Bøker utgitt av Peter Lang AG, Internationaler Verlag der Wissenschaften

This collection traces new directions in the study of Thomas Moore (1779-1852) and examines the multiple facets of his complex identity, not only as the foremost Irish poet of his time, but also as a lyricist, satirist, polemicist, patriot and journalist. The contributors are leading scholars of literature, music, history and digital humanities.

Geoffrey Hill and his Contexts

The last three decades have seen dramatic changes in Chinese cities. While many tend to read these changes as the result of institutional reforms, macro planning, and top-down development, the author of this study focuses on the undercurrent at the bottom, from the margin, and without voice. Based on immersive fieldwork, she explores how a different place was created through the everyday life practices of rural migrants in two Chinese urban villages. Readers are invited to dive into a small, marginal, yet intricate and vibrant neighbourhood, where thousands of 'rural outsiders' found their settlement in the city. In this border space between the rural and the urban, place-making was not merely the government's redevelopment plan that would sooner or later demolish the whole area, it was also a dynamic process unfolding through people's everyday doing and living, such as their housing practices, street gathering, boiler house visits, public telephone calls, television consumption, and festival celebration. Featured by its cross-disciplinary horizon and intimate documentation, the present work exhibits an exemplary locale of a 'progressive sense of place' in contemporary China and provides original insights in how people's everyday life acts as an alternative arena of the politics of place-making between multiple forces.

Past, Present, Future - these are permanent connecting points in the work of performing arts collections. This book features the papers that were presented at the SIBMAS Congress in Munich 2010, the first conference in cooperation with the IFTR World Congress, strengthening the relationship between theatre research and performing arts collections.

This volume brings together interviews on the topic of the postcolonial nation with prominent writers from Angola and Mozambique: Luandino Vieira, Ana Paula Tavares, Boaventura Cardoso, Jose Eduardo Agualusa, Ondjaki and Pepetela, Joao Paulo Borges Coelho, Marcelo Panguana, Mia Couto, Paulina Chiziane, Ungulani Ba Ka Khosa, Luis Carlos Patraquim.

All Her Faculties focuses on the perpetuation and reflection in literature of particular representations of the female mind that are entrenched in conservative notions of womanhood. The study highlights literature's incontrovertible power to create myth - the myth of woman as body, not mind - through social practice as well as discourse. This is accentuated in the divergent yet related roles women as scholars play in a number of fictions that have entered, to a greater or lesser degree, the cultural consciousness of the twentieth century. What emerges is that the female scholar does not portray a 'normal' intellect but a transgressive one, based on a cultural understanding of rationality as male-inflected. New readings of novels by H. G. Wells, D. H. Lawrence, Dorothy L. Sayers, Kingsley Amis, David Lodge and A. S. Byatt reveal that the female mind, implicated in her outward appearance or inward psychology, is depicted as distorted by scholarship. The female scholar is shown to lack ethos, a moral aspect in relation to action and voice, and the plots of the novels under discussion seem to thrive on this strategic marginalisation of her subjective intellectual being. This study offers original readings of twentieth-century texts through the lens of the female intellect.

This book is a series of essays, written over the last twenty years, which rethink the nature and prospects of utopianism in a world that has grown increasingly sceptical as to the possibility of systemic socio-political transformation in a positive direction.

Sovereign Stories examines contemporary Native American writers' engagement with various forms of cultural, political, and artistic sovereignty. The author considers literature's ability to initiate vital discussions about tribal autonomy in modern America and suggests that innovative literary styles are a compelling articulation of the connection between aesthetic and political concerns. In so doing, he concentrates on fictional and poetic forms, the structure and imagery of which comment on indigenous autonomy, selfdetermination, and artistic activism. Offering original selective analysis of the fiction and poetry of Elizabeth Cook-Lynn, Sherman Alexie, David Treuer, LeAnne Howe, Louise Erdrich, Greg Sarris, and Craig Womack, this book explores these tribal authors' concern with intellectual and creative sovereignty and deftly links those interests to the broader cultural and political issues faced by Native American communities today.

This original and engaging study explores the way in which Colm Toibin repeatedly identifies and disrupts the boundaries between personal and political or social histories in his fiction. Through this collapsing of boundaries, he examines the cost of broader political exclusions and considers how personal and political narratives shape individual subjects. Each of Toibin's novels is comprehensively addressed here, as are his non-fiction works, reviews, plays, short stories, and some as-yet-unpublished work. The book situates Toibin not only within his contemporary literary milieu, but also within the contexts of the Irish literary tradition, contemporary Irish politics, Irish nationalism, and theories of psychology, gender, nationalism, and postcolonialism.

What does it take to be a legal translator? This volume offers a systematic overview of the diverse professional profiles within legal translation and the wide range of communicative situations in which legal translators play their roles as mediators.

Research on dubbing in audiovisual productions has been prolific in the past few decades, which has helped to expand our understanding of the history and impact of dubbing worldwide. Much of this work, however, has been concerned with the linguistic aspects of audiovisual productions, whereas studies emphasizing the importance of visual and acoustic dimensions are few and far between. Against this background, Dubbing, Film and Performance attempts to fill a gap in Audiovisual Translation (AVT) research by investigating dubbing from the point of view of film and sound studies. The author argues that dubbing ought to be viewed and analysed holistically in terms of its visual, acoustic and linguistic composition. The ultimate goal is to raise further awareness of the changes dubbing brings about by showing its impact on characterization. To this end, a tripartite model has been devised to investigate how visual, aural and linguistic elements combine to construct characters and their performance in the original productions and how these are deconstructed and reconstructed in translation through dubbing. To test the model, the author analyses extracts of the US television series Buffy the Vampire Slayer and its French dubbed version.

Language as reason is the unifying theme of this collection of studies reflecting on Eddo Rigotti's scientific contribution as linguist and argumentation theorist as well as on his legacy as educator. The contributions span argumentation theory, linguistics, psychology, semiotics and communication sciences.

Whenever Harris has sat down to reflect and write, he has paved the way to new approaches and promising areas of research. This title brings together seminal approaches and research on interpretation as a tribute to Brian Harris' influential legacy to Translatology and Interpreting Studies.

Hellenic Whispers builds a picture of how Greek literature was received and reworked by the authors of seventeenth-century French tragedy. Using case studies, the author establishes a new methodology for exploring the variety of responses and creative processes involved in these encounters with classical Greek material. The book explores the complex interactions surrounding these adaptations of Greek dramatic material, involving the input of scribes, editors, translators and earlier authors, and asks the important question of what these dramatists conceived of themselves as doing. Focusing on a time and place where cultural predilections and a lack of linguistic training made engagement with the original Greek texts problematic, the book explores the creative role of intermediary sources, the build-up of chain reactions between sources and the cumulative processes of recreation involved in the genesis of seventeenth-century dramatic texts. The volume also goes on to explore wider questions relevant to the classical tradition and issues of 'source study' and reception.

Drawing on genre analysis and corpus linguistics, the book brings together studies on a genre that is becoming one of the most important in present-day research communication. The chapters are organised into three sections focusing on language and genre variation across cultures and disciplines, as well as on recent language and genre change.

The eighteen chapters in this volume look at the use of corpus analysis for descriptive and pedagogical purposes, focusing on contexts where English is employed by specialists in the professions and academia. They also debate some of the challenges arising from the complex relationship between linguistic theory, data-mining tools and statistical methods.

This book explores the differences between 'high' and 'low' cultures in an Irish context, arguing that these differences need constant redefinition. It examines the boundary between elite and popular culture using objects of study as various as canonical Irish literature, postcards, digital animation, surfing and the teaching of Irish mythology.

This book contributes to the burgeoning field of John McGahern Studies by offering a collaborative reassessment of his writing. Its contributors provide provocative readings of McGahern's major works and also examine some of his lesser-known short stories, essays and unpublished archival materials which have not yet received due critical attention.

This volume is a collection of empirical studies investigating the ways and means through which culturally-shaped identities are manifested in and through discourse in documents and texts from multiple spheres of social action. It also looks at possible ways in which understanding and acceptance of diverse cultural identities can be moulded and developed through appropriate education. Language being one of the most evident and powerful 'markers' of cultural identity, discourse and text are sites where cultures are both constructed and displayed and where identities are negotiated. The approaches to the analysis of culture and identity adopted here to account for the multifaceted realisations of cultural identities in the texts and documents taken into consideration span from multimodality, to discourse and genre analysis, to corpus linguistics and text analysis. The volume then offers a varied picture of approaches to the scientific enquiry into the multifaceted manifestations of identity in and across national, professional, and disciplinary cultures.

This volume is a critical introduction to the poetry of Irish writer Nuala Ni Dhomhnaill. Writing poetry exclusively in Irish but allowing and overseeing translations of her work into several languages, primarily English, Ni Dhomhnaill is the first Irish-language poet to gain an international following. She is also a pioneer in fostering a renewed relationship between the two languages of Ireland's literary traditions. Ni Dhomhnaill is unflinching in her interventions into problematic social, linguistic and even theoretical arenas, and is well known for her brutal parodies, ribald sexual scenarios and persistent debunking and revising of religious, political and mythological imagery. Her primary thematic concerns demonstrate her dedication to critiquing and ultimately changing dominant discourses so that they account for the presence and contributions of women writers. This volume explores the fraught issues of translating and contextualizing Ni Dhomhnaill's A uvre, her use and revisions of Irish myth, folklore and political and religious iconography, her re-imagining of the mother in culture and religious ideology, and the devices of death, silence and psychoanalytic discourse in her mermaid cycle and other poems. The book hails Ni Dhomhnaill, who has not hitherto received a great deal of critical attention in English, as a major figure in world literature.

Demand the Impossible was written from inside the oppositional political culture of the 1960s and 1970s. The Ralahine Classics edition of this groundbreaking work reissues the original text along with a new essay on Aldous Huxley's Island and a set of reflections on the book by leading utopian and science fiction scholars.

This book paints a detailed picture of the commercial pilot lifestyle, from the struggle to pay for training to time spent down route to thoughts of retirement. Once a glamorous occupation, commercial flying is today more of a job than a vocation with many pilots working the maximum permissible hours for increasingly meagre rewards under evermore stressful conditions. Pilots talk candidly about acute and chronic fatigue, short-notice roster changes that leave them insufficiently rested, noisy and poorly serviced down-route hotels, long daily commutes to work, indebtedness, fear of losing their pilot's licence, industry volatility, dread of lay-off or redundancy, the quality and agendas of airline managers, the impact of these and other stressors on family life and where they think the aviation industry is going. Despite these privations pilots remain enthusiastic - a testament to their professionalism and love of flying.

The recent financial and banking crisis did reveal the discrepancy between internal management rules and the demands for stability within the divisions of corporate and investment banking by universal banks or within pure investment banks. Their mastership of risks did not balance the variety and breadth of operations, at the expense of transparent and well-structured balance sheets. The book intends fuel comparisons between historical national case studies and present evolution of investment banking. It will foster arguments about the management of risks, about the portfolio of skills of investment bankers, about the role of senior bankers. Two chapters of issues and of present assessments help giving sense to history through the mobilisation of concepts crossing decades till the recent years, so as to favour deeper thinking about the very nature and good practices of investment banking.

In German-speaking Europe, as in other parts of the western world, questions of religious identity have been discussed with sudden urgency since the attacks of '9/11'. In this book, the essays explore a range of genres which engage with religion in contemporary Germany and Austria.

Analysing loneliness and solitude in schools and exploring how to deal with them is a vital task. In recent research for the author's Spirit of the School project, a number of pupils, teachers and headteachers described times when they felt lonely and times when they felt the need for healthy solitude. The causes of loneliness are numerous and its consequences have a significant unrecognised impact on education. How do schools deal with people when they are lonely, and how can they overcome loneliness? How can they create opportunities for healthy solitude, a welcome alternative to loneliness? Schools can sometimes try to include people by being intensely social, but end up making them feel even more excluded. A school that teaches solitude well and helps individuals deal with loneliness can be called an 'enstatic' school: a school in which people are comfortable within themselves. The objective of this book - the first comprehensive study of the subject - is to help us all understand loneliness and solitude and thereby to reinvigorate debates on personal, character and values education.

Over thirty years, privatization of public enterprises was in the air. Before and during this period of neo-liberalism, and since the 2008 crisis, public enterprises were nonetheless created. This book looks at public enterprises with new eyes.

This book provides a critical and context-sensitive reading of corporeality in the narrative fiction of Merce Rodoreda, through the perspectives of art and film theory, feminism, literary criticism, spatial studies, and nationalist theory. The text approaches Rodoreda as a Catalan woman writer whose work engages with and explores formulaic and normative notions of the gendered body in a particular cultural, geographical and political space. The study covers four main areas: corporeality as surface, image and texture; the relationship between the body and space; the idea of the culturally and politically constructed body as limit; and the concept of the abject or open body. The author places Rodoreda's work in dialogue with a range of texts, media, modes of representation and discourses in order to examine how her artistic vision is both integrated with and a mediator of material experience in the twentieth century.

The book sheds light on how national and international law and politics impact on Arctic governance structures, patterns of communication and interaction, indigenous rights, and perceptions and experiences of the North in literature and the arts.

This volume explores canonical novels of the Irish land war, as well as looking at the material conditions of reading and writing in late nineteenth-century Ireland. It includes a reprinted letter by author Mary Anne Sadlier, a reproduction of Rosa Mulholland's little-known play Our Boycotting and a detailed bibliography of land war fiction.