Bøker utgitt av Southern Illinois University Press

On the afternoon of December 30, 1903, during a sold out matinee performance, a fire broke out in Chicago's Iroquois Theatre. This work provides a chronicle of this event to assess the titanic tragedy of the fire itself and also the municipal corruption that kindled the flames beforehand and the political cover-ups hidden in the smoke.

Circle adopts the shape as a trope for gender, family, and history. These lyrical, narrative, and hybrid poems trace the spiral trajectory of womanhood and growth and plot the progression of self as it ebbs away from and returns to its roots in an Asian American family and context.

Covers the author's years growing up in early post-settlement Illinois, where he gave in to temptations such as drinking, gambling, and the lure of prostitutes before joining the army, finding God and becoming a preacher. Blackman peppers his story with the sordid details of the sinful times of his life as well as with discussions of faith and of struggling to understand his God.

Examines the lost films and directors of the 1950s. Contrasting traditional themes of love, marriage, and family, the author's 1950s film world unveils once-taboo issues of rape, prostitution, and gangs. Television shows such as ""Captain Midnight"" and ""Ramar of the Jungle"" are juxtaposed with the cheerful world of ""I Love Lucy"" and ""Howdy Doody"".