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THE HAUNTS OF MEN "It happened so unexpectedly, so abruptly, that she forgot to scream…" A woman watches a regiment of soldiers trample her garden as war comes to her front door in "The God of Battles." Three soldiers trade shots across the river and discover a common bond in "Pickets." A Union officer finds unexpected aid and unintentional betrayal in "Smith's Battery." A forgotten lover in disguise is a witness to tragedy in "Collector of the Port." A timid art student has his horizons broadened when he seeks a bit of experience in the Latin Quarter in "Another Good Man." These stories and many others represent Robert W. Chambers at the beginning of his career, when-some would say-he was at the height of his storytelling powers. Here are tales that range from the Revolutionary War to the artist salons of Paris, and from a small upstate village in New York to the Alpine mountains of Europe. Tales of love and loss, of sacrifice and madness; comic tales of the Bohemian art world and grim stories of life during wartime. Also included are seven additional stories from The King in Yellow, The Maker of Moons and Barbarians, further glimpses into the hearts and minds of men.

LADY OF A THOUSAND SORROWS I can remember the blood and roses and the sounds of sirens… And how Jason three years before had said to me: "I am going to be killed. They are going to shoot me down in public some day.""No," I said, "that's ridiculous.""Is it? There must be a million people who would like to kill me, at least a hundred million more who would enjoy seeing it no matter what they tell you.""Don't talk about it anymore."He stared narrowly at me then. "It excites you, too. The widow in black, his living memory. People would never forget you. You'd be more famous than I am…."Then three years later on that fatal afternoon, he'd fallen into my lap like a sad enormous doll, his head there like a big flower, blooming blood. And the roses, of course, blood and roses, and me wondering why I, too, had not died…. CONFESSIONS OF WESTCHESTER COUNTY She asked me to kill her husband. She placed in my left hand the most delicate of lady's revolvers… "It needs to be done, believe me Luther," she said, "and I think that Harold would agree with this himself because you can't imagine how many times he's come home from that terrible office and said to me that he knows he'd be better off dead. He really wants to die, Luther; there's a lot of guilt mixed in with his cruelty and that's why I can't hate the man. I want to do him a favor. I want to give him this gift of death. But I just don't quite have the strength. Thank God that you do, Luther."

DAMON RUNYON'S BOYSNew York City. 1948. Damon Taylor, lead reporter for Crime Weekly, has returned from the war with a new-found cynicism. Writing is just a way to earn a living. When the leader of a swing dance group is murdered in plain sight at the Savoy Ballroom, Taylor is assigned the story. He may have been trained by the great newspaperman, Damon Runyon, but it's just a story to him.But as he covers the shooting, Taylor encounters a young cub reporter named Truman Capote, who offers to help. Then the story becomes complicated when one of Taylor's sources, Walter Winchell, learns that the five organized crime families might be involved. After Taylor is beaten up in the rest room at Ebbetts Field during a Dodgers game, it starts to become personal.Taylor discovers that the murder may be tied to the fashion industry. Mob leader Frank Costello may be involved. The FBI are definitely involved. The dance leader's mistress is stuck in the middle. And Capote keeps digging up new information that Taylor can't ignore. When someone takes a shot at him, Damon Taylor discovers he may have to grow a conscience just to survive. But can he solve the mystery before he becomes its next victim?

JESS FRANCO: THE WORLD'S MOST DANGEROUS FILMMAKERJess Franco was a director, cinematographer, writer, composer, editor, producer and actor in more than 150 fiercely independent films he made from 1959 to 2013. Born in Madrid, Spain, he was declared one of the most dangerous filmmakers by the Spanish Catholic Church. He was also one of the most prolific directors of Spanish cinema.His underground classics include Christina, Princess of Eroticism, Vampyros Lesbos, Daughter of Dracula, Tender Flesh, The Awful Dr. Orloff, Venus in Furs, Marquis de Sade's Justine, Revenge in the House of Usher and many others.Kristofer Upjohn celebrates Jess Franco in a collection of essays that examines his individual movies for the first time not just an artistic perspective but also with a subtextual psychological analysis as well-from Count Dracula and Jack the Ripper, all the way to The Erotic Rites of Frankenstein and Countess Perverse. There has never been a low budget maestro like Jess Franco.

Last Job for a Killer The governor said, "You've come for amnesty?""That's right." Slattery's mouth was dry."How come?" the governor breathed. "You, of all men?"Rage thickened Slattery's voice. "Why not?""Amnesty for Ben Slattery. You want to quit your side of the law and join ours?"Slattery said "Ours? You don't mean ours, you mean yours, don't you Governor?""Ours," Fallon barked. "Mine and the rest of the law-abiding citizens of this Territory. You want to join us?"Slattery was silent."Why? Why are you here? Why now?""Because," Slattery said slowly, "I'm sick of the whole damn' business. Because I'm tired of it all." He stood straight and he knew he was telling the truth, even though it was a lie. He wasn't seeking amnesty. He was seeking the easy way to put a bullet into Fallon's heart.

Two short novels featuring the detection of Sherlock Holmes and Mr. Mac, a character introduced by Sir Arthur Conan Doyle in "The Valley of Fear."

Originally published in paperback by Ace Books in 1956 as by "Jonathan Gant," this is the story of an arrogant killer who plans to control a city through a ruthless blackmail scheme.

The first time Ben Parker meets Johnny Angel, Ben is blowing bass with Daddy Halloway and the Hot Babies. Angel angles into the band by acing out the drummer. Parker's got a bad feeling about Angel, but has to hire him anyway. Johnny Angel, raised from the school of hard knocks, doesn't let anyone or any scruple get in his way. First, he steals Daddy's band, then he steals his daughter, Blanche. Then WWII happens-Parker serves, but Johnny cops a gay plea and gets out. When Parker gets back he hooks up with a talented but tubercular composer named Con Conners. And a sultry singer, Ginger. But Johnny Angel is right behind him, ready to do whatever it takes to climb to the top on someone else's talent, be it beg, borrow or steal... even kill. This is the ruthless story of the music business told from the inside, starting from the days of swing jazz to bebop, all the way to rock'n'roll.

Abby Marquise and her team mates at the Society for the Security of Reality stand between mankind and the "other." Faeries, selkies, werewolves, ghosts, ghouls... all of the creatures mankind refuses to admit exist. Abby knows firsthand that they are real. She fights her personal demons as she fights the "other" -- with determination, hope, and spunk. After solving the disappearance of hundreds of children only a month ago, Abby is suddenly thrust into fighting the unknown once again. This time, it's the faeries who have invaded Chicago. And these are not the fae of your childhood stories. These are dark magic-wielders, capable of murder and committed to obtaining power over the mortal world. All Abby needs to do is find out who is helping them, solve the gruesome murders, and rebuild a relationship with her teenage son while keeping herself and her team mates alive.

A lone driver picks up a beautiful woman and gets more than he bargained for, and the perfect heist is made complicated when a drunken neighbor climbs in the wrong window. From the author of Clean Break, filmed in 1956 by Stanley Kubrick as The Killing.