Bøker utgitt av PLUMBAGO

The evolution of the mixed chamber ensemble of Schoenberg's Pierrot lunaire and the growth of the Fires of London, one of the most galvanizing groups in modern music.

A fresh, elegant and vital enquiry into the elusive character of opera, unfolded through categories and case-studies, with an emphasis on historical background, psychology and performance.

Our specialist times, with everyone confined to their own discipline, have left little room for the age-old view that, however transmuted, the issues of art and life belong together, or that, for all their differences, the arts have shared concerns: yet realism demands just such an outlook. This book offers an informal attempt to re-open closed borders by the established writer on music, Christopher Wintle. Through a host of aphorisms and thoughts it firstprobes people, politics, learning and the Gods. It then sketches out a Poetics in terms of style and idea, artists, critics, theory, performers, ethics, opera, sculpture, cinema and sport, before ending with a pair of Urban Fables. The volume includes a collection of Works with Music by the well-known Brazilian artist Ana Maria Pacheco.

Between 1946 and 1959, the most outspoken voice in British film music was that of the celebrated Austrian imigri critic, Hans Keller (1919-85). He argued passionately for 'the need for competent film music criticism', laid out the main topics of the day, and studied the contribution of all the main British composers and many others besides. In particular he championed William Alwyn, Arthur Benjamin and Alan Rawsthorne as well as the more established names of Auric, Bernstein, Britten, Thomson, Vaughan Williams and Walton. In 1959 he also devoted a column to 'television music'. This important collection of writings will form a vital complement to the contemporary Composing for the Film by Hanns Eisler and Theodor Adorno, and will provide an invaluable and unparalleled account of a great age for film music. Includes line drawings by Milein Cosman.