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This book in two volumes is the culmination of over twenty-five years of conjecture. Why didn't archaeologist Stuart Baldwin, PhD (1946-1999) fully write up his research after a decade of work on the now extinct Piro-Tompiro culture in Central New Mexico? Why didn't he return to the Southwest after 1988? What happened to the artifacts and notes from five years of excavation by a University of Calgary, Alberta, Canada, field school at Tenabo Pueblo, a large fourteenth to seventeenth century pueblo? The answers to these questions, and a treasure trove of physical evidence and years of scholarship were discovered in 2016. This included detailed reports on the archaeology, ethnohistory and history of the Abo Pass region of New Mexico, along with complete site analyses of numerous surveys and limited excavations carried out in the region. Although completed nearly thirty years ago, Baldwin's work remains the single most comprehensive and accurate presentation on the Native American Pueblo culture in Central New Mexico. In these volumes we tell the story of rediscovering Baldwin's life work and present all of a nearly 1,400 page unpublished manuscript that remained hidden for years in a research library's archives. This is the first of these volumes and is focused on history and ethnology. The second volume deals with archaeology and prehistory, including rock art. As Baldwin wrote in the preface of his "lost" manuscript: "I believe (in) any attempt to pull together and present available information on (a)...cultur(e)..., even if it is 'only' the morality of saving a people from historical obscurity."

This book in two volumes is the culmination of over twenty-five years of conjecture. Why didn't archaeologist Stuart Baldwin, PhD (1946-1999) fully write up his research after a decade of work on the now extinct Piro-Tompiro culture in Central New Mexico? Why didn't he return to the Southwest after 1988? What happened to the artifacts and notes from five years of excavation by a University of Calgary, Alberta, Canada, field school at Tenabo Pueblo, a large fourteenth to seventeenth century pueblo? The answers to these questions, and a treasure trove of physical evidence and years of scholarship were discovered in 2016. This included detailed reports on the archaeology, ethnohistory and history of the Abo Pass region of New Mexico, along with complete site analyses of numerous surveys and limited excavations carried out in the region. Although completed nearly thirty years ago, Baldwin's work remains the single most comprehensive and accurate presentation on the Native American Pueblo culture in Central New Mexico. In these volumes we tell the story of rediscovering Baldwin's life work and present all of a nearly 1,400 page unpublished manuscript that remained hidden for years in a research library's archives. This is the second of these volumes and deals with archaeology and prehistory including rock art. Volume I is focused on history and ethnology. As Baldwin wrote in the preface of his "lost" manuscript: "I believe (in) any attempt to pull together and present available information on (a)...cultur(e)..., even if it is 'only' the morality of saving a people from historical obscurity."

Michele Weston Relkin says in her preface to this book: “Many times as an artist and educator the drumbeat of chaos and excitement can develop into a great piece of art. So it is with this highly enjoyable mix of classical paintings and the political faces that make our American history. With these two elements brewing this compilation of imagery was born. Structuring and repainting the portraits so they live well with the famous paintings was a challenge. But the outcome is highly amusing and a great piece of the American political story. I do not side politically with my artwork but try to bring a smile that is nonpartisan.”m

Juan Duval (Juan Bellavista Xicart) was born in Barcelona, the heart of Catalonia, in 1897. He first made a career for himself in his native Spain and later in Paris and London he assumed the stage name “Juan Duval” retaining this for his career in Latin America and the Anglo world of the United States. He was a man of multiple talents: a dancer, (Spanish-Gypsy, French-Apache); a choreographer, and a director and producer of musical revues and movies. He was a poet, linguist, a businessman, and a soldier in two World Wars and the Foreign Legion. He was a musician and composer. He ran his own Spanish dance school on Hollywood Boulevard. A friend of bullfighters. A Hollywood character actor and screenwriter. A writer, amateur historian, and playwright. In short, he was a Renaissance man. In America he was a friend of famous ventriloquist Señor Wences; Jose and Amparo Iturbi, concert pianists of worldwide fame; Emilio Osta, child musical prodigy and concert pianist; Victor Granados (son of Enrique); actors John McIntyre, Warner Anderson, and many others who were part of that period of Hollywood. Geo-politically, Juan was born a Catalan and Spaniard, was made a temporary French citizen by the Great War, and became a U.S. citizen by serving in the U.S. Armed Forces at the end of World War I and the beginning of World War II. Juan used his talents as writer and poet in Spain in 1937—in support of the Republican cause, at constant risk of his life. He was a multi-talented artist who was not twisted or conflicted, but a decent human being and an old-fashioned Gentleman.

The furniture in this book illustrates the important contributions made by the Spanish in the 18th and 19th centuries to this form of the decorative arts.

         Does your child struggle with speech delays? If so, and if your child has trouble pronouncing certain letters or blends, then you have picked the right book.         Speech delay, or language delay, is when language follows the right sequence but at a slower range. This condition is not uncommon and some five to ten percent of preschoolers have this difficulty.         The focus of this book in the series is to help with the pronunciation of the “f” sound. With colorful illustrations and fun dialogue, this book will help your child master making the ‘f’ sound in a fun way. Other books in the series focus on the “L” sound and the “R” sound.

Who doesn’t like a good story? They can be told at night over a fire following a hard day on the trail or on the pages of a newspaper. There is no distinction as long as they ring true. With Cecil G. Emery they did, because he had an authentic voice. Emery didn’t care which medium he employed, because he could use both with equal ability. He introduced us to real cowboys, men whose colorful nicknames belied their skills with a horse and rope and their everyday courage. Emery could make us laugh but never at people, always with people. Be prepared for a saddlebag full of compelling, gut-busting yarns as you delve into these stories.

James C. Wilson's memoir begins in Pula, Yugoslavia, circa 1972, where he is accused of threatening Marshal Tito, the President of Yugoslavia. It flashes back to the States and his anti-war activities at the 1968 Democratic National Convention in Chicago and elsewhere. He then travels to Paris and Strasbourg where he spends time in exile with a French companion who speaks no English and dislikes Americans, and who finally leaves him for a group of pilgrims on their way to India. Returning to the States, he finds refuge in the counterculture community of Santa Fe, New Mexico, which becomes his spiritual home.

Growing up in a Spanish American culture in the American West at the turn of the twentieth century invites assimilation, a process made all the more conflicted through the evolving stages of individuation and the tensions of political correctness and hyphenated identities: Anglo-American, Spanish-American, Mexican-American, Native American, and the subcultures of Stompers, Pachucos, Chicanos, Cholos, Indios, and Squares. This book contains a dozen interconnected stories set against these laminated ethnicities. Whether read as love songs or laments these soul stories all serenade the American Southwest and its allure as a landscape of adventure and romance during the transition from Old to New West. It is said that a land determines a people and is determined by them, a belief told lyrically and poignantly in these story serenades. Includes Readers Guide.

A boy's tutor retells his search for the boy for seven years after he is kidnapped by the Comanches in this historical novel set in the late 1700s.

During a performance of Beethoven's Fidelio at the Vienna State Opera there is an explosion in the foyer just off the auditorium. Auguste Rodin's famous 1909 bronze bust of composer/conductor Gustav Mahler has been blown up and a hate-filled note has been left at the scene demanding that there be "no more Jews defiling our culture." Retired art historian/musicologist Megan Crespi, in Vienna to lecture, is at the performance with her former student, the renowned cellist Egga Streicher, and is asked by her friend, Chief of Police Erich Decker, to help in tracking down the culprit. Soon copy-cat vandalism of Jewish monuments around the city breaks out. Things come to a horrendous climax during a performance of Mahler's great Second Symphony, the "Resurrection" symphony, but is it the only surprise awaiting Megan Crespi's dangerous investigation? Includes Readers Guide.

In this second book in the series based on the four seasons, Corn Flower, an eleven-year-old Native American girl and a member of the Kansa tribe living along the Cottonwood River in the 1820s, is proud that her father White Plume has been selected as a tribal chief. With the guidance of two older tribal women, she also takes great pride in learning the skill of wild crafting to find herbs, roots, and leaves to use as medicines. After the harvest celebration of the corn crop, the members of the tribe head out to hunt for the great, shaggy bison. With the success of the hunt, much meat is prepared by all members of the tribe for the cold, winter months. One day while tending her herd of goats, Corn Flower and her best friend Night Sparrow find a stray horse wearing a saddle alone on the prairie. To discover the owner, Corn Flower and Night Sparrow travel to the trading post with their fathers White Plume and Red Branch. After leaving the trading post, Corn Flower nearly drowns while trying to return the lost horse at the nearby soldier fort. Saved by her father, she listens to White Plume’s story of how he came to know Kicking Swan and married her. The whole tribe rejoices with a naming celebration for a little girl of the tribe and for the marriage of Corn Flower’s brother Wanji to the maiden Running Dove. The story ends with the first heavy snowfall and a fun time in the winter whiteness with her brothers Red Cloud and Two Bears. Includes Readers Guide.

Are you totally, happily, lovingly and completely satisfied with the way your life is going? If you're not, or if you want to know more about life and love, you have picked the right book to read. In order to live a joyful, peaceful, and loving life with one's self and with others we must first learn to let go of old, negative attitudes and habits that are inhibiting our ability to love and learn and practice positive and loving attitudes and habits that will bring joy, peace, patience, kindness, faithfulness, goodness, gentleness and self-control into our lives. This book is based on precepts given to us by none other than The Great Author of Life Himself, Almighty God through His Son, Jesus Christ, who taught me how to truly love. This is not another manual on love, marriage or inter-personal relationships but rather a guide to loving oneself which in turn leads us to love, first God, than others as we love ourselves, for it is impossible to love others unless we love ourselves first. And it is impossible to love ourselves as God loves us unless we love God with all our hearts, with all our minds, and with all our souls for God is Love.

Throughout her life the poet found that many people shy away from poetry. They say they don’t like it; they don’t understand it; they are afraid of it. Poetry is as popular as a rattlesnake. The poet studied poetry in high school and college and has written poetry for fifty years. Naturally, one’s mind and heart grow and change over time. All of us evolve. The poet certainly has, and still does. In reading the oldest poems written, there is a young girl’s innocence in some, yet a remarkable maturity and wisdom in others. Poems are not differentiated as to age when written. Surely the reader may be able to do that, but maybe not. Poetry is what one wants it to be. This poetry is not written in any accepted or expected style. Rather, it was written purely for the poet herself. She wrote as a method of sharing thoughts, experiences, dreams, images, senses, feelings, memories. Some recollections were her own, and some belong to those who shared theirs with her. Some poems are mental exercises woven onto paper, while others are dreams caught before the poet truly woke. Her writing may not be poetry, but it is honest, and it is authentic. Poetry is what you want it to be. If you feel it, it is real. Just read aloud from line to line just as you would a book. It’s not fancy, it’s Potpourri.

In this anecdotal memoir an unknown narrator combines philosophical musings with dark humor to alleviate his reoccurring existential crises and mundane day-to-day missteps. To retain his sanity the narrator reflects on parables and absurd punch lines. Our narrator is consumed by doomed relationships, painful nostalgia, a vicious cycle of poverty, incompetent superiors, and ridiculous decrees from a Dictator-President with a violent police force. These situations are so hopeless they can turn humorous, and therefore, undermine the power that crippling depression, anxiety, and obsession can wreak on an individual living in "modernity." In the end, the reader is left with more questions than answers: "Are these intellectually rigorous musings the signs of mental illness, or an elaborate trick at our expense?" and "Who has a skewed perception of reality: the narrator, his society, or our own selves?"

Two altar boys are found dead in the Santa Fe River, apparently murdered, thirty years apart. The first case was never solved, while the second unfolds in present time. The priest from Mora who worked closely with the boys is the obvious person of interest. But a woman from an old New Mexico Hispanic family with a Catholic background who is the homicide detective for the Santa Fe Police Department, and a second-generation New Mexico Anglo woman with a Baptist background who sees ghosts and is a member of a state task force formed to solve difficult cases, work closely together, as they have successfully on previous cases, to find the true killer. They realize quickly that it is possible the priest is the killer, but not probable. An old, retired, extremely well-educated and psychic priest in Jemez Springs haunted by visits from La Llorona his entire life becomes a major asset to the women as they move toward solving the case that seems to bring them nothing but dead ends-until the night it doesn't. Includes Glossary and Readers Guide.

This history of La Luz, a planned development on Albuquerque, New Mexico's near west side, that celebrated its 50th anniversary in 2018, presents it as a model for architectural and planned community design. Included on the New Mexico Register of Cultural Properties, La Luz exemplifies the spirit of ecosophy-ecological harmony-contributing to the spiritual and physical health of its residents. Featured are interviews with Ray A. Graham, III, its developer, renowned architect Antoine Predock, and others initially involved in this project. Included are descriptions of the community governance and the spirit of its residents with a look ahead to the challenges of sustaining this community in a changing environment.

Reinstated after leaving the U.S. Foreign Service to marry the wrong man, Diana Forrest is sent to counter Soviet propaganda in Cold War Tanzania where graft corrupts the socialist ideal and poachers slaughter elephants for ivory. Toggling between a diffident boss and a hard-to-please Ambassador in a media wasteland, Diana spends weekends in the bush courtesy of a Tanzanian subordinate with a safari business on the side. As that relationship trends from teamwork toward intimacy, Diana wrestles with her conscience and is also troubled by safari companions who aren’t above petty poaching—or worse: one of them may have colluded in the murder of a conservation-minded headman. It’s soon clear that Diana’s job performance will rate an excellent follow-on assignment, but she’s not sure she wants to leave.

The author says, "I grew up in nature surrounded by forests. I would spend whole days playing in the woods in the presence of bears, perched on the tallest trees with the hawk, on top of mountains peaks with the eagle, hiking with the mountain lion, running with the deer, soaking in the streams, singing with the hummingbird and dancing with the butterfly, ice skating on the frozen pond, skiing topless in the moonlight, watching the shooting stars with my dad's giant telescope, collecting everything wild, stones, flowers, resin, herbs, barks, asparagus, berries, fruit, mushrooms, the wind even...hunting, and gathering Mother Earth's magic. I instinctively knew the natural world was good for my well being. I talked to the plants and asked for their secrets. "My love for the Universe, nature, beauty, and the sacred kept growing so intensely that I started to express it in the form of poetry at age eight. My first poem, "The Black Tulip," won an adult poetry contest. Poetry has been a way for me to share my deep gratitude for all the gifts. I've apprenticed for many years as a "Vegetalista" traveling to Peru and all over the world learning plant medicines, sitting in ceremony, and now holding ceremony. "This book is an offering to Mother Earth, to Spirit. Gracias Señora. Gracias Señor. Life is the ceremony."

In the early 1850s, twelve-year-old Peter Blair’s mother has died and his father has gone to Santa Fe to seek his fortune. Left in St. Louis, a friend has agreed to care for Peter. Before long his father’s acquaintance “Uncle” Seth goes back to St. Louis to check on Peter. But Peter is lonely and persuades his new uncle to take him to Santa Fe to be with his father. On the way, Uncle Seth leads their wagon train through an Indian attack, desertion by greenhorns, a buffalo stampede, a violent storm, and many other hardships. When Peter finally reaches his destination, he finds that his father is no longer in Santa Fe. Now he must go on yet another journey—one that almost proves fatal.

After an accident in Connecticut kills their toddler, Jane and Joe Tash, as part of therapy, write the book You Can Save Us All. Santa Fe’s Surely You Jest Press contracts to publish it. The Tashes believe their book will convince readers to protest in a major way against nuclear armament and environmental degradation. But the reality of getting a book published in hardcover, softcover, and eBook formats—amid escalating personality clashes—threatens to halt their efforts, as well as bankrupt the press.Couples uncouple, a best-selling author traumatizes Jane by flashing, and a son shuns his children, wife, and mother. Then out of the blue, a guardian angel appears.

After a pandemic ravages earth only a few isolated survivors exist. Chato Williams, a young boy who is living deep in the Alaskan wilderness has a prophetic revelation, telepathically induced by the serpent Quetzalcoatl, in which he sees a beautiful young girl in a faraway place called Serpiente who seems to beckon him to find her. Unfortunately, Chato's family of survivors are slowly dying due to famine and the cruel environment they live in. Despite fears of leaving, not knowing if the pandemic is over, Chato constructs a sea kayak in order to search for the source of his revelation, other humans, and hope for his family. Chato befriends Charlie who assists him as they fight off warriors under the control of evil serpents who wish to kill them for their life energy. Will he find the girl of his prophetic revelations? Can they solve the ultimatum that the serpent ambassador Chimalma demands or will humans be forever farmed for their life energy to satisfy the lusty taste of the evil serpents?

The year was 1864. The freezing winds off Lake Michigan swept across the snow laden grounds and through the cracks of a building that held Southern prisoners in Camp Douglas, Illinois. Huddled with the other prisoners, John mulled over the reasons he had enlisted, even after his father had forbidden it. He knew the only real reason was to protect his best friend Frankie, who had enlisted first but never even bothered to show up at the station when the recruits left for war. Shivering, he wondered if he would ever see his family again or especially the girl he had loved since childhood. John realized that nothing but an act of God could deliver him from this hell on earth. Includes Readers Guide.

A mysterious murder faces border patrol agent Tracker Dodds as he assumes control of the first Prisoner of War camp in the United States under a mandate from the Department of Justice. It's a hot summer day in 1942 when he enters Fort Stanton and he is shocked to discover a brutally scalped German inmate floating in its Olympic-sized swimming pool.A river separates the camp from a state-of-the-art tuberculosis hospital in this alpine back country of southern New Mexico which adjoins the massive Mescalero Apache reservation. Could the scalping have been done by someone from the reservation? Or was the murderer another distressed German seaman? The camp is packed with German sailors. Did a bystander see the chance to silence his blackmailer?Though the camp is remote and cut off from civilization, every soul involved feels the crushing destruction of a world at war. And the mysterious murder facing Tracker Dodds is just an example.