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“Walt Whitman writes: I am he attesting sympathy. Joseph Ross could say the same. The poems in Ache flow from a fountain of compassion for those so often denied these sacred waters: immigrants crossing the border at their peril, people of color murdered by police now and half a century ago, the martyrs whose names we know—from Trayvon Martin to Archbishop Romero—and whose names we do not know. In one breath, the poet speaks in the voice of Nelson Mandela, addressing the mother of lynching victim Emmett Till; in the next breath, he speaks of his own high school student, a young Black man spat upon by an officer of the law. In clear, concise language, Joseph Ross praises and grieves the world around him, the music as well as the murder. He also engages in prophecy: If you leave your country in the wrong hands, / you might return to /see it drowning in blood, / able to spit / but not to speak. Yes, indeed.” - Martín Espada

Anthony Frame, by trade, is an exterminator. Frame is, also by trade, a poet. Frame writes what he knows, inviting us into the delicate world of pests others pay to have extinguished. What is not expected is the forgiveness for which he begs; how all these creatures live and die and live again so vividly in these pages.

“Amir Rabiyah is a magician who has tasted salt of the creation story’s sea. The cleaving of human to spirit found in Prayers for My 17th Chromosome is a blood tangle that will kiss your cells till you sweat / constellations. Rabiyah reminds their reader that to exist in between boxes of national belongings, migrations, queer kinships, and disability is not to swallow war. Rather, in these verses, complications find respite in one another, [becoming] the endless, / the source, / the horizon / awakening.” - Rajiv Mohabir, author of The Cowherd’s Son and The Taxidermist’s Cut

If You Can Hear This: Poems in Protest of an American Inauguration includes poems from over 70 poets from all over the world writing in response to the 2016 United States presidential election. Poets include Kaveh Akbar, Nickole Brown, Jessica Jacobs, Michael Klein, sam sax, and Eloisa Amezcua, plus many, many more. 

Bold and wise, compassionate and erotic, the poems in Avowed explore aspects of a contemporary lesbian life within a committed relationship and as a citizen in the larger community. The narrator celebrates (“We break a glass. Mazel tov! We cry.”) and mourns her losses (“Sometimes, between three and four a.m./on a break from her game/of bridge, your dead mother visits.”). Riffing on Jewish liturgy, the feminist declares “everyday/I thank God/I was born a woman.” Avowed delivers a complex, sustained vision of intimate partnership while celebrating the political changes that have secured LGBTQ visibility.Robin Becker, author of Tiger HeronAvowed asks the critical question, “Is paper all that makes a marriage?” For the queer bride in a long-term relationship, the answer is as hard-won as the right to marry. Julie R. Enszer explores the bittersweet journey of a lesbian couple’s struggle through the happily ever after with an edgy and humorous perspective that dares to share deep truths about desire, sex, and love.Rigoberto González, author of Unpeopled Eden

Bushra Rehman's debut collection singes in its interrogation of the American dream while capturing the lives of a neighborhood in transition. These sly, adept poems work through circumstances under threat with audacity, humor, and wonder. Rehman offers a new kind of fairy tale, surreal yet rooted in harsh, ugly modern realities. Simply and profoundly, her book is a love poem for Muslim girls, Queens, and immigrants making sense of their foreign home--and surviving.- Joseph O. Legaspi, author of Threshold and Imago