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In 1910, the famed escapologist Harry Houdini made an ill-fated attempt to become the first person to fly an aircraft over Australian soil-yet while Houdini is remembered today for his failure, the true record-holder has been forgotten.Now this quirk of history becomes fodder for the obsessions of one Bernard Cripp, the world-weary scion of an ailing family circus, as he tries to unearth every detail of Houdini's flight in order to re-enact it, right down to the crash-landing. But why is Bernard so single-minded? As his manic testimony unspools, his story takes on a darker tone: he is, in fact, in mourning for a wife and child he has lost to the skies, and paralysed by an uncertainty surrounding their deaths. If his efforts to re-create history cannot bring back his loved ones, can they at least bring him peace as he struggles to live with his loss?

American democracy is on its knees. The upcoming election could well be the last and the nation is braced for internal conflict.Meanwhile, on urban patrol, a nightwatchman discovers the latest in a series of prostitutes beaten and left for dead by a mysterious assailant.Meanwhile, his research into his family's past leads him to Sri Lanka under colonialism, with all its echoes of factional divisions and authoritarian rule.Meanwhile, his colleague is implicated in a scheme to reverse-engineer storm dispersal technology and weaponise the weather.Meanwhile, meanwhile, meanwhile: from its basis in a dystopian future and its focus on one man in pursuit of another, Square Wave expands its scope and expands again-into history, musicology, geopolitics-to observe the varieties of decay that emerge from the militarisation of the human mind. The result is a novel that KCRW's Michael Silverblatt calls "e;the most extraordinary debut in fiction that I've encountered in many years... even when I had to suspend comprehension and travel beyond my comfort zone."e;

In 20182019, Splice published three collections of storiesDana Diehl's Our Dreams Might Align, Michael Conley's Flare and Falter, and Thomas Chadwick's Above the Fateach of which, in its own distinctive way, unwove the veil between reality and the irreal. Now, in this first anthology from Splice, the authors of those collections come together with new work and new affinities, each one paired up with a new author of their choice whose fictional world shares a border with their own. So Renee Bibby, Abi Hynes, and Victoria Manifold enter the company of Splice's explorers of ethereal, and the points of slippage between our world and others multiply in these pages...

What does it mean today to experience a work of art? In a culture of triviality and cynicism, at the mercy of the superfluous and ephemeral, where can we turn to find the genuine, the sincere, the truly accomplished?The thirty essays in See What I See are the fruits of a lifetime spent grappling with these questions. By turns lyrical and arch, nostalgic and impassioned, they seek answers in the achievements of the masters as well as in less likely places. For Greg Gerke, aesthetic experience is found as often in the human body as in poetry or prose, as much in being in the world as on celluloid or canvas: in the yearnings, confusions, hopes, and pleasures of a life fully lived.