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Professor Sauerl nder is the leading authority on Gothic sculpture of the twelfth and thirteenth centuries. The papers collected here have been published over the last 35 years.

A collection of Ioannis Spatharkis' influential papers, some published here for the first time, on illuminated manuscripts from the era of Iconoclasm and the Macedonian Renaissance in the 8th and 9th centuries through to the Palaeogian period in the 14th and 15th centuries. Other papers examine iconographical themes and the wall paintings of Crete.

Viktor Nikitich Lazarev was one of the founders of the Russian school of art history, and a major figure in the study of Byzantine and early Russian art. Immensely productive, he combined teaching, museum work and scholarship throughout a long and eventful life.

Written over the course of a quarter century, the nineteen essays reprinted in this volume reflect a continuing belief in the seriousness and complexity of the relationship between pictures and texts in medieval art.

The work of J. B. Ward-Perkins on Roman architecture spanned fifty years, and his numerous published papers covered almost every aspect of the subject. This selection of sixteen studies focuses mainly on the provinces, particularly the North African cities.

This reprint of Richard Brilliant's papers document the development of his ideas concerning Roman art and its links with Greek art. Divided into three sections, the papers discuss portraiture, the methods by which Roman artists adapted earlier models and the symbolic structures and characteristics of Roman art.

The eighteen studies reprinted in this volume have appeared in leading British and European bibliographical journals during the last thirty years.

The four volumes of Edward Garrison's Studies, published between 1953 and 1962, represented a landmark in the study of medieval Italian painting.

The four volumes of Edward Garrison's Studies, published between 1953 and 1962, represented a landmark in the study of medieval Italian painting.

The four volumes of Edward Garrison's Studies, published between 1953 and 1962, represented a landmark in the study of medieval Italian painting.

The four volumes of Edward Garrison's Studies, published between 1953 and 1962, represented a landmark in the study of medieval Italian painting.

This volume brings together for the first time Rosemary Cramp's seminal studies on Anglo-Saxon crosses and sculptural fragments. The papers are principally concerned with the kingdom of Northumbria but the essays also trace the influence of Northumbria's culture and iconography across Anglo-Saxon England.

This collection contains 22 of George Zarnecki's studies, produced within the last 12 years, which provide a guide to recent research on English Romanesque sculpture.

This volume brings together John Oates' studies on English printing, and the collection at Cambridge University Library, to which he devoted his career. It contains fifteen studies on English printing between the filteenth and the eighteenth centuries, and eleven studies on the collection of Cambridge University Library.

This was the first International Conference specifically devoted to the study of Ethiopian art. The Proccedings of the Conference makes available papers devoted to the study of Ethiopian art, as distinct from papers on other aspects of Ethiopian life and civilization.

Professor Nordenfalk's work over the last forty years has represented perhaps the most important effort made in these decades to clarify the development of book illumination in the late antique and early medieval periods. His papers on late antique and insular manuscript painting in particular are recognized as standard works on the subject.

Professor van Os has spent twenty years working on Tuscan painting, and his contributions to the study of the Sienese school are of great importance. This volume brings together for the first time his articles on Tuscan art in the period leading up to the Renaissance in Florence and Siena.

This second volume of Basil Robinson's Studies concentrates on Persian manuscript illumination, beginning with six studies of artists who worked in this medium. There then follows twenty-two studies of individual manuscripts, from the fourteenth century onwards.