Bøker utgitt av Peter Lang AG, Internationaler Verlag der Wissenschaften

This book offers an interpretative key to Virginia Woolf's visual and spatial strategies by investigating their nature, role and function. The author examines long-debated theoretical and critical issues with their philosophical implications, as well as Woolf's commitment to contemporary aesthetic theories and practices. The analytical core of the book is introduced by a historical survey of the interart relationship and significant critical theories, with a focus on the context of Modernism. The author makes use of three investigative tools: descriptive visuality, the widely debated notion of spatial form, and cognitive visuality. The cognitive and remedial value of Woolf's visual and spatial strategies is demonstrated through an inter-textual analysis of To the Lighthouse, The Waves and Between the Acts (with cross-references to Woolf's short stories and Jacob's Room). The development of Woolf's literary output is read in the light of a quest for unity, a formal attempt to restore parts to wholeness and to rescue Being from Nothingness.

Dancing to the Post-Modern Tune

Offering new perspectives on the role of broadcasting in the construction of cultural memory, this book analyses selected instances in relation to questions of French identity at the BBC during the Second World War. The influence of policy and ideology on the musical and the poetic is addressed by drawing on theoretical frameworks of the archive, memory, trauma and testimony. Case studies investigate cultural memories constructed through three contrasting soundscapes. The first focuses on the translation of 'Frenchness' to the BBC's domestic audiences; the second examines the use of slogans on the margins of propaganda broadcasts. In the third, the implications of the marriage of poetry and music in the BBC's 1945 premier of Francis Poulenc's cantata setting of resistance poems by the surrealist poet Paul Eluard in Figure humaine are assessed. Concentrating on the role of the archive as both narrative source and theoretical frame, this study offers a new approach to the understanding of soundscapes and demonstrates the processes involved in the creation of sonic cultural memory in the context of global conflict.

This study focuses on beliefs about music current in eighteenth-century Germany. Of particular interest are the conceptual metaphors through which major writers (Goethe, Schiller, Herder and Klopstock) used music as analogy and medium for perceptions of the world in their writing. The book surveys traditional metaphors (music as harmony/disharmony, music as like/unlike language, music as structured by mathematical proportion or by rhythm) inherited from Greek and French thought and looks at ways in which these writers also assimilated and developed contemporary ideas (especially from Leibniz, the French Rationalists, Rameau and Rousseau). German writers of this epoch had a remarkably rich and varied range of ideas of music at their disposal, some of which could also be realised in multi-media genres. With the help of modern theory from several fields, the study aims to show how they deployed these resources in ways both like and unlike the practice of Romantic writers with whom they overlapped at the end of the century.

Making a contribution to the still under-researched translation history of Verne's Extraordinary Journeys, this book examines the causes of a selection of renderings from French into English of the 1873 Jules Verne novel Le Tour du monde en quatre-vingts jours (Around the World in Eighty Days). This study integrates a number of methodologies in order to offer a comprehensive explanation of translation outcomes. It presents a diachronic investigation of the multiple interacting translation causes which have produced various retranslations of the same work. A corpus of target texts, from 1873 to 2004, is analysed in order to discover the translation strategies employed and their likely causes using Pym's (1998) model of the four Aristotelian causes of social phenomena, as applied to translation. Translators' biographical details are studied to ascertain the agency of the translator. The book addresses the difficulties encountered in uncovering biographical information on certain translators, and the considerations involved in selecting a suitable corpus of retranslated texts. It provides some understanding of the reasons for which retranslations of a canonical novel are undertaken and contributes to arguments concerning translation universals.

How can one believe in a God of love amid all the evil and suffering found in the world? How does one do theology 'after Auschwitz', while vast numbers of people still have to endure violent oppression every day? This book seeks to address such questions from a standpoint informed by life in Africa, which in the face of extraordinary difficulties bears witness to Gospel hope by demonstrating forgiveness in action and promoting reconciliation. The work unfolds in two parts. In the first part, a description of the misery that characterises much of life in Africa in the recent past opens up to a theological consideration of the underlying causes and of God's response to them. In the second part, the joy which is so characteristic of life in Africa even in places of immense suffering sets the scene for detailed reflections on liturgy, memory, forgiveness and hope.

Breaking the Mould

France and the Mediterranean

Britishness, Identity and Citizenship

This book offers a significant, original and timely contribution to the study of one of the most important and notorious Latin American authors of the twentieth century: Reinaldo Arenas. The text engages with the many extraordinary intersections created between Arenas' writing, the autobiographical construction of the literary subject and the exilic condition. Through focusing on texts written on the island of Cuba and in exile, the author analyses the ways in which Arenas' writing emblemises a complex process of identification with, and rejection of, his homeland - always an imagined place and which is, as the place of his origins, intrinsically related to the maternal. She examines how the maternal and the motherland are conflated and how the narrator-protagonists' identification is always in relation to, and dependent upon, this dominant motif. The book also explores the extent to which Arenas' writing is a tortuous attempt to escape from this dominance and to free himself and his writing from the ties that bind him to the mother and the motherland, and shows that Arenas suffered the exilic condition long before his move to the United States in 1980 as part of the Mariel exodus.

Presents ten essays by scholars from North America and Europe working in the humanities, social sciences, and natural sciences that endeavor to move the discipline of German-American studies away from the narrowly conceived historical investigation of the migration of ethnic Germans to America that has dominated the field for decades.

Aesthetics and Modernity from Schiller to the Frankfurt School

Today's learners are faced with an unprecedented set of global and local development challenges, yet so much education on offer is based on yesterday's thinkers, ideas and lessons. This book argues that development education should be embedded into the curriculum, where it has the potential to strengthen democracy and create a more equal society.

Play is a foundational concept that animates life, work, creativity and organization; and while play is essential, it also dislodges the very meaning of these terms. Organization in Play explores different meanings, usages and understandings of play to present novel and insightful perspectives on capitalism, management, markets, bureaucracy and other organizational phenomena. It traces how early capitalism, with its ethos of austerity and distaste for recreation, has given way to a more ludic version in recent times. At the same time, children - those playmakers supreme - have been, curiously, excluded from scholarly conversation about organization. The authors examine this and other paradoxes using a wide range of sources - from Weber to Sesame Street, from Star Trek to Lacan, from Riverdance to Beckett - that shed light on the capricious boundaries between work and play, rationality and foolishness, sense and nonsense. Play points us to the liminal and the extraordinary, where meaning is ambiguous at best, and where conventional notions about order and disorder, movement and stasis, centre and periphery are undone and are put into play. It focuses our attention on the silences and absences, the comic and the theatrical, the folly and the madness of markets, organizations, management and work practices in contemporary capitalism. Drawing on a deep engagement with sociological and organizational literatures, the authors show how a play perspective enhances our understanding of the institutions we inhabit and which inhabit us.

Until recently, there has been little concrete evidence linking the American Federation of Labor (AFL) to the US government's Central Intelligence Agency (CIA) in the late 1940s and early 1950s. This book investigates this controversial and complicated early Cold War relationship.

This book examines the many facets of the work of Pierre Klossowski (1905-2001). Klossowski first established himself as a writer and was known and admired by peers such as Bataille, Blanchot, Gide, Foucault, Deleuze and Lacan. But in 1972 he gave up writing to devote himself to his 'mutism': painting made up of large coloured drawings. In time he became as famous a painter as he had been a writer and theorist. Klossowski now has two separate groups of commentators: those concerned with his writings and those with his painting, with little overlap between the two. Here, this separation is explicitly removed. Klossowski's entire A uvre revolved around the concept of the gaze. Rarely has the gaze been so radically interpreted - as an active, mobile, evanescent object that breaks down the connections between representation and the visible. How is one to see the invisible divinity? This question plagued Klossowski, and he displaced it onto pornographic rituals. The pantomime of spirits is the scene, fixed in silence, where bodies meet - a knotting of desiring body and dogmatic theology. A creator of simulacra, Klossowski attempted to exorcise the 'obsessive constraint of the phantasm' that subjugated him in all these scenes. Translated from the French by Adrian Price in collaboration with Pamela King.

In the context of China's growing influence over the global economy, its newly developed labour market and the subsequent series of industrial relations issues have captured much attention. However, research on industrial relations and labour problems in China is relatively underdeveloped. The classic three-party industrial relations model, which was developed for western economies, has been difficult to apply to China's circumstances. In light of this, this book reviews the relevant existing industrial relations theories and explores their applicability to China. It then proposes a new six-party taxonomy for the analysis of China's union system and industrial relations, taking into account distinctive industrial relations actors with 'Chinese characteristics' and their interrelationships at different social levels. This new taxonomy is then used to provide a broader picture of evolving industrial relations in China.

A translation of the classic work by Ivan Sokolov, first published in 1904, on the history of the Orthodox Church of Constantinople in the nineteenth century. The book has lost none of its potency, and is still the authoritative source of information on the Church and community of that period.

What gives this banal cliche such irresistible attraction? How does East-West symbolism interact with other symbolic geographies? This book examines East-West rhetoric in several different historical contexts, seeking to problematize its implicit assumptions and analyse its consequences.

This detailed study explores the significance of the 'Library of Ireland', a book series originated in the 1840s by the Young Irelanders Thomas Davis and Charles Gavan Duffy. Focusing on the literary anthologies and literary histories published in this series, the author demonstrates how they attempted to articulate a new national identity for Irish readers based on Young Ireland ideas. Despite the vast amount of scholarly work on Irish nationalism and literature, very little attention has hitherto been paid to the 'Library of Ireland' series. This book recovers the fundamental role played by the series in the creation of a sense of Irish identity, and also examines the publications within the wider theoretical context of anthology studies. It is an original and highly stimulating contribution to the literary and cultural history of nineteenth-century Ireland.

Idioms are universal to all languages, and figurative language is pervasive in everyday discourse. However, idiom studies rarely touch on the problems figurative language can present to non-native speakers. This book sets out to provide an original analysis of the issue, focusing on a number of languages, including Arabic, Berber, French and English. The author addresses the question of idiomaticity from linguistic, psycholinguistic and pedagogical perspectives, highlighting in particular the strategies used by Arab learners (primarily Saudis and Algerians) to decode and encode idioms. The book explores in detail the process of identifying idioms and the factors that affect comprehension. The author also analyses the current state of bilingual Arabic-English-Arabic dictionaries and asks to what extent learners can rely on them as a source for decoding idioms.

Crossing Borders

Examines David Coffey's treatment of the relation of Spirit Christology to Logos Christology, his reformulation of Rahner's axiom, and his suggestion that Spirit Christology offers an 'ascending' basis for a 'mutual love' Pneumatology, in the service of a renewed trinitarian theology.

Includes a collection of essays that sets out to correct an injustice to citizens of the Irish Free State, or Twenty-Six Counties, whose contribution to the victory against Nazi Germany in the Second World War has thus far been obscured.

Discursive Constructions around Terrorism in the People's Daily (China) and The Sun (UK) before and after 9.11

Challenging the Stereotype

Cinematic Queerness

The cult of St Demetrius is of considerable age but it peaked with the emergence of his city, Thessalonica, as a prominent political and cultural centre in late Byzantium. This book examines the intensification of his popularity and veneration in the late Middle Ages and his impact on contemporary thought and ritual. The encomia written in the saint's honour are significant historical and literary monuments and in their suggestiveness and beauty they are on a level with many better-known works in medieval Greek. Indeed, the encomia have added historical interest because of the prominence of those who wrote them. The likes of Nicholas Kavasilas, Gregory Palamas, Constantine Harmenopoulos and Symeon of Thessalonica were the elite of late Byzantium in intellect and personal influence, while Nikephoros Gregoras was perhaps the finest of Byzantine minds. With their clear links to individual authors, the encomia on St Demetrius present opportunities to the historian and the literary critic, which are fully explored in this book, the first to give them sustained scholarly attention.

The domestic sphere, the ideological as well as physical context of female life during the nineteenth century, featured prominently in German women's writing of the period. Women writers, such as Fanny Lewald, Ida von Hahn-Hahn and E. Marlitt, who had begun to dominate Germany's book market, addressed domestic life and female gender roles through a variety of genres. At the same time, activists such as Helene Lange and Henriette Schrader-Breymann let their vision of female gender roles shape the kindergartens and girls' secondary schools they founded. This book discusses issues of female gender role formation and examines the ways in which women's writing and activism contributed to the process. As a result, a rich tapestry of female social discourse is uncovered, exhibiting women's strong commitment to shaping their destinies within a largely misogynistic political and legal national framework.