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A poem can glisten like a fresh wound. Usha Akella pays tribute to her own life and to that of other women. Writing from her Niyogi Brahmin sensibility with which she grew up, her poems are the medium for the unsilenced voice both of her own story and those of women across various cultures. She calls for a united womanhood in her poems dedicated to women violated through rape, caste, FGM, foot binding, mysticism, politics, terrorism and other patriarchal abuses to the women who have triumphed against subjugation building new ways of being. Rage has not caste, needs no algorithm,light a pyre with itof chopped thumbs and scripted dreams

I can see how I carry Yiayia's war in the ample dunes of my belly, the moment she smelt the guns, she pinched the candle's wick,gathered the startled shadows of her children,flung my baby-mother onto her backand sprinted towards the neutral moon-Migration and the memories of women's traditions are woven throughout these poems. Angela Costi brings the world of Cyprus to Australia. Her mother encounters animosity on Melbourne's trams as Angela learns to thread words in ways that echo her grandmother's embroidery. Here are poems that sing their way across the seas and map histories.

What was it like to participate in the Women's Liberation Movement? What made millions of women step forward from the 1960s onwards and join it in different ways? Many of the 56 women in this book were there. They describe how they have contributed in multitudinous ways across politics, the arts, health, education, environmentalism, economics and science and created wonderfully rebellious activism. And how they continue this activism today with determined grittiness. Here are women - all over 70 years of age - still railing against the patriarchal systemic oppression of women, still fighting back.

For the first time since he'd left the island he thought of the starlings massed at dusk in the winter trees behind the children's home. He remembered the rustle of their wings when they twisted in skeins over the fields, or swelled and contracted high above the cliffs, dark wave after dark wave, lifting and falling in a kind of dance. Sister Lucy had said it was a murmuration. He was still quite young, and he had thought the birds were showing him a sign, that there was something written in their fluid patterns. Lives merge and diverge; they soar and plunge, or come to rest in impenetrable silence. Erris Cleary's absence haunts the pages of this exquisite novella, a woman who complicates other lives yet confers unexpected blessings. Fly far, be free, urges Erris. Who can know why she smashes mirrors? Who can say why she does not heed her own advice? Among the sudden shifts and swings, the swerving flight paths taken, something hidden must be uncovered, something dark and rotten, even evil, which has masqueraded as normality. In the end it will be a writer's task to reclaim Erris, to bear witness, to sound in fiction the one true note that will crack the silence.

1999. Winter. Bondi. Harry's been on the streets so long he could easily forget what time is. So Harry keeps an eye on it. Every morning. Then he heads to the beach to chat with the gulls. Or he wanders through the streets in search of food, clothes, Jules. When the girl on the bus sees him, lonely and cold in the bus shelter that he calls home, she thinks about how she can help. She decides to write a symphony for him. So begins a poignant and gritty tale of homelessness and shelter, of the realities of loneliness and hunger, and of the hopes and dreams of those who often go unnoticed on our streets. This is the story of two outcasts – one a young woman struggling to find her place in an alien world, one an older man seeking refuge and solace from a life in tatters. It is also about the transformative power of care and friendship, and the promise of escape that music holds. An uplifting and heartbreaking story that demands empathy. Amid the struggles to belong and fit in, we are reminded that small acts of kindness matter. And big dreams are possible.

What characterizes women as a group is our colonized status. To be colonized is not to think for oneself, to think on behalf of "e;the other"e;, to put one's emotions to work in service of "e;the other"e;. In short, not to exist.Nicole Brossard is known internationally for her writings on writing, on feminism and on lesbian existence. This edition released for a new wave of feminist outrage is a book full of spirit, energy, insight and chutzpah. She is a major voice in contemporary literature with incisive and hard-hitting essays about feminist imagination and culture.I believe there's only one explanation for all of these texts: my desire and my will to understand patriarchal reality and how it works, not for its own sake but for its tragic consequences in the lives of women, in the life of the spirit. Years of anger, revolt, certitude and conviction are in The Aerial Letter, years of fighting against the screen which stands in the way of women's energy, identity and creativity.-Nicole Brossard

Gurindji country is located in the southern Victoria River in NT. In Karu, Gurindji women describe their child-rearing practices. Many Gurindji ways of raising children contrast with non-Indigenous practices because they are deeply embedded in an understanding of country and family connections. This book celebrates children growing up Gurindji and honours those Gurindji mothers, grandmothers, assistant teachers and health workers who dedicate their lives to making that possible.

Thousands of people obtain babies through surrogacy arrangements. The general public is compassionate to their plight and supportive of their 'right' to a baby. But who are the nameless women who give birth to these babies? In this book, strong and courageous women from the USA, the UK, Canada, Australia, and Russia share their stories of becoming 'surrogate' mothers only to be deceived by 'baby buyers' and lawyers. This book challenges Big Fertility and its minions: women are not ovens or suitcases, babies are not products.

In the face of widespread discrimination against the disabled and a eugenic culture which pathologises disability and crushes diversity, comes a new book which radically challenges the status quo. Defiant Birth: Women Who Resist Medical Eugenics, tells the personal stories of women who have resisted medical eugenics - women who were told they shouldn't have babies because of perceived disability in themselves or because of some imperfection in the child. They have confronted the stigma of disability and in the face of silent disapproval and even open hostility, had their children anyway, in the belief that all life is valuable and that some are not more worthy of it than others.

A scathing analysis of high-tech biomedical reproductive techniques. Women as Wombs provides groundbreaking insights into the debate over reproductive technology and its ethical, legal, and political implications. Raymond asserts that far from being liberatory issues of 'choice', these techniques, including in vitro fertilization, surrogacy, and sex selection, are a threat to women's basic human rights.

Lindsay Simpson has doggedly pursued an incredible story: how could a company with a globally disastrous reputation for environmental destruction along with a dubious financial status woo an Australian Prime Minister, a State Premier and a handful of regional mayors to back a project to build Australia's largest coalmine and the world's largest coal terminal only kilometres from the Great Barrier Reef? Investigative journalist, former academic and author, Simpson's personal story reveals the truth behind the Adani controversy. Doorknocking at Adani's Indian HQ to hand over a petition from the Australian Conservation Foundation signed by Australia's most prominent citizens; she also lobbied politicians in Parliament House in Canberra, questioning their motives that ensured the mine was approved. Simpson investigates the power of the social movement Stop Adani which has captured the national imagination, proving that while Adani might have gained the political will to build the mine, it has never gained the social will of the people. Adani, Following Its Dirty Footsteps: A Personal Story documents the inconceivable story of how Australian governments abrogated their responsibilities to protect this world heritage icon; bypassing environmental safeguards, thereby irrevocably damaging Australia's reputation as environmental steward of some of the world's most valuable natural assets. This book lays bare the pecuniary interests of Australia's leaders serving a country which is the largest exporter of coal and how money rules over protecting the environment.--

"e;Very few collections bring home so powerfully the vulnerability of individuals in the face of history,"e; writes Lisa Gorton of Robyn Rowland's powerful poems recording the experiences of soldiers, nurses and doctors, women munitions workers, wives, mothers, composers, painters and poets during the Gallipolli War,1915. It began with the Battle of Çanakkale and the defeat of the British navy. The land battle was hand-to-hand killing, the physical closeness of its soldiers unmasking the depersonalization of the propaganda of war. Importantly, the book finishes with a poem on women's friendship 100 years after the war, and the healing nature of love.

In this major new book of poems, her seventh, Robin Morgan rewards us with the award-winning mastery weve come to expect from her poetry. Her gaze is unflinching, her craft sharp, her mature voice rich with wry wit, survived pain, and her signature chord: an indomitable celebration of life. This powerful collection contains the now-famous poems Morgan reads in her TED Talk - viewed online more than a million times and translated into 24 languages.

Ann Hannah was an ordinary, no-nonsense, practical woman. While a constant and caring presence in the life of her granddaughter Betty McLellan, she remained emotionally distant. In an effort to understand her grandmother, Betty has used Ann Hannah's everyday expressions as a starting point to uncover the truth about her life. These words and phrases, heard countless times during Betty's childhood, are the clues to a life that, like those of many working-class women in the early 1900s, was fraught with challenges and difficulties and ignored by historians. What did Ann Hannah mean when she said that she was forced to migrate to Australia from England in the 1920s? Why did she remember her husband as a ‘wickid' man? How did she cope with the death of those close to her, including her own son? How did she manage to overcome the struggles and disappointments that punctuated her life? Written with a sharp feminist consciousness that displays both compassion and intellect, this astute psychological biography tells the story of a resilient woman who, when placed in circumstances beyond her control, managed to live a good life. It provides valuable insight into the lives of many (un)remarkable women whose lives may have gone unnoticed but whose experiences shed so much light on the realities faced by women throughout the 1900s.

One day there will be peace in Vietnam. But not before more war. Touched by the Lady of the Realm, Liên dreams of bones and bodies under the sea. The prescient warnings from the Lady weigh heavily on Liên, who is burdened by her inability to save everyone. But she knows that the Lady speaks most to those who listen. Set against the background of the Vietnam war and in its aftermath the rule by the Communist regime, in The Lady of the Realm, we follow Liên's path across many decades that are punctuated by endless war and suffering. Yet even in the most desperate of times, Liên refuses to be ruled by fear and anger and persists in her hope for a peaceful future. For some, it will be too late.