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The Motorcycle Diaries is Che Guevara's diary of his journey to discover the continent of Latin America while still a medical student, setting out in 1952 on a vintage Norton motorcycle together with his friend Alberto Granado, a biochemist.

"Three plays. In each a family member has died and the survivors are left to deal with the consequences. The tangible mystery of these stories is grounded in the peculiar relationships that unfold slowly, producing an unrelenting uncanny atmosphere. In "Tricks," Gifford approaches the psychological territory of Kafka. We meet two men looking for something more than just sex from a prostitute. Are the men two halves of a severed personality? In "Blackout," Danny and Diane, an Oklahoma couple of the 1930s, cannot move beyond the grief of a personal tragedy. Refusing to accept the death of her son, Diane seeks refuge in low-level deliriums. In "Mrs. Kashfi," a young boy experiences a spooky visitation while his mother voyages into the sea of clairvoyance with a fortune teller"--

This anthology of the writing of José Martí’s features bilingual poetry, political essays, writings on Latin American culture, and his letters.José Martí organized and unified the movement for Cuban independence and died on the battlefield. His dedication to the goal of Cuban freedom made his name a synonym for liberty throughout Latin America.This collection of the writing of José Martí’s features bilingual poetry, his political essays and writings on culture, and his letters. Readers will discover a literary genius and an insightful political commentator on the troubled relationship between the United States and Latin America.“Martí was the guide of his time but also stands as the anticipator of ours,” wrote Cuban revolutionary leader Carlos Rafael Rodríguez. Martí was an outstanding teacher, journalist, poet and revolutionary of his time, able to interweave the threads of Latin American culture and history.

"Out of the Rain takes us into the growing world of the homeless in the United States, particularly in San Francisco. Here we read their powerful stories, which examine not just poverty but bottom-of-the-barrel destitution, and in many cases self-destruction. Tom, who runs a social services agency, doesn't play by a book of rules as much as try to bring some humanity to his work. Then there is Walter, a homeless man who can't save himself from booze but is ready to help others. Throughout this novel told from various perspectives, the reader is introduced in intimate detail to the lives of social services workers trying to find open shelter beds and simultaneously navigating federal programs. Homeless men and women are battling sobriety and addiction and simply trying to find sustainable work and decent housing. Based on the author's experience working with homeless people in San Francisco as a social services worker in the 1980s and 1990s, this novel vividly takes the reader into the heads of combat veterans, junkies, prostitutes and the unemployed. J. Malcolm Garcia left social services to pursue journalism so he could write about the people he worked with and share their stories-and humanity-with the broader public"--

"California is on fire. Everyone has the virus. Sinister patrols of SWAT teams seem to materialize out of thin air, and if you're not careful, you'll end up exiled down in Bakersfield. In the middle of it all, the fourteen-year-old narrator in Night of the Short Eyes must take care of his mess of a family--Dad is in jail for stealing guns with his partner, Ronnie, and Mom is shacking up with the social worker assigned to the family's case--and he only has one thing to his advantage: he speaks perfect English. Refugees from Russia stream into San Francisco as our narrator approaches his next birthday. His younger brother (nicknamed Putin, "on account of his broken English and heavy accent.") seems determined to make trouble if he cannot find it himself. Which shouldn't be hard when even crossing the street is a walk on the dangerous side. In this world of worsening climate disasters, and set against the backdrop of a cold war that never ended, Night of the Short Eyes may be former San Francisco Literary Laureate Peter Plate's most outrageous novel yet. Written with lyrical grace and propulsive momentum, Plate's latest vision of California is so warped that it just might come to pass"--

A biography of Karl Marx and Friedrich Engels by Che Guevara, revealing Che’s fervent interest in studying their lives and writing.Che Guevara wrote this biographical introduction to Marx and Engels after his 1965 mission to Africa. He studied the writing of the German revolutionaries intensively, and in his travels he immersed himself in the classic works of Marxism. He sought to draw lessons and inspiration from Marx and Engels, and noted: “The Cuban Revolution takes up Marx at the point where he put aside science to pick up his revolutionary rifle.” Many of Che’s comments about Marx might also refer to Che himself, such as his observation: “Such a humane man whose capacity for affection extended to all those suffering throughout the world, offering a message of committed struggle and indomitable optimism, has been distorted by history and turned into a stone idol.” With his tremendous grasp of theory and his own practical experience, Che observes Marx’s evolution through his own view of radical change in Cuba, considering how it might apply to other countries after they achieve their definitive liberation from colonialism.

"A perfect introduction for new readers and a must-have for avid fans, this New York Times Notable Book includes "Bloodchild," winner of both the Hugo and the Nebula awards and "Speech Sounds," winner of the Hugo Award. Appearing in print for the first time, "Amnesty" is a story of a woman named Noah who works to negotiate the tense and co-dependent relationship between humans and a species of invaders. Also new to this collection is "The Book of Martha" which asks: What would you do if God granted you the ability-and responsibility-to save humanity from itself? Like all of Octavia Butler's best writing, these works of the imagination are parables of the contemporary world. She proves constant in her vigil, an unblinking pessimist hoping to be proven wrong, and one of contemporary literature's strongest voices"--

"No one knows more than strippers about being looked at: as objects of desire, objects of curiosity, as angels or Jezebels or hookers with hearts of gold. In this anthology, twenty-three dancers whose careers span decades, geographies, and identities demand to be seen. Through stories from first nights on the job to the day they hung up their sky-high heels-or decided they never will-these writers offer glimpses into lives of camaraderie and celebration, joy, pride, despair, frustration, self-doubt, and fear. Their unfiltered perspectives on their lives, onstage and off, are a powerful counternarrative to the whorephobia that shrouds the conventional portrayals of strippers in crime movies, TV shows, music videos, newspaper articles, and legislative debates. Each of these illuminating essays and interviews peels away tired myths and salacious speculation and presents the naked truth: that sex work is real work and strippers are real people"--

Series title taken from publisher website.

In 1993, the American Foundation for AIDS Research (AmFAR) began a three-year, community-based AIDS prevention program in 17 sites scattered throughout the Himalayan Kingdom of Nepal, with the objective of enabling people to protect themselves and their sexual partners against HIV/AIDS through information, education, and access to means of prevention. The program also aimed to reduce people's individual and collective vulnerability to HIV/AIDS through the teaching of literacy and other sklls needed for alternate income generation. In AIDS in Nepal: Communities Confronting An Emerging Epidemic, Jill Hannum presents the voices of people who are at the forefront of the response to HIV/AIDS in Nepal. She reveals the many discoveries that the community-based organizations made through their interaction with young people and adults across the country, as they opened a dialogue on sexuality and disseminated information on safer sexual behavior in culturally appropriate ways. This book is a powerful resource for individuals and organizations concerned with community-based health and social development programs, both within and outside Nepal. It carries a message of hope as communities and those who support them demonstrate how they can respond effectively to an emerging epidemic.

“His prolific artistic production, cut off at the age of forty, remains a monumental artifact . . . illustrating his profound conviction that the poet can and must, in his life as well as in his work, serve as the finely-honed scalpel of change, both in word and deed.” —Claribel Alegría “The most daring and innovative Salvadoran writer and intellectual of the twentieth century.” —Jaime BarbaPoems of revolution by one of Latin America’s most beloved poetsBorn in San Salvador in 1935, Roque Dalton dedicated his life to armed struggle while writing fierce, tender poems about his country and its people. In Historias y poemas de una lucha de clases / Stories and Poems of a Class Struggle, Dalton offers a road map for a liberated El Salvador, writing through the lens of five poetic personas, each with their own imagined history and distinct voice. This collection shows a country caught in the crosshairs of American imperialism, where the few rule the many and the many fight to survive—and yet there is love and humor and self-mockery to be found here on every page, in every verse, as well as an abiding faith in humanity. “I believe the world is beautiful,” Dalton writes, “and that poetry, like bread, is for everyone.”

The Spanish edition of Claudia Rankine’s Just Us, a new, acclaimed, genre-bending reflection on whiteness in America.“A skyscraper in the literature on racism.” —Christian Science Monitor “Rankine [is] helping America understand itself, one conversation at a time.” —Associated PressNAMED A BEST BOOK OF 2020 by The New York Times, Time Magazine, NPR, Esquire, The Guardian, O Magazine, Ms. Magazine, Star Tribune, St. Louis Post Dispatch, Christian Science Monitor, Kirkus Reviews, and Publishers WeeklyAs everyday white supremacy becomes increasingly vocalized with no clear answers at hand, how best might we approach one another? Claudia Rankine, without telling us what to do, urges us to begin the discussions that might open pathways through this divisive and stuck moment in American history. Just Us is an invitation to discover what it takes to stay in the room together, even and especially in breaching the silence, guilt, and violence that follow direct addresses of whiteness. This brilliant arrangement of essays, poems, and images is Rankine’s most intimate work, less interested in being right than in being true, being together. ***La edición en español de la nueva y aclamada reflexión de género mixto de Claudia Rankine (Just Us) sobre la blancura en los Estados Unidos. NOMBRADO MEJOR LIBRO DE 2020 por The New York Times, Time Magazine, NPR, Esquire, The Guardian, O Magazine, Ms. Magazine, Star Tribune, St. Louis Post Dispatch, Christian Science Monitor, Kirkus Reviews y Publishers Weekly. A medida que se aumenta el discurso sobre la supremacía blanca cotidiana sin tener respuestas claras a mano, ¿cuál es la mejor manera de acercarnos a los demás? Claudia Rankine, sin decirnos lo que tenemos que hacer, nos pide que iniciemos los debates que podrán abrir caminos a través de este momento divisivo de la historia estadounidense. Just us nos invita al descubrimiento de lo que se necesita para seguir hablando juntos, incluso y especialmente para romper el silencio, la culpa y la violencia que siguen a los discursos directos sobre la blancura. Este conjunto brillante de ensayos, poemas e imágenes es la obra más íntima de Rankine, menos interesada en tener razón que en encontrar la verdad, en estar juntos.