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Artists and organizers explore experimental learning initiatives fostering solidarity and dialogueWith a focus on labor organizing within the arts and tech industries, Software for Artists Book 3 explores the potential of creating alternative networks of education and challenging the material conditions that prevent us from enacting new realities with dignity and security.When we defy existing models for institution-building, what possibilities for gathering can materialize and what kinds of learning and unlearning can we practice together? Released alongside Pioneer Works' eighth Software for Artists Day and the School for Poetic Computation's 10th anniversary in November 2023, the book convenes educators, labor organizers and artists exploring experimental learning initiatives to be in solidarity and conversation with each other.Contributors include: Kandis Williams, manuel arturo abreu, Rahel Aima, Kameela Janan Rasheed, American Artist, Shani Peters, Neema Githere, Ayana Cotton, Lynn Yunn, Yatu Espinosa, Norm O'Hagan, Sam Lavigne, Or Zublasky and Dana Kopel.
Simultaneous Soloists is an artist's book emerging from the exhibition Anthony McCall: Solid Light Works and its accompanying performance series Four Simultaneous Soloists, organized by David Grubbs. It documents these ephemeral events through multiple means: an extensive conversation between McCall and Grubbs detailing a decade of working together, interviews with sixteen participating musicians, writings by art historians Branden W. Joseph and Swagato Chakravorty, and visual materials ranging from McCall's drawings and archival materials to photographs of the exhibition including images sourced from social media. The "simultaneous soloists" of the title variously refers to a grouping of McCall's sculptural volumes of light, to gatherings of improvising musicians, and to McCall and Grubbs themselves--sympathetic artistic sensibilities proceeding in suggestively parallel practices. Simultaneous Soloists considers from a plurality of perspectives the challenge of combining McCall's visual art with sound in live performance. It is unique among books about visual art, sound art, and experimental music in describing a conceptually linked set of performances within an exhibition through so extensive an oral history. Interview subjects include Susan Alcorn, MV Carbon, Maria Chavez, Che Chen, Jules Gimbrone, David Grubbs, Sarah Hennies, Eli Keszler, Okkyung Lee, Miya Masaoka, Christopher McIntyre, Tomeka Reid, Ben Vida, Yoshi Wada, Nate Wooley, and C. Spencer Yeh.
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