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There has never been a full-length biography of Mickey Spillane, the most popular and influential mystery writer of his era-until now.Beginning in 1947 with I, the Jury, and continuing with his next six novels, Spillane quickly amassed a readership in the tens of millions, becoming the bestselling novelist in the history of American publishing. Surrounded by controversy for the overt violence and suggestive sexual content of his iconic Mike Hammer private eye novels, Spillane was loathed by critics but beloved by his readers.There is, however, more to Spillane's life than the books. He also starred as Hammer in a movie, was a circus performer, worked with the FBI in capturing a notorious criminal, and starred in Miller Light beer commercials that were so popular they ran for a quarter of a century.Max Allan Collins became Spillane's friend and collaborator, continuing the Mike Hammer series for years after the author's death, building upon unfinished manuscripts the writer left behind. Now, with co-author James Traylor, Collins has produced the first comprehensive and authoritative profile of the Mystery Writers of America Grand Master. It is a must-read for any fan of the author-or of the generations of crime writers that were influenced by his work.

Broadway producer Peter Duluth sought solace in a bottle after his wife's death; now, two years later and desperate to dry out, he enters a sanitarium, hoping to break his dependence on drink-but the institution doesn't quite offer the rest and relaxation he expected. Strange, malevolent occurrences plague the hospital; and among other inexplicable events, Peter hears his own voice with an ominous warning: "There will be murder." It soon becomes clear that a homicidal maniac is on the loose, and, with a staff every bit as erratic as its idiosyncratic patients, it seems everyone is a suspect-even Duluth's new romantic interest, Iris Pattison. Charged by the baffled head of the ward with solving the crimes, it's up to Peter to clear her name before the killer strikes again. Reprinted for the first time in over thirty years, A Puzzle for Fools is the atmospheric and complex mystery that first introduced Peter Duluth; the character and his love interest Iris went on to star in eight more novels, two of which were adapted for film.

When John Frankel's ex-wife is discovered dead on the floor of his Manhattan studio apartment, the NYPD Detective instantly becomes the prime suspect in her murder. Then more information surfaces, linking his gun to the fatal bullet, a motive is discovered, and Frankel flees the city, all of which further convinces his colleagues of his guilt. In spite of the mounting evidence, Frankel's bride-to-be, Rachel Grant, and her father, Austin Grant, formerly of Scotland Yard, are certain of his innocence. But with the police under orders to use whatever force necessary to stop what they view as a dangerous criminal, the duo will have to act fast, before the manhunt goes violently wrong. The investigation and relentless chase after Frankel takes them across the country, from the tropical shores of Hawaii to a deadly midnight rendezvous in a cemetery in northern Maine. And as that game of cat-and-mouse unfurls, so too does a complex murder plot with multiple victims-the ultimate solution of which will keep readers baffled and breathless until the very end.The second mystery from Scott Shepherd, the showrunner and screenwriter whose credits include The Equalizer, The Dead Zone and Miami Vice, Should I Fall is a fast-paced and expertly-crafted whodunnit that is as puzzling as it is entertaining.

Fleeing a disastrous affair with a colleague in Boston, Isabel Henley moves to Scotland to begin a PhD with a renowned feminist professor-only to learn, upon arrival, that her advisor has suffered a deadly fall. Soon after, Isabel is informed that another scholar at the university is about to publish a book on her dissertation topic, leaving her disconcerted and in search of a new subject, all while struggling to acclimate to her new home abroad.Isabel needs a good friend during such a rocky start, and finds one when she reconnects with Rose Brewster, her charismatic classmate from undergrad. But when Rose confides to Isabel that she is in trouble, and then goes missing, Isabel's already-unsteady life is sent into a tailspin. A suicide note surfaces, followed by a coded message: Rose is alive but, unless Isabel can complete the research begun before her friend's disappearance, both women will be killed by her captors. As Isabel follows the Rose's paper trail from Genoa to Florence and, finally, to Paris, she uncovers family secrets, the legend of an enormous cursed emerald, and a chain of betrayal and treason which parallels her own perilous present. If she can put the pieces together soon, she could solve a 400-year-old mystery-and save her and her friend's lives in the process.Combining epistolary elements, Gothic suspense, and an atmospheric "dark academia" setting, The Bequest is a gripping literary thriller that will appeal to fans of Alex Michaelides' The Maidens and Donna Tartt's The Secret History.

For devotees of the Golden Age mystery, the impossible crime story represents the period's purest form: it presents the reader with a baffling scenario (a corpse discovered in a windowless room locked from the inside, perhaps), lays out a set of increasingly confounding clues and swiftly delivers an ingenious and satisfying solution. During the years between the two world wars, the best writers in the genre strove to outdo one another with unfathomable crime scenes and brilliant explanations, and the puzzling and clever tales they produced in those brief decades remain unmatched to this day.Among the Americans, some of these authors are still household names, inextricably linked to the locked room mysteries they devised: John Dickson Carr, Ellery Queen, Clayton Rawson, Stuart Palmer. Others, associated with different styles of crime fiction, also produced great works-authors including Fredric Brown, MacKinlay Kantor, Craig Rice and Cornell Woolrich.All of these and more can be found in Golden Age Locked Room Mysteries, selected by Edgar Award-winning mystery expert and anthologist Otto Penzler. Featuring a delightful mix of well-known writers and unjustly-forgotten masters, the fourteen tales included herein highlight the best of the American impossible crime story, promising hours of entertainment for armchair sleuths young and old.

For devotees of the Golden Age mystery, the impossible crime story represents the period's purest form: it presents the reader with a baffling scenario (a corpse discovered in a windowless room locked from the inside, perhaps), lays out a set of increasingly confounding clues, and swiftly delivers an ingenious and satisfying solution. During the years between the two world wars, the best writers in the genre strove to outdo one another with unfathomable crime scenes and brilliant explanations, and the puzzling and clever tales they produced in those brief decades remain unmatched to this day.Among the Americans, some of these authors are still household names, inextricably linked to the locked room mysteries they devised: John Dickson Carr, Ellery Queen, Clayton Rawson, Stuart Palmer. Others, associated with different styles of crime fiction, also produced great works-authors including Fredric Brown, MacKinlay Kantor, Craig Rice, and Cornell Woolrich. All of these and more can be found in Golden Age Locked Room Mysteries, selected by Edgar Award-winning mystery expert and anthologist Otto Penzler. Featuring a delightful mix of well-known writers and unjustly-forgotten masters, the fourteen tales included herein highlight the best of the American impossible crime story, promising hours of entertainment for armchair sleuths young and old.

Jeremy Horton is a man denying his past, haunted by a dysfunctional childhood full of dark secrets-including the suspicious death of his younger sister.Married to lawyer Sarah and with children of his own, Jeremy keeps his eyes firmly focused on the present, never daring to glance in the rear-view mirror for fear of what he might see there. But when a chance encounter awakens the memories he's fought so hard to suppress, and the death of his estranged mother takes Jeremy back to his sleepy hometown and the scene of the family tragedy, he determines to finally uncover the truth behind his sister's death.Villages hold long memories, and Jeremy's presence quickly becomes an unwelcome reminder of nameless cruelties and shameful secrets. The more he learns, the more the stories from his past take on a sinister significance, leading him to question his own innocence. Meanwhile, someone desperately wants him gone, and their efforts to drive him out escalate as Jeremy's anxiety spirals out of control. Do they fear him for what he knows-or for what he's done?

Sometimes, the police aren't the best suited to solve a crime. Depending on the case, you may find that a retired magician, a schoolteacher, a Broadway producer or a nun have the necessary skills to suss out a killer. Or, in other cases, a blind veteran, or a publisher, or a hard-drinking attorney, or a mostly-sober attorney... or, indeed, any sort of detective you could think of might be able to best the professionals when it comes to comprehending strange and puzzling murders.At least, that's what the authors from the Golden Age of American mystery fiction would have you think. For decades in the middle of the twentieth century, the country's best-selling authors produced delightful tales in which all types of eccentrics used rarified knowledge to interpret confounding clues. And for even longer, in the decades that have followed, these characters have continued to entertain new audiences with every new generation that discovers them.Edgar Award-winning anthologist Otto Penzler selects some of the greatest American short stories from the era. With authors including Ellery Queen, Mary Roberts Rinehart, Cornell Woolrich, Erle Stanley Gardner and Anthony Boucher, this collection is a treat for those who know and love this celebrated period in literary history and a great introduction to its best writers for the uninitiated.

Joe is an ex-Special Forces operative with a bad case of PTSD and some substance abuse issues, trying to rebuild a simple life as a strip club bouncer living with his grandmother in Queens. But this simple life is constantly complicated by the fact that, at the invitation of a childhood friend, now a Mafia boss, Joe also moonlights as a fixer for the most powerful crime families in town.In his newest assignment, Joe is sent to take out a shadowy figure named Zahir, the faceless name behind White Angel, a powerful new brand of heroin invading the mob's territories and threatening their sales. Then Joe discovers a link between Zahir and a shady group of private military contractors, and the stakes of his mission become increasingly deadly.Soon the Five Boroughs are on the verge of an all-out drug war, pitting Joe and the crime world's most infamous talents against a ruthless clan of professional killers. Joe's only chance to calm the violence is to intercept the newest shipment of Zahir's product-if his skills as a master thief prove up to the task.A comic caper with heists, car chases, and shoot-outs aplenty, Against the Law is Joe the Bouncer's most exciting outing to date, as humorous as it is thrilling. Gordon's memorable characters, tight plotting, and breathless action sequences make this a standout in the pantheon of the New York crime novel, certain to appeal to fans of authors such as Donald E. Westlake and Elmore Leonard.