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Enlightening, entertaining and often surprising, Irish Food History: a companion takes you on an unforgettable and expert journey through Ireland's culinary past.

Knowth, Co. Meath, has been a place of ritual and settlement from the beginning of the Neolithic to the modern era. It is a national monument and part of a UNESCO World Heritage Property: the ancient Bru na Boinne passage tomb complex that also includes Dowth and Newgrange. This book, based on material from the archaeological excavations published in our seven-volume Excavations at Knowth series, offers a general overview of what Knowth is all about, outlining why it is of interest and importance. In part, it is intended as a guide that people can use to navigate their way around the site, but it is also a book that anyone can read, use and enjoy without being on site and still get a feel for Knowth and how it came to be what it is. Did you know... Knowth and the other passage tombs in the Boyne Valley contain the largest collection of megalithic art in Europe. Knowth has the largest collection at any single location. The number of blue glass beads recovered at Knowth is more than twice the combined total from all other Late Iron Age burial sites in Ireland. Early medieval 'graffiti' in the form of ogham and insular inscriptions was carved in the passages of the East and West tombs of the Great Mound at Knowth in the eighth century ad. Knowth has produced the richest archaeological assemblage of material of tenth- to thirteenth-century date from any rural site in Ireland, surpassed only by the urban excavations at Dublin and Waterford. At the time the carved flint macehead was recovered in the East tomb at Knowth in 1982, it was one of only two maceheads to have been found as grave goods in an Irish passage tomb. The other, a partial pestle macehead, had been found in Knowth's West tomb in July 1967.

This new historical atlas of Cork will explore the city from its origins to the present day. The emergence of Cork from a monastic settlement on a marshland site through to the thriving city we know today is explained in a thoroughly researched text, illustrated with newly created thematic maps, early views and photographs. Historic maps are reproduced on large-format pages showing how the topography transformed through time. A gazetteer of over 13,000 sites and accompanying essay gives the detailed topographical history of the city up to c. 1900. The Irish Historic Towns Atlas is a long-term research project of the Royal Irish Academy. Since publication began in 1986, thirty atlases of Irish towns and cities, north and south, have been published. The atlases are produced following basic principles making it possible to compare and contrast places with one another. Cork will join the cities of Dublin, Belfast, Galway and Limerick; and regional towns of Bandon and Youghal already covered in the Irish series; as well as over 580 European towns and cities produced as part of a wider International scheme. See www.ihta.ie for more information. The Irish Historic Towns Atlas of Cork is published by the Royal Irish Academy in association with Cork City Council. Maps are produced in association with Ordnance Survey Ireland.

A collection of useful and interesting tips, hacks and insights from people who have made a mark in their field, and that readers might find helpful in their professional and personal lives.

The thirteenth volume in the Documents on Irish Foreign Policy (DIFP) series runs from April 1965 to July 1969. It covers the Fianna Fáil governments of Seán Lemass (April 1965 to November 1966) and Jack Lynch (November 1966 to July 1969) in which Frank Aiken was Minister for External Affairs.The four years and three months covered by DIFP XIII saw significant changes in the international context in which Ireland conducted its foreign policy. In 1965 the hope of the Department of External Affairs was that Ireland would enter the European Economic Community (EEC) before 1970. EEC entry would take place alongside that of Britain, an Anglo-Irish Free Trade Area (AIFTA) having come into operation in 1966, cementing trade between Ireland and its principal trading partner. Overall, the United Nations would remain the benchmark of global Irish foreign policy. Peacekeeping, advocating nuclear non-proliferation and ensuring the proper financing of the United Nations as well as promoting decolonisation and the universality of the United Nations system within the bipolar world of the Cold War remained central to 1960s Irish foreign policy.These assumptions were thrown out of balance by the continuing refusal of France to facilitate the expansion of the EEC and EEC membership remained out of reach for Ireland. Dublin¿s fragile relations with Belfast were destabilised with the emergence of new social and political forces in Northern Ireland and the recurrence of sectarian violence. The Department of External Affairs proved initially unable to respond comprehensively to this new environment in Northern Ireland, which was the precursor to the outbreak of the Troubles in 1969. Improved economic and political relations with London were affected by local and international economic difficulties and also as a consequence of events in Northern Ireland. At the United Nations, superpower politics constrained Irish attempts to follow up the success of the 1968 Nuclear Non- Proliferation Treaty with a major policy initiative on the financing of international peacekeeping missions.

Field naturalists have searched across Clare Island for animal groups ranging from the microscopic to birds and mammals. Many more species have been found since the original survey a hundred years ago, due to the availability of modern methods, which greatly add to our knowledge of the biodiversity of Clare Island. The lists of species featured here include some new to the island, some new to Ireland and some new to science. This volume signals the need for further field work and taxonomic research to track biodiversity changes arising from human activity.Land and freshwater fauna is the tenth volume in the New Survey of Clare Island series, which seeks to build on the pioneering work of the first Clare Island Survey (1909¿11), the most ambitious natural history project ever undertaken in Ireland and the first major biological survey of a specific area carried out in the world.

Nine writers trace the public and private lives of nine sets of sisters. Artists, publishers, writers, educationalists, philanthropists, revolutionaries, suffragists - thinkers all. Independent women with hopes and ideals who overcame barriers, even within their own families, to their participation in public life. Their stories have often been overlooked by the mainstream historical record. These essays take readers on a journey through the centuries from the 1600s to the turbulent years of the independence struggle in 1900s Ireland and uncover the influence, support and rivalries of family. Nualaidh, Mire and Mairghrad DomhnaillAlice, Sara, Lettice, Joan, Katherine, Dorothy and Mary BoyleKatherine, Jane and Mary ConynghamDeborah, Margaret, Mary and Sarah ShackletonLady Sydney Morgan and Lady Olivia ClarkeAnna and Fanny ParnellConstance and Eva Gore-BoothSusan and Elizabeth YeatsHanna, Margaret, Mary and Kathleen Sheehy

Irish Art 1920-2020: Perspectives on change by Catherine Marshall and Yvonne Scott, is a generously-illustrated book in which eleven authors examine different aspects of Irish art through the hundred years or so since independence. During this time, art in Ireland has borne witness to unprecedented social and political transformation, and this book of essays considers how some of the established perspectives in Irish visual culture were challenged and represented during this time. Art in Ireland has been shaped by a range of factors - the country's geographic position, post-colonial history, political upheaval, religious environment - and of course the complex interconnections both within and beyond the country, prompted by shifting patterns within society - identities, migration, technology, for example - as well as the artists' evolving engagement with the wider world. This is not a linear story; each chapter explores a particular aspect of art, how it reflected the interests of artists, the environments in which they worked both in Ireland and abroad, and how subjects and methods changed over time. The extensive richness of the last century or so, as well as the diversity, creativity and originality of the artists means that no single text can ever be comprehensive, and this one makes no such claims. Rather, his book, however, is a kind of map; it does not pretend to fully represent the entire narrative but may provide some useful clues to negotiating parts of it, or at least the basis for further exploration and debate.

The complex of passage tombs at Knowth is dated c. 3200¿2900 BC, and this volume deals with one of the most significant aspects of the site. It presents a complete catalogue of the 390 recorded carved stones at Knowth, through descriptions, drawings and photographs. Six main styles of art have been identified and these are discussed, together with the motifs and techniques employed. The Knowth carvings constitute c. 46% of all such art in Ireland, and the volume sets the Knowth art in the context of the other Irish carvings, those in western and northern Britain, and also the somewhat earlier art found on megalithic tombs in Atlantic Europe.

The Irish struck out across America's frontiers, built its railroads, fought on both sides of the civil war, captured its major historic moments in print, paint and bronze, led many of its religious denominations, policed its streets, set up its banks, educated its masses, entertained America on its stages and screens and in its sporting arenas, and made ground-breaking contributions in science and engineering. This collection documents fifty Irish people who made an indelible mark on American society, politics and culture. People like the pirate Anne Bonney and Gertrude Brice Kelly, one of New York City's first surgeons, feature alongside more familiar names such as Maureen O'Hara, Maeve Brennan, Rex Ingram and the architect of the White House James Hoban. About the Dictionary of Irish Biography: The Dictionary of Irish Biography, a research project of the Royal Irish Academy, is the most comprehensive and authoritative biographical dictionary yet published for Ireland. It comprises over 10,000 lives, which describe and assess the careers of subjects in all fields of endeavour, including politics, law, religion, literature, journalism, architecture, music and the arts, the sciences, medicine, entertainment and sport.

Can a long-term perspective on human adaptations to climate change inform Ireland's response to the crisis we face today?Climate and Society in Ireland is a collection of essays, commissioned by the Royal Irish Academy, that provides a multi-period, interdisciplinary perspective on one of the most important challenges currently facing humanity.

The subject of the book is the remarkable `pictorial map' of Galway, which was produced in the mid-seventeenth century.

'The Tain' is a legendary Irish tale which tells of a war against Ulster by the Connacht queen Medb and her husband Ailill, who intend to steal the stud bull Donn Cuailnge, and are challenged by the hero Cu Chulainn. This third edition of 'Stories from the Tain', edited by John Strachan, is an essential text-book for beginners in Old-Irish.

The Irish Times literary editor Fintan O'Toole selects 100 objects to narrate a history of Ireland.