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A brief and accessible commentary to the patriarchal narratives in the book of Genesis.

An international journal of theology; a catholic journal in the widest sense: rooted in Roman Catholicism yet open to other Christian traditions and the world's faiths. Promotes discussion in the spirit of Vatican II. Annual subscriptions available.

One of the great classics of twentieth-century theology.

An international journal of theology; a catholic journal in the widest sense: rooted in Roman Catholicism yet open to other Christian traditions and the world's faiths. Promotes discussion in the spirit of Vatican II. Annual subscriptions available.

Concilium has long been a household-name for cutting-edge critical and constructive theological thinking. Past contributors include leading Catholic scholars such as Hans Küng, Gregory Baum and Edward Schillebeeckx, and the editors of the review belong to the international "who's who" in the world of contemporary theology.

Irreplaceable as a reference to where Catholic theology is at any given moment, Concilium maps the state of the most pressing questions with solid contributions from leading theologians and cutting edge voices...

The diary of his pursuit of truth and the tensions involved in that; a moving work of twentieth-century spirituality.

At the beginning of his career Rembrandt was influenced by the theatrical art of the Counter-Reformation and used the Bible merely as a source of subjects to paint. Gradually, in the tragedies of his own life, Rembrandt developed a style which in its quality makes him unique as an interpreter of the Bible as a whole. He became a biblical painter.

The Collect is a form of prayer which is a core part of the liturgical worship of most Christian traditions, certainly in the Christian West. This title draws together a range of scholars who reflect on the history and the development of this form of prayer common to different churches of the western tradition.

A study of theological reflection and the nature of worship, from a Free Church tradition. Provides extensive extracts from historical writings in Free Church spirituality. Offers an original contribution to the history of Christian worship, the history of Free Church and Evangelical spirituality.

Leads the reader through a more or less historical narrative of the relationship between Christianity and the visual arts beginning with the deep-rooted fear of images in the Judaeo-Christian tradition. Shows how significant for religion art can be.

This volume brings together seven essays which are representative of the author's style, approach to and outlook on contemporary biblical topics. It serves as an introduction to one of the most important issues facing the church today - the authority of the Bible.

In this thought-provoking book, David Weiss Halivni asserts that the act of acknowledging and accounting for inconsistencies in the Pentateuchal text is not alien to the biblical or rabbinic tradition and need not belie the tradition of Revelation.

This text addresses three main questions: how we should think and speak about God in a changing and largely secularized world; the nature of the person and incarnation of Jesus Christ - is he fully man and fully God?; and how does a theologian know about God and the destiny of man?