Bøker utgitt av Peter Lang AG, Internationaler Verlag der Wissenschaften

This book contributes to the burgeoning field of John McGahern Studies by offering a collaborative reassessment of his writing. Its contributors provide provocative readings of McGahern's major works and also examine some of his lesser-known short stories, essays and unpublished archival materials which have not yet received due critical attention.

This volume is a collection of empirical studies investigating the ways and means through which culturally-shaped identities are manifested in and through discourse in documents and texts from multiple spheres of social action. It also looks at possible ways in which understanding and acceptance of diverse cultural identities can be moulded and developed through appropriate education. Language being one of the most evident and powerful 'markers' of cultural identity, discourse and text are sites where cultures are both constructed and displayed and where identities are negotiated. The approaches to the analysis of culture and identity adopted here to account for the multifaceted realisations of cultural identities in the texts and documents taken into consideration span from multimodality, to discourse and genre analysis, to corpus linguistics and text analysis. The volume then offers a varied picture of approaches to the scientific enquiry into the multifaceted manifestations of identity in and across national, professional, and disciplinary cultures.

This volume is a critical introduction to the poetry of Irish writer Nuala Ni Dhomhnaill. Writing poetry exclusively in Irish but allowing and overseeing translations of her work into several languages, primarily English, Ni Dhomhnaill is the first Irish-language poet to gain an international following. She is also a pioneer in fostering a renewed relationship between the two languages of Ireland's literary traditions. Ni Dhomhnaill is unflinching in her interventions into problematic social, linguistic and even theoretical arenas, and is well known for her brutal parodies, ribald sexual scenarios and persistent debunking and revising of religious, political and mythological imagery. Her primary thematic concerns demonstrate her dedication to critiquing and ultimately changing dominant discourses so that they account for the presence and contributions of women writers. This volume explores the fraught issues of translating and contextualizing Ni Dhomhnaill's A uvre, her use and revisions of Irish myth, folklore and political and religious iconography, her re-imagining of the mother in culture and religious ideology, and the devices of death, silence and psychoanalytic discourse in her mermaid cycle and other poems. The book hails Ni Dhomhnaill, who has not hitherto received a great deal of critical attention in English, as a major figure in world literature.

Demand the Impossible was written from inside the oppositional political culture of the 1960s and 1970s. The Ralahine Classics edition of this groundbreaking work reissues the original text along with a new essay on Aldous Huxley's Island and a set of reflections on the book by leading utopian and science fiction scholars.

This book paints a detailed picture of the commercial pilot lifestyle, from the struggle to pay for training to time spent down route to thoughts of retirement. Once a glamorous occupation, commercial flying is today more of a job than a vocation with many pilots working the maximum permissible hours for increasingly meagre rewards under evermore stressful conditions. Pilots talk candidly about acute and chronic fatigue, short-notice roster changes that leave them insufficiently rested, noisy and poorly serviced down-route hotels, long daily commutes to work, indebtedness, fear of losing their pilot's licence, industry volatility, dread of lay-off or redundancy, the quality and agendas of airline managers, the impact of these and other stressors on family life and where they think the aviation industry is going. Despite these privations pilots remain enthusiastic - a testament to their professionalism and love of flying.

In German-speaking Europe, as in other parts of the western world, questions of religious identity have been discussed with sudden urgency since the attacks of '9/11'. In this book, the essays explore a range of genres which engage with religion in contemporary Germany and Austria.

Analysing loneliness and solitude in schools and exploring how to deal with them is a vital task. In recent research for the author's Spirit of the School project, a number of pupils, teachers and headteachers described times when they felt lonely and times when they felt the need for healthy solitude. The causes of loneliness are numerous and its consequences have a significant unrecognised impact on education. How do schools deal with people when they are lonely, and how can they overcome loneliness? How can they create opportunities for healthy solitude, a welcome alternative to loneliness? Schools can sometimes try to include people by being intensely social, but end up making them feel even more excluded. A school that teaches solitude well and helps individuals deal with loneliness can be called an 'enstatic' school: a school in which people are comfortable within themselves. The objective of this book - the first comprehensive study of the subject - is to help us all understand loneliness and solitude and thereby to reinvigorate debates on personal, character and values education.

Over thirty years, privatization of public enterprises was in the air. Before and during this period of neo-liberalism, and since the 2008 crisis, public enterprises were nonetheless created. This book looks at public enterprises with new eyes.

This volume explores canonical novels of the Irish land war, as well as looking at the material conditions of reading and writing in late nineteenth-century Ireland. It includes a reprinted letter by author Mary Anne Sadlier, a reproduction of Rosa Mulholland's little-known play Our Boycotting and a detailed bibliography of land war fiction.

After World War II, hundreds of thousands of Italians emigrated to Toronto. This book describes their labour, business, social and cultural history as they settled in their new home. It addresses fundamental issues that impacted both them and the city, including ethnic economic niching, unionization, urban proletarianization and migrants' entrepreneurship. In addressing these issues the book focuses on the role played by a specific economic sector in enabling immigrants to find their place in their new host society. More specifically, this study looks at the residential sector of the construction industry that, between the 1950s and the 1970s, represented a typical economic ethnic niche for newly arrived Italians. In fact, tens of thousands of Italian men found work in this sector as labourers, bricklayers, carpenters, plasterers and cement finishers, while hundreds of others became contractors, subcontractors or small employers in the same industry. This book is about these real people. It gives voice to a community formed both by entrepreneurial subcontractors who created companies out of nothing and a large group of exploited workers who fought successfully for their rights. In this book you will find stories of inventiveness and hope as well as of oppression and despair. The purpose is to offer an original approach to issues arising from the economic and social history of twentieth-century mass migrations.

This book addresses a rich corpus of contemporary narratives by authors who have come to Italy as migrants. It traces the figurative commonalities that emerge across these diverse texts, which together suggest the shape and substance of what might be termed 'migrant imaginaries'. Examining five central figures and concepts - identity, memory, home, place and space, and literature - across a range of novels and stories by writers of African and Middle Eastern origin, the study elucidates the affective and expressive processes that inflect migrant story-telling. Drawing on the work of cultural theorists such as Sara Ahmed and Michel de Certeau, as well as on recent work in postcolonial literary studies, memory studies, human geography and feminist theory, the book probes the varied works of Shirin Ramzanali Fazel, Amara Lakhous, Mohsen Melliti, Younis Tawfik and many others. Each chapter posits alternative interpretations of the ways in which the interior experience of encounters across territories, cultures and languages is figured in this literature. In doing so, the book moves towards a wider apprehension of recent Italian migration narratives as suggestions of what a new notion of contemporary 'Italian' literature might look like, figured at once within and beyond the boundaries of a national literature, a national language and a national cultural imaginary.

Principled arguments are frequently made for and against faith schools, without evidence from empirical research. This book attempts to address this issue by offering a rich in-depth ethnographic case study of Catholic secondary schools, exploring pupils' perceptions of life in the Catholic secondary school in twenty-first-century England.

Current theories of leadership, spirituality and ethics are inadequate for the global, rapidly changing and complex environment in which leaders work today. Emerging from this book's critical analysis comes a new theory of leadership: co-charismatic leadership. This does not mean leadership focused in 'charisma', or the special qualities or charm of an individual. Charisma originates from the Greek word for gift or grace. Rather it emphasises the relational nature of charisma, as both shared throughout the community and dependent upon mutual relationships within the community. The charismata are in effect virtues, to be practised in the community by all members, hence the 'co' in the title. The authors argue for a leadership that enables virtues, informed by the ongoing narrative of and dialogue in the community, to be practised in the community and beyond. These virtues enable the practice of responsibility, and taking that responsibility for ideas, values and practice is itself central to leadership. Through the practice of responsibility everybody in the organisation becomes a leader in some way. The task of the authorised leader is to enable all this. This book will appeal to both practitioner and academic audiences alike as it provides an engaging mix of theory and practical application which tests and applies the concepts explored in a range of practical case studies.

Based on archival research, this volume is concerned with the treatment of fallen women and prostitutes at the London Lock Hospital and Asylum throughout the nineteenth century. As venereally-diseased women, they were treated in the hospital for their physical ailments; those considered ripe for reform were secluded in the asylum for a moral cure. The author analyses the social and cultural implications arising from the situation of these female inmates at a time when women's sexuality was widely debated, using a gender-informed and postmodernist approach. The volume covers notions of purity and deviancy, issues of gender and sexual identity, the social and cultural issues connected with so-called fallen women and prostitutes, and descriptions of venereal disease and treatments for women patients at the time. The Contagious Diseases Acts and their impact are examined, as are the social and cultural implications of the creation of specialised hospitals and places of moral confinement. The book provides a complete picture of the Lock Hospital and Asylum and is an important contribution to the history of hospitals in the Victorian period.

How do we approach other people's pain? This volume explores the theoretical framework of trauma studies and its place within academic discourse and society, and examines from a multidisciplinary perspective the possibilities and limitations of trauma as an analytical category.

Hermann Broch wrote two of the most significant novels of German modernism, The Sleepwalkers and The Death of Virgil, which established his importance to German literature. His writings on democracy, mass delusion and internationalism are more obscure. Embracing Democracy examines the central political, social and psychological tenets of Broch's concept of total democracy as an expression of the synthesis of his European intellectual development - his Viennese Bildung - and his new position as an exile from fascism. This book chronicles Broch's experiences from the founding of the Austrian First Republic to his exile in the United States (1918 to 1951). The author traces two seemingly contradictory narratives in Broch's political consciousness. On the one hand, Broch held an intellectual position in his post-exile political theory that was consistent with the philosophy of history, psychology and epistemology of his Viennese milieu. On the other hand, he significantly reconceived the utility of politics for his theory of value construction, while also becoming more involved in political activism. This book provides new perspectives on the work of Hermann Broch beyond his literary A uvre and offers insights into the development of political theory among exiled European intellectuals in the United States.

This book provides an unorthodox array of perspectives on materialist thought and representation in twentieth-century French intellectual culture. It constructs a necessarily fragmented timeline of the breaks, tensions and antagonisms in twentieth-century French thought, culture and politics, with particular focus on questions of late capitalism.

This collection offers a sustained and up-to-date analysis of the cultural connections between Ireland and Scotland. It focuses on writers, from Charles Robert Maturin to Liam McIlvanney, whose work offers insights into debates around identity and politics in the two nations, often overwhelmed by connections with their larger neighbour, England.

Existential constructions are a fundamental feature of many Indo-European languages, and constructions with non-referential subjects have developed in all of the latter, albeit at different stages in their histories. High German does not feature a prototypical existential construction that is equivalent in syntactic and pragmatic function and semantic meaning to the English existential there-construction. How did a prototypical existential structure originate in English? Why is it that High German has never developed such a construction? Has it ever shown a tendency towards developing one? How did two closely related languages such as English and High German come to differ so much with respect to these constructions? By means of investigating a variety of historical and contemporary data this study shows that not only semantic, pragmatic and syntactic factors are involved, which decide the choice of a certain construction, but also very much the more general different linguistic development that the two languages underwent in the course of time.

George Bernard Shaw is commonly regarded as one of the most controversial intellectuals of the first half of the twentieth century. Known for the ambiguity of his statements and the seeming inconsistency of his views, there was, nevertheless, one idea to which the British dramatist remained constant throughout his life: his long-term enthusiasm for Russia and his firm belief that the Russians would 'give the world back its lost soul'. Moved by the Russian cultural tradition, he found inspiration in the morally charged writings of Tolstoy and Gorky, and sent a copy of his Back to Methuselah to Lenin. The Soviet utopia fascinated him, and he made a much-publicised journey to the USSR to see the results of socialist construction, remaining for the rest of his life an unrepentant advocate of Stalin's policies. Focusing on detailed textual analysis, this book traces the Russian sources that contributed to the formation of Shaw's literary style. By reflecting on these parallels, as well as by drawing on archive reports in the Russian and Western media, the authors attempt to establish the extent to which Shaw's obsession with the socialist cause affected the evolving character of his dramatic output. The book also explores the enduring positive reception of Shaw's plays on the Russian stage.

The continuing advance of globalization, together with deepening European integration, has increased the significance of the transnational level of trade union organization and action. This study offers a comprehensive overview of the development, structure, and policies of global and European trade union federations to serve as a reference work on all the key trade union movements operating globally and in Europe. It presents an in-depth analysis of the challenges facing these organizations and their strategic and policy responses. As a handbook, this volume provides extensive and systematically presented data on transnational sectoral trade union federations. Applying an analogous structure in the presentation of both global and European levels, the study features extensive organizational profiles, portraits, and overviews. This empirical material serves to reveal recent innovations in cross-border policy instruments and strategic approaches since the 1990s. The changing profiles of international trade unions - as measured against a set of functional criteria drawn from political science - and key developments in transnational trade union activity since the start of the new century are also investigated.

This collection of essays is a milestone in the establishment of translation theory within the field of Russian literature and culture, an area that has been neglected in the Anglophone world. The volume is defined by the contributors' insistence that translation should be viewed as the accommodation of a new text within the host culture.

Shockwaves of Possibility explores the deep utopianism of one of the most significant modern cultural practices: science fiction. The author contends that utopianism is not simply a motif in SF, but rather is fundamental to its narrative dynamics. Drawing upon a rich array of theory and criticism in SF and utopian studies, the book opens with a global periodizing history that shows the inseparability of SF from developments in other cultural fields. It goes on to examine literature, film, television, comics, and animation in order to demonstrate SF's unique effectiveness for grappling with the upheavals brought about by globalization. Shockwaves of Possibility proves SF's vitality in the brave new world of the twenty-first century, as it illuminates the contours of the present and educates our desire for a radically other future.

The similarities and differences between poetry and worship have intrigued writers since at least the nineteenth century, when John Keble declared that poetic symbols could almost partake of the nature of sacraments. Since then poets, philosophers and literary critics alike have evoked the terms 'sacrament' and 'incarnation' to make claims about art and poetry. Extending and challenging this critical tradition, this book explores the influence of sacramental belief on the works of three Roman Catholic poets: the nineteenth-century Jesuit priest Gerard Manley Hopkins, the Anglo-Welsh artist David Jones and the Australian poet Les Murray. The author explores the idea that the incarnation and the sacraments embody both God's immanence and God's transcendence and argues that Hopkins, Jones and Murray all endeavour to enclose the 'open mystery' of the Divine while recognizing that it cannot be imprisoned. The volume sets their writings in conversation with each other's, as well as with literary, philosophical and theological discourse. The result is a study that shows the wonders, the mysteries and the difficulties of the sacramental worldview and its central place in the writings of these three major Catholic poets.

This book is the first critical survey of the work of Eric Jourdan. Jourdan first came to public attention as a schoolboy in 1955, when he published Les Mauvais anges, a sulphorous novel of adolescent male-to-male love, which was banned by the censors in 1956 and again in 1974. It did not officially appear until 1984. Despite the ban, and despite ongoing censorship, Jourdan continues to write novels, short stories and plays. His many books include the 'trilogy' Charite, Revolte and Sang, and other equally uninhibited texts such as Le Garcon de joie, Aux gemonies and Le Jeune soldat. More recent publications include short stories, historical novels (Sans lois ni dieux, Lieutenant Darmancour) and the more autobiographical text Trois cA urs. This study charts Jourdan's writing career from Les Mauvais anges to the present day, situating his work in the context of writers from Peyrefitte and Montherlant to Guibert, Dustan and Guyotat. The analysis concentrates on three main themes: boyhood and masculinity; sex and (homo)sexuality; and violence and death. Throughout, a number of questions are paramount. What is the connection between masculinity and violence? How does Jourdan reconcile joie de vivre with pain and punishment? Do his young male protagonists progress from bad boys to new men? In what ways can his texts be seen as homoerotic, homosexual, gay or queer? What, ultimately, is the connection between sex, sexuality and writing in Jourdan? The book includes detailed bibliographies of Jourdan's works and, for the first time since its original, controversial publication in Arcadie, his short story 'Le Troisieme but'.

In this study the author explores the understanding and practice underpinning the Jesus Prayer. He does this by means of an investigation of the importance of psalmody in desert monasticism, an exploration of the influence of Evagrius of Pontus and a thorough examination of selected psalm-commentaries in circulation in the contemporary East.

The military man has long been one of literature's archetypal figures. Using a comparative framework, this book traces the transformation of the military man in eighteenth-century British and French literature as this figure moved from noble warrior to nationalised professional in response to changes within the military structure, the role of empire and the impact of an expanding middle class. The author examines the way in which the masculinity of the military man was reimagined at a time when older models of military service persisted alongside emerging models of patriotic nationalism, inspired by bourgeois morality, the cult of sensibility and a new understanding of the role of violence in both public and private domains. Through a corpus of canonical and lesser-known literature, the book explores the military man's relationship to the state and to his fellow citizens, even in the domestic setting. With the role of the nobleman in decline, the military man, not a civilian and no longer associated with the 'aristocrat', became a separate class of man.

This reassessment of Chateaubriand's literary and political achievements, offered as an intellectual biography of the writer, is centred on the concept of change and Chateaubriand's emotional suspicion of change, arising both from mistrust of his own inconstancy and from the personal and collective suffering of the French Revolution. His aversion to change spread beyond politics to religion and literature, but conflicted with his intellectual fascination with historic change in all three areas. The paradox of his fluctuating attitude to change allows a challenge to traditional views of Chateaubriand's status. Was he truly a committed founder of French Romanticism? Was he an unswerving right-wing legitimist? Was he an insincere and 'aesthetic' Christian? The book provides new answers to these questions, presenting a very different Chateaubriand both through an analysis of his preference for the epic literature of Greece and Rome and its Christian heritage in the sixteenth and seventeenth centuries and by its account of his subtle pleading for constitutional monarchy. Malcolm Scott argues that the failure of Chateaubriand's political aspirations led him, again paradoxically, to the espousal of change and to a final dramatic reversal of his literary and religious standpoint, expressed in the writings of the last few years of his life.

The engaging figure of Irish writer George Moore (1852-1933) comes to light and to life in this collection of perceptive essays on his works and influences. International Moore scholars venture into previously unexplored literary, historical and psychological territory, shining new light on Moore's presentation of the quirks of human nature.