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This book is not a nostalgic tribute to militants of a distant past, but a source of inspiration for revolutionary politics in a time that needs them as much as ever.In the early 1970s, across the Americas and Western Europe, armed groups emerged out of the social movements of the late 1960s. In Germany, the Red Army Faction received most attention, but a less well-known, antiauthoritarian counterpart operated in its shadows: the 2nd of June Movement, named after the date when, in 1967, a Berlin cop killed the unarmed student Benno Ohnesorg during a demonstration. The group was composed of working-class youth who got politicized in Berlin’s underground culture. They first emerged as a political collective under the name “Hash Rebels” before forming the 2nd of June Movement as a revolutionary organization. After the group’s dissolution in 1980, its principles lived on in the militant network of the Revolutionary Cells and the German autonomist movement.From Hash Rebels to Urban Guerrillas, the first book to present the 2nd of June Movement in English, documents the group’s history and politics through translations of original documents and reflections by former members. This is mandatory reading for anyone interested in the politics of the era and the ongoing quest to challenge the rule of the state and capital.

Mixing satire, farce, and dystopia, the stories in John Kessel's The Presidential Papers deconstruct the character and politics of five imagined presidents, some of whom bear striking resemblance to individuals who have occupied the Oval Office over the last thirty years. Who are these men and what makes them so funny, when they are not terrifying? How damaged does a person need to be to seek such power, why do we vote for them, and what do they think about the 1959 Washington Senators?In "The Franchise," aging career minor leaguer George H.W. Bush faces ace New York Giants pitcher Fidel Castro in the 1959 World Series. "The Last American" outlines the career of the final president of the United States and his thirty-three years in office. Can the megalomaniac President of the Solar System evade the consequences of his moronic rule in the original play "A Brief History of the War with Venus"?In our Outspoken Interview we learn about crossing Mary Shelley with Jane Austen, about having classic SF writer James Gunn as a mentor, about being a spy in the English department, and about industrial capitalism, immigrants, and Buffalo, New York.

In 1963 the paperback revolution was making good literature widely available for the first time, yet only a handful of stores took the trend seriously enough to devote themselves to the cause. Rambam, a closet-sized shop on a corner of Berkeley's Telegraph Avenue was one.The owners had a falling out, as partners often do, but the results were glorious instead of tragic, with ripples that birthed much of the culture we take for granted now. Underground comics, New Age publishing, used record stores, and poster art all came from Rambam's big bang, as each new business with visionary (but ornery) partners formed and then split again.The Loneliness of the Electric Menorah is the social history of one of America's most legendary streets, and a family tree of the movements it fostered: the paperback revolution, the graphic novel, Slow Food, New Age, the Free Speech Movement—and even the Symbionese Liberation Army.

Taking the State out of the Body is a guidebook in deconstructing nationalism through trauma-informed praxis.Embedded in the political theory and practice of Jewish anti-Zionism, it invites readers of all backgrounds to build an embodied sense of safety that has the power to make militarized borders, policing, and nation-states obsolete. We need the resources offered in this book: from understanding geopolitical impacts of intergenerational trauma, to self-regulation in conflict, to transformative approaches to harm, to cultivating long-haul relationships, to building solidarity across our movements. The book’s framework is situated in the lineages of healing justice and politicized healers including many antifascist Ashkenazi Jewish practitioners in 1930s Europe. Today, as the terms “somatics” and “trauma” have been mainstreamed, Taking the State out of the Body is a timely offer to move from individual awareness to collective action. Weaving anti-imperialist orientations to historical events with embodiment theory, each chapter opens with a connection to a plant or body part and closes with a guide to practices that fuel resistance and resilience. This book will equip you with the tools you need to move from rugged individualist models of self-help/preservation to liberatory frameworks of collective care and joint struggle.

The Society of the Spectacle is a carefully considered effort to clarify the most fundamental tendencies and contradictions of the society in which we find ourselves—in order to facilitate its overthrow.Guy Debord was the founder of the Situationist International, the notorious avant-garde group that helped trigger the May 1968 revolt in France, which brought the entire country to a standstill for several weeks. His book The Society of the Spectacle, originally published in Paris in 1967, has been translated into more than twenty other languages and is arguably the most important radical work of the twentieth century. Ken Knabb’s meticulous new translation is the first edition in any language to include extensive annotations, clarifying the historical allusions and revealing the sources of Debord’s quotations and “détournements.”Contrary to popular misconceptions, Debord’s book is neither an ivory tower “philosophical” discourse nor a mere expression of “protest.” This makes the book more of a challenge, but it is also why it remains so pertinent more than half a century after its original publication, while countless other social theories and intellectual fads have come and gone.It has, in fact, become even more pertinent than ever, because the spectacle has become more all-pervading and glaringly obvious than ever. As Debord noted in his follow-up work, Comments on the Society of the Spectacle (1988), “spectacular domination has succeeded in raising an entire generation molded to its laws.”Debord’s book remains the best guidebook to understanding that mold and breaking it.

Revolution in 35mm: Political Violence and Resistance in Cinema from the Arthouse to the Grindhouse, 1960–1990 examines how political violence and resistance was represented in arthouse and cult films from 1960 to 1990.This historical period spans the Algerian war of independence and the early wave of post-colonial struggles that reshaped the Global South, through the collapse of Soviet Communism in the late ‘80s. It focuses on films related to the rise of protest movements by students, workers, and leftist groups, as well as broader countercultural movements, Black Power, the rise of feminism, and so on. The book also includes films that explore the splinter groups that engaged in violent, urban guerrilla struggles throughout the 1970s and 1980s, as the promise of widespread radical social transformation failed to materialize: the Weathermen, the Black Liberation Army and the Symbionese Liberation Army in the United States, the Red Army Faction in West Germany and Japan, and Italy’s Red Brigades.Many of these movements were deeply connected with and expressed their values through art, literature, popular culture, and, of course, cinema. Twelve authors, including academics and well know film critics, deliver a diverse examination of how filmmakers around the world reacted to the political violence and resistance movements of the period and how this was expressed on screen. This includes looking at the financing, distribution, and screening of these films, audience and critical reaction, the attempted censorship or suppression of much of this work, and how directors and producers eluded these restrictions.Including over two hundred illustrations, the book examines filmmaking movements like the French, Japanese, German, and Yugoslavian New Waves; subgenres like spaghetti westerns, Italian poliziotteschi, Blaxploitation, and mondo movies; and films that reflect the values of specific movements like feminists, Vietnam War protesters, and Black militants. The work of influential and well-known political filmmakers such as Costa-Gavras, Gillo Pontecorvo, and Glauber Rocha is examined side by side with grindhouse cinema and lessor known titles by a host of all-but forgotten filmmakers, including many from the Global South, that are deserving of rediscovery.

The Situationist International Anthology is the most comprehensive and accurately translated collection of situationist writings in English.In 1957 a few European avant-garde groups came together to form the Situationist International. Picking up where the dadaists and surrealists had left off, the situationists challenged people’s passive conditioning with carefully calculated scandals and the playful tactic of détournement ("rerouting, hijacking"). Seeking a more extreme social revolution than was dreamed of by most leftists, they developed an incisive critique of the global spectacle-commodity system and of its "Communist" pseudo-opposition, and their new methods of agitation helped trigger the May 1968 revolt in France. Since then situationist theories and tactics have continued to inspire radical currents all over the world.This volume presents a rich variety of articles, leaflets, graffiti, and internal documents, ranging from experiments in "psychogeography" to lucid analyses of the Watts riot, the Vietnam War, the Prague Spring, the Chinese Cultural Revolution, and other crises and upheavals of the sixties.For this new edition all the translations have been fine-tuned and the bibliography has been updated to include comments on dozens of newer books by and about the situationists.

His life belonged to him, only. His books belonged to the public.B. Traven: Portrait of a Famous Unknown is a graphic biography that tells the larger-than-life story of the German revolutionary, actor, and writer known as B. Traven (1882–1969). Despite his commercial success as a best-selling writer, Traven managed to keep his identity a secret during his lifetime. It is now generally accepted that Traven was in fact “Ret Marut” (another psudonym), a German stage actor and editor of an anarchist newspaper in Germany called Der Ziegelbrenner (The Brickburner). As Marut he was a major participant in the short-lived Bavarian Council Republic of 1919–20. Barely escaping execution, he fled Germany and lived incognito for the remainder of his life. His entire literary work, a great commercial success in its day, combines lively and often humorous storytelling with radical critique of capitalism and nationalism. His best-known work, The Treasure of the Sierra Madre, from 1927, was adapted for film in 1948 by John Huston.Golo’s account of Traven’s life, rendered with stunning artwork, begins and ends with his ashes being dropped from a plane over the Lacandon jungle in Chiapas, Mexico, just a quarter century before the explosive uprising of the Zapatistas seemed to echo his deepest wishes.

This soundtrack compilation to Hugh Hodges' brilliant book The Fascist Groove Thing: A History of Thatcher's Britain in 21 Mixtapes features 20 tracks of classic punk, anarcho-punk and folk from Margaret Thatcher's reign and eventual demise (some quite rare). While intended as a companion to the book this mixtape works equally well on its own. It will help prove that while Thatcher's policies may have been utter crap, the music of this era that came out in response to her was anything but. Limited to 250 copies on Electric Blue shells

"The most eye-popping statistics alone cannot relate the enormity of its psychological and societal impacts. This concise, illustrated primer is a collaboration between one of mass incarceration's sharpest opponents, James Kilgore, and information artist Vic Lui."--Page [4] of cover.

"What's the relationship between combating the far right and working for systemic change? What does it mean when fascists intensify racial oppression and patriarchy but also call for the downfall of economic elites or even take up arms against the state? Three way fight politics confront these urgent questions squarely, arguing that the far right grows out of an oppressive capitalist order but is also in conflict with it in real ways, and that radicals need to combat both. The three way fight approach says we need sharper analysis of far-right movements so we can fight them more effectively, and we also need to track ongoing developments within the ruling class, including liberal or centrist efforts to co-opt antifascism as a tool of state repression and system legitimation. This book offers an introduction to three way fight politics, with more than thirty essays, position statements, and interviews from the Three Way Fight website and elsewhere, spanning from the antifascist struggles of the 1980s and 1990s to the political upheavals of the twenty-first century. Over fifteen authors explore a range of topics, such as fascist politics' relationship with patriarchy and settler colonialism, Tom Metzger's "Third Position" (anticapitalist) fascism, conflict within the business community over the 2016 presidential election, and the Trump administration's shifting relationship with the organized far right. Many of the writings address issues of political strategy, such as tensions between radicals and liberals within the reproductive rights movement and the George Floyd rebellion, video gaming as an arena of political struggle, and the importance (and challenges) of approaching antifascist organizing in ways that are militant, community based, and nonsectarian." --

Food is at the heart of well-being, peace, and health. But millions live without access to basic nutrition, and billions live without control or understanding of where their food will come from and how it is produced. Nowhere is this problem clearer than in the favelas of Rio de Janeiro. Through meticulous research, community engagement and direct action within the Maré region—a cluster of seventeen favela communities in the northern zone of Rio—Antonis Vradis, Timo Bartholl, and Christos Filippidis have created a shocking, inspiring, and revolutionary collection of essays that go beyond the question of food in the Brazilian urban periphery, and highlights critical issues concerning state control, pacification, solidarity, and grassroots organizing.Favela Resistance is a lens through which we can understand how the state creates marginalized lives in cities throughout the world under the auspices of welfare, security, and emergency support. The link between food and public security is intertwined with decades-long pacification operations in the favelas of Rio. This fight for food sovereignty shows how local production structures and solidarity networks have radically rethought and reconfigured the relationship between cities and farms; providing a map of how impoverished populations can organize resistance, create health and community, and fight—literally from the ground up—for a better world.

Missing Music: Voices from Where the Dirt Roads End details Grammy-winning music producer and author Ian Brennan’s ongoing quest to provide musical platforms for underrepresented nations and populations around the world.In a compact and quick-read format, Missing Music collects the latest narratives from Brennan’s field-recording treks. This edition features a greater emphasis on storytelling and an even greater abundance of photos from his wife, Italian-Rwandan photographer/filmmaker Marilena Umuhoza Delli.Together, they meet the elderly shamans of the world’s most musical language, Taa, a tongue that sadly is dying, with fewer than 2,500 speakers left. The duo traveled the most remote roads of Botswana to find the formally nomadic people now relegated to small desert towns.In Azerbaijan, Brennan and Delli ascended to the mountainous Iranian border to record centenarians in scattered villages of the Talysh minority, where the world’s oldest man reportedly reached the age of 168. The result is the only record ever released to feature the voices of singers over one-hundred years of age.Among other tales, Brennan also updates the saga of the Sheltered Workshop Singers following COVID, including the tragic deterioration of his sister, Jane.Arising from the more than forty records that Brennan has produced over the past decade from underrepresented nations such as Comoros, Djibouti, Romania, South Sudan, Suriname, and Cambodia, Missing Music serves as the newest suite in the multiverse symphony of the world’s most ignored corners—the places where countries expire and the “forgotten” live.

"The first set in modern New York City, featuring a hard-working smart-mouthed Latina investigator, Felicity Ortega Pâerez, specializing in forensic accounting and document examination, as she hunts for a missing person who holds the clue to an ancient mystery. Little does she realize how deep the criminality goes, and what she will learn about her own hidden past. The ancient section is a radical revision of the Book of Ruth--the first person in the Bible to convert to the religion of Israel. When Ruth's husband dies under strange circumstances, she must join the exiles returning to Jerusalem to rebuild the Temple in order to secure a future for herself, her grieving mother-in-law Naomi, and her future offspring. Unfortunately, the returning exiles also include religious leaders like Ezra and Nehemiah, who plan to 'purify' the land by expelling all the foreign women, and Ruth must prove her worth under dire conditions, including a major famine. From Sun to Sun is a tale of love, devotion, and sacrifice depicting the challenges facing two determined 'foreign' women as they battle ignorance, hatred, and indifference in two distinct historical periods--Iron Age Israel and the modern world. Each in their own struggle to find justice and a place in society--a seemingly endless battle in a time of social upheaval, fluid identities, and diverse cross-cultural complexities. In short, the novel is about combating prejudice, and who gets to decide who is 'one of us' and who's a 'foreigner, ' and what it takes to prove you belong"--

"Climate destruction is a problem of political power. We have the resources for a green transition, but how can we neutralize the influence of Exxon and Shell? Abolishing Fossil Fuels argues that the climate movement has started to turn the tide against fossil fuels, just too gradually. The movement's partial victories show us how the industry can be further undermined and eventually abolished. Activists have been most successful when they've targeted the industry's enablers: the banks, insurers, and big investors that finance its operations, the companies and universities that purchase fossil fuels, and the regulators and judges who make life-and-death rulings about pipelines, power plants, and drilling sites. This approach has jeopardized investor confidence in fossil fuels, leading the industry to lash out in increasingly desperate ways. The fossil fuel industry's financial and legal enablers are also its Achilles heel. The most powerful movements in US history succeeded in similar ways. The book also includes an in-depth analysis of four classic victories: the abolition of slavery, battles for workers' rights in the 1930s, Black freedom struggles of the 1950s and 1960s, and the fight for clean air. Those movements inflicted costs on economic elites through strikes, boycotts, and other mass disruption. They forced some sectors of the ruling class to confront others, which paved the way for victory. Electing and pressuring politicians was rarely the movements' primary focus. Rather, gains in the electoral and legislative realms were usually the byproducts of great upsurges in the fields, factories, and streets. Those historic movements show that it's very possible to defeat capitalist sectors that may seem invulnerable. They also show us how it can be done. They offer lessons for building a multiracial, working-class climate movement that can win a global green transition that's both rapid and equitable"--

"Both timely and timeless, this biography reveals Makhno s rapidly changing world and his place in it. He moved swiftly from peasant youth to prisoner to revolutionary anarchist leader, narrowly escaping Bolshevik Ukraine for Paris. This book also chronicles the friends and enemies he made along the way: Lenin, Trotsky, Kropotkin, Alexander Berkman, Emma Goldman, Ida Mett, and others."--

Josh Fernandez is a community college professor who finds himself under investigation for “soliciting students for potentially dangerous activities” after starting an antifascist club on campus.As Fernandez spends the year defending his job, he reflects on a life lived in protest of the status quo, swept up in chaos and rage, from his childhood in Boston dealing with a mentally ill father and a new family to growing up in Davis, California, in the basement shows of the early '90s when Nazi boneheads proliferated the music scene, looking for heads to crack. His crew’s first attempts at an antifascist group fall short when a member dies in a knife fight. A born antiauthoritarian, filled with an untamable rage, Fernandez rails against the system and aggressively chooses the path of most resistance. This leads to long spates of living in his car, strung out on drugs, and robbing the whiteboys coming home from the clubs at night.Fernandez eventually realizes that his rage needs an outlet and finds relief for his existential dread in the form of running. And fighting Nazis. Fernandez cobbles together a life for himself as a writing professor, a facilitator of a self-defense collective, a boots-on-the-ground participant in Antifa work, and a proud father of two children he unapologetically raises to question authority.But his parents and academia seem to think Fernandez is failing miserably, putting his children and his students at risk, and they treat Fernandez like he’s a time bomb, ready to explode at any moment. They may have a point.

Signal weaves a story of how culture is central to social transformation, both yesterday and today.This ongoing series is dedicated to documenting and sharing political graphics, creative projects, and cultural production of international resistance and liberation struggles.Highlights of the ninth volume of Signal include:Hell No, We Won’t Glow: Selections from the Anti-Nuclear Power Discography by Dirk Bannink and Sean P. KilcoyneThey Have Calluses on Their Tongues. We Have Calluses on Our Hands. Davide Tidoni interviews Italian artist and self-appointed worker communicator Pietro PerottiClick to Edit: Print on demand and the aesthetics and means for production of the far right by Alex LucasCreative Freedom behind the Iron Curtain Aaron Terry explores the film posters of the

An exemplary story of solidarity in action, Cultivating a Revolutionary Spirit conveys the exhilarating experience of being part of paradigm-changing revolutions.Bill Lankford visited Nicaragua in 1984 to see the Sandinista revolution for himself. What he found led this physics professor to volunteer his skills teaching at the Central American University in Managua. There, he and his students developed a solar cooking project which took on a life of its own, spreading throughout the five countries of Central America.In Cultivating a Revolutionary Spirit, Bill describes how local women used the tools of carpentry to build solar ovens and how they used the tools of feminism to take more control over their own lives and their communities. Bill leveraged his personal resources as a white North American man—professionally educated, fluent in English, with access to money and connections—to facilitate the work of Central American women who started by building ovens and went on to create an array of projects to meet basic needs, improve health, and increase access to educational and leadership opportunities for women.

Riding More with Less is the bike repair manual for everyone else. Pulling away from the obsolescence and disposability so often implied within consumer economies, the book surveys experienced community bike shop mechanics worldwide to identify the best and safest repair solutions when new parts are not an option. For those already familiar with the finer arts of bicycle preservation, Riding More with Less aligns the most useful technical references within a well-organized compilation of the most effective low-cost and for-free repair techniques. And for the uninitiated, the book includes an overview of the community bike shops many readers may find in their own neighborhoods, where many begin to discover real alternatives.Presented in a compact and info-rich writing style, the technical discussion within Riding More with Less goes beyond identifying innovative techniques for fixing bikes with little or no money to demonstrate just how common these approaches really are. Most cyclists globally do not ride expensive or even modern ones, after all, and from this perspective the option of new repair parts might even be exceptional, rather than normative. Moreover, the Covid pandemic underlines how supply chain disruptions beyond our control can lead larger numbers of people towards reusing salvageable bike parts and other creative solutions.

Class, Race, and Gender: Challenging the Injuries and Divisions of Capitalism is for those who want to understand the underlying connections among today’s social justice movements.Bringing forth the basic operations of capitalist economies, it reveals what is driving many of today’s most urgent and vexing problems: the common origins of the inequalities of income, wealth, and power; environmental devastation; militarism; racism and white supremacy; patriarchy and male chauvinism; periodic economic crises; and the cultural conflicts that are tearing at US life.Michael Zweig illuminates all propositions with specific examples from US history, from the first settlement of the New World to current life, including his own lived experiences as an activist, educator, and organizer over the past six decades. As such, the book is an urgently needed resource for activists and organizers seeking structural and moral transformation of life in the US. Building on his analysis, Zweig also presents strategies for political action in electoral and movement-building work.

Anton Pannekoek (1873-1960), the Dutch astronomer and Marxist revolutionary, was a key theoretician of council communism-a Marxist alternative to both Leninism and Social Democracy that instead emphasized working-class self-emancipation through workers' councils. The first half of this book walks the reader through the fundamentals of council communism and the conditions that led to the development of these ideas. The second half of the book demonstrates the rich depth of Pannekoek's thinking, with penetrating essays and insightful letters on revolutionary organization, state capitalism, Marxism, the limitations of trade unions and political parties, the potential of wildcat strikes, public vs. common ownership, the necessity of combining organization and freedom, the deceptiveness of parliamentarism, workers' councils, the vital importance of working-class self-emancipation, and more.With the recent resurgence in the naïve hope that Democratic Socialism and trade unionism can act as radical methods to meaningfully confront or even overthrow capitalism, Pannekoek's council communist ideas encourage workers to think for themselves rather than submit to the dead-end traditions of the old movement and embrace the collective self-activity that can build a new movement capable of overcoming the struggles we face ahead.

Beneath the Pavement the Garden is a coloring book featuring the artwork of N.O. Bonzo. Kids and adults of all ages are invited to let their imagination soar with this beautiful celebration of the many forms of anarchism, from direct action and mutual aid to abolition and community gardens, and more.

Having stormed mainstream literature from the outskirts, Lethem has won a readership both wide and deep, all of whom appreciate his literary excellence, his mordant but compassionate humor, and the cultish attentiveness of his SF origins. He has earned the right to tread anywhere, and his many admirers are ready to follow.This collection compiles his intensely personal thoughts on the most interesting and deplorable topics in post-postmodern America. It moves from original new fiction to insights on popular culture, cult and canonical authors, and problematic people.Plus…“David Bowman and the Furry-Girl School of American Fiction” is a personal true adventure, as Lethem tries (with the help of a seeming expert) to elbow his way into literary respectability. “The Collapsing Frontier” and “In Mugwump Four” are fictions mapping ominous new realms. “Calvino’s 'Lightness' and the Feral Child of History” is an intimate encounter with a legendary author. In “My Year of Reading Lemmishly” and “Snowden in the Labyrinth” he explores courage, art, and the search for truth, with wildly different results.And Featuring: Our usual Outspoken Interview, in which Lethem reveals the secret subtext of his books, how he spent his MacArthur award money, and how a Toyota he owned was used in the robbery of a fast-food restaurant.

Signal:08 collects and connects the culture and politics of international Black Power publishing, the 1960s anarchist and antimilitarist illustrations of Vera Williams and Liberation magazine, memorializing those murdered by anti-Sikh violence in India, the agitprop of the Popular Front for the Liberation of Palestine, and the aesthetics and politics of a reenactment of the largest rebellion of enslaved people in US history. Crossing continents and communities, print and performance, Signal weaves a story of how culture is central to social transformation, both yesterday and today.Highlights of the eighth volume of Signal include:Writing for the Revolution: Publishing and Designing Black Power Books by Andrew FearnleyHope in the Midst of Apathy: Liberation magazine and the Covers of Vera Williams by Alec DunnMost of My Heroes: Stamps in Memory of Anti-Sikh Violence by Vijay S. Jodha & S. RaviOur Code of Morals Is Our Revolution: Agit Prop Travel Documents of the Popular Front for the Liberation of PalestineSlave Rebellion Reenactment: An Interview with Dread Scott by Josh MacPhee

With his blue mohawk and ragged leather jacket, Alex Damage fits in to only a small pocket of 1981 Los Angeles: the dynamic, changing punk scene.In this world, he survives on favors and reputation as a small-time private investigator, but when a young woman hires him to solve the potential murder of the singer of one of his favorite local bands, everything in his life amps up. As he digs deeper into what really happened, Alex must both seek out and dodge an endless array of dangerously powerful drug dealers, aging porn stars, crooked cops, neo-Nazi skinheads, and shadowy, corrupt politicians. The deeper he gets—and the more punishment his body takes and the more he begins to fall for the woman who hired him—the more determined he becomes to follow the trail to its conclusion. In the end, the truth is far more complicated than Alex had thought: not only about the murder and the victim’s unsavory private life but also about Alex’s own past behaviors and attitudes. Meticulously researched and drawing from memoirs, zines, and documentaries, Alex Damage’s story comes to life with real hangouts and real shows from LA in 1981, which makes the book immersive for the people who were there as well as those who wish they could have been.

"Both timely and timeless, this biography reveals Makhno s rapidly changing world and his place in it. He moved swiftly from peasant youth to prisoner to revolutionary anarchist leader, narrowly escaping Bolshevik Ukraine for Paris. This book also chronicles the friends and enemies he made along the way: Lenin, Trotsky, Kropotkin, Alexander Berkman, Emma Goldman, Ida Mett, and others."--

"Portland, Oregon, 1988. The brutal murder of Ethiopian immigrant Mulugeta Seraw by racist skinheads shocked the city. In response disparate groups quickly came together to organize against white nationalist violence and right wing organizing throughout the Rose City and the Pacific Northwest. It Did Happen Here compiles interviews with dozens of people who worked together during the waning decades of the 20th century to reveal an inspiring collaboration between groups of immigrants, civil rights activists, militant youth, and queer organizers. This oral history focuses on participants in three core groups: the Portland chapters of Anti Racist Action and Skinheads Against Racial Prejudice, and the Coalition for Human Dignity. Using a diversity of tactics-from out-and-out brawls on the streets and at punk shows, to behind-the-scenes intelligence gathering-brave antiracists unified on their home ground over and over, directly attacking right wing fascists and exposing white nationalist organizations and neo-Nazi skinheads. Embattled by police and unsupported by the city, these citizen activists eventually drove the boneheads out of the music scene and off the streets of Portland. This book shares their stories about what worked, what didn't, and ideas on how to continue the fight"--