Bøker utgitt av Salmon Poetry

This is the second poetry collection from Galway-based poet, artist and arts-curator. Her first collection, About Love, was published by Salmon in 2017.

This is the sixth poetry collection from senior poet, anthologist and literary figure Seamus Cashman, founder of Wolfhound Press.

"Ago is a richly detailed and elegantly crafted exploration of mutability fine tuned to the times and places where the men and women brought to life here have loved and lived. The luminous, wise, and moving poems--in form and language recalling Dickinson, Hopkins, Kinsella, among others--transport us to the heart of deep time and experience across the Midwest, New England, and Ireland." - Eamonn Wall, author of Junction City (2015)"Ago pays homage to those in life who have been "caught" in mortality's net. With the luster and simplicity of a fine glaze on a porcelain bowl, these poems capture luminous moments from an ongoing darkness that "we will travel into but not return from." - Leslie Miller, author of Y (2012)Thomas Dillon Redshaw employs concise and lucid form to great effect, intertwining the rigor of a particular American strain with something close to the lyric order of Irish poetry. Among his poetic gifts are eloquence, insight, directness. He fetches images from his own local, familiar Midwest scenes with the same intensity of feeling with which he looks at works of art." - Gerard Smyth, author of The Sundays of Eternity (2020)

I Imagine Myself is for anyone who has ever imagined they were someone (or something) else. A powerful collection that asserts the freedom to have a visible midlife as a woman, to have difficulties in a relationship and work through them, and to weather the storms of aging. In ambitious and dynamic poems, I Imagine Myself gives voice to the experience of trying to discover a new self, tracing an arc through illness, middle age, connections to other people and the natural world."Celese Augé's witty and intelligent poetry treats serious subjects with a light touch, allowing her to investigate and tease out her subjects with impressive verve and energy. Her controlled, narrative-driven poems deal with the everyday in an imaginative, outspoken and engaging manner. Augé is a woman journeying through life with an unflinching gaze, seeking out what the world expects of a middle-aged woman and her place in 21st century society and often upending the expectations." - Jean O'Brien, author of Fish on a Bicycle: New & Selected Poems."Charged with imagination and emotional honesty, Celeste Augé explores the intimacies of her body, at the whim of hormones, with craft and self-awareness. Storms, external and internal, whip through these pages, swirling up 'brain fog', intimations of mortality, at a time when 'we carry our pains around like sacks filled with cats'. There is no superfluous poem here, each one acutely observed, replete with illuminated images, limned by an exacting hand. A real gem." - Geraldine Mills, author of An Urgency of Stars and Bone Road."What is so beautiful about these poems is the ice brilliant truth that our lives have our lonely ghost selves living beside us, dipping into our reality every so often and knifing us with regret, despair, joy, love and acceptance." - Orla Foyle, author of Belios and Red Riding Hood's Dilemma

"Edward O'Dwyer's poems in Exquisite Prisons pack the quotidian with a creeping terror; motorists nervously migrate to investigate the car stalled at the lights, a father is filmed throwing his child higher and higher, a husband wonders if his wife also fantasizes about killing him. These poems are savagely ironic, authoritative and delivered in an unsettling coaxing voice that occupies that same dazzling imaginative territory as Shirley Jackson in The Lottery." - Eleanor Hooker"These are poems which explore the preciousness and unreliability of what we think of as 'the present'. They often unpick fleeting moments, but their impact is enduring. Highly recommended." - Helen Mort"In Exquisite Prisons, Edward O'Dwyer considers the reasons people need other people: to validate, reflect, desire, resist, and mourn. These poems are surreal, sneakily funny and unashamedly sad. The images will stay with you. O'Dwyer's poetic voice is utterly contemporary and the poems have a wittily executed lightness of touch which charms the reader." - Susan Millar DuMars & Kevin Higgins"Edward O'Dwyer's Exquisite Prisons is a country where anything resembling a cliché is turned back at the border. This is a brilliant, original, courageous, dramatic, often painful collection, with no simple 'happy ever after' endings. The dark truths shine. Many of the poems are elegiac in tone throughout. The relationship poems are tortured and intriguing. Tough poems but also so much joy - the joy is in the language, the words written in steel. Welcome to an unforgettable country." - Tim Cunningham

Pete Mullineaux's fifth collection is chock full of 'strange but true' surprises: from Plato to pangolins, Microsoft Windows to walruses, foxes to fireworks - offering a serious but at the same time playful exploration of Nature alongside human nature, with a particular focus on ecological concerns and our planet's vulnerability.

Erosions is John A. Griffin's first full-length book of poems. Written shortly after he emigrated to the United States, the poems comprise a kind of Bildungsroman exploring themes of boyhood innocence, fantasy, landscapes, nature, death, loss, absence, exile, and a coming into one's powers as one seeks to apprehend the changes wrought by time, epiphany, and departure. Absence, lines, natural forces, spirituality, and extinction are all leitmotifs in the book, as these combine to displace a burgeoning identity rather than overtly defining one. Erosions seeks to lyricize those forces that shape emerging consciousness and sensibility, so that the aural semantics of the poems are as essential to their decoding as the verbal, linguistic semantics, and it is this stress on the music and rhythms of language the poet hopes will evoke their core and abiding meaning.

Mark Ward's long-awaited first collection Nightlight is a journey through a city and a reaching towards whatever light can be found; be that in a sex club, with a board game, a new friendship or a changing relationship. Throughout this journey, Ward feels his way back to touchstones of queer history as well as trying to make himself at home in his surroundings and his increasingly rebellious brain. These poems, deeply attuned to craft and form, mark the arrival of a fearless new voice in Irish poetry addressing sexuality, mental health, and the intricacies of relationships with a fresh eye and fierce command."Nightlight shows Mark Ward confronting the dark with panache. The defiance of the speakers at the start of this collection, however, is hard-won. The self here is under relentless attack, both from subtle prejudice and the winds that threaten all our most intimate connections. A librarian learns a new friend is desperate to die, a loving mother and son face a future as 'two ellipses, scattered into full stops.' Accessible and authentic, these poems glow with feeling." - John McCullough"In Nightlight, Mark Ward gives us poems that are closely attuned to the body, to physical encounter, to the way history exists inside and beyond us. Ward's poems sing from the testimony of memory, decipher its evidences, and trace its passage, both as it enters us and as it leaves. These lyrics are unashamed and visceral." - Seán Hewitt"In one poem, Mark Ward writes 'body parts should become agents of commotion, ' at another point he writes 'each touch is a spotlight.' In this powerful, energetic collection, the reader is asked to witness the performances, loving, erotic, fearful, which the body must endure." - Andrew McMillan

This book merges the poet Jessie Lendennie's narrative poem alongside a visual journey created by Salmon designer Siobhán Hutson through Salmon Poetry's 40 years, celebrated in 2021.

A collection of poems exploring the themes of nature, death, art, love, travel - where the road, both actual and metaphorical, is a central motif.