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The fate of humanity hangs in the balance while the Gods play. The distant future. Humanity is ruled by the godlike Dawn and her Triangulan allies. Her Golden Swarm keeps the garden world of Prithvi safe. Her nephew's Red Fleet secures the rest of the Nine Worlds. In the depths of the system, her regents-the Charioteer of Daitya, and the Huntress of Himenduh-bolster her authority with their own fleets, their own armies, and their own power. So it has been for three thousand years. But, of course, nothing lasts forever. On Daitya, a refugee family arrives from Prithvi. A mother sells her daughter into slavery. A princess seeks forbidden knowledge. Their lives could not be more different, but their stories are intertwined. They will meet in the belly of the juggernaut Sk?¯lex-a vast, living starship (vimana). They will witness the fall of kingdoms and the destruction of fleets and the toppling of the old order. They will participate first-hand in the confrontation, millennia in the making, between the Dawn and her long-estranged sister, the Night, who has traveled a million light years to right an ancient wrong. They will discover that not all is as it seems. The Triangulans are not gods. The Dawn is not just. And above all, the future-their future, humanity's future, the future of the Nine Worlds of Surya-is nothing like what they thought it would be. Welcome to the battlefield of gods and humans. Welcome to the Nine Worlds of Surya.
InThey WillDream in the Garden,Otherwise Award-winning author, Gabriela DamiánMiravete elaborates the disconcerting experience of living as a womanin Mexico-aterritory characterized by its great contrasts, from violence andactivism to affectionate and communal resistance: flowers that arisefrom the earth to expand the cosmic consciousness of those who takeit, nuns who create artifacts so that their native languages do notperish, a memorial for the victims of femicide that the Statecontrols, but whose old guardian wants to turn into a laboratory toreturn their lost future...TheyWill Dream in the Gardenshows the journey that its author has undertaken towards a moreconscious writing that, through wonder and beauty, trusts in thepossibilities that literature offers to unite, question, andtransform our being in the world.
"When you're the only Black kid in the honors program or (any program) at your mostly white high school, or one of a handful of Black graduate students in your PhD program, or one of two African American women on the faculty at your Pac-10 employer, it's not your gender non-conformity that sets you apart from your peers. In those environments, your Blackness is the first thing people notice about you. Still, there are other ways of being different--and feeling different--that can't be attributed to race, especially if you're one of the people whose awareness of the unwritten rules of what it means to be a boy or a girl (or a man or a woman) is tempered by the fact that most of those rules don't feel quite right. In Gender Studies: True Confessions of an Accidental Outlaw, Ajuan Mance gives comic treatment to the challenges, complexities, and occasional absurdity of life at the crossroads of race, gender, and geekiness. This graphic memoir answers important questions like: How many preschoolers have to mistake you for your dad before you actually start to forget your own name; if a Black girl is awful at double-dutch jump rope is it a reflection on her gender identity, racial identity, or both; and is viola player a gender or just a sexual orientation? Ajuan Mance's comic Gender Confessions take up each of these questions and more, as it invites to share in those moments that mark the path of a gender explorer."--
"When Black graduate student Lyndsey begins her dissertation work on a mysterious box that pops up during the most violent and troubled time in Africana history, she has no idea that her research will lead her on a phantasmagorical journey from West Philadelphia riots to Haitian slave uprisings. Wherever Lyndsey finds someone who has seen the Box, chaos ensues. Soon, even her own sanity falls into question. In the end, Lyndsey will have to decide if she really wants to see what's inside the Box of Bones"--
An exquisitely unique retelling of the origin of jolly, old St. Nick. Volume 1: The MuseIt's the one story of magic and wonder everyone thinks they know-yet the most epic part of the tale remains shrouded in mystery. What actually happened 1,800 years ago to transform a starry-eyed young priest named Nicholas into a winter wizard destined to circle the world on a sleigh of hope? Now, the secret is revealed: She happened. This is the story of Amara, one of the legendary Muses of the House of Polyhymnia. Sent by the Muses to a small town in ancient Lycia, Amara sees something special in Nicholas's kindness and generosity. As she prepares to defend humankind against the Kobaloi, creatures who feed on fear and chaos, she senses this young man may be the partner she needs to stand against their growing power. But binding her fate and her magic to Saint Nicholas will mean breaking the laws of the Muses-and risking their eternal wrath.
From humor to horror, the speculative fiction in Broken Fevers has a gleaming edge. This new collection by award winner Tenea D. Johnson features 14 tales. Though many are dark, they pull one through the light, if only for a moment, to visit the next vista, a new world, or this one recast in an uncertain future. Whether it be the lengths a woman will go to for performance art or how best to communicate the Middle Passage's horrors to the privileged, darkness has room to breathe here and bring wonder. Social commentary and genetic adaptation exist alongside fairy crises, alien liminalities, and the responsibilities of those holding up the world and those who communicate with the next. Broken Fevers shares the heart in the hurt, the courage in a cataclysm, and the connections that we make wherever we find ourselves.Tenea D. Johnson’s debut novel, Smoketown, won the Parallax Award. R/evolution received an honorable mention the same year. Her short work appears in anthologies like Mothership: Tales of Afrofuturism and Beyond and Sycorax’s Daughters. She’s performed her musical stories at venues including The Public Theater and The Knitting Factory and is the founder of Progress By Design, an arts and empowerment enterprise. Her virtual home is teneadjohnson.com. Stop by anytime.
Mothership: Tales from Afrofuturism and Beyond is a groundbreaking speculative fiction anthology that showcases the work from some of the most talented writers inside and outside speculative fiction across the globe—including Junot Diaz, Victor LaValle, Lauren Beukes, N. K. Jemisin, Rabih Alameddine, S. P. Somtow, and more. These authors have earned such literary honors as the Pulitzer Prize, the American Book Award, the World Fantasy Award, and the Bram Stoker, among others.
Stories for Chip brings together outstanding authors inspired by a brilliant writer and critic, Science Fiction Writers of America Grandmaster Samuel R. “Chip” Delany. Award-winning SF luminaries such as Michael Swanwick, Nalo Hopkinson, and Eileen Gunn contribute original fiction and creative nonfiction. From surrealistic visions of bucolic road trips to erotic transgressions to mind-expanding analyses of Delany’s influence on the genre—as an out gay man, an African American, and possessor of a startlingly acute intellect—this book conveys the scope of the subject’s sometimes troubling, always rewarding genius. Editors Nisi Shawl and Bill Campbell have given Delany and the world at large, a gorgeous, haunting, illuminating, and deeply satisfying gift of a book.Nisi Shawl is a writer whose work has been published at Strange Horizons, in Asimov’s SF Magazine, and in anthologies including Dark Faith 2, Dark Matter, The Moment of Change, and The Other Half of the Sky. Her story collection, Filter House, was one of two winners of the 2009 James Tiptree Jr. Award. She is a cofounder of the Carl Brandon Society and serves on the Board of Directors of the Clarion West Writers Workshop. She lives in Seattle. Bill Campbell is the founder of Rosarium Publishing and the author the novels Koontown Killing Kaper, My Booty Novel, and Sunshine Patriots as well as the essay collection, Pop Culture: Politics, Puns, and “Poohbutt” from a Liberal Stay-at-Home Dad. He coedited, with Edward Austin Hall, the groundbreaking anthology Mothership: Tales from Afrofuturism and Beyond. He lives in Washington, DC.
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