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These essays reflect on the unfolding nature of Irish cultural identity at a time when Ireland is struggling to adjust to the shattering impacts of globalization and religious scandal. They consider a range of literary and filmic works that have sought to articulate this experience, especially the tension between migration and a sense of belonging.

Bringing together boxing writers from different cultural and disciplinary perspectives, the book offers a vital and original contribution to the understanding of this enduringly fascinating and controversial sport. It does this be exploring and interrogating different aspects of boxing culture and associated concepts like masculinity and violence.

This volume investigates the darker aspects of the work of Diderot, writer, art critic, philosopher and encyclopediste, by focusing on the uneasy schism that emerges in his work between positive images of the Enlightenment and a residual, shadowy undercurrent of disorder, transgression and clandestine intellectual and social practices.

This book is based on detailed interviews with a group of Irish women who have experienced marital separation. It links the women's accounts with literature on the values and beliefs about marriage, women and family which were prevalent when they were growing up in Ireland in the 1950s and 1960s. The book chronicles their young adult years, the early stages of their marriages and the events and processes which led to their separations. It explores the women's emotional reactions at the time of separating, the types of support which they found beneficial and the personal, social and financial consequences of having separated. Although the book is written from a sociological perspective, the combination of theory and practical insights make it accessible to a wide variety of readers. It aims to generate discussion and deepen understanding of an area into which there has been minimal research in Ireland and which poses a range of important questions for future researchers, practitioners and policy-makers.

This book was the winner of the 2013 Peter Lang Young Scholars Competition in German Studies. The Weimar period (1919-1933) generated an immense wealth of writings that recorded impressions of daily life in the German capital of Berlin. Literary journalism, in particular, experienced a surge in popularity at the time and played a vital role in informing the public about the 'new world' that was emerging after the First World War. This book offers an original approach to the German feuilleton of the 1920s and early 1930s by exploring how authors engaged with the space of Berlin on the page. Drawing on recent spatial theory, the author focuses on the role of geography and cartography in the journalistic oeuvres of Joseph Roth, Gabriele Tergit and Kurt Tucholsky. Central to this study is an interdisciplinary and comparative approach to the examination of their feuilleton articles by foregrounding spatiality within the context of literary analysis. The book demonstrates how Roth, Tergit and Tucholsky depict contemporary concerns through spatial representation, thus yielding new insights into the authors' narration of the history, society and politics of the Weimar Republic.

The identity constructs shaped in the nineteenth-century Irish nation-building process were generated by and, in turn, became guarantors of structures of religious, political and cultural authority. This volume examines how these structures have been challenged within literary and cultural discourses in the twentieth and twenty-first centuries.

From Supernanny to Gilmore Girls, from Katie Price to Holly Willoughby, a wide range of examples of mothers and motherhood appear on television today. Drawing on questionnaires completed by mothers across the UK, this book sheds new light on the varied and diverse ways in which expectant, new and existing mothers make sense of popular representations of motherhood on television. The volume examines the ways in which these women find pleasure, empowerment, escapist fantasy, displeasure and frustration in popular depictions of motherhood. The research seeks to present the voice of the maternal audience and, as such, it takes as its starting point those maternal depictions and motherwork representations that are highlighted by this demographic, including figures such as Tess Daly and Katie Hopkins and programmes like TeenMom and Kirstie Allsopp's A uvre.

The "Korean Wave", or Hallyu phenomenon, has brought South Korean popular culture to the global population, but North Korean culture has often been overlooked. Korean Screen Cultures sets out to redress this imbalance with a broad selection of essays spanning both North and South, including essays on K-pop, television dramas, film and online games.

The decision to reject motherhood is the subject of several key works of literature in French since the new millennium. This book looks at first-person accounts of voluntary childlessness by women writing in French. The book explores how women narrate their decision not to mother, the issues that they face in doing so and the narrative techniques that they employ to justify their stories. It asks how these authors challenge stereotypes of the childless woman by claiming their own identity in narrative, publicly proclaiming their right to choose and writing a femininity that is not connected to motherhood. Using feminist, sociological and psychoanalytic theories to interrogate non-mothering, this work is the first book-length study of narratives that counter this long-standing taboo. It brings together authors who stake out a new terrain, creating a textual space in which to take ownership of their childlessness and call for new understandings of female identity beyond maternity.

How does the visual nature of spectacle destabilize the political, challenge aesthetic convention and celebrate cultural creativity? This interdisciplinary volume explores the concept of spectacle in the German context, including critical interventions into exhibitions, architecture, cinema and photography from the Baroque to the contemporary.

This collection of critical essays proposes new and original readings of the relationship between French and Irish literature and culture. It seeks to re-evaluate, deconstruct and question artistic productions and cultural phenomena while pointing to the potential for comparative analysis between the two countries.

This interdisciplinary collection explores the dynamic relationship between literature and architecture from the mid-nineteenth century to the present. Topics include the building of imaginary spaces in literature, links between literary style and architectural form, and the reading of architectural landmarks like the Great Exhibition of 1851.

Views of Albion is the first comprehensive study of the reception of British art and design in Central Europe at the turn of the twentieth century. The author proposes a new map of European Art Nouveau, where direct contacts between peripheral cultures were more significant than the influence of Paris. These new patterns of artistic exchange, often without historic precedence, gave art during this period its unique character and dynamism. Beginning with an analysis of the concept of Central Europe, the book examines knowledge about British art and design in the region. In subsequent chapters the author looks at the reception of the Pre-Raphaelites in painting and graphic arts as well as analysing diverse responses to the Arts and Crafts Movement in Germany, Austria, Poland, Bohemia, Slovakia, Hungary and Southern Slavic countries. The epilogue reveals the British interest in Central Europe, echoed in the designs Walter Crane, Charles Robert Ashbee and publications of The Studio. The book questions the insularity of British culture and offers new insights into art and design of Central Europe at the fin de siecle. It presents the region as a vital part of the international Art Nouveau, but also shows its specific features, visible in the works of artists such as Alfons Mucha, Gustav Klimt and Stanislaw Wyspianski.

For the Koreans, no sport has surpassed football in terms of its popularity and national importance, from the Japanese colonization era onwards. However, its importance has developed over time as a result of unusual and agonizing historical events, including the tragic split between North and South Korea. This volume attempts to assess football's changing political and cultural place in Korea over the course of the twentieth century, from the Japanese colonial period via the Korean War to the end of the Cold War. It analyses the development and diffusion of football in North and South Korea from the following angles: nationalism and regionalism, internationalism and globalism, patronage, and the Korean style of play. It particularly concentrates on the social meanings of the North Korean miracle in the 1966 World Cup and of South Korea's success in the 2002 tournament. The author shows that football in Korea has not only reflected changes in Korean society but helped to shape those changes.

From anxieties of influence to shared aspirations of poet-visionaries, how are European voices part of the modernist project of W.B. Yeats and Geoffrey Hill?

The volume focuses on the shift from the traditional linguistic approach to translation to a multidisciplinary task. The analysis of translation in a variety of genres offers a wide opportunity to observe the complex cognitive and cultural processes activated in the transfer of meaning, perceived as a negotiation between alternatives, rather than just a list of gains and losses.

This book explores the ways in which the use of English as a medium of instruction can contribute to a closer alignment between educational outcomes and the demands of the world of work in those contexts where English is used as a foreign language.

The late Bruce Karl Braswell worked on Pindar for decades. Besides many smaller contributions, his research resulted in fundamental commentaries on Pythian Four (1988), Nemean One (1992), and Nemean Nine (1998), and his last monograph, dedicated to Didymos of Alexandria and his ancient commentary on Pindar (2013). Two substantial, self-contained manuscript fragments were found in his papers after his death. Their originality and innovative methodological approach justify their posthumous publication. Part I of the present volume contains the fragment of Braswell's planned study, A Contribution to the History of Pindaric Scholarship. Using the example of Nemean Nine, Braswell traces the history of Pindar interpretation from Antiquity to the end of the 16th century. The source texts for his exegesis appear as an appendix to the study. Part II contains the completed fragment of A Commentary on Pindar Nemean Ten. Alongside the original text and translation of the first two triads of this ode, this section includes a detailed verse-by-verse commentary and the text and translation of the relevant scholia. The commentary on the first triad is supplemented by an extensive appendix on the Argive legends and monuments reported by Pausanias. In brief introductions, the editor recounts the origins of the manuscripts and their preparation for print.

The first time that Nietzsche crossed the path of Dostoevsky was in the winter of 1886-87. While in Nice, Nietzsche discovered in a bookshop the volume L'esprit souterrain. Two years later, he defined Dostoevsky as the only psychologist from whom he had anything to learn. The second, metaphorical encounter between Nietzsche and Dostoevsky happened on the verge of nihilism. Nietzsche announced the death of God, whereas Dostoevsky warned against the danger of atheism. This book describes the double encounter between Nietzsche and Dostoevsky. Following the chronological thread offered by Nietzsche's correspondence, the author provides a detailed analysis of Nietzsche's engagement with Dostoevsky from the very beginning of his discovery to the last days before his mental breakdown. The second part of this book aims to dismiss the wide-spread and stereotypical reading according to which Dostoevsky foretold and criticized in his major novels some of Nietzsche's most dangerous and nihilistic theories. In order to reject such reading, the author focuses on the following moral dilemma: If God does not exist, is everything permitted?

The volume includes state of the art research on phonetics and phonology in various languages and from interdisciplinary contributors. It is structured into the following eight sections: segmentals, suprasegmentals, articulation in spoken and sign language, perception, phonology, crowdsourcing phonetic data, second language speech, and arts.

This volume provides a practical introduction and a functional analysis of English false friends. It presents an innovative perspective on the subject and offers new insights into the intricacies of false friends through the study of learner language.

In this study, the pejorative implications of the ambiguity in which Batouala and its author are identified are refuted. It is demonstrated that the work's controversial Preface-novel relationship obeys the structural and rhythmic imperatives of Africa's speech-music interchangeability, to which jazz also defers.

This book offers an overview of issues related to the regulated, formal organization of sound and speech in verse intended for singing. Particularly, it is concerned with the structural properties and underlying mechanisms involved in the association of lyrics and music.

This book offers new essays on the pastoral tradition. Both critical revision and consideration of pastoral's future, Poetics and Politics of Place in Pastoral: International Perspectives investigates the genre's persistent attraction in a time of environmental crisis.

The last decade has seen renewed interest in political theories of the public sphere, reacting to new challenges posed by globalization, communication technology, and intra- and international conflicts. The essays in this volume explore different strategies for enriching the ongoing debates on this issue.

What would a good world for women look like? How would we get there from where we are and how would we have to change ourselves in the process? This book examines a critical moment in recent American and western European history when the utopian dimension of political movements was particularly generative and feminism was at their core. The imaginative literature that emerged out of American, French, and German feminisms of the 1970s engaged the dialectic between the actual and the possible in radically new and creative ways. Ranging from conventional utopian and science fictions to avant-garde and experimental texts, they countered the idea of utopia as a pre-set goal with the idea of the utopian as a process of dreaming forwards. This book explores the transformative potential of feminist visions of change, even as it sees their ideological blind spots. It does more than simply look back to the 1970s. Instead, it looks ahead, anticipating some of the shifts and changes of feminist thought in the following decades: its transnational scope, its critique of identity politics and the gendered politics of sexuality, and its embrace of affect as an analytical category. The author argues that the radical utopianism of second wave feminisms has not lost its urgency. The transformations they envisioned are still our challenge, as the vital work of social change remains undone.

This book paints a flowing picture of the relationship beween life and nature, through the evolution of a word - physiology. Today, it denotes a scientific discipline at the intersection of biology and medicine, signifying the study of life Yet, physiology manifests a split personality in the course of history. It came down to us from the ancient Greeks, where it represented the study of nature or natural philosophy - the precursor of modern-day science Physiology originates from an older Greek root, physis - meaning nature itself - that stretches far back to the birth of Greek thought. How did this word generate two such disparate meanings? What does this word tell us, historically, about humankind's grasp of the essence of nature and the essence of life - and the interrelationship between the two? The author follows an etymological path into the distant past, in writing the biography of the word physiology The book delves into linguistic pre-history, in search of the primordially interwoven views of life and nature - and the words that symbolized those views. It tracks the evolving meaning of those words in Western civilization across time, space, language, and culture.

The core questions of philosophy about the origin of the world and people, the distinction between good and evil, and the meaning of life - these questions keep us all busy. In this introduction to philosophy, these three questions lead our journey. You want to understand the world and man. Then you try to acquire an outlook on the proper course of action. Perhaps you especially hope to gain insight into the meaning of your own life. And our society, as well, repeatedly collides with questions of its economic, social, and ecological limits. Again and again, philosophy is the necessary condition for finding answers in a rational manner to the demands for in-sight, outlook, and the search for meaning. This is a fascinating story of more than 2,500 years of thought, where the reader might feel inspired to add his or her own responses to the most important personal and social questions. But also to ask new questions - the point of philosophy.

How can change in cultural Policy be explained? Through a comparative and historical analysis, this research sheds new light on the emergence, institutionalization and transformation of the cultural policies of two major Latin American countries: Mexico and Argentina. Elodie Bordat-Chauvin's investigation is based on the material gathered in ethnographic fieldwork conducted between 2008 and 2010. It gathers observations, unique archive material and more than ninety semi-directive interviews with the majority of Secretaries of Culture in office between 1983 and 2010, several intellectuals, interest groups leaders, cultural managers and members of unions who all played a role in these countries' cultural policies in the last thirty years. This work challenges the common assertions that Mexican cultural policy is characterized by inertia and Argentinean cultural policy by instability. It analyses factors of changes - such as the neo-liberal turn, transnationalization, decentralization and politico-institutional changes - and their consequences - including reductions in cultural budgets, transformations in cultural industries and modifications in the balance of power between national, subnational, public and private actors.

The overall purpose of this book assesses the quality of democracy in South Africa after 20 years of democracy and in so doing, to ascertain whether or not this growing perception is valid.