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Notes from the Playground is a carefully selected anthology of 30 essays by the curator, academic and writer, Richard Flood.

Widely considered as one of the most influential British artists of his generation, Long's practice stems from his deep love of nature and the experience of making solitary walks. He first came to prominence in the late 1960s and is part of a generation of international artists that extended the possibilities of sculpture beyond traditional materia

The period between 1999 and 2016 was a particularly fruitful period in the reception of Bridget Rileys work. This handsome new anthology, Selected Writings, includes the significant writings that broadened the discourse and solidified Rileys reputation as one of the most important painters of her generation. The essays range from biographical and c

Examining a breakthrough moment in Bridget Rileys career, the latest volume in the extensive library of focused publications on the artists oeuvre illustrates the importance of color in her investigations of visual contrast and perception. During the early 1960s, Rileys black-and-white work employed elementary shapes to convey movement and light. H

This volume draws together over 20 works by leading British minimalist Bob Law (1934-2004), providing a concise overview of the artist's career.

Richly illustrated catalogue from an exhibition that brought together works by Op artist Bridget Riley with the Pointillist and Post-Impressionist painter Georges Seurat, examining his influence on her abstract art.

From Bauhaus jewelry and West African textiles to contemporary portraiture and sculpture, this unique exhibition and accompanying full color catalog curated by celebrated fashion designer/curator Duro Olowu (b. 1965) explores the rituals of making that underpin an artists work. Olowu selected material by over 70 artists, including rarely seen works

This catalogue features three new paintings by Bridget Riley that bring the artist's exploration of the circle from the wall to the canvas, and from black and white to colour.

With an interview with the artist, this richly illustrated volume catalogues British Conceptual artist John Stezaker's ongoing series of film still collages, first begun in 1979 and for which he is widely recognised.

Through interviews and personal accounts, this publication provides an intimate portrait of renowned Abstract Expressionist artist Arshile Gorky, accompanied by key illustrations and introduced by his biographer Matthew Spender.

Catalogue from a 2006 London exhibition of new and energetic 'curvilinear' works by celebrated British Op artist Bridget Riley - her first UK show since her major retrospective at Tate Britain in 2013.

This artist book by celebrated Conceptual artist Glenn Ligon traces the representation of Black people on book covers in the United States, revealing the social and visual constructs of race, beauty and the body.

Tracks a shift in Op artist Bridget Riley's career from use of the vertical stripe to increasingly complex diagonal compositions, seen in studies on paper from 1984 to 1995.

Alongside over 40 colour illustrations, an essay by Charles Darwent explores Gotz's range of influences on this recent body of work.

A leading voice on Dada, Surrealist and Latin American art, the art historian

Lavishly illustrated volume showcasing nearly 200 objects from the collection of George Loudon relating to the nineteenth-century life sciences, revealing the artistic expression of these historic curiosities.

Documents the history of the influential Stockwell Depot - an industrial building reclaimed by artists that heralded the emergence of the London artists' studio movement and gained international recognition as a centre for abstraction in Britain.

Recounting an art dealer's recuperation from major surgery in the famous Claridge's Hotel in London, this idiosyncratic novel interweaves reality with fantasy. Room 225-6 follows the author-character 'The Protagonist' around London's Mayfair as he hosts endless art world gatherings, tea parties for twenty and visits a multitude of local galleries and stores. Incorporating multi-layered voices and devices, the distinctive narrative introduces the reader to a memorable host of characters - from the 'The Political Prisoner' to 'The Little Mondrian' - in a tale filled with humour of observation and incident. Bringing to life this frightening yet extraordinary period in one man's life, it is at once honest, satirical, idiotic and bold.

One of contemporary arts most provocative and profound figures, British artist Helen Chadwick was celebrated for her controversial feminist installations. Her death in 1996 cut short a brilliant career, but her influence resonates in the work of the YBAs and other contemporary artists. Published on the occasion of Helen Chadwick: Bad Blooms at Rich

Eight never-before-seen gouache studies are at the centre of this volume, illustrating Bridget Riley's dynamic approach to colour. This volume documents a group of gouache studies by Bridget Riley from 1969 to 1972 that reflects a major reconfiguration of Riley's style. The shapes formed in these gouaches are arranged from a limited selection of colours - namely violet, green and pink - to explore the visual relationship between 'contrast and harmony'. Accompanying full colour illustrations, a conversation between the artist and Robert Kudielka from 1972 posits the works within the context of Bridget Riley's oeuvre.

Paul Winstanley, who works from photographic material, creates

The second edition of this indispensable collection, Talking Art 1 is

Among the many pictorial devices Bridget Riley has deployed over

Focusing on John Stezaker's subversion of landscape painting and the nude figure, this volume reapproaches the artist's important innovations in collage through the prism of art historical tradition. John Stezaker's found images, collages and image fragments are most associated with cinematic imagery, however it is the other found-image sources which he has worked with over the past 30 years which is the focus of this publication; notably the artist's 'Bridge' collages and the anatomical nudes of his 'Fall' and 'Expulsion' series. This catalogue - published in association with Rosenwald-Wolf Gallery, Philadelphia, which showed the exhibition John Stezaker: Nude and Landscape in October 2011 - centres on Stezaker's works from the 1980s, when he switched from the cinematic imagery of the 1970s towards 'an engagement with the culture of the image to the nature of the image'. The catalogue presents many new works that have not been shown before and, interestingly, also unaltered found images so similar to the Stezaker collages that they are only identifiable when focusing on the absence or presence of the artist's cut. Over 40 full-colour images are accompanied by texts by curator Sid Sachs, who explores the relationship between the landscape and the nude, and Elizabeth Manchester who looks at the notion and role of 'The Source' in Stezaker's work.

Arguably one of Americas most unconventional art/cultural critics

Comprising 41 works in verse, shape poems and abstract pieces written over a 20-year period, the volume's design is sensitive to the unique visual look of each poem. To introduce the book, editors Jeremy Akerman and Eileen Daly discuss with Peake the relationship between art and writing.

John Stezaker is renowned for his innovative approach to found photographic imagery. This artist book focuses on his 'Crossing Over' series, which reframes image fragments from postcards to stimulate new readings.