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Best known for The Berlin Stories-the inspiration for the Tony and Academy Award-winning musical Cabaret-Christopher Isherwood (1904-1986) was a major figure in twentieth-century fiction and the gay rights movement. Where Joy Resides is the perfect introduction to the author's essential writings.This collection presents two complete novels, Prater Violet and A Single Man; episodes from three other novels, Goodbye to Berlin, Down There on a Visit, and Lions and Shadows; along with excerpts from Isherwood's nonfiction works, Exhumations, Kathleen and Frank, and My Guru and His Disciple.

A decisive key to help grasp some of the essential points of what is happening around us. The ninth part of Roberto Calasso's masterwork, The Unnamable Present, is closely connected with themes of the first book, The Ruin of Kasch (originally published in 1983, and reissued by FSG in a new translation). But while Kasch is an enlightened exploration of modernity, The Unnamable Present propels us into the twenty first century.Tourists, terrorists, secularists, fundamentalists, hackers, transhumanists, algorithmicians: these are all tribes that inhabit the unnamable present and act on its nervous system. This is a world that seems to have no living past, but was foreshadowed in the period between 1933 and 1945, when everything appeared bent on self-annihilation. The Unnamable Present is a meditation on the obscure and ubiquitous process of transformation happening today in all societies, which makes so many previous names either inadequate or misleading or a parody of what they used to mean.Translated with sensitivity by Calasso's longtime translator, Richard Dixon, The Unnamable Present is a strikingly original and provocative vision of our times, from the writer The Paris Review called "a literary institution of one."

A lucid, moving view into an often obscured part of our world, exploring notions of democracy, identity, and the resilience of the human spiritIn the wake of losing her beloved grandfather, Delphine Minoui decided to visit Iran for the first time since the revolution. It was 1998. She was twenty-two and a freshly minted journalist. She would stay for ten years.Quickly absorbed into the everyday life of the city, Minoui attends secret dance parties that are raided by the morality police and dines in the home of a young couple active in the Basij-the fearsome militia. She befriends veteran journalists battling government censorship, imprisoned student poets, and her own grandmother (a woman who is discovering the world of international affairs through her contraband satellite TV).And so it is all the more crushing when the political situation falters. Minoui joins street protests teeming with students hungry for change and is interrogated by the secret police; she sees a mirrored rise in the love of country-the yearning patriotism of the left, the militant nationalism of the right. Friends disappear; others may be tracking her movements. She finds love, loses her press credentials, marries, and is separated from her husband by erupting global conflict. Through it all, her love for Iran and its people deepens. In her family's past she discovers a mission that will shape her entire future.Framed as a letter to her grandfather and filled with disarming characters in momentous times, I'm Writing You from Tehran is a remarkable blend of global history, family memoir, and the making of a reporter, told by someone both insider and outsider-a child of the diaspora who is a world-class political journalist.

"Poetic, insightful, and deeply moving. David Means is one of my very favorite writers." -Tara Westover, author of EducatedFollowing the publication of his widely acclaimed, Man Booker-nominated novel Hystopia, David Means here returns to his signature form: the short story. Thanks to his four previous story collections, Means has won himself an international reputation as one of the most innovative short fiction writers working today: an "established master of the form." (Laura Miller, The Guardian). Instructions for a Funeral-featuring work from The New Yorker, Harper's, The Paris Review, and VICE-finds Means branching out beyond the explorations of violence and trauma with which he is often identified, prominently displaying his sly humor and his inimitable way of telling tales that deliciously wind up to punch the reader in the heart. With each story Means pushes into new territory, writing with tenderness and compassion about fatherhood, marriage, a homeless brother, the nature of addiction, and the death of a friend at the hands of a serial-killer nurse. Means transmutes a fistfight in Sacramento into a tender, life-long love story; two FBI agents on a stakeout in the 1920s into a tale of predator and prey, paternal urges and loss; a man's funeral instructions into a chronicle of organized crime, real estate ventures, and the destructive force of paranoia.Means's work has earned him comparisons to Flannery O'Connor, Alice Munro, Sherwood Anderson, Denis Johnson, Edgar Allan Poe, Anton Chekhov, and Raymond Carver but his place in the American literary landscape is fully and originally his own."David Means is a master of tense, distilled, quintessentially American prose. Like any artist who has finely honed his talent to its strongest expression he is a brilliant craftsman whose achievement is to appear unstudied, even casual . . . Each story by Means which I have read is unlike the others, unexpected and an unnerving delight." -Joyce Carol Oates

A New York Times Book Review Editors' Choice. A 2019 NPR Staff Pick."Malcolm is always worth reading; it can be instructive to see how much satisfying craft she brings to even the most trivial article." --Phillip Lopate, TLSJanet Malcolm's previous collection, Forty-One False Starts: Essays on Artists and Writers, was "unmistakably the work of a master" (The New York Times Book Review). Like Forty-One False Starts, Nobody's Looking at You brings together previously uncompiled pieces, mainly from The New Yorker and The New York Review of Books.The title piece of this wonderfully eclectic collection is a profile of the fashion designer Eileen Fisher, whose mother often said to her, "Nobody's looking at you." But in every piece in this volume, Malcolm looks closely and with impunity at a broad range of subjects, from Donald Trump's TV nemesis Rachel Maddow, to the stiletto-heel-wearing pianist Yuju Wang, to "the big-league game" of Supreme Court confirmation hearings. In an essay called "Socks," the Pevears are seen as the "sort of asteroid [that] has hit the safe world of Russian Literature in English translation," and in "Dreams and Anna Karenina," the focus is Tolstoy, "one of literature's greatest masters of manipulative techniques." Nobody's Looking at You concludes with "Pandora's Click," a brief, cautionary piece about e-mail etiquette that was written in the early two thousands, and that reverberates-albeit painfully-to this day.

An "extraordinary" (The Sunday Times) debut of unnerving beauty, Chris Power's short story collection Mothers evokes the magic and despair of the essential human longing for purpose.Chris Power's stories are peopled by men and women who find themselves at crossroads or dead ends-characters who search without knowing what they seek. Their paths lead them to thresholds, bridges, rivers, and sites of mysterious, irresistible connection to the past. A woman uses her mother's old travel guide, aged years beyond relevance, to navigate on a journey to nowhere; a stand-up comic with writer's block performs a fateful gig at a cocaine-fueled bachelor party; on holiday in Greece, a father must confront the limits to which he can keep his daughters safe. Braided throughout is the story of Eva, a daughter, wife, and mother, whose search for a self and place of belonging tracks a devastating path through generations.Ranging from remote English moors to an ancient Swedish burial ground to a hedonistic Mexican wedding, the stories in Mothers lay bare the emotional and psychic damage of life, love, and abandonment. Suffused with yearning, Power's transcendent prose expresses a profound ache for vanished pasts and uncertain futures.

From the author of How Should a Person Be? ("one of the most talked-about books of the year"-Time Magazine) and the New York Times Bestseller Women in Clothes comes a daring novel about whether to have children.In Motherhood, Sheila Heti asks what is gained and what is lost when a woman becomes a mother, treating the most consequential decision of early adulthood with the candor, originality, and humor that have won Heti international acclaim and made How Should A Person Be? required reading for a generation.In her late thirties, when her friends are asking when they will become mothers, the narrator of Heti's intimate and urgent novel considers whether she will do so at all. In a narrative spanning several years, casting among the influence of her peers, partner, and her duties to her forbearers, she struggles to make a wise and moral choice. After seeking guidance from philosophy, her body, mysticism, and chance, she discovers her answer much closer to home.Motherhood is a courageous, keenly felt, and starkly original novel that will surely spark lively conversations about womanhood, parenthood, and about how-and for whom-to live.

"In this warm, wise, and witty overview, Jonathan Rauch combines evidence and experience to show his fellow adults that the best is yet to come." -Steven Pinker, bestselling author of Enlightenment NowThis book will change your life by showing you how life changes.Why does happiness get harder in your 40s? Why do you feel in a slump when you're successful? Where does this malaise come from? And, most importantly, will it ever end?Drawing on cutting-edge research, award-winning journalist Jonathan Rauch answers all these questions. He shows that from our 20s into our 40s, happiness follows a U-shaped trajectory, a "happiness curve," declining from the optimism of youth into what's often a long, low slump in middle age, before starting to rise again in our 50s.This isn't a midlife crisis, though. Rauch reveals that this slump is instead a natural stage of life-and an essential one. By shifting priorities away from competition and toward compassion, it equips you with new tools for wisdom and gratitude to win the third period of life. And Rauch can testify to this personally because it was his own slump, despite acclaim as a journalist and commentator that compelled him to investigate the happiness curve. His own story and the stories of many others from all walks of life-from a steelworker and a limo driver to a telecoms executive and a philanthropist-show how the ordeal of midlife malaise reboots our values and even our brains for a rebirth of gratitude. Full of insights and data and featuring many ways to endure the slump and avoid its perils and traps, The Happiness Curve doesn't just show you the dark forest of midlife, it helps you find a path through the trees. It also demonstrates how we can-and why we must-do more to help each other through the woods. Midlife is a journey we mustn't walk alone.

A moving meditation on memory, oblivion, and eternity by one of our most celebrated poetsWhat is it we want when we can't stop wanting? And how do we make that hunger productive and vital rather than corrosive and destructive? These are the questions that animate Christian Wiman as he explores the relationships between art and faith, death and fame, heaven and oblivion. Above all, He Held Radical Light is a love letter to poetry, filled with moving, surprising, and sometimes funny encounters with the poets Wiman has known. Seamus Heaney opens a suddenly intimate conversation about faith; Mary Oliver puts half of a dead pigeon in her pocket; A. R. Ammons stands up in front of an audience and refuses to read. He Held Radical Light is as urgent and intense as it is lively and entertaining-a sharp sequel to Wiman's earlier memoir, My Bright Abyss.

WINNER OF THE NOBEL PRIZE IN LITERATUREA landmark collection of essays on the Nobel laureate's conception of Latin America, past, present, and futureThroughout his career, the Nobel Prize winner Mario Vargas Llosa has grappled with the concept of Latin America on a global stage. Examining liberal claims and searching for cohesion, he continuously weighs the reality of the continent against the image it projects, and considers the political dangers and possibilities that face this diverse set of countries.Now this illuminating and versatile collection assembles these never-before-translated criticisms and meditations. Reflecting the intellectual development of the writer himself, these essays distill the great events of Latin America's recent history, analyze political groups like FARC and Sendero Luminoso, and evaluate the legacies of infamous leaders such as Papa Doc Duvalier and Fidel Castro. Arranged by theme, they trace Vargas Llosa's unwavering demand for freedom, his embrace of and disenchantment with revolutions, and his critique of nationalism, populism, indigenism, and corruption.From the discovery of liberal ideas to a defense of democracy, buoyed by a passionate invocation of Latin American literature and art, Sabers and Utopias is a monumental collection from one of our most important writers. Uncompromising and adamantly optimistic, these social and political essays are a paean to thoughtful engagement and a brave indictment of the discrimination and fear that can divide a society.

NATIONAL BOOK FOUNDATION 5 UNDER 35 PICK. FINALIST FOR THE VCU CABELL FIRST NOVELIST AWARD. LONGLISTED FOR THE CENTER FOR FICTION'S FIRST NOVEL PRIZE.Named one of the Best Books of 2018 by NPR, Bookforum and Bustle. One of Entertainment Weekly's 10 Best Debut Novels of 2018. An Amazon Best Book of the Month and named a fall read by Buzzfeed, Nylon, Entertainment Weekly, Elle, Vanity Fair, Vulture, Refinery29 and Mind Body GreenA gorgeous, raw debut novel about a young woman braving the ups and downs of motherhood in a fractured AmericaIn Lydia Kiesling's razor-sharp debut novel, The Golden State, we accompany Daphne, a young mother on the edge of a breakdown, as she flees her sensible but strained life in San Francisco for the high desert of Altavista with her toddler, Honey. Bucking under the weight of being a single parent-her Turkish husband is unable to return to the United States because of a "processing error"-Daphne takes refuge in a mobile home left to her by her grandparents in hopes that the quiet will bring clarity. But clarity proves elusive. Over the next ten days Daphne is anxious, she behaves a little erratically, she drinks too much. She wanders the town looking for anyone and anything to punctuate the long hours alone with the baby. Among others, she meets Cindy, a neighbor who is active in a secessionist movement, and befriends the elderly Alice, who has traveled to Altavista as she approaches the end of her life. When her relationships with these women culminate in a dangerous standoff, Daphne must reconcile her inner narrative with the reality of a deeply divided world. Keenly observed, bristling with humor, and set against the beauty of a little-known part of California, The Golden State is about class and cultural breakdowns, and desperate attempts to bridge old and new worlds. But more than anything, it is about motherhood: its voracious worry, frequent tedium, and enthralling, wondrous love.

An immersive portrait of the lives of the British in India, from the seventeenth century to IndependenceWho of the British went to India, and why? We know about Kipling and Forster, Orwell and Scott, but what of the youthful forestry official, the enterprising boxwallah, the fervid missionary? What motivated them to travel halfway around the globe, what lives did they lead when they got there, and what did they think about it all? Full of spirited, illuminating anecdotes drawn from long-forgotten memoirs, correspondence, and government documents, The British in India weaves a rich tapestry of the everyday experiences of the Britons who found themselves in "the jewel in the crown" of the British Empire. David Gilmour captures the substance and texture of their work, home, and social lives, and illustrates how these transformed across the several centuries of British presence and rule in the subcontinent, from the East India Company's first trading station in 1615 to the twilight of the Raj and Partition and Independence in 1947. He takes us through remote hill stations, bustling coastal ports, opulent palaces, regimented cantonments, and dense jungles, revealing the country as seen through British eyes, and wittily reveling in all the particular concerns and contradictions that were a consequence of that limited perspective. The British in India is a breathtaking accomplishment, a vivid and balanced history written with brio, elegance, and erudition.

A New York Times Book Review Editors' Choice. Finalist for the Costa Biography Award and long-listed for the Andrew Carnegie Medal for Excellence. Named a Best Book of 2018 by Esquire and Foreign Policy. An Amazon Best Book of November, the Guardian Bookshop Book of November, and one of the Evening Standard's Books to Read in November"Now, thanks to Hilsum's deeply reported and passionately written book, [Marie Colvin] has the full accounting that she deserves." --Joshua Hammer, The New York TimesThe inspiring and devastating biography of Marie Colvin, the foremost war reporter of her generation, who was killed in Syria in 2012, and whose life story also forms the basis of the feature film A Private War, starring Rosamund Pike as Colvin. When Marie Colvin was killed in an artillery attack in Homs, Syria, in 2012, at age fifty-six, the world lost a fearless and iconoclastic war correspondent who covered the most significant global calamities of her lifetime. In Extremis, written by her fellow reporter Lindsey Hilsum, is a thrilling investigation into Colvin's epic life and tragic death based on exclusive access to her intimate diaries from age thirteen to her death, interviews with people from every corner of her life, and impeccable research. After growing up in a middle-class Catholic family on Long Island, Colvin studied with the legendary journalist John Hersey at Yale, and eventually started working for The Sunday Times of London, where she gained a reputation for bravery and compassion as she told the stories of victims of the major conflicts of our time. She lost sight in one eye while in Sri Lanka covering the civil war, interviewed Gaddafi and Arafat many times, and repeatedly risked her life covering conflicts in Chechnya, East Timor, Kosovo, and the Middle East. Colvin lived her personal life in extremis, too: bold, driven, and complex, she was married twice, took many lovers, drank and smoked, and rejected society's expectations for women. Despite PTSD, she refused to give up reporting. Like her hero Martha Gellhorn, Colvin was committed to bearing witness to the horrifying truths of war, and to shining a light on the profound suffering of ordinary people caught in the midst of conflict. Lindsey Hilsum's In Extremis is a devastating and revelatory biography of one of the greatest war correspondents of her generation.

A great critic's quarrels with himself and others, as revealed in his correspondenceIn the mid-twentieth century, Lionel Trilling was America's most respected literary critic. His powerful and subtle essays inspired readers to think about how literature shapes our politics, our culture, and our selves. His 1950 collection, The Liberal Imagination, sold more than 100,000 copies, epitomizing a time that has been called the age of criticism.To his New York intellectual peers, Trilling could seem reserved and circumspect. But in his selected letters, Trilling is revealed in all his variousness and complexity. We witness his ardent courtship of Diana Trilling, who would become an eminent intellectual in her own right; his alternately affectionate and contentious rapport with former students such as Allen Ginsberg and Norman Podhoretz; the complicated politics of Partisan Review and other fabled magazines of the period; and Trilling's relationships with other leading writers of the period, including Saul Bellow, Edmund Wilson, and Norman Mailer.In Life in Culture, edited by Adam Kirsch, Trilling's letters add up to an intimate portrait of a great critic, and of America's intellectual journey from the political passions of the 1930s to the cultural conflicts of the 1960s and beyond.

"Cunningly crafted. . . . France's unquiet histories are brought to life by a master storyteller." -Financial Times (UK)A story of resistance, complicity, and an unlikely, transformative friendship, set in Paris, from internationally bestselling novelist Sebastian Faulks.American historian Hannah intends to immerse herself in World War II research in Paris, wary of paying much attention to the city where a youthful misadventure once left her dejected. But a chance encounter with Tariq, a Moroccan teenager whose visions of the City of Lights as a world of opportunity and rebirth starkly contrast with her own, disrupts her plan. Hannah agrees to take Tariq in as a lodger, forming an unexpected connection with the young man. Yet as Tariq begins to assimilate into the country he risked his life to enter, he realizes that its dark past and current ills are far more complicated than he'd anticipated. And Hannah, diving deeper into her work on women's lives in Nazi-occupied Paris, uncovers a shocking piece of history that threatens to dismantle her core beliefs. Soon they each must question which sacrifices are worth their happiness and what, if anything, the tumultuous past century can teach them about the future. From the sweltering streets of Tangier to deep beneath Paris via the Metro, from the affecting recorded accounts of women in German-occupied France and into the future through our hopes for these characters, Paris Echo offers a tough and poignant story of injustices and dreams.

From the bestselling author of The Prince of Providence, a revelatory biography of Rocky Marciano, the greatest heavyweight champion of all time.The son of poor Italian immigrants, with short arms and stubby legs, Rocky Marciano accomplished a feat that eluded legendary heavyweight champions like Joe Louis, Jack Dempsey, Muhammad Ali, and Mike Tyson: He never lost a professional fight. His record was a perfect 49-0.Unbeaten is the story of this remarkable champion who overcame injury, doubt, and the schemes of corrupt promoters to win the title in a bloody and epic battle with Jersey Joe Walcott in 1952. Rocky packed a devastating punch with an innocent nickname, "Suzie Q," against which there was no defense. As the champ, he came to know presidents and movie stars - and the organized crime figures who dominated the sport, much to his growing disgust. He may have "stood out in boxing like a rose in a garbage dump," as one sportswriter said, but he also fought his own private demons.In the hands of the award-winning journalist and biographer Mike Stanton, Unbeaten is more than just a boxing story. It's a classic American tale of immigrant dreams, exceptional talent wedded to exceptional ambitions, compromises in the service of a greater good, astounding success, disillusionment, and a quest to discover what it all meant. Like Suzie Q, it will knock you off your feet.

An inviting, fascinating compendium of twenty-one of history's most famous lost places, from the Tower of Babel to the Twin TowersBuildings are more like us than we realize. They can be born into wealth or poverty, enjoying every privilege or struggling to make ends meet. They have parents-gods, kings and emperors, governments, visionaries and madmen-as well as friends and enemies. They have duties and responsibilities. They can endure crises of faith and purpose. They can succeed or fail. They can live. And, sooner or later, they die.In Fallen Glory, James Crawford uncovers the biographies of some of the world's most fascinating lost and ruined buildings, from the dawn of civilization to the cyber era. The lives of these iconic structures are packed with drama and intrigue. Soap operas on the grandest scale, they feature war and religion, politics and art, love and betrayal, catastrophe and hope. Frequently their afterlives have been no less dramatic-their memories used and abused down the millennia for purposes both sacred and profane. They provide the stage for a startling array of characters, including Gilgamesh, the Cretan Minotaur, Agamemnon, Nefertiti, Genghis Khan, Henry VIII, Catherine the Great, Adolf Hitler, and even Bruce Springsteen.The twenty-one structures Crawford focuses on include The Tower of Babel, The Temple of Jerusalem, The Library of Alexandria, The Bastille, Kowloon Walled City, the Berlin Wall, and the Twin Towers of the World Trade Center. Ranging from the deserts of Iraq, the banks of the Nile and the cloud forests of Peru, to the great cities of Jerusalem, Istanbul, Paris, Rome, London and New York, Fallen Glory is a unique guide to a world of vanished architecture. And, by picking through the fragments of our past, it asks what history's scattered ruins can tell us about our own future.

A newly reissued edition of this haunting, poetic coming-of-age novel from "one of the great writers...in the English-speaking world" (The New York Times)"O'Brien's evocative prose shows the chilling hold that history and the dead clamp on the living." -Paul Gray, Time"O'Brien brings together the earthy and the delicately poetic: she has the soul of Molly Bloom and the skills of Virginia Woolf." -Ray Sawhill, NewsweekIn A Pagan Place, Edna O'Brien returns to Ireland, the uniquely wonderful, terrible, and peculiar place she once called home. After leaving to join a religious community in Belgium, a young woman remembers her childhood on the western coast of Ireland. She reflects on the rituals of rural life, the people she encountered, and the enchanting beauty of the landscape.This is the Ireland of country villages and barley fields, of mischievous girls and druids in the woods. As the impressions of her former home intensify, her mind turns to the shocking event that led to her departure.

Winner of the Los Angeles Times Book Prize for Fiction"Superb...[Lantern Slides] continues the quest for origin and explanation that has preoccupied O'Brien...Her stories unearth the primeval feelings buried just below the surface of nostalgia, using memories to illuminate both what is ridiculous and what is heroic about passion." -David Leavitt, The New York Times Book Review"Her stories are brilliantly realized and often very funny...O'Brien is quite simply one of the finest short story writers of our time." -Joyce Carol OatesA newly reissued collection of stories from the author of Girl, "one of the most celebrated writers in the English language" (NPR's Weekend Edition)In twelve stories peopled with deeply etched characters, whom we come to know instantly and intimately, Lantern Slides reveals the wit and passion of a master of the short fiction form. Rich and humorous, full of struggle and boldness, these stories are a singular reflection of Edna O'Brien's artistry.

WINNER OF THE NOBEL PRIZE IN LITERATUREA thrilling tale of desire and Peruvian corruption swirls around a scandalous exposé that leads to murderFrom the Nobel Laureate comes a politically charged detective novel weaving through the underbelly of Peruvian privilege. In the 1990s, during the turbulent and deeply corrupt years of Alberto Fujimori's presidency, two wealthy couples of Lima's high society become embroiled in a disturbing vortex of erotic adventures and politically driven blackmail. One day Enrique, a high-profile businessman, receives a visit from Rolando Garro, the editor of a notorious magazine that specializes in salacious exposés. Garro presents Enrique with lewd pictures from an old business trip and demands that he invest in the magazine. Enrique refuses, and the next day the pictures are on the front page. Meanwhile, Enrique's wife is in the midst of a passionate and secret affair with the wife of Enrique's lawyer and best friend. When Garro shows up murdered, the two couples are thrown into a whirlwind of navigating Peru's unspoken laws and customs, while the staff of the magazine embark on their greatest exposé yet.Ironic and sensual, provocative and redemptive, the novel swirls into the kind of restless realism that has become Mario Vargas Llosa's signature style. A twisting, unpredictable tale, The Neighborhood is at once a scathing indictment of Fujimori's regime and a crime thriller that evokes the vulgarity of freedom in a corrupt system.

The continuation of a groundbreaking study of the Rwandan genocide, and the story of the survivor generationIn Rwanda from April to June 1994, 800,000 Tutsis were slaughtered by their Hutu neighbors in the largest and swiftest genocide since World War II. In his previous books, Jean Hatzfeld has documented the lives of the killers and victims, but after twenty years he has found that the enormity of understanding doesn't stop with one generation. In Blood Papa, Hatzfeld returns to the hills and marshes of Nyamata to ask what has become of the children-those who never saw the machetes yet have grown up in the shadow of tragedy.Fabrice, Sandra, Jean-Pierre, and others share the genocide as a common inheritance. Some have known only their parents' silence and lies, enduring the harassment of classmates or the stigma of a father jailed for unspeakable crimes. Others have enjoyed a loving home and the sympathies offered to survivor children, but do so without parents or an extended family. The young Rwandans in Blood Papa see each other in the neighborhood-they dance and gossip, frequent the same cafés, and, like teenagers everywhere, love sports, music, and fashion; they surf the Web and dream of marriage. Yet Hutu and Tutsi children rarely speak of the ghosts that haunt their lives. Here their moving first-person accounts combined with Hatzfeld's arresting chronicles of everyday life form a testament to survival in a country devastated by the terrible crimes and trauma of the past.

An updated, third edition of the renowned feminist's most diverse and timeless collection of essays, with a new foreword by Emma Watson. Outrageous Acts and Everyday Rebellions has sold over half a million copies since its original publication in 1983, acclaimed for its witty, warm, and life-changing view of the world, "as if women mattered." Steinem's truly personal writing is here, from the now-famous exposé, "I Was a Playboy Bunny," to the moving tribute to her mother "Ruth's Song (Because She Could Not Sing It)". Her prescient essays on female genital mutilation and the difference between erotica and pornography that are still referenced and relevant today, and the hilarious satire, "If Men Could Menstruate" resonates as much as ever.As Watson writes of Steinem in her foreword, "She makes what otherwise can be arduous and depressing reading into something not only relatable, but also enjoyable... Her plain common sense, calling things out as they are, will make you laugh out loud. This is her superpower."

Into Oblivion, the follow-up to the gritty prequel Reykjavik Nights, gives devoted fans another glimpse of Erlendur in his early days as a young, budding detective.It's 1979. A woman swims in a remote, milky-blue lagoon. Steam rises from the water and as it clears, a body is revealed in the ghostly light. Miles away, a vast aircraft hangar rises behind the perimeter fence of the US military base. A sickening thud is heard as a man's body falls from a high platform.Many years before, a schoolgirl went missing. The world has forgotten her. But Erlendur has not. Erlendur is a newly promoted detective. He is only starting out, but he is already deeply involved in his work.The writer whose work The New York Times describes as "having the sweep and consequence of epic storytelling," has outdone himself in this multi-layered and masterful suspense story.