Bøker utgitt av Skira

The first complete compendium of Mullican's photographs from the 1960s to the present.Focusing on a medium the artist incessantly used from his debut to the late 1960s, but never analysed in depth by critics, the catalogue Mullican. Photographs comprehensively documents the entire photo oeuvre of Matt Mullican (Santa Monica, California, 1951. He lives and works in New York and Berlin), publishing a compendium of all his analogue photos taken between the 1960s, 1970s and 1980s up to his recent digital images and series, including images made by "That Person" - the artist's alter ego that emerges during states of hypnosis and trance - plus computer-generated images - in his initial experiments of virtual reality in the 1980s and 1990s - and a portfolio of exhibition views at Pirelli HangarBicocca, the biggest retrospective to date on Mullican, exceptionally photographed by the artist himself. In addition to an extraordinary collection of 2,000 images, this publication also contains various relevant texts: a conversation on photography between Matt Mullican and the artist/photographer James Welling; a critical essay on the use of images by Anne Rorimer, art historian and author of essays on the Picture Generation and the catalogue The Forest of Sign (1995); an excursus on the artist's digital photography and images by Tina Rivers Ryan; a conversation between Mullican and the exhibition curator Roberta Tenconi; finally, an essay by the philosopher Marie-Luise Angerer that explores the meaning of the show's title, "Matt Mullican. The Feeling of Things", the idea of "feeling", of perceiving things.

A selection of nearly 60 works made by the contemporary artist in the past 15 years.This book gathers a selection of around 60 works made by Francesco Arena from 2004 to 2019, plus two scholarly texts by Vincenzo De Bellis, curator and associate director of events at the Walker Art Center in Minneapolis, and Jacopo Crivelli Visconti, curator of the 34th Bienal de São Paulo. These analyse the basic themes in the artist's research, like the relationship between man and time and how this conditions the spaces we live in. The monograph is rounded off by a conversation between Francesco Arena and Ines Goldbach and technical entries of all the works with illustrations and short texts compiled directly by the artist.

Marino Barovier, editor of the series ¿Le Stanze del Vetro¿, is considered one of the greatest experts of glass art.

Rosa Maria Falvo is a writer, editor and curator specializing in Asia-Pacific and Middle Eastern contemporary art. She has published many books on leading artists and curated several important international exhibitions and private art collections.

For the 50th anniversary of UniFor, a leading company that develops and creates solutions for the contemporary space-office, this volume covers 5 key decades in the history of Italian design. Through an analysis of case studies, this book illustrates the peculiarity of UniFor, highlighting the absolute singularity of their work method. It recreates the identity through key moments, from the collaboration with the most prestigious architects - like Michele De Lucchi, Foster + Partners, Jean Nouvel, Renzo Piano, Aldo Rossi, Álvaro Siza, just to mention a few - to communication strategies, with the graphic designer Pierluigi Cerri unifying the message through a coordinated image and display system (from showrooms to fair stands) that exemplifies, in 3D space, the notions of order, measure, functional elegance and innovation. Specialising in major projects, an international vocation and a close relationship with the most prestigious architecture studios characterize the work of UniFor that since its founding (1969) is a factory-workshop open to the best creative talents.In fact, UniFor designs custom-made furniture systems, in the name of sophisticated quality. A task that entails working on materials, their durability, and their aesthetic, technical and functional performance, to create complex and complete environments.UniFor was born with a precise vocation: an interior landscape design that interprets and translates into reality the indications and needs of today's clients and architects.

John Offenbach's wonderful collection of portraits, boldly and bluntly entitled Jew, could not be more timely. In a period when antisemitism and racism are rife, when ignorance and prejudice prevail, here is a captivating tale of the unexpected. A portrait of Jewish people which defies cliché and stereotype. From Brooklyn to Azerbaijan, from the homeless to the homeland, all human life is here. - Alan Yentob - BBC Some years ago John Offenbach decided to embark on a series of portraits of Jews from different ethnicities, such as those from India and China and Ethiopia. Not just the great and the good, it had to include the homeless Jew, as well as the rich Jew. The incarcerated Jew, and the heroin addict.Offenbach took inspiration from People of the Twentieth Century, the series of portraits of German people of the 1920's by the Cologne-based photographer August Sander, but unlike Sander, he decided not to include the background or the setting for any of portraits, as he didn't want this collection to be documentary in style or intention; so, a weaver in Ethiopia is sitting in exactly the same light as a financier from Wall Street. Half way around the world to each other but surprisingly close.Offenbach travelled to thirteen countries, including Argentina, Azerbaijan, India, Ethiopia, China and Ukraine and took are approximately 150 black-and-white portraits of jews. The objective of the series is to look at Jewish faces and see the similarities and the differences. A snapshot of world Jewry today. On one level simply, that Jews come from all parts of society, and in all shapes and sizes.The prints are all 76 cm x 64 cm, printed on Zerkall mould paper. The image is injected like an ink jet, however consists purely of liquid carbon. The prints have an exquisite and beautiful quality. They are 100% archival and rather like a pencil drawing, consist of no chemicals at all, except paper and carbon.

Emma McClendon is associate curator of Costume of MFIT.

Victoria Noel-Johnson is an art curator and historian specialised in early 20th-century Italian art. Recognised as one of the greatest experts of Giorgio de Chirico¿s painting, from 2008 to 2017 she was the scientific curator at the Fondazione Giorgio e Isa de Chirico, where she managed the art collection and international exhibition programme for the Foundation.

This is the first English-language volume on Marinot (1882-1960), a pioneer in the development of glass as a studio art form.

Here, photographs by British photojournalist James Hill document the three studios of Georgian-Russian artist Tsereteli in Moscow, Paris and New York. These photographs offer a more personal perspective of an artist known for his sometimes-controversial monumental sculptures and paintings.

The works by visual artist and filmmaker Hito Steyerl (Munich, 1966), one of the most influential cultural figures of our time.Steyerl's works are critical reflections on the digital and contemporary age and focus on the pervasive role of technology and the circulation of images in the globalized world. Her installations, which encompass film and visual art, are immersive architectural environments that seek to establish the way in which technology and Artificial Intelligence shape reality and how it is experienced. This catalogue accompanies the exhibition The City of Broken Windows at Castello di Rivoli and features previously unpublished essays by Carolyn Christov-Bakargiev and Marianna Vecellio, the exhibition's curators, and by the feminist art historian Griselda Pollock. It also contains two new texts by the artist entitled The City of Broken Windows (2018) and The City of Unbroken Windows (2018), published here for the first time, and her important essay In Defense of the Poor Image (2009). Richly complemented by an extensive selection of images from the exhibition, the book includes an exhaustive scholarly chronology of the artist's exhibitions, screenings, and lectures and an anthology of critical essays and interviews from 1998 to the present, authored by Anna Altman, Manuela Ammer, Julieta Aranda, Marius Babias, Camila Bechelany, Jochen Becker, Franco "Bifo" Berardi, Fred Camper, Lauren Cornell, T. J. Demos, Thomas Elsaesser, Harun Farocki, João Fernandes, Alwin Franke, Lynn Hershman Leeson, Marvin Jordan, Ann Kaneko, Heinz Kersten, Adam Kleinman, Brian Kuan Wood, Pablo Lafuente, Gil Leung, Maria Lind, Sven Lütticken, Anja Osswald, Trevor Paglen, Laura Poitras, Bert Rebhandl, Isabella Reicher, David Riff, Daniel Rourke, Berta Sichel, Roberta Smith, Kerstin Stakemeier, Anton Vidokle, and Reinhard W. Wolf.

Marta Gnyp is a Dutch art historian at the University of Amsterdam with an international business background. She is also a collector of contemporary art, art advisor, and contributing art editor for several international magazines. With Skira she recently published You, Me and Art: Artists in the 21st Century (2018). Alex Bacon is a Curatorial Associate at the Princeton University Art Museum. He is an art historian based in New York City who regularly writes criticism and organizes exhibitions of both contemporary and historical art.

This catalog examines the career of Norwegian sculptor Vigeland--one of Norway's most celebrated 20th-century sculptors, known for his large-scale figurative works--situating him alongside such contemporaries as Antoine-Louis Barye, Constantin Meunier, Auguste Rodin, Aristide Maillol and Antoine Bourdelle.Bourdelle.

The horse has been represented in the history of art by almost every culture in every time period. In 1969, Jannis Kounellis (member of the Italian art movement Arte Povera) brought twelve living horses inside a gallery in Rome, creating a very reinterpreted image of the horse in an art context. Lara Nickel¿s homage is comprised of twelve life-size, realistic paintings of horses, positioned on the ground and installed perpendicularly to the wall. Presented in this non-traditional way, the images of horses appear to be standing in the room, making the architecture itself the setting of the paintings. Nickel¿s 12 Horses ¿ Homage to Jannis Kounellis uses painting as a sculptural intervention, inviting the audience to physically engage with the artwork. Using Kounellis¿ original piece as an art historical reference, Nickel¿s paintings are not only portraits of horses but painting-as-illusion, painting-as-object, and painting-as-situation.

Francesco Bonami is a renowned Italian art curator and writer who directed the Venice Biennale in 2003 and curated the Whitney Biennial in 2010. He is currently the Artistic Director of Fondazione Sandretto ReRebaudengo in Turin. David Campany is a writer, curator of exhibitions and an artist. He has published several books on photography, cinema and art, and over a hundred essays. Venus Lau is a curator and writer based in Shanghai and Shenzhen, where she is artistic director of OCT Contemporary Art Terminal. She won the Chinese Contemporary Art Award jury¿s prize with her proposal to rethink strategies of institutional critique within a Chinese context while exploring the links between ontology and objecthood in art.

Francesca Pola is a contemporary art historian, critic and curator. Since 2003 he has been Professor of History of Contemporary Art at the IES, the Institute for the International Education of Students in Chicago (Milan office).

In the first book to focus on Nordic conceptual art, Norwegian art critic R¿ed argues that artworks are entangled in collective histories. In closely examining conceptual artworks, R¿ed illustrates how works of art can be used to understand the past. the past.