analysis, consumer studies, urban archaeology and digital data management. She pioneered the examination of quality in historical archaeological assemblage analysis as part of her doctoral research (completed in 2008) and conducted price and linguistic analysis of data from 19th-century store catalogues. In 2014 she commenced a DECRA fellowship to extend the quality research framework and re-examine the role of consumption in colonial Sydney using archaeological assemblages.Peter Davies is a research assistant in the Department of Archaeology, Environment and Community Planning at La Trobe University. He is the author of Henry's Mill: The Historical Archaeology of a Forest Community (2006) and coauthor (with Susan Lawrence) of An Archaeology of Australia Since 1788 (2011). He also co-edits the journal Australasian Historical Archaeology.Tim Murray joined the Program in 1986 as Lecturer and was appointed to the Chair of Archaeology in 1995. He has also taught at the University of New South Wales, the University of Sydney, Cambridge University, the University of Leiden (The Netherlands), the Université de Paris 1 (Panthéon-Sorbonne), and the Ecole des hautes etudes en sciences sociales (Paris), Peking University, Goteborg University, the Institute of Archaeology, University College London and the Nordic Graduate School in Archaeology. He was elected a Fellow of the Society of Antiquaries of London in 2003 and Fellow of the Academy of the Humanities in Australia in the same year. He is editor-in-chief of The Bulletin of the History of Archaeology. From 2009-2014 he was Executive Dean of the Faculty of Humanities and Social Sciences, and in 2010 was made Charles La Trobe Professor of Archaeology. In 2015 he became Director of the Centre for the Archaeology of the Modern World (CAMW) based at La Trobe University.

Lucinda Brayford (1946) chronicles three generations of an Anglo-Australian family around the turn of the twentieth century and contrasts both Australian and English societies.

The Climate Crisis and Other Animals is a must-read for anyone who cares about the future of our planet and the animals who live on it. Twine examines the impact of the climate crisis on nonhuman animals and argues for the importance of a climate and food justice movement inclusive of nonhuman animals.The book examines the ways in which climate breakdown is affecting nonhuman animal species and delves deeply into the politicised controversy over the extent of emissions from animal agriculture, demonstrating the markedly lower emissions of eating vegan. Critical of misguided human-centred framings of the climate crisis, Twine makes clear the necessity of including practices of animal commodification, the importance of documenting the effect of a changing climate on other animal species, and the mitigative opportunities of a radical remaking of dominant human-animal relations.The Climate Crisis and Other Animals addresses the emissions impacts of radical land-use changes and the twentieth century scaling-up of animal commodification within the animal-industrial complex, revealing how this system is interwoven in the gendered and racialised histories of capitalism. Twine collates an impressive body of scientific research that demonstrate both the already enormous impact of the climate crisis on the lives of nonhuman animals and the need to tackle the dominance of meat-based cultures.Twine critically explores approaches to food transition and three potentially transformative scenarios for global food systems that could help dismantle the animal-industrial complex and create a more sustainable and just food system. Averting the climate and biodiversity crises requires nothing less than a radical transformation in how we see ourselves in relation to other species.The Climate Crisis and Other Animals argues that the current crisis demands systemic change that addresses not only human/planetary health, but also justice and care for non-human animals. It is the first book to do so from a comprehensive, sociological and critical perspective. Richard Twine unravels the true social, political and economic depths of the crisis: from class relations, racialised geopolitics, hegemonic masculinity, human supremacism to cultural anthropocentrism. A brilliant diagnosis, accompanied by a realistic analysis of the path of transformation. A must read for everyone.Twine's cogent investigation explores a wealth of research from the Environmental Sciences and Humanities to Child studies, Critical Animal Studies and Capitalocene studies, uncovering their intersections at the roots of the climate crisis. Transitioning toward multispecies survival requires that we recognize the global political economy's investments in not only fossil fuels but the animal-industrial complex, and ultimately, the untenable idea of human supremacy.

As the strategic rivalry between the United States and China rapidly deepens, growing distrust and fears of China are once again shaping Australian media coverage and public discourse, with potent implications for Australia's China policy.At this crucial historical moment, Engaging China offers a full-throated defence of engagement. This volume brings together a diverse set of Australia's seasoned diplomats, experienced journalists and renowned scholars to assess the current state of Australia-China relations and offer pragmatic advice for how Australia can restore a healthy and stable relationship with China.Over the past five decades, Australia's engagement of China has facilitated a deepening economic relationship alongside expanded cultural, educational and people-to-people exchanges, fostering greater understanding between the two countries and populations.The contributors to this volume share a common vision: Australia and Australians should continue to engage with China and Chinese people for mutual benefit. The chapters take stock of past achievements, identify recent challenges and offer practical suggestions for how the Australian government and Australian firms, institutions and individuals can proactively, productively and securely engage with China.Australia's rich and diverse relations with China extend far beyond the political and economic interactions that tend to dominate news headlines. In explaining how and why an engagement strategy continues to serve Australian interests, Engaging China offers a timely alternative to the prevailing public and policy discourses on Australia's most challenging bilateral relationship."This book offers important insights on Australia's most difficult and consequential foreign-policy challenge. The authoritative authors transcend the simplistic pro-China v anti-China dichotomies that distort so much of our national debate, to capture the true complexity of the issues and explore the real opportunities to manage relations with China to our long-term advantage. It is a fine example of exactly the kind of contribution we need to help us navigate our region's economic and strategic transformation in the difficult decades ahead."Hugh White AO, Emeritus Professor of Strategic Studies at the Australian National University

This revised edition of Dr Neville A. Ritchie's 1986 PhD dissertation explores the history and archaeology of the 19th century Chinese mining communities in the Clutha Valley, New Zealand. Lavishly illustrated with black-and-white line drawings of Chinese domestic and industrial sites, and of the artefacts excavated from them, this study offers unprecedented insight into the life and material culture of these male-only "sojourner" communities.Widely considered the most comprehensive archaeological study of overseas Chinese miners' experience anywhere in the world, this volume contains the total summation and analysis of artefacts found in 23 Chinese sites excavated over nine years, which included two camps (with 40 individual huts and other features), a Chinese store and 20 rural sites, including miner's huts and rock shelters.Considered by the Australian Society for Historical Archaeology to be a seminal work in the field of historical archaeology, this 2023 edition introduces Dr. Ritchie's groundbreaking work to the next generation of archaeologists."Dr Neville Ritchie's PhD ... has long been a sought-after resource for those involved in the archaeology and history of the Chinese diaspora and I welcome it in its published form. The detailed text is matched with invaluable graphics and statistics. ... the go-to reference for archaeologists and historians involved in the Pacific Rim Chinese diaspora.""Neville Ritchie's intensive and long-awaited examination of the Chinese in southern New Zealand brilliantly intertwines historical research and archaeological excavation with meticulous artefact analysis to present a wonderfully detailed portrayal of the daily lives of the South Island's early Chinese pioneers.""Brought to light a significant part of world and New Zealand history few knew anything about ... an encyclopedic reference work for archaeologists and historians to refer to. For readers interested in learning more about the Chinese in New Zealand he provides a readable narrative about their daily lives. This book is highly recommended for all who want to learn about Chinese immigration and lives in the southern Pacific during the nineteenth and early twentieth centuries."

War is traditionally considered a male experience. By extension, the genre of war literature is a male-dominated field, and the tale of the battlefield remains the privileged (and only canonised) war story.In Australia, although women have written extensively about their wartime experiences, their voices have been distinctively silenced. Shooting Blanks at the Anzac Legend calls for a re-definition of war literature to include the numerous voices of women writers, and further recommends a re-reading of Australian national literatures, with women's war writing foregrounded, to break the hold of a male-dominated literary tradition and pass on a vital, but unexplored, women's tradition.Shooting Blanks at the Anzac Legend examines the rich body of World Wars I and II and Vietnam War literature by Australian women, providing the critical attention and treatment that they deserve. Donna Coates records the reaction of Australian women writers to these conflicts, illuminating the complex role of gender in the interpretation of war and in the cultural history of twentieth-century Australia.By visiting an astonishing number of unfamiliar, non-canonical texts, Shooting Blanks at the Anzac Legend profoundly alters our understanding of how Australian women writers have interpreted war, especially in a nation where the experience of colonising a frontier has spawned enduring myths of identity and statehood."This capstone book of Donna Coates's impressive and historic career will dramatically affect our ideas of the relationship between war and Australian writing. In her consideration of writers of the past such as Mollie Skinner and Lesbia Harford, and her reflections on how contemporary women writers are reframing the legacies of the two World Wars and the Vietnam War, Coates makes visible so much that previous critics had missed. Engagingly written and scrupulous in its attention to the archive, this wide-ranging and vigorously argued book reconceives our ideas of modern Australian literature.""Though largely overlooked, stories by women about and in war have always been significant. Donna Coates demonstrates that Australian women's contribution to war literature in particular is diverse, intriguing, and often unexpected."

The fifth edition Flora of the Sydney Region is the definitive technical guide to the identification of wild plants in one of the world's botanical heartlands. The Flora covers an area of coastal New South Wales stretching from Newcastle to Nowra and west to Lithgow. This comprehensive treatment contains diagnostic keys and descriptions that make it possible for the reader to identify any of the 3,000 indigenous or naturalised plant species found in this botanically diverse region. The identification keys efficiently guide the reader through those plant characteristics necessary to arrive at the correct scientific name. The identification process is further aided by a glossary and an extensive index of scientific and common plant names. Species descriptions include habitat details and flowering times. An instructive introduction provides support for the novice botanist.When first published in 1963, Flora of the Sydney Region was the only complete regional Flora in Australia. This fully revised edition of the Flora incorporates the wealth of botanical research which has taken place since the publication of the fourth edition in 1994. As a trusty field guide and authoritative desktop reference, it will be a constant companion to environmental consultants, amateur and professional botanists, ecologists, bushwalkers, bush regenerators and teaching institutions.

It's really great. It's like they're all here. I hear all of these voices and I sing with them, you know? - Yikliya Eustace Tipiloura, senior songman and ElderPerhaps the most defining feature of Tiwi song is the importance placed on the creative innovation of the individual singer/composer. Tiwi songs are fundamentally new, unique and occasion specific, and yet sit within a continuum of an oral artistic tradition. Performed in ceremony, at public events, for art and for fun, songs form the core of the Tiwi knowledge system and historical archive. Held by song custodians and taught through sung and danced ritual, generations of embodied practice are still being created and accumulated as people continue to sing.In 2009 Genevieve Campbell and eleven Tiwi colleagues travelled to Canberra to reclaim over 1300 recordings of Tiwi songs, made between 1912 and 1981, that are held in the archives at the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS). The Old Songs are Always New explores the return home of these recordings to the Tiwi Islands and describes the musical and vocal characteristics, performance context and cultural function of the twelve Tiwi song types, giving an overview of the linguistic and poetic devices used by Tiwi composers.For the past 16 years Campbell has been working closely with Tiwi song custodians, studying contemporary Tiwi song culture in the context of the maintenance of traditions and the development of new music forms. Their musical collaboration has resulted in public performances, community projects and recordings featuring current senior singers and the voices of the repatriated recordings. For this publication, Elders have enabled the transcription of many song texts and melodies for the first time, shedding light on how generations of Tiwi singers have connected the past with the present in a continuum of knowledge transmission and arts practice.

The lives of non-human animals, their ways of being and seeing, their experiences and knowledge, and their relationships with each other, continue to be ignored, discounted, written over and destroyed by anthropocentric practices and endeavours. Within the vestiges of colonialism, this silence and occlusion co-opts and consumes animals, physically and culturally, into the servitude of human interests, and selective narratives of history and progress. Decolonising Animals brings together critical interrogations, case studies and creative explorations that identify and examine how non-human animals are affected by and respond to colonial structures and processes. Included in this collection are the perspectives of Indigenous and non-Indigenous scholars, artists and activists and the ways in which they have questioned colonial ways of knowing, engaging with and representing animals. Importantly, the book presents suggestions for how humans can decolonise their relationships with non-human animals and with each other.

"For the first time, fish became our companions and a corner of many a Victorian parlour was given over to housing tiny fragments of their world enclosed in glass."The experience of seeing a fish swimming in a glass tank is one we take for granted now but in Victorian England this was a remarkable sight. People had simply not been able to see fish as they now could with the invention of the aquarium and everything that went with it.Goldfish in the Parlour looks at the boom in the building of public aquariums, as well as the craze for home aquariums and visiting the seaside, during the reign of Queen Victoria. Furthermore, this book considers how people see and meet animals and, importantly, in what institutions and in what contexts these encounters happen.John Simons uncovers the sweeping consequences of the Victorian obsession with marine animals by looking at naturalist Frank Buckland's Museum of Economic Fish Culture and the role of fish in the Victorian economy, the development of angling as a sport divided along class lines, the seeding of Empire with British fish and comparisons with aquarium building in Europe, USA and Australia.Goldfish in the Parlour interrogates the craze that took over Victorian England when aquariums "introduced" fish to parks, zoos and parlours.

Tiwi Textiles: Design, Making, Process tells the story of the innovative Tiwi Design centre on Bathurst Island in northern Australia, dedicated to the production of hand-printed fabrics featuring Indigenous designs, from the 1970s to today. Written by early art coordinator Diana Wood Conroy with oral testimony from senior Tiwi artist Bede Tungutalum, who established Tiwi Design in 1969 with fellow designer Giovanni Tipungwuti, the book traces the beginnings of the centre, and its subsequent place in the Tiwi community and Australian Indigenous culture more broadly. Bringing together many voices and images, especially those of little-known older artists of Paru and Wurrumiyanga (formerly Nguiu) on the Tiwi Islands and from the Indigenous literature, Tiwi Textiles features profiles of Tiwi artists, accounts of the development of new design processes, insights into Tiwi culture and language, and personal reflections on the significance of Tiwi Design, which is still proudly operating today.

Explores four mummies and three coffins from the Chau Chak Wing Museums Mummy Project, which has undertaken interdisciplinary research through a combination of scientific and Egyptological methods. - The mummies and coffins explored in the book are now on permanent display at the Chau Chak Wing Museum in Australias only dedicated Mummy Room. - These mummies constitute Australias most celebrated collection of Egyptian mummies, and are visited by over 100,000 people per year - There is significant demand in Australia and beyond for Egyptological research that is accessible to general audiences Speak my name so that I may live again was often written on the walls of Egyptian tombs, imploring visitors to speak the names of the dead and make offerings on their behalf. These acts of continued remembrance sustained the dead in the afterlife. Speak My Name: Investigating Egyptian Mummies explores the coffins and mummies of Meruah, Padiashaikhet, Horus and Mer-Neith-it-es, who lived in Egypt between 1200 BCE and 100 CE and whose mummies and/or coffins are now in the Chau Chak Wing Museum at the University of Sydney. A multidisciplinary team provides new insights into mummification and coffin manufacture in ancient Egypt through a combination of scientific and Egyptological methods, including CT imaging, skeletal analysis, radiocarbon dating, and digital modelling and illustration. Their discoveries illuminate the personhood of the individuals these mummies and coffins represent. Advances in technology allow us to respectfully learn about their daily lives, including nutrition, health and disease. Beautifully illustrated, Speak My Name demonstrates how science and archaeology work together to help us better understand the past. By studying the life and death of Meruah, Padiashaikhet, Horus and Mer-Neith-it-es, we speak their names again.

Eleanor Dark (1901-85) is one of Australia's most innovative 20th-century writers. Her extensive oeuvre includes ten novels published from the early 1930s to the late 1950s, and represents a significant engagement with global modernity from a unique position within settler culture. Yet Dark's contribution to 20th-century literature has been undervalued in the fields of both Australian literary studies and world literature. Although two biographies have been written about her life, there has been no book-length critical study of her writing published since 1976.Middlebrow Modernism counters this neglect by providing the first full-length critical survey of Eleanor Dark's writing to be published in over four decades. Focusing on the fiction that Dark produced during the interwar years and reading this in the context of her larger body of work, this book positions Dark's writing as important to the study of Australian literature and global modernism.Melinda Cooper argues that Dark's fiction exhibits a distinctive aesthetic of middlebrow modernism, which blends attributes of literary modernism with popular fiction. It seeks to mediate and reconcile apparent binaries: modernism and mass culture; liberal humanism and experimental aesthetics; settler society and international modernity. The term middlebrow modernism also captures the way Dark negotiated cosmopolitan commitments with more place-based attachments to nation and local community within the mid-20th century. Middlebrow Modernism posits that Dark's fiction and the broader phenomenon of Australian modernism offer essential case studies for larger debates operating within global modernist and world literature studies, providing perspectives these fields might otherwise miss.

Who keeps telling smokers they can't quit without help?For decades there have been far more ex-smokers than smokers, and an estimated 75% of smokers quit without drugs or professional help.But smoking cessation is a global phenomenon serviced by multibillion-dollar industries, including the pharmaceutical and e-cigarette sectors and health professionals. These industries try to denigrate unassisted cessation and promote their products and services - "weapons of mass distraction" - as essential to successful quitting.This contributes to the medicalisation of a process that, before these products were available, had a natural history where drugs and expertise were absent, yet millions of people around the world still quit.Simon Chapman AO is one of Australia's foremost experts on strategies to minimise harm from tobacco. In Quit Smoking Weapons of Mass Distraction, he reviews the early history of quitting smoking and the rise of assisted quitting, and gives insight into the forces that have tried to undermine smokers' agency to stop. Chapman also provides actionable policy solutions to help people actually quit smoking.