Bøker utgitt av Peter Lang AG, Internationaler Verlag der Wissenschaften

Habitus in Habitat III

Habitus in Habitat I Emotion and Motion

Habitus in Habitat II

Analyses the influence that oil and gas have on various sides of Russia's contemporary internal and foreign policy.

Why does the 1974 war in Cyprus remain so dominant in Greek-Cypriot cinema? How has this event shaped the imagination of contemporary filmmakers, and how might one define the new national cinema that has emerged as a result? This book explores such questions by analysing a range of Greek-Cypriot films that have hitherto received little or no critical discussion. The book adopts a predominantly conceptual approach, situating contemporary Greek-Cypriot cinema within a specific cultural and national context. Drawing on the work of the French philosopher Gilles Deleuze, and particularly his theories of time and space, the author explores ways in which Greek-Cypriot directors invent new forms of imagery as a way of dealing with the crisis of history, the burden of memory and the dislocation of the island's abandoned spaces.

This book presents aestheticism of the 19th century as a philosophical theory, and as the source of modernist and formalist aesthetics and art of the 20th century. It analyzes the definition of art formulated by Oscar Wilde, Walter Pater, and James Whistler, and their theory of form and content, art's autonomy and ontology, criticism, and musicality.

Reviewing and elaborating L. S. Vygotsky's view of language mediated development, this work presents an extension of the Russian thinker's developmental psycho-semiotics to an educational psycho-semiotics. Interpreting original discussions of tool-mediation as developmental mechanism, this book addresses the question of what occurs in the interpersonal environment that enables the internalisation of tool and the development of thinking. Filling in a gap in Vygotsky's theoretical framework, it discusses in detail inter-psychological processes as the social origins of changes in the intra-psychological domain. Besides theoretical descriptions, this book also offers an original instrument for educational research or practitioners' reflection of micro-genetic processes of interaction and change. This instrument is then applied in interpretive analyses of real-life classroom exchanges.

Child Labour's Global Past, 1650-2000

The Paths of Creation explores the idea of creativity both in science and in art. The editors have collected papers from different philosophers working on philosophy of science and aesthetics to show that the creative processes of science and art share identical procedures: metaphor, ruled method, analogy, abduction, similarity. They are both surrounded by emotions, contain inspirations, proceed through revolutions that maintain some kind of continuity, and have a long common history in which no one worried about whether something was science or art. The purpose of this volume is to show that there are no different rationalities applied to science and art, but the same human reason developing in different forms to create not just different disciplines, but different worlds as well.

Taking the judgment and wrath narrative in "Zephaniah" 1:14-18 as its pericope of exegetical departure, the author diachronically and synchronically studies in detail the contents, meaning, relevance and the theological values of Zephaniah's Day of YHWH to all cultures and religious communities.

At the beginning of the 20th century, the discovery of early cultures exerted a formative influence on modern architecture. This title discusses on civilizations in the South-East Asia, and the pre-Columbian cultures of North and South America as well as perceptions of archaism and primitivism revolutionized the production of art and architecture.

En 2008, le XXIVe Colloque International du Corpus Vitrearum voue aux panneaux de vitrail isoles, une categorie demeuree jusqu'ici occultee par les verrieres monumentales, a tenu plus que des promesses, sortant de l'ombre un pan de patrimoine meconnu pour en reveler l'importance.

Although Gwendolyn Brooks (1917-2004) was the first African American writer to win the Pulitzer Prize, she occupies a curious position in the larger black canon. Despite her importance, with the exception of very few critical accounts of her work, she has been usually treated in critical isolation from her black peers, be they male or female. Brooks's earlier stages were discarded by many black critics as works directed to white audiences, whereas black critics who became interested in her nationalist phase limited her to the Black Aesthetic perspective. Such approaches to Brooks's opus fail to do justice to her work which stood on equal footing with other groundbreaking works in terms of her pioneering themes and techniques. This book examines all of Brooks's stages while tracing the changes that marked her voice throughout. By comparing and contrasting her work to Richard Wright, Margaret Walker, Ralph Ellison, Lorraine Hansberry, Amiri Baraka and Sonia Sanchez, it becomes possible to highlight the distinct poetic legacy of Brooks. The aim of this book is to assess the extent to which Brooks participated in the black canon and to examine how far her realistic settings and individualised characters resulted in a poetry capable of providing accurate reflections of black life in America throughout five very vibrant decades.

Discourse, Identities and Roles in Specialized Communication

To what extent is form of our life fixed, that is there a form of life or forms of life? How does this bear on the nature of experience? These are two Wittgensteinian questions in need of clarification. This title sheds light on a much exploited but rarely analysed topic in Wittgenstein scholarship while addressing central themes of philosophy.

This book explores the concept that the reality which is created by the consciousness inherent in the Western worldview is exceptionally limiting and probably unsustainable. After describing the contexts within which the book was written the author documents his personal journey in search of wholeness and meaning. From his experience of this journey he suggests that the wisdom, insight, and praxis contained within - what he describes as the meta-narratives of - Holism, Indigenous cultures, and Eastern traditions are manifestations of a holistic consciousness. The author explores the concept that a shift to such a holistic consciousness is required in order to redress the imbalance that is evident in all humanity's relationships, and he suggests that enabling such a shift in consciousness would have deep implications for the concepts and contexts of community, adult learning, meaningful work, and sustainability.

A broad strand of applied linguistic research has focused on the language of science and scholarship, stressing its role in the construction and negotiation of knowledge claims. Central to the success of such texts is the use of evaluative expressions encoding what is considered to be desirable or undesirable in a given domain. While the speech acts relevant to evaluation have been extensively researched, little is known of the underlying values they encode. This volume seeks to fill the gap by exploring the main facets of academic value in a corpus of research articles from leading journals in anthropology, biology, computer science, economics, engineering, history, mathematics, medicine, physics and sociology. The collocations and qualified entities associated with such variables in the corpus provide insights into how scholars draw on a repertoire of conventional, largely unqualified, axiological meanings instrumental to the production of new knowledge in their field.

Event or Incident Evenement ou Incident

A collection of articles that covers a range of topics in English philology and history of linguistics. It offers an approach in literary and linguistic research into Anglo-Saxon England. It deals with English phonology from both historical and contemporary standpoints, and another with a theoretical discussion of etymological inquiry.

This book explores the social history of contemporary Italian art with a focus on its relation to theories of national identity, cultural inheritance, and baroque historiography. Its scope encompasses Fascism's involvement in the visual arts in the first half of the twentieth century and the regime's deployment of the avant-garde as well as Italy's interwar cultural isolation and Informale's experimental works. The analysis of the baroque-centric vision of Arte Povera in the post-war era leads into the discussion of Italian artists' relation to the cultural past. The baroque is employed as an historical, conceptual model involving notions of nature, space, tension, theatricality, time, materials and the senses, and is used to trace the trajectory of Italian art's evolution in style and ideology in the twentieth century. The book examines the work of Arte Povera artists in the context of a persisting alternation between tradition and revolution and provides an alternate reading to analyses rooted in a materials-based interpretation.

Deals with bilingual education in general, but it pays special attention to bilingual education in monolingual areas. This title aims to study effects of bilingual programmes during final stages of Primary and Secondary Education in contexts.

Presents some of findings from a project on various aspects of Alternative Dispute Resolution (ADR). In this title, the chapters draws on discourse-based data to investigate extent to which 'integrity' of ADR principles is maintained in practice, and to what extent there is an increasing level of influence from litigative processes and procedures.

Quel est le plan redactionnel du livre d'Esaie ? Quelle est l'histoire de sa formation ? Quels sont les milieux qui l'ont produit ? Ce livre tente de repondre a ces questions a partir des roles des nations etrangeres, en particulier ceux attribues a l'Assyrie et la Babylonie dans les 39 premiers chapitres.

G. E. M. Anscombe was one of the important philosophers of the twentieth century. Her most famous works are Intention and Modern Moral Philosophy and have given origin to the new branch called Philosophy of Action and have been an impetus for the revival of Virtue Ethics. This book studies G. E. M. Anscombe's evaluation of moral theories and moral actions based on her findings in Philosophical Psychology. The author argues that a moral evaluation solely from the point of view of intention is insufficient and looks for a way in which this insufficiency can be overcome. Taking inspiration from Martin Rhonheimer, he finds a way to overcome this insufficiency through concepts such as the moral object, the anthropological truth of man and the practical reason, which are other essential elements to be considered in moral evaluation in addition to intention.

Diagnostic Oral Skills Assessment

How are meanings created and further differentiated? Where do they come from? What kind of forces drive their unfolding? How can complex cultural forms be understood based on simple morphodynamic principles? This book deals with these questions.

An American Witness in Nazi Frankfurt

This book constructs a suggestive, dramatic and colourful portrait of migrants' everyday life in 1950s and early 1960s Australia, by focusing on important aspects such as health, sexuality, self-beautification, love, and morality. The book considers two columns edited by Lena Gustin (Mamma Lena) for the Italian-language newspaper in Australia La Fiamma between 1956 and 1964. Furthermore, the historical analysis is based on hundreds of original letters that Italian migrants wrote in the same years to the two columns or directly to Gustin. Most of these letters were never published in the newspaper, or were strongly edited before publication. Gustin's selection and editing eliminated most of the explicit references to the body, sexuality, and violence. This 'editing of the body' opens up important questions about the construction of Italian ethnic identity by the migrant elites and by scholars.

This is a bold, often provocative interpretation of a neglected classic on depression, originally written by the notorious Bernard Mandeville (1670-1733) for his patients. It makes the case that Mandeville's Treatise was a milestone of experimental literature that blended satire with science and used comedy for the relief of madness. The study recounts the culture of the Augustan virtuosi in fascinating detail: the atomic foundations of a forgotten neo-Epicurean theory for the human craving for luxury, Baconian 'initiative literature' (his ideal form of scientific literature), the danger of being driven mad by reading, the use of satire as a prophylactic against derangement and the importance of satire for science. It also proposes that Mandeville may possibly have been influenced by Gnostic and Manichaean thought. Readers who are familiar with The Fable of the Bees and Mandeville's reputation as a champion of the effects of egotism may be surprised by the account of Mandeville's bitter criticisms of the selfishness of his professional colleagues, a selfishness that left no public benefits to atone for private vice. As baroque as its subject, this is essential reading for anyone with an interest in Mandeville, early modern English literature or the culture of Enlightenment science and medicine.

Deals with the social side of social psychology from diverse points of view. In this book, special attention is given to socio-historical frameworks, ideologies, and normative and cultural meaning systems in order to develop a psychosocial understanding of the phenomena under study.