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Poems, like politics, can be local and global, personal and cultural. In Daniel Bourne's Talking Back to the Exterminator, we see this interplay at work in these ruminations on place-- our connections and disconnections to it-- from Bourne's upbringing in southern Illinois to his later homes in Ohio, Poland, or the American Southwest. This connection certainly involves a sense of celebration, but also of anxiety and tension in realizing the fragility and impermanence of both self and surroundings. Yet, despite the opportunity as well as the challenge of memory-- the way it is continually erased yet also continues to scribble in the brain-- these poems also bear witness to how we push back against all the " exterminations" in our lives.

Ophelia, a professor of Dante, is stricken when she discovers that her husband Andy has been cheating on her with a winsome colleague. What follows is Ophelia's figurative descent into hell as she obsessively tracks her subjects, performs surveillance in her beat-up Volvo, and moves into the property next door to Amber' s, which has gone into foreclosure. She spies on the lovers, growing more and more estranged from reality. Andy's betrayal reawakens the earlier trauma of abandonment by her mother at the age of eight. When Andy and Amber become engaged, Ophelia snaps. The story is a jailhouse confessional, a dark comedy, an oeuvre of women's rage, a suspenseful revenge fantasy, and a moving portrait of one woman's psychological breakdown.

Janelle Wolf longs to be the woman she once was-- an adored wife, a loving mother, a career woman, a force in her community-- before a mysterious car accident stole her memories, ruined her reputation, and upended her life. These days, her troubled family needs that capable woman from the past, the one she calls " Janelle Before." Enter Lana, an alluring and magnetic psychic healer who meets secretly with Janelle. Lana coaxes Janelle to remember the circumstances of her accident in order to recover Janelle's " best self." Instead, Janelle uncovers the ugly truth behind that night. The revelations unravel Janelle's marriage, disrupt her family, and turn her small southern town upside down. Written with wry humor, this diabolically entertaining tale of deception, temptation, and love is filled with dark twists, exploring what happens when the transgressions of the past come back with a vengeance.

In 2007, Beck Randall moves with his wife and teenage daughters into a long-abandoned cabin deep in the woods, built a century before by his grandparents. Once there, daughters Tina and Lucy discover that their predecessors have left an imprint of suffering and violence the girls refer to as " The Whistler," an eerie presence infused in the nature that surrounds them. As the 1907 and 2007 storylines braid together, characters and events intrude upon each other, blurring the boundaries between eras and illustrating that people and lives are not forgotten; instead, they are woven into the fabric of the land itself. With gritty, lyrical storytelling, Let Gravity Seize the Dead is an intergenerational literary horror story featuring a blend of suspense, beauty, and terror.

Oliver Curtin grows up in a nocturnal world with a mother who is a sex worker and drug addict, and whose love is real yet increasingly unreliable. His narration alternates between that troubled childhood and the present of the novel, where he is serving the last months of a thirty-years-to-life sentence in a maximum-security prison in upstate New York, for a crime he committed at age seventeen. His redemption is closely allied with his memories, seen with growing clarity and courage. If he can remember, then life in the larger world is possible for him.

"The novel is a quiet but strong tour de force." Marly Swick, author of Evening News: A Novel1992. Tyler Manning-- high school teacher, part-time farmer, bachelor of 38--is planning his first day of summer vacation when a strange car approaches his Kansas farmhouse. By the time the battered Ford departs, Tyler is holding a three-week-old infant. The baby's father is his estranged brother. Woven throughout the narrative of May Manning's upbringing--assisted by long-time neighbors and school colleagues--is the parallel story of Tyler and his younger brother, the charming but deceitful Mickey Manning. The possibility of Mickey's return haunts Tyler throughout May's childhood. When Mickey does reappear, he brings unexpected danger into their lives. The Manning Girl reimagines George Eliot's 1860 fable, Silas Marner, and places it in a contemporary Midwestern frame, following the girl and her uncle/father from May's unexpected arrival to her 21st year. The Manning Girl explores, with tenderness and humor, the unique situation of a single father, supported by a surprising community.

Jazz-age Paris was the center of the artistic and literary world, and the center of the center was Gertrude Stein's salon, where the famous and aspiring creative talents gathered to gawk at Stein's Picassos and vie for status. Young Midwesterner Ida Caine arrives in Paris with her husband Teddy, a would-be Hemingway who thinks he can adventure first and write later. When Teddy falls in with the Stein set, he brings Ida to the salon, where she is shunted into a corner with the wives of famous men. She burns with resentment and wonders if she can ever develop into a real artist herself. A few days later, Gertrude Stein's partner Alice B. Toklas vanishes. Stein calls upon Teddy to investigate. Soon after, he vanishes. Forced to seek out her missing husband, Ida follows his trail through a milieu including strange Surrealist rituals, Tarot card readings, and the catacombs beneath the city. She falls in with a young American poet, T.S. Eliot. An unlikely passion grows while they seek answers to the shocking disappearances.

"Ott's prose crackles and sizzles. There's never a dull moment, right to the riveting end. It's the kind of novel Hemingway might have written had he been alive today." Erik Martiny, author of Night of the Long Goodbyes West is a man looking to flee the past, barely old enough to drink and looking to rediscover himself after several tours in Afghanistan as a POW prison guard. After going AWOL, West looks to reunite with Solomon, his childhood best friend, who exists in the dark underworld of a Los Angeles gentleman's club, Club Paradise. West soon finds himself caught in the web of an Iranian family and its patriarch, Big Z Pourali, a former wrestler with a dark side and side businesses that put his dancers, employees, and family in peril. West stays in LA to look after Solomon but soon falls for the club owner's daughter Nikki. West must come to terms with the raw underside of a Los Angeles crime family and his own past, all the while hoping to maintain his sanity in the process.