Bøker utgitt av SET MARGINS PUBN

How people sit and are seated: an anthropology of chair designThe anatomy of our bodies invites sitting; but do we design seats in the same way? Has our means of sitting been colonized by modern design? And how is the culturally various act of sitting itself reflected in this functional commodity? Italian artist Matteo Guarnaccia's (born 1993) Cross Cultural Chairs is a research-based design project "about the cultural context of furniture, understanding how globalization is shaping design around the world." He writes, "it's an exploration that lies between social and technical aspects of chairs." To execute this project, Guarnaccia visited eight different countries to conduct research and talk to local design studios, ultimately collaborating with them to portray each culture in the form of a chair. Cross Cultural Chairs plumbs the hidden depths of furniture design and the ways in which cultural norms assert themselves through functional commodities, opening up a conversation about identity, community and expression through chairs.

Reflections on embedding digital media in a built environmentHow does media architecture distribute suspicion and trust? What is a collage of media architecture? How is media architecture vectored? How can media architecture address privilege? These questions and conceptual provocations aim to challenge the binary of techno-optimism and technological agoraphobia, offering a platform for developing new, critically and contextually rooted theories that media architecture might grab hold of.Intentionally open-ended, Provocations on Media Architecture brings together 21 thought leaders across architecture, visual arts, design, curation, academia and public policy to address these ideas and themes. Authors respond with images and brief texts incorporating the perspective of their own creative and scholarly practice. Entries range from descriptions of relevant artworks and design projects to reflections spawned from first-person encounters with media architecture in situ, scholarly analyses and AI-assisted theory. Across the diverse and at times contradictory arguments and methods employed, new constellations and connections emerge.

A layered cultural history of the origins, impacts and material legacy of glassThis layered, intertextual, cultural history examines humankind's relationship with glass and the ways in which glass has transformed society and the constructed world. Remaking the Crust of the Earth considers glass in its myriad guises: from the modular prefabrication of Joseph Paxton's Crystal Palace to the utopian optimism of Paul Scheerbart's Glasarchitektur, both of which paved a way for for modernism, the curtain wall and the 20th-century glass house. Traversing time and space, the book includes archival material (in particular the encyclopaedic 1937 publication Glass in Architecture and Decoration by Raymond McGrath and A.C. Frost); excerpts from the film Remaking the Crust of the Earth; a series of restaged photographic glass tests conducted by Gavin Murphy and Louis Haugh; essays by Marysia Wieckiewicz-Carroll and Chris Fite-Wassilak; and reproductions from the Raymond McGrath collection in the Irish Architectural Archive.