Bøker utgitt av powerHouse Books,U.S.

"When a group of industrious, fun-loving rats find letters fallen from an Art Fair sign, they put the sign back together ... and get to work creating a spectacular RAT FAIR. Their fair is ruined when humans sweep away everything ... Undaunted, the rats ... start working on their very own Rat Art Fair. As they are wrapping up their first day ... a human child who has been following their progress from the sidelines catches them red handed, and the rats must decide if they can trust the child"--

Called "an ecstatic, arc-bright wonder and terror" by The New Yorker, this major work of art now receives a first printing, featuring a brilliant introductory essay by Masha Tupitsyn.Called "an ecstatic, arc-bright wonder and terror" by The New Yorker, this major work of art now receives a first printing, featuring a brilliant introductory essay by Masha Tupitsyn. This Academy Award-nominated screenplay is one of the greatest and most urgent in Paul Schrader's long and decorated career. Called a "portrait of a soul in torment, all the more powerful for being so rigorously conceived and meticulously executed" in the New York Times, First Reformed follows the Rev. Ernst Toller as his crisis of faith coincides with a recognition of looming environmental catastrophe. It is an uncompromising work that seamlessly synthesizes a tribute to Bresson with a profound, existential meditation on the everexpanding devastation that humanity is spreading over the natural world. The crowning late period achievement for an undisputed legend of screenwriting, this is both a master class in concision, depth and emotional range, and a continually relevant work of activist import.

Women and girl leaders around the world are guiding organisations that are reducing - and over time reversing - the carbon dioxide emissions that cause global warming. For this book, Paola Gianturco and her 12-year-old granddaughter and co-author, Avery Sangster, interviewed and photographed women leaders from all over the world. COOL: Women Leaders Reversing Global Warming tells their important, inspiring stories in their own words and suggests action steps so you can join them on this existential journey.

Ephemeral and anarchic, Runes and Chords is the first collection of artwork by famed poet, critic and artist Alice Notley. These sketches, drawn on an iPad and first serialized on Notley’s Twitter feed, are a fascinating window into an evolving practice, collages of flowers and poetry, the white space of digital creation and overlaid colors erupting from the page. They defy containment and category, much like their creator—each a second in a day, an afternoon or evening in Paris, a thought so transient it can only exist in the medium of social media. With this collection, one of America’s most influential living poets and artists continues to prove her worthiness of that title.

Archway Editions is the brand new imprint of powerHouse Books, and a literary complement to their trailblazing photography and illustrated publications, all distributed by Simon & Schuster.  Our mission statement is “to publish the finest authors, at all stages of their careers, who write material which is at odds with the prevailing status quo, both legendary and emerging." We are genre-blind with a goal to publish unconventional books for the widest possible audience.  This includes writers with long careers like Alice Notley, Ishmael Reed and Paul Schrader, but also young writers who need a place to show off their stuff and meet likeminded literati.  Archways is the in-house reading series that takes place every few months at POWERHOUSE Arena, our bookstore in downtown Brooklyn across from the Manhattan Bridge archway.  It's our home base and a place for authors to present incredible work out of the mainstream.  Some we end up publishing (like Gabriel Kruis' instant classic Acid Virga, excerpted here), and each one is a vital new voice working at odds with a complacent and hidebound publishing industry. This anthology collects work from the first three readings, held in 2019 and 2020.  Every event has a visual component, and we've shared some stills and photos from our incredible visual artists too.  There's nothing quite like the high wire tension of a live reading - but this'll have to do for now. CONTRIBUTORS include: Rachel Allen, Phil Anderson, Brendan Burdzinski, Naomi Falk, Katie Foster, Andrew Gibeley, Ariel Francisco, Kelly Gallagher, Cyree Jarelle Johnson, Gabriel Kruis, Shayla Lawz, Etan Nechin, Kwame Opoku-Duku, Chunbum Park, Joseph Rathgeber, Nicholas Rys, Andrea Stella, and Shy Watson.

Young readers trace a continuous line through vibrantly illustrated landscapes that are full of charm and surprises, while answering questions about what they see.Follow the line...into a board book! Re-imagined in a new format for the littlest readers, Follow This Line takes you on an adventure across varying landscapes by tracing a continuous line throughout the book. Starting on the front cover, the line zigs and zags across scenes both urban and pastoral, playfully spiraling into the shapes of animals, faces, buildings, vehicles and more, all without breaking its stride. Along their journey, kids will be asked to count, sort, and identify objects, creating an entertaining opportunity to practice early concepts through these attractive, whimsical, Scandinavian-style designs.   Adapted from artist Laura Ljungkvist’ popular picture book series Follow the Line (Viking, 2006-2011), Follow This Line introduces her clever continuous line drawings to a whole new audience

A rhyming board book that celebrates the boundless joy of loving dogs. Are you a puppy pal? A canine companion? Down with the doggies? A friend of Fido? In Dogs, Dogs, Dogs: I Love Them All, a little girl tells us all that she loves about our shaggy, wiry, spotty, playful, lazy, noble, sometimes-drooly, furry companions. Who could choose a favorite? This simple narrative set to a silly rhyme makes for a perfect book to read aloud for babies and toddlers, and an excellent gift for pet-owners and admirers alike. Those without dogs may find themselves on the way to their local adoption center after several readings!

When two old friends died unexpectedly, Rick Schatzberg spent the next two years photographing the remaining group of a dozen men. Now in their 67th year, they have been close since early childhood. Schatzberg collected vintage photos that tell the story of this shared history and uses them to introduce each individual as they are today. These are paired with large-format portraits which connect the boy to the man. Mixing in text with these images, Schatzberg depicts friendship, aging, loss, and memory as the group arrives at the threshold of old age. The Boys juxtaposes elements of place, personal history, and identity. The people and locale described are a specific product of the mid-20th-century suburban American landscape, but the book's themes are radically universal.

The Earth Will Come to Laugh and Feast is a poetic journey through a carefully curated selection of internationally revered artist, Roger Ballen's photographs. Italian poet, Gabriele Tinti, reflects on Ballen's images with original texts written in the form of elegies, prayers, and laments. The book evokes the strong bond between art and literature, and of ekphrastic writing that evokes images by highlighting hidden relationships and implied mysteries. The result is a moving collection of poems and short stories revealing the profound state of existence and the fate of our torment, the inevitability of suffering, and of our helplessness from pain. As Tinti says "this partnership moves from the rubble, passes through cemeteries, sniffs out the signs of what has gone. Roger Ballen's photos, my words, are a kind of defense against the terrible power of death. They are an accumulation of enthusiasm, injuries, obsessions. They are effigies composed to disturb the reader, to ambush the thought, the things".

Showcasing an unprecedented array of photographs, paintings, renderings, drawings, and other images culled from dozens of archives and individual collections worldwide, A Century Downtown ensures that no one will ever forget the vast and varied history of this famous part of New York City.   Catchphrases like “urban renewal” have a nice ring to them, but none measure up to the tectonic, often brutal metamorphoses that have remade Lower Manhattan over the last century. Downtown’s defining cataclysmic event is undeniably 9/11. Yet we often forget that the original World Trade Center grew out of the wholesale demolition of an entire neighborhood, home to more than 300 electronics businesses employing some 30,000 workers. We forget that the first “worst terrorist attack in American history”—the Wall Street bombing of 1920—claimed 38 lives and triggered a tsunami of anti-immigrant sentiment that swept Warren G. Harding into the White House. We forget that Washington Street was once home to the biggest Arab-American community in the country, known as Little Syria, eventually displaced by the transportation appetite of a burgeoning suburbia.   A Century Downtown raises these and other pivotal events—some mere footnotes to the city’s official history—into sharp relief. It’s a remarkable visual journey guided by a fascinating historical narrative that sheds new light on the evolution of Lower Manhattan over the past hundred years.

James Klosty''s Merce Cunningham was the first book ever published about Cunningham. It appeared in 1975 and was republished in 1986. Now, for the 100th anniversary of Cunningham''s birth, it is reincarnated for a twenty-first-century audience in duotone printing, redesigned and completely reimagined with an additional 140 pages of photographs, many published never before.In the years since their passing, the historical importance of the partnership of John Cage and Merce Cunningham has grown to the point where no consideration of avant-garde art, music, and dance in America makes sense if Cunningham and Cage are not posited, serene and smiling, at the wellspring of its inspiration. This is true not only in America but around the globe as well.Art does not exist in a vacuum and neither did Cunningham and Cage. Painters such as Robert Rauschenberg, Jasper Johns, Andy Warhol, Frank Stella, and Robert Morris, and composers such as Earle Brown, Christian Wolff, Morton Feldman, David Tudor, and Pauline Oliveros joined the endeavor. Jasper Johns slyly lured Marcel Duchamp into allowing his iconic Large Glass to be used as decor for a Cunningham dance. Cunningham repeatedly invited Erik Satie (without Satie''s permission) into his musical family. This seemingly haphazard association of innovative artists served as the nearest thing America could offer in counterbalance to Diaghilev and his Ballets Russes.In addition to Klosty''s photographs of the artists, composers, and dancers; and the dances themselves, both in rehearsal and performance; the book contains texts from Cunningham''s associates including John Cage, Jasper Johns, Robert Rauschenberg, Carolyn Brown, Paul Taylor, Lincoln Kirstein, Edwin Denby, and a dozen others.

BOGO is an abbreviation for "Box Logo," which is what Supreme''s logo is coloquialy known as.BOGO is an exclusive numbered slipcase set containing copies of Art on Deck and Object Oriented.Supreme creates only one new shirt per year with the ''BOGO'' on it, and only one special edition for the opening of any new boutique. Not surprisingly, the BOGO items regularly reach incredble prices with t-shirts or hoodies selling in the realm of $500 - $2,000 each!

A complete anthology of 25 years of Supreme''s accessories, Object Oriented is a never-before-seen comprehensive study of the New York skate brand''s ongoing collaborative foray into the world of object design.Noted design critic Byron Hawes traces the history of Supreme''s industrial design objects, from cheeky early objects like a skate tool that moonlights as a pipe and a low-key Fuck Tha Police branded tallboy paper bag through to notable collaborations with the likes of Spalding, Louisville Slugger, Everlast, and more, positing a theory that ''Preme''s design output is actually a highly curated alt-design museum, proposing an ongoing series of highly important and overlooked quotidian industrial design icons. Examples include a Lezyne bike pump, Master combination locks, Box Logo Buck knives, a Braun alarm clock, Maglites, a Kidde Fire Extinguisher, and the ever controversial brick; design icons all, though not typically mentioned in the same conversation as other iconic pieces of 20th century industrial design.Featuring conversations with noted collectors and designers, as well as original photography of the only known complete collection of Supreme accessories and stickers, Object Oriented is the only complete survey of a cultural phenomenon.

Ignore the Trolls is funny fairytale with a serious contemporary message about the online bullies known as trolls, and how to deal with them.In the majestic kingdom of Holly Hills lives Tim the Timid, a shy boy who has big dreams. He longs to join the jousting team so he can be one of the Knights, the coolest and most valiant kids at Ye Olde Elementary School. When tryouts are announced, Tim's friend Bethany the Brave offers him some advice: whatever Tim does, he must ignore the trolls. For it's not all fairies and unicorns in Holly Hills. The land is overrun with nasty, mocking creatures that love attacking the weaknesses in others with the help of their magic picture-takers, and flocks of vicious bluebirds that tweet their cruelty across the kingdom. If you try to fight them, they only multiply. But shutting out their empty taunts is easier said than done. Will Tim learn to just ignore the trolls, and ride to victory?

For some 70 years, Leo Goldstein's East Harlem body of work remained mostly untouched and unseen. The silver gelatin prints were catalogued in 2016, and a selection is gathered here for the first time. The photographs were taken over a number of years, beginning in 1949 when Goldstein was a member of the Photo League. The East Harlem corpus, edited by Régina Monfort, represents an important and unique addition to the photographic history of New York City. Because there are no negatives in existence, it was of particular importance to preserve the images in book form and make them available to the public.The selected images reflect the postwar years in the East Harlem community, which would grow into a center of Puerto Rican culture and life in the U.S. From the families portrayed gathering on stoops, to the kids at their shoeshine stations, to youths playing ball in the streets, to posters on neighborhood walls, Goldstein's images of East Harlem provide a window into the socio-economic, cultural, and political landscape of the time.

Jean Patchett was both model and muse, a famous face from New York's vibrant midcentury popular culture and the most successful high-fashion model of her time.A small-town girl from rural Maryland, Patchett had no firm ambitions until a friend suggested she drop out of college and go to New York and become a model. Within a year Jean had left school, met model agent Eileen Ford, and begun a career that saw her photographed by the greatest photographers of her era, with more than 58 magazine covers over 14 years."A young American goddess in Paris couture," was Irving Penn's epitaph for the model he photographed for a classic series in Lima, Peru where, pushed past their limits, Patchett and Penn created passionate art with a possible passionate relationship as well. Penn would go on to create stunning images of Patchett for Vogue and later, for a series of nudes he called "the major artistic experience of my life." Letters from Patchett to her family show a young woman in love with her life and eager to share the thrills and struggles of her career. Quotes from photographers Cecil Beaton, John Rawlings, William Helburn, Jerry Schatzberg, and Francesco Scavullo reflect their admiration for her technical skills as a model as well as her unique beauty. A work diary from 1951 allows us to see how-and with whom-she worked from day to day.American Goddess: Jean Patchett defines Patchett's career in a biographical essay and explores its scope in 120 editorial and advertising images from Vogue, Glamour, and Harper's Bazaar-some iconic, some personal, and some that have never been seen before. It's a unique look at a model who defined a decade and a rare collection of extraordinary images that explore her unique appeal.

Speed Bumps on a Dirt Road is a living document of country music's founding fathers and mothers. John Cohen photographed musicians, at home, backstage at public events, from the wings at fiddlers' conventions, out in country music parks, and in the studio for live radio show performances and recording sessions.Back in 1961 it was still possible to know a few of America's original country musicians from the '20s and '30s. Renowned and celebrated musician and artist John Cohen came of age at the confluence of old time and early bluegrass music, the historic intersection of traditional and folk music. Cohen traveled the country playing music, recording, and documenting what was to be a generation of musicians who would influence American music and culture for decades to come.Traveling between the Union Grove fiddlers' convention to the Grand Ole Opry to a coal celebration in Hazard, Kentucky, Cohen made historic photographs of performers like Bill Monroe and Doc Watson, the country's very first all-bluegrass show, and a bluegrass bar in Baltimore, among much more. Speed Bumps on a Dirt Road presents old time music as the root of country music.Includes photographs of: Flatt & Scruggs, fiddler "Eck" Robertson in Amarillo, Texas, Doc Watson, bluegrass fiddler "Tex" Logan, the Stanley Brothers at Sunset Park, Sara and Maybelle of the Carter Family, and Cousin Emmy, Alice & Hazel, and a dulcimer in a parking lot.

As globalization alters our relationship to food, photographer Gregg Segal has embarked on a global project asking kids from around the world to take his "Daily Bread" challenge. Each child keeps a detailed journal of everything they eat in a week, and then Segal stages an elaborate portrait of them surrounded by the foods they consumed. The colorful and hyper-detailed results tell a unique story of multiculturalism and how we nourish ourselves at the dawn of the 21st century.From Los Angeles to Sao Paulo, Dakar to Hamburg, Dubai to Mumbai we come to understand that regardless of how small and interconnected the world seems to become each year, diverse pockets of traditional cultures still exist on each continent, eating largely the same way they have been for hundreds of years. It is this rich tapestry that Segal captures with care and appreciation, showcasing the page-after-page charm of Daily Bread. Contrasted with the packaged and processed foods consumed primarily in developed nations, questions about health and sustainability are raised and the book serves as a catalyst for consideration of our status quo.There's an old adage, "The hand that stirs the pot rules the world." Big Food is stirring the pot for children all over the world. Nonetheless, there are regions and communities where slow food will never be displaced by junk food, where home-cooked meals are the bedrock of family and culture, and where love and pride are expressed in the aromas of stews and curries.

Navigating the landscape of young adulthood is fraught with challenges big, small, and existential that leave even the best of us screaming internally. Guac Is Extra But So Am I: The Reluctant Adult's Handbook explains the realities of life people expect you to know-but aren't usually spelled out-through humorous, biting commentary, illustrations, and guidance from those who have seen it all.Packed with discussions, tips, and advice on everything from the shifting etiquette surrounding modern dating (Will you still love me when I'm no longer young and tolerant of your substance abuse?) to how you should be forcing yourself to save for retirement (We're all just a few breakdowns away from becoming an interior designer or golf pro), job hunting (No, you cannot choose "muse" as a career path), to the highly emotional and physical trials of moving (The road to hell is paved with shag carpeting). These topics, and anything else that might fluster a young adult, are explored and addressed with the author's trademark wit and self-deprecating style. Add in contributions from leaders in their respective fields, including Mad Money's Jim Cramer and editors ranging from The New York Times to Town & Country, and Guac Is Extra But So Am I becomes an illuminating guide to what it means to be a well-rounded individual in a digitally evolving world ridden with student debt and Instagram "models."

New York''s world-renowned Bowery in the early 70s as seen through the eyes of one of the great documentarians of the city''s underbelly, Ed Grazda.Up until the late 20th century the Bowery was a notorious place of cheap hotels and bars–New York''s infamous skid row, where the city''s down-and-out found each other and made do the best they could. Inspired by Lionel Rogosin''s classic 1956 film On the Bowery, Ed Grazda''s On The Bowery shows the weathered life and times he encountered on the Bowery in 1971. Perhaps the grittiest part of the city in those years, Grazda captured all the sorrow, hardship, and general bad luck upon the faces of those who called the Bowery their home. The unfiltered and barrierless street view is where Grazda has always been most comfortable shooting, and once again we are the beneficiaries of his intrepid spirit. Captured before gentrification changed the strip and surrounding neighborhood into a tourist destination with museums, upscale retailers, clubs, and fancy restaurants, Grazda provides an important reminder to us all that it was only a few decades ago  that the Bowery was a much different scene–and that New York never stops evolving.

Internationally renowned artist, Sally Gall''s attention and focus is devoted skyward in her highly-anticipated artist book, Heavenly Creatures, as she appreciates the ephemeral beauty of delicate earthbound objects lofted up into the air and wind.Gall creates dancing images from below of an everyday sight of laundry on the line as it morphs from human to abstract; bright and billowing clothing, choreographed by the wind, and floating in a brilliant sky.Beyond our reach and higher up, Gall creates images out of the skyward movement of kites, cloth and paper flying machines, fragile objects connected to earth by only the slightest of strings, animated by the wind, and striving ever upwards. Heavenly Creatures continues Sally Gall''s lifetime investigation of the sensual properties of the natural world: light, air, wind, and sky. Abstracted by composition, context, and color, these anthropomorphic photographs reference sea creatures, constellations, blooming flowers, microscopic amoebas, as well as abstract paintings by Joan Miro, Wassily Kandinsky, Georgia O''Keefe. Heavenly Creatures embodies Sally Gall''s search for poetry in the everyday, the miraculous in the ordinary.

Automating Humanity is the shocking and eye-opening new manifesto from international award-winning designer Joe Toscano that unravels and lays bare the power agendas of the world's greatest tech titans in plain language, and delivers a fair warning to policymakers, civilians, and industry professionals alike: we need a strategy for the future, and we need it now.Automating Humanity is an insider's perspective on everything Big Tech doesn't want the public to know-or think about-from the addictions installed on a global scale to the profits being driven by fake news and disinformation, to the way they're manipulating the world for profit and using our data to train systems that will automate jobs at an explosive, unprecedented scale.Toscano provides a critique of modern regulation, including parts of the new European Union's General Data Proctection Regulation (GDPR) suggesting how we can create proactive, adaptable regulation that satisfies both the needs of consumer safety and commercial success in the international economy. The content touches on everything from technology, economics, and public policy to psychology, history, and ethics, and is written in a way that is accessible to everyone from the average reader to the technical expert.

Punch out, Fold up and Rock Out!Paper Rockstars--the 12th in the PaperMade series--features 20 of the world''s greatest Rockstar legends. Each musical icon is pre-cut, pre-scored and easy to punch out and fold up into a 3D object with easy instructions right on the page. Whether you''re a rock ''n'' roll connoisseur or an easy listener, these and hall-of-famers we''ll surely rock your world. Paper Rockstars masterfully combines paper craft with advanced paper engineering so no glue, tape or tools are ever needed! Paper Rockstars make awesome role models for ages 7 to 101--and inspire everyone to keep that beat going in their lives!Paper Rockstars includes:Elvis Presley, in a dazzling jumpsuitJimi Hendrix, the psychedelic pioneer Madonna, the one and onlyElton John, with glitter, rhinestones and allDavid Bowie and his alter-ego Ziggy Stardust

In spare, poignant, direct prose, I Hate Everyone paints a nuanced and honest portrait of the complex emotional lives of children. "I hate everyone." In your worst mood, it''s a phrase you might want to shout out loud, even if, deep down, you don''t really mean it. Set at a birthday party, this disgruntled, first-person story portrays the confusing feelings that sometimes make it impossible to be nice, even—or especially—when everyone else is in a partying mode. A gorgeous, poetic contemplation, sure to elicit a reaction from readers. A worthy successor to Alexander and the Terrible, Horrible, No Good, Very Bad Day.