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Collection of essays on Power Pop by some of today's most exciting writersSame concept as our essay collections Yes Is The Answer (about Prog Rock) and Here She Comes Now (about women in music)Featuring essays by Michael Chabon, David Yaffe, Joe Clifford, and many more

An outstanding photography book documenting a movement that rocked the world. Syd Shelton: Rock Against Racism is a body of photographs that Syd Shelton produced for and about the British Rock Against Racism movement (RAR) of 1976–1981. For Shelton, this work was a socialist act, what he calls a “graphic argument,” on behalf of marginalized lives. His practice of photographic activism began in 1973 when he was driven to document the socio cultural and political dynamics expressed on the streets of Sydney by urban Australian Aboriginal communities, the working class, and the architectural landscapes of these groups. Shelton’s first solo show in 1975, “Working Class Heroes” at the Sydney Film-makers Cooperative, established his distinct activist eye.Shelton joined RAR in early 1977 on his return to England from Australia. He did so because he found his birthplace a more racist country than it had been when he left. This was marked by the increased political presence of the National Front, notably its gain of some 119,000 votes in the Greater London Council Elections of May 1977. Shelton, like millions of others, feared for the future of multi-cultural Britain. His contribution to RAR was to be on the London committee, to create graphic material with other RAR members such as the RAR publication “Temporary Hoarding,” posters’ badges and his photography—RAR did not have an official photographer. Shelton’s instinctive need to document RAR—its events, contributors, and supporters—has resulted in the largest collection of images on the movement. Alongside his documentation of RAR, Shelton took photographs of what he calls “the contextual images,” the lives and landscapes that were defined by others as “different,” and that often fueled racist acts of violence by simply being.What is presented here are Shelton’s authoritative visual statements as participant-photographer on the social tempo in Britain at this time and the activist potency of RAR. As collective activism, RAR’s success was dependent on individual contributions to fuel the movement’s activities across the country. This unique national, and eventually international, charge incorporated the visual dynamic of how Black and white RAR contributors and participants styled their bodies as another antagonistic tool against racism. These were acts of style activism—the making of an activist identity through the considered composition of clothes, accessories, hairstyles, makeup, and body language. Shelton’s images prompt us to remember that the individuals at RAR carnivals, gigs, and demonstrations were the event—they were RAR.There are many versions of what RAR was and its legacy. Syd Shelton: Rock Against Racism provides an auto/biographical telling of that historical moment. It reflects on how Shelton’s work as a photographer contributed towards social change at a critical moment of political and racial tension in Britain.

From the time he was old enough to remember, Jim Hock was told stories of his dad's glory days playing football in LA. A member of the 1950s LA Rams, John Hock, Jim's dad, was a member of Hollywood's Team, a football team that redefined what a sports team looked like, sounded like, and acted like, all while revolutionizing the sport of football.But Jim didn't know John the football star, he just knew the sweet, funny guy he called Dad. In a warm and aching memoir of childhood, good dad's, and what it is to realize that your parents had a life and successes before you came along.

With dozens of full-color illustrations!This is a retrospective of musical poetry by heavy metal guitarist and frontman, Matt Pike, which spans twenty years beginning in 1998 with the album Art of Self Defense up to the latest release, the 2019 Grammy-Award winning record, Electric Messiah. Every chapter features brand-new artistic interpretations from the minds and hearts of an incredible cast of illustrators, tattooers, printmakers, and painters Pike has been trusted since the beginning to depict his vision. The cast of artists are Arik Roper, David V. D'Andrea, Santos, Brian Mercer, Skinner, Jondix,Stash, Tim Lehi, Jordan Barlow, and Derrick Snodgrass created brand new, never before seen works specifically inspired by each album, including one large illustration to define the chapter ahead and two additional vignettes that are directly inspired by the songs. Each has their own bold and iconic style that perfectly compliments the breadth of Pike's various works. These prolific artists transport the reader further into a far-away landscape of ominous Lovecraftian entities, shrouded in wondrous and esoteric darkness. Together, they have redefined the way we perceive Underground Doom Metal these past twenty years and it is our honor to showcase them together along with the incredible written word of Pike.

In this elegant but pocketable edition in the Ross's Discoveries series, passionate bibliophile Michael Ross has curated his favorite literary quotes from the collection of over 1500 well-read books on his shelves¿but this isn't your typical rehashing of Bartlett's quotations. In Ross's Key Discoveries Michael Ross brings together quotes on wisdom, money, and happiness from such a new perspective even the authors themselves will probably find this book useful and insightful.

Frank Bello, bassist with the legendary New York thrash metal band Anthrax since 1984, has sold over ten million albums, travelled the globe more times than he cares to count, and enthralled audiences from the world's biggest stages. His long-awaited memoir would be a gripping read even if its pages only contained stories about his life as a recording and touring musician. While those stories are indeed included-and will blow your mind-Bello also focuses on deeper subjects in Fathers, Brothers, and Sons. Once you've heard his life story, you'll understand why.Born into a family of five, Frank grew up in difficult circumstances. His father abandoned his wife and children, and Frank's mother moved heaven and earth to keep them fed and educated. Left with no male role model, Frank found inspiration in heavy metal bass players, following their example and forging a career with Anthrax from his early teens-first as a roadie, and then as the group's bass player.International stardom came Frank's way by the mid-to-late 1980s, when he was still in his early twenties, but tragedy struck in 1996 when his brother Anthony was murdered in New York. Although the case went to trial, the suspected killer was released without charge after a witness, intimidated by violent elements, withdrew his testimony.Two decades later, Frank is a father himself to a young son. Like many men who grew up without the guidance of a dad, he asks himself important questions about the meaning of fatherhood and how to do the job well. This is the wisdom which Fathers, Brothers, and Sons offers readers.Despite the emotive nature of these topics, Fathers, Brothers, and Sons is a funny, entertaining read. A man with a keen sense of humor and the perspective to know how surreal his story has been, Frank doesn't preach or seek sympathy in his book. Instead, he simply passes on the wisdom gained from a lifetime of turbulence, paying tribute to his loved ones in a way that will resonate with us all.

For years, when traveling, I found myself getting in conversations with people when I took their pictures, and started to consult with them¿showing them the digital shot, then retaking it until we had one they were happy with. It gave us a reason to interact, and a way to do so, even when we shared no language in common. These portraits are the result of those extended sessions, those moments of accidental intimacy on the road. Readers of my three travel books (Drinking Mare¿s Milk on the Roof of the World, And the Monkey Learned Nothing, and The Kindness of Strangers) may recognize some of the people, because a number of them feature in those stories. But each stands on its own¿each a testament to the human ability to connect across the fault lines that keep us precariously divided. And each is a tribute to the accidental intimacy of the road.

From the "former sex worker taking Hollywood by storm" (The Daily Beast), comes a candid and hilarious memoir of sex work, shame, and self-discovery set in the colorful world of live-streaming camgirls.

The stories in this here anthology may in fact be true true wild tales I've absorbed over time. Perhaps drenched with generous hyperbole? I'll let you decide.As one of the founding members of the seminal punk band Angry Samoans, Gregg Turner has seen his fair share of weird shit. From his time at Creem Magazine in the early 1970s to the formation of the Angry Samoans in Los Angeles, and all the travels, trials, and tribulations that occured after, Turner takes us through a wild ride of stories he's heard, stories he's lived, and some he may or may not have made up.With illustrations by Emmy and Klein-award winning illustrator Gary Panter, Hallucinations from Hell is an onslaught of a book that will appeal to any reader who loves a good story.

Slouching Towards Los Angeles is a love letter and thank you note to Joan Didion.In The White Album, Joan Didion famously wrote that “a place belongs forever to whoever claims it hardest, remembers it most obsessively…loves it so radically that he remakes it in his image.” Cruising in her Daytona yellow Corvette Stingray, taking it all in behind dark glasses, Joan Didion claimed California for all time. Slouching Towards Los Angeles is a multi-faceted portrait of the literary icon who, in turn, belongs to us.This collection of original essays covers the turf that made Didion a sensation—Hollywood and Patty Hearst; Malibu, Manson and the Mojave; the Summer of Love and the Central Park Five—while bringing together some of the finest voices of today’s Los Angeles and beyond. Slouching Towards Los Angeles is a love letter and thank you note; personal memoir and social commentary; cultural history and literary critique. Fans of Didion, lovers of California, and fellow writers alike will all find something to dig into, in this rich exploration of the inner and outer landscapes Joan Didion traveled, shaping our own journeys in the process.Featuring essays byAnn FriedmanJori FinkelMargaret WapplerJessica HundleyChristine LennonCatherine WagleySu WuJoshua Wolf ShenkLauren SandlerMichelle ChiharaSarah TomlinsonLinda ImmediatoTracy McMillanDan CraneSteph ChaCaroline RyderJoe DonnellyMonica Corcoran HarelAlysia AbbottStacie StukinHeather John FogartyMarc WeingartenScott BenzelEzrha Jean Black

Life isn't easy when you're single, pushing 50, and still haunted by the ghosts of your rock 'n' roll past--but if anyone can find the funny in it, Sunset Strip video vixen Brown can. Hilarious, sweet, and bitingly honest, Cherry On Top reveals how one gorgeous, potty-mouthed blonde took back Hollywood in middle age, and embarked on a fresh search for love--one fart joke at a time.at a time.

An oral history in the vein of Please Kill MeLeftöver Crack is a band of drug abusing, dumpster diving, cop-hating, queer positive, pro-choice, crust punks that successfully blend ska-punk, pop, hip-hop and death metal genres. They've been banned from clubs, states and counties and kicked off multiple record labels. They've received teen-idol adoration and death threats from their fans. They've played benefits for a multitude of causes while leaving a trail of destruction in their wake.But, if you dig below the crusty, black metal-patch encased surface, you'll find a contemplative, nuanced band that, quite literally, permanently changed the punk rock community. By combining catchy ska-punk with lyrics that referenced political theorist Michael Parenti, drug usage, and suicide, the band formed a unique mélange that was both provocative and challenging. In fact, the band's hooks were so sharp that after releasing their debut LP, Mediocre Generica, an entire culture of "Crack City Rockers" grew around the band, pushing the youth towards both the positive and negative aspects of extreme punk rock.Of course, being the combustible band that they are, the band has gotten involved in its far share of fiascoes: full-scale riots in Phoenix and NYC, getting punched out by their own fans, showing up to tour Florida with machetes after receiving death threats from the local gang.Architects of Self-Destruction: An Oral History of Leftöver Crack traces the band's entire history by speaking to the band members themselves, fellow musicians, their fans, and of course, those that still hold a grudge against the LoC... FYI, that's a lot of people.

In this landmark collection, William T. Vollmann offers a kaleidoscopic retrospective of the visual artwork he has produced over four decades, with new commentary from Vollmann on his process, inspiration, and the many intersections with his writing.The celebrated author of over twenty-five books (among them the National Book Award-wining novel Europe Central; the seven-volume Rising Up and Rising Down, based on Vollmann¿s career as a war correspondent; and the two-volume climate change investigation Carbon Ideologies), Vollmann¿s equally ambitious and prolific career as a photographer, printmaker, and painter reflects the artist¿s deep interest in people existing on the margins, a profound empathy for his subjects, and the humility and generosity to meet them on their terms.Shadows of Love, Shadows of Loneliness includes Kodachrome slides of Afghan Mujahideen from 1982; a handmade watercolor sketchbook from Subarctic Canada, complete with inscriptions to Vollmann from local Inuit teenagers; gum bichromate prints of American landscapes from Maui to Mount Desert Island; silver gelatin portfolios of insurgents, refugees, prostitutes, police, and criminals all over the world; photogenic drawings of Tahitian women; transgender self-portraits of ¿Dolores¿; Bible woodblock prints in which God and everyone else is female; acrylic paintings of California landscapes; cyanotypes, platinotypes, salt prints, and gold-toned Vandykes, to name just a few.Complementing these selections is a series of essays commissioned especially for this book to lay out Vollmann¿s views on what photographs can and should say, how he chooses what to represent (beauty, suffering, compassion, love, desire, ideology), thoughts on photographic consensuality, and any number of technical descriptions. Particularly useful for Vollmann fans and scholars are the cross-references between these artistic and photographic projects and his books.

This book is a partnership between Los Angeles indie presses Rare Bird and Unnamed PressMajor media outreachVollmann's books are almost always reviewed in the New York Times, Los Angeles Times, and San Francisco ChronicleWe want to partner with local bookstores and art institutions in Houston, San Francisco, Sacramento, and New York for virtual eventsOutreach to art media outlets like Artforum, Bomb, and InterviewOutreach to art museum storesSpecial outreach to bookstores with large art and photography sections

"e;I'm the Mae West of 1968."e;Mercy Fontenot was a Zelig who grew up in the San Francisco Haight Ashbury scene, where she crossed paths with Charles Manson, went to the first Acid Test, and was friends with Jimi Hendrix (she was later in his movie Rainbow Bridge). She predicted the Altamont disaster when reading the Rolling Stones' tarot cards at a party and left San Francisco for the climes of Los Angeles in 1967 when the Haight 'lost its magic.'Miss Mercy's work in the GTOs, the Frank Zappa-produced all-female band, launched her into the pages of Rolling Stone in 1969. Her adventures saw her jumping out of a cake at Alice Cooper's first record release party, while high on PCP, and had her travel to Memphis where she met Al Green and got a job working for the Bar-Kays. Along the way, she married and then divorced Shuggie Otis, before transitioning to punk rock and working with the Rockats and Gears. This is her story as she lived and saw it.Written just prior to her death in 2020, Permanent Damage shows us the world of the 1960s and 1970s music scene through Mercy's eyes, as well as the fallout of that era-experiencing homelessness before sobering up and putting her life back together. Miss Mercy's journey is a can't miss for anyone who was there and can't remember, or just wishes they'd been there.

Christopher Zyda confronts the long-buried and painful memories of his harrowing fifteen-year journey in The Storm: One Voice from the AIDS Generation, a heart-wrenching love story and coming-of-age tale during the early years of the AIDS crisis in Los Angeles.It all begins in the spring of 1983, when Chris, a twenty-one-year-old UCLA English Literature major and aspiring writer, risks ostracism when he comes out of the closet to his fraternity brothers just as the AIDS pandemic is beginning to explode in gay communities across the United States. Soon afterward, Chris meets and falls in love with Stephen, a graduate of Yale University and Law School, and the two of them build a life together as their friends start to fall sick and die from the spreading storm of AIDS.Stephen begins showing symptoms of AIDS in early 1986, and Chris faces a difficult choice as he is certain that he, too, eventually will be stricken by the disease. He abandons his writing career and attends the UCLA business school so that he can earn enough money to pay for healthcare during Stephen's illness.The Storm is filled with heart, optimism, and love, interspersed with Los Angeles history, gay and lesbian history, AIDS history, and the backdrop of the 1980s and 1990s. It is an unflinching and, at times, raw memoir of perseverance, integrity, forgiveness, the power of love, spiritual growth, Carpe Diem, dreams, and, most of all: survival and ultimate triumph.

Fun, bright, and playful, Power Pop is a sometimes adored, sometimes maligned, often misunderstood genre of music. From its heyday in the 70`s and 80`s to its resurgence in the 90`s and 00`s, Power Pop has meant many things to many people. In Go Further, editors Paul Myers and S. W. Lauden have a whole new crop of writers going deep on what certain Power Pop bands and songs mean and have meant to them. Whether they love or hate it, Go Further is a dive into the Beatles-inspired pop rock of the last five decades.Featuring Ira Robbins, Alex Segura, Mary E. Donnelly, Pat DiPuccio, John Borack, Dave Hill, Will Birch, S. W. Lauden, Jordan Oakes, Brian Vander Ark, Anne K. Ream & R. Clifton Spargo, Chip Jacobs, Bill DeMain, Thierry Côté, Doug Brod, Jim Lindberg, Balin Schneider, Mike Randle, Butch Walker, Andrea Warner, Paul Myers,and Rex Broome's

Tackling race in Los Angeles, but moreso in America in the criminal justice system at all levels, A Past That Breathes is a perfect book for the time we are living throughLooking at each side of a racially charged court case, Obiora gives a nuanced look at the problems in the American justice system and how it enacts punishment on Black folks whether or not they have committed a crime

Setting the example is almost the whole shebangEveryone wants to be happy. Everyone. We certainly have opinions about what choices someone might make to get there but we absolutely want happiness, and as much of it as possible.Six Truths is simple, accessible, cutting edge, edgy, and most of all, necessary. Sid Garza-Hillman has taken all he's learned as a nutritionist, philosopher, speaker, podcaster, Small Steps coach, ultramarathoner, father, and husband, and distilled it into Six Truths. Six Truths that, if you live by them, will deliver you a happy life.In Six Truths, Garza-Hillman, uses his usual funny, smart, no BS approach to helping you live your best life.

Signings in Boston, New York, and Los AngelesWe are doing some super deluxe art copies with slipcases and photos through the RareBirdBooks.com site, and have found that this helps encourage sales within the bookstore marketThe book will have 2 different covers with 2 different ISBNs, one SFW and one NSFWPromotion to metal magazinesFeatures in Revolver, Kerrang, Outburn, and morePromotion through various metal bands who have been photographed by JeremyMetal media outreach

Valentin Popov's art combines images of the superhero in American society with traditional religious iconic art from his native Ukraine. His work is in a number of major art museum collections including the National Museum of Ukrainian Art, the Fine Arts Museum of San Francisco, the Metropolitan Museum of Art in New York, and more. Ironic Icons is his first book.