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Poems written from the inside-out and the outside-in of the Old Country. An old country of not only quiet County Down pubs and gritty Belfast streets but also of childhood singsongs and snippets of last night's office dream. Fiddles and flutes, pipes and pints, liquor and loose-lipped language. Bone-and-blood ballads in formal and free verse.
In City Lights From the Upside Down, Alex Z. Salinas' debut collection of short stories, the setting is mostly South Texas-and infrequently, outer space. Mothers dying or dead, brothers with a taste for revenge, bizarre coffee shop encounters, terrifying dreams, strange alien lights, embers of love blazing and cooling-in these stories, a lot happens, and sometimes not much at all. Through precise, raw, and often Christ-haunted language, Salinas builds up characters to bring them to their knees. This book: a roller coaster in the middle of the Texas desert. (Or is it just a mirage?)
Six-string and stompbox-themed stories culled from a bittersweet and simpler South, a grotesque and good-riddance South. Think Youth Fiction peppered with HBO cussin'. Not necessarily for the faint-of-heart, the high-minded literati, or maybe really anyone other than the writer himself.Harold Whit Williams is guitarist for the critically acclaimed rock band Cotton Mather, and he releases lo-fi home recordings as Daily Worker. He is a 2018 and 2020 Pushcart Prize Nominee, and also recipient of the 2014 Mississippi Review Poetry Prize. His collection Backmasking was winner of the 2013 Robert Phillips Poetry Chapbook Prize from Texas Review Press, and his latest, My Heavens, is available from FutureCycle Press. He lives in Austin, Texas.
The third print issue of Texas' international journal devoted to literature, arts and ideas, San Antonio Review. Featuring poetry, art, fiction, essays, reviews and more from emerging and established authors and artists. Online at sareview.org.
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