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"Barbara Pyle's intimate behind the scenes photographs from 1975 and the recording, rehearsing, and touring of Born To Run have been ... awaited for forty years and are finally being published for the first time"--Dust jacket flap.

A bold visionary, Art Kane (1925-1995) explored a number of genres--fashion, editorial, celebrity portraiture, travel and nudes--with an unrelenting and innovative eye. Like his contemporaries Guy Bourdin and Helmut Newton, Kane developed a style that didn't shy from strong color, eroticism and surreal humor. In 1958 Kane assembled the greatest legends in jazz and shot what became his most famous image, "Harlem 1958." In the 1960s and 1970s, Kane photographed, among others, the Rolling Stones, The Who, Cream, Janis Joplin, The Doors and Bob Dylan. While the battle for civil rights in America and the Vietnam War raged, Kane was refining a conscientious response to the period with editorial work that was powerfully accessible and populist in its desire to communicate to a large audience. This is the first time Kane's work has been collected into one volume. Beautifully curated, it is a fitting tribute to one of photography's most original and creative forces.

"A visual feast, these images recount the diverse and historic journey of the black film industry from the earliest days of Hollywood to present day. Accompanied by insightful accompanying text, a foreword by black history authority and renowned academic Henry Louis Gates, Jr., and an afterword by acclaimed film director Spike Lee. Part aesthetic, part nostalgic, the posters have meaning to young and old alike, and possess the power to transcend ethnicity. From early independents to 12 Years a Slave, these posters represent a journey: they remind people of the pioneers of the past, those courageous and daring African-American filmmakers, entertainers and artists whose dreams and struggles paved the way for future generations. The wealth of imagery on these pages is taken from The Separate Cinema Archive, maintained by archive director John Kisch. The most extensive private holdings of African-American film memorabilia in the world, it contains over 35,000 authentic movie posters and photographs from over 30 countries."--Publisher's description.