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A book as rich and sprawling as the seductive metropolis it evokes, Rio de Janeiro builds a kaleidoscopic portrait of this city of extremes, and its history of conflict and corruption. Award-winning novelist, ex-government minister and sociologist, Luiz Eduardo Soares tells the story of Rio through the everyday lives of its people: gangsters and police, activists, politicians and struggling migrant workers, each with their own version of the city. Taking us on a journey into Rio's intricate world of favelas, beaches and corridors of power, Soares reveals one of the most extraordinary cities in the world in all its seething, agonistic beauty.

This surreal fable, set in America's Old West, features a cast of notorious characters: The Crying Gun, who breaks into tears at the sight of his opponent; The Priest, who goes into gunfights giving his adversaries the last rites; and The Nihilistic Kid himself, Kim Carson, a homosexual gunslinger who, with a succession of beautiful sidekicks, sets out to challenge the morality of small-town America and fight for intergalactic freedom. Fantastical and humorous, The Place of Dead Roads continues William Burroughs' exploration of society's controlling forces - the State, the Church, women, literature, drugs - with a style that is utterly unique in twentieth-century literature.

With a dangerous blend of chemistry and magic, secret agent Lee has the ability to change bodies - his own, or with anyone he chooses. Also able to time travel, he finds himself forced to use his skills to defeat a team of priests, who are using mind control to produce their own private slave race. Dead soldiers, African street urchins, evil doctors, corrupt judges and monsters from the mythology of history and science all feature in Lee's terrifying adventure. A surreal space odyssey, The Soft Machine is the first book in Burrough's innovative 'cut-up' trilogy - followed by Nova Express and The Ticket That Exploded - and a ferocious assault on hype, poverty, war and addiction in all its forms.

Inspector Lee and the Nova Police have been forced to engage the Nova Mob in one final battle for the planet. This is Burroughs's nightmare vision of scientists and combat troops, of Johnny Yen's chicken-hypnotizing and green Venusian-boy-girls, of ad men and conmen whose destructive language has spread like an incurable disease; a virus and parasite that takes over every human body. One of Burroughs's most approachable works, The Ticket That Exploded is the climax of his innovative 'cut-up' Nova trilogy - following The Soft Machine and Nova Express - and is an enthralling and frightening image of the future.

"e;That rare person who looked like Marlene Dietrich and wrote like Virginia Woolf,"e; Clarice Lispector is one of the most popular but least understood of Latin American writers, and now, after years of research on three continents, drawing on previously unknown manuscripts and dozens of interviews, Benjamin Moser demonstrates how Lispector's development as a writer was directly connected to the story of her turbulent life. Born in the nightmarish landscape of post-World War I Ukraine, Clarice became, virtually from adolescence, a person whose beauty, genius, and eccentricity intrigued Brazil. Why This World tells how this precocious girl, through long exile abroad and difficult personal struggles, matured into a great writer, and asserts, for the first time, the deep roots in the Jewish mystical tradition that make her the true heir to Kafka as well as the unlikely author of "e;perhaps the greatest spiritual autobiography of the twentieth century."e; From Chechelnik to Recife, from Naples and Bern to Washington and Rio de Janeiro, Why This World strips away the mythology surrounding this extraordinary figure and shows how Clarice Lispector transformed one woman's struggles into a universally resonant art.Benjamin Moser is the New Books columnist of Harper's Magazine. He was born in Houston in 1976 and currently lives in the Netherlands. He is a contributor to the The New York Review of Books, and he has written for Conde Nast Traveler and Newsweek, as well as many other publications.

From Eduardo Galeano, one of Latin America's greatest living writers, author of the Memory of Fire trilogy, comes Children of the Days a new kind of history that shows us how to remember and how to liveThis book is shaped like a calendar. Each day brings with it a story: a journey, feast or tragedy that really happened on that date, from all possible years and all corners of the world. From Abdul Kassem Ismail, the tenth-century Persian who never went anywhere without his library - all seventeen thousand books of it, on four hundred camels; to the Brazilian city of Sorocaba, which on February 8 1980 responded to the outlawing of public kissing by becoming one huge kissodrome; to July 1 2008, the day the US government decided to remove Nelson Mandela's name from its list of dangerous terrorists, Children of the Days takes aim at the pretensions of official history and illuminates moments and heroes that we have all but forgotten. Through this shimmering historical mosaic runs a common thread, one that joins humanity's darkest hours to its sweetest victories. Children of the Days is the story of our lives.'Galeano performs the sort of extraordinary feats of compassion, artistry, and imagination achieved in fiction by his fellow visionary Latin American writers, especially Borges, Garc a M rquez, and Bola o' Booklist, starred review'Galeano's prose is nearly lulling in its lyricism' Neil Gordon, New York Times Book Review'The elegance of Galeano's words - they're just penetrating, so beautiful' San Francisco Chronicle, Danny GloverEduardo Galeano is one of Latin America's most distinguished writers. He is the author of the three-volume Memory of Fire; Open Veins of Latin America; Soccer in Sun and Shadow; The Book of Embraces; Walking Words; Upside Down; and Voices in Time. Born in Montevideo in 1940, he lived in exile in Argentina and Spain for years before returning to Uruguay. His work has been translated into twenty-eight languages. He is recipient of many international prizes.

The global financial crisis has had a seismic impact upon the wealth of nations. But we have little sense of how it affects one of the most fundamental issues of all: our physical and mental health.This highly significant new book, based on the authors' own groundbreaking research, looks at the daily lives of people affected by financial crisis, from the Great Depression of the 1930s, to post-communist Russia, to the US foreclosure crisis of the late 2000s. Why, it asks, did Sweden experience a fall in suicides during its banking crisis? What triggered a mosquito-borne epidemic in California in 2007? What caused 10 million Russian men to 'disappear' in the 1990s? Why is Greece experiencing rocketing HIV rates? And how did the health of Americans actually improve during the catastrophic crisis of the 1930s? The conclusions it draws are both surprising and compelling: remarkably, when faced with similar crises, the health of some societies - like Iceland - improves, while that of others, such as Greece, deteriorates. Even amid the worst economic disasters, negative public health effects are not inevitable: it's how communities respond to challenges of debt and market turmoil that counts. The Body Economic puts forward a radical proposition. Austerity, it argues, is seriously bad for your health. We can prevent financial crises from becoming epidemics, but to do so, we must acknowledge what the hard data tells us: that, throughout history, there is a causal link between the strength of a community's health and its social protection systems. Now and for generations to come, our commitment to the building of fairer, more equal societies will determine the health of our body economic.

Beginning as surprisingly formal notes from the road to his friends Allen Ginsberg and Jack Kerouac, the letters gradually deepen in substance and style. Burroughs's letters show the development of both the man and the writer, vividly documenting his (often turbulent) personal and cultural history. The collection provides a key to opening up and contextualizing Burroughs's fiction, but more than that it shows how letter-writing was itself integral to his life and creative process.

In this groundbreaking biography, based on more than 10,000 hitherto unavailable letters and diary entries, Niall Ferguson returns to his roots as a financial historian to tell the story of the extraordinary Siegmund Warburg.A refugee from Hitler's Germany, Warburg rose to become the dominant figure in the post-war City of London and one of the architects of European financial integration. Seared by events in the 1930s, when the long-established Warburg bank was first almost destroyed by the Depression and then 'Aryanized' by the Nazis, Warburg was determined that his own bank would learn from the past and contribute to the economic recovery of Britain, the unity of Western Europe and the birth of globalization.Siegmund Warburg was a complex and ambivalent man, as much a psychologist, politician and actor-manager as a banker. In High Financier Niall Ferguson reveals Warburg's idiosyncracies but above all he recaptures the meticulous business methods and strict ethical code that set Warburg apart from the mere speculators and traders who inhabit today's financial world.

My Education is Burroughs's last novel, first published two years before his death in 1997. It is a book of dreams, collected over several decades and as close to a memoir as we will see. The dreams cover themes from the mundane and ordinary - conversations with his friends Allen Ginsberg or Ian Sommerville, feeding his cats, procuring drugs or sex - to the erotic, bizarre and visionary. Always a rich source of imagery in Burroughs's own fiction, in this book dreams become a direct and powerful force in themselves.

The controversial revisionist history of World War I that made Niall Ferguson's name The First World War killed around eight million men and bled Europe dry. More than any other event, it made the twentieth century. In this boldly conceived book and provocative, aimed to appeal not only to students but also to the general reader, Niall Ferguson explodes many of the myths surrounding the war. Niall Ferguson is Herzog Professor of Financial History at the Stern School of Business, New York University, Visiting Professor of History, Oxford University and Senior Research Fellow, Jesus College, Oxford. His other books for Penguin include Empire, The Cash Nexus, Colossus, The War of the World, Virtual History, High Financier and Civilization.

A fascinating mix of autobiographical episodes and extraordinary Egyptian theology, Burroughs's final novel is poignant and melancholic. Blending war films and pornography, and referencing Kafka and Mailer, The Western Lands confirms his status as one of America's greatest writers. The final novel of the trilogy containing Cities of the Red Night and The Place of Dead Roads, this is a profound meditation on morality, loneliness, life and death.

An opium addict is lost in the jungle; young men wage war against an empire of mutants; a handsome young pirate faces his execution; and the world's population is infected with a radioactive epidemic. These stories are woven together in a single tale of mayhem and chaos. In the first novel of the trilogy continued in The Place of Dead Roads and The Western Lands, William Burroughs sharply satirizes modern society in a poetic and shocking story of sex, drugs, disease and adventure.

The diabolical Nova Criminals now include the nightmarish characters of Sammy the Butcher, Iron Claws, Izzy the Push and the Brown Artist, and are poised to wreak untold destruction on the world with their new-found control. Only Inspector Lee of the Nova Police has any chance of stopping them, by dismantling the word and image machine before it's too late. The third book of Burroughs's linguistically prophetic 'cut-up' trilogy - following The Soft Machine and The Ticket That Exploded - Nova Express is a hilarious and Swiftian parody of bureaucracy and the frailty of the human animal.

What does it feel like to try and create something new? How is it possible to find a space for the demands of writing a novel in a world of instant communication?Working on My Novel is about the act of creation and the gap between the different ways we express ourselves today. Exploring the extremes of making art, from satisfaction and even euphoria to those days or nights when nothing will come, it's the story of what it means to be a creative person, and why we keep on trying.

The latest work from Niall Ferguson, bestselling author of Empire, The Great Degneration is based on his 2012 BBC Reith Lectures 'The Rule of Law and Its Enemies'The decline of the West is something that has long been prophesied. Symptoms of decline are all around us today, it seems: slowing growth, crushing debts, aging populations, anti-social behaviour. But what exactly is amiss with Western civilization? The answer, Niall Ferguson argues, is that our institutions - the intricate frameworks within which a society can flourish or fail - are degenerating. Representative government, the free market, the rule of law and civil society: these were once the four pillars of West European and North American societies. It was these institutions, rather than any geographical or climatic advantages, that set the West on the path to global dominance after around 1500. In our time, however, these institutions have deteriorated in disturbing ways. Our democracies have broken the contract between the generations by heaping IOUs on our children and grandchildren. Our markets are increasingly distorted by over-complex regulations that are in fact the disease of which they purport to be the cure. The rule of law has metamorphosed into the rule of lawyers. And civil society has degenerated into uncivil society, where we lazily expect all our problems to be solved by the state.The Degeneration of the West a powerful - and in places polemical - indictment of an era of negligence and complacency. While the Arab world struggles to adopt democracy, and while China struggles to move from economic liberalization to the rule of law, Europeans and Americans alike are frittering away the institutional inheritance of centuries. To arrest the degeneration of the West's once dominant civilization, Ferguson warns, will take heroic leadership and radical reform.

In The Fourth Revolution, John Micklethwait and Adrian Wooldridge ask: what is the state actually for? Their remarkable book describes the three great revolutions in its history, and the fourth which is happening nowIn most of the states of the West, disillusion with government has become endemic. Gridlock in America; anger in much of Europe; cynicism in Britain; decreasing legitimacy everywhere. Most of us are resigned to the fact that nothing is ever going to change. But as John Micklethwait and Adrian Wooldridge show us in this galvanising book, this is a seriously limited view of things. In response to earlier crises in government, there have been three great revolutions, which have brought about in turn the nation-state, the liberal state and the welfare state. In each, Europe and America have set the example. We are now, they argue, in the midst of a fourth revolution in the history of the nation-state, but this time the Western way is in danger of being left behind.The Fourth Revolution brings the crisis into full view and points toward our future. The authors enjoy extraordinary access to influential figures and forces the world over, and the book is a global tour of the innovators. The front lines are in Chinese-oriented Asia, where experiments in state-directed capitalism and authoritarian modernization have ushered in an astonishing period of development. Other emerging nations are producing striking new ideas, from Brazil's conditional cash-transfer welfare system to India's application of mass-production techniques in hospitals. These governments have not by any means got everything right, but they have embraced the spirit of active reform and reinvention which in the past has provided so much of the West's comparative advantage. The race is not just one of efficiency, but one to see which political values will triumph in the twenty-first century: the liberal values of democracy and freedom or the authoritarian values of command and control. The centre of gravity is shifting quickly, and the stakes could not be higher.JOHN MICKLETHWAIT is the Editor-in-Chief of the Economist; ADRIAN WOOLDRIDGE was its Washington bureau chief until 2009, and now serves as Management Editor and 'Schumpter' columnist. They have written four previous books together: The Company: A Short History of a Revolutionary Idea; A Future Perfect: The Challenge and Promise of Globalization; The Witchdoctors: Making Sense of the Management Gurus; The Right Nation: Why America is Different; and God is Back: How the Global Rise of Faith is Changing the World.

These three dramatic works by Tennessee Williams explore the darker side of human nature and are haunted by a sense of isolation and regret. 'Suddenly Last Summer' is the starkly told story of Catherine, who seemingly goes insane after her cousin Sebastian dies in grisly circumstances on a trip to Europe. 'The Milk Train Doesn't Stop Here Anymore' is a passionate examination of a wealthy old woman as she recounts her memories in the face of death, while in 'Small Craft Warnings' a motley group of people - including a blowsy beautician, a discredited alcoholic doctor, a vulnerable waif and two gay men - sit around a seedy bar on the Californian coast, each contemplating their own desperate fate.

The story of the strange mixture of romanticism, militarism and technology that has made planes so important to England, from the brilliant author of Britain's War MachineThe history of England and the aeroplane is one tangled with myths - of 'the Few' and the Blitz, of boffins, flying machines, amateur inventors and muddling through. In England and the Aeroplane David Edgerton reverses received wisdom, showing that the aeroplane is a central and revealing aspect of an unfamiliar English nation: a warfare state dedicated to technology, industry, empire and military power.England had the strongest air force in the Great War, the largest industry in the world in the 1920s, outproduced Germany by 50% at the time of the Battle of Britain and was the third largest producers of aeroplanes well after this time. In a revelatory recounting of the story of aeronautical England, from its politics to its industry and culture, David Edgerton reconfigures some of the most important chapters of our history.Reviews:'A brilliant polemic' Guardian'Full of good stories ... an illuminating read' Spectator'A tour de force, after which the history of the aircraft industry will never be quite the same again' Business History'David Edgerton's sure-footed essay ... sees Britain from an unusual perspective ... His arguments provide sound backing for the idea that modern Britain is as much a warfare state as a welfare one' EconomistAbout the author:David Edgerton is Hans Rausing Professor at Imperial College London, where he was the founding director of the Centre for the History of Science, Technology and Medicine. He is the author of a sequence of groundbreaking books on 20th century Britain: Science, Technology and the British Industrial 'Decline', 1870-1970; Warfare State: Britain, 1920-1970; and Britain's War Machine, published by Penguin. He is also the author of the iconoclastic and brilliant The Shock of the Old: Technology and Global History Since 1900.

Tennessee Williams's controversial Hollywood screenplay Baby Doll opens with Archie Lee's teenage bride driving him to distraction, as she has refused to consummate their marriage until the day of her twentieth birthday. Enter wily Sicilian Silva Vaccaro, Archie's rival both in the cotton business and for the affections of the flirtatious Baby Doll, and things reach breaking-point. This volume also contains Something Unspoken, a brilliantly comic study of a wealthy, manipulative Southern spinster, and Summer and Smoke, a sexually charged portrayal of Alma, a sensitive, unmarried minister's daughter, and her childhood love, the wild, sensual doctor's son John.

Loneliness, sexual tension and the need for human kindness pervade these three plays by Tennessee Williams, as their characters rage against personal demons and the modern world. In 'Sweet Bird of Youth', a drifter, Chance Wayne, returns to his home town with an ageing movie actress in search of the girl he loved in his youth, but with terrible, violent results. 'Period of Adjustment' tells the story of two young newlyweds who visit the husband's old army friend on Christmas Eve after unsuccessfully consummating their marriage, and unleash forbidden passion, while in 'The Night of the Iguana' a diverse group of people, including a disturbed ex-minister and a troubled spinster, are thrown together in an isolated Mexican hotel for one eventful night.

The greatest playwright of the American South, Tennessee Williams used his talent throughout his life to create brief plays exploring many of the themes that dominated his best-known works. Here, thirteen never-before-published one-act dramas reveal some of his most poignant and hilarious characters. From the indefatigable, witty and tough drag queens of And Tell Sad Stories of the Death of Queens to the disheartened poet Mister Paradise, and the extravagant mistress in The Pink Bedroom, these are tales of isolated figures struggling against a cruel world, who refuse to lose sight of their dreams.

In these three exotic, steamy dramas Tennessee Williams portrays loss, faded lives and passionate love affairs.The Rose Tattoo is set in a bustling, Sicilian-American community, where newly widowed Serafina is paralysed by grief, until she has her romantic illusions about her dead husband shattered and rediscovers her true nature as a fiery prima donna, in a life-affirming celebration of love and sex. Tennessee Williams explores a new 'wild and unrestricted' theatrical form in the colourful tropical fantasy Camino Real, while Orpheus Descending, however, takes us into the dark territory of the Deep South: the corrupt hell of a small, brutal township, where a forbidden and tragic love affair sparks horrific violence.

Abandoned by her husband, Amanda Wingfield comforts herself with recollections of her earlier, more gracious life in Blue Mountain when she was pursued by 'gentleman callers'. Her son Tom, a poet with a job in a warehouse, longs for adventure and escape from his mother's suffocating embrace, while Laura, her shy crippled daughter, has her glass menagerie and her memories. Amanda is desperate to find her daughter a husband, but when the long-awaited gentleman caller does arrive, Laura's romantic illusions are crushed.

'Big Daddy' Pollitt, the richest cotton planter in the Mississippi Delta, is about to celebrate his sixty-fifth birthday. His two sons have returned home for the occasion: Gooper, his wife and children, Brick, an ageing football hero who has turned to drink, and his feisty wife Maggie. As the hot summer evening unfolds, the veneer of happy family life and Southern gentility gradually slips away as unpleasant truths emerge and greed, lies, jealousy and suppressed sexuality threaten to reach boiling point. Made into a film starring Elizabeth Taylor and Paul Newman, Cat on a Hot Tin Roof is a masterly portrayal of family tensions and individuals trapped in prisons of their own making.

Saul Bellow's Herzog is part confessional, part exorcism, and a wholly unique achievement in postmodern fiction. Is Moses Herzog losing his mind? His formidable wife Madeleine has left him for his best friend, and Herzog is left alone with his whirling thoughts - yet he still sees himself as a survivor, raging against private disasters and the myriad catastrophes of the modern age. In a crumbling house which he shares with rats, his head buzzing with ideas, he writes frantic, unsent letters to friends and enemies, colleagues and famous people, the living and the dead, revealing the spectacular workings of his labyrinthine mind and the innermost secrets of his troubled heart.This Penguin Modern Classics edition includes an introduction by Malcolm Bradbury'Spectacular ... surely Bellow's greatest novel'Malcolm Bradbury'A masterpiece ... Herzog's voice, for all its wildness and strangeness and foolishness, is the voice of a civilization, our civilization'The New York Times Book Review

Housing was at the heart of the financial collapse, and our economy is now precariously reliant on the housing market. In this groundbreaking new book, Danny Dorling argues that housing is the defining issue of our times. Tracing how we got to our current crisis and how housing has come to reflect class and wealth in Britain, All That Is Solid radically shows that the solution to our problems - rising homelessness, a generation priced out of home ownership - is not, as is widely assumed, building more homes. Inequality, he argues, is what we really need to overcome.

THE PHENOMENAL BESTSELLER'Fantastic, timely, eye-opening' Armando Iannucci, New Statesman, Books of the Year'Captures a collective sense of anger and awakening' Matt Haig, Observer, Books of the YearBehind our democracy lurks a powerful but unaccountable network of people who wield massive power and reap huge profits in the process. In exposing this shadowy and complex system that dominates our lives, Owen Jones sets out on a journey into the heart of our Establishment, from the lobbies of Westminster to the newsrooms, boardrooms and trading rooms of Fleet Street and the City. Exposing the revolving doors that link these worlds, and the vested interests that bind them together, Jones shows how, in claiming to work on our behalf, the people at the top are doing precisely the opposite. In fact, they represent the biggest threat to our democracy today - and it is time they were challenged.'A book of revelations ... The Establishment have stitched it up - stitched you up - and they know it' Danny Dorling, Times Higher Education Supplement'A dissection of the profoundly and sickeningly corrupt state that is present-day Britain. He is a fine writer, and this is a truly necessary book' Philip Pullman'Owen Jones is a phenomenon of our times' David Kynaston, The Times Literary Supplement 'You will be enlightened and angry' Irvine Welsh

Point Your Face At This is a wonderfully entertaining book of cartoons and absurdity from Demetri Martin, the Perrier Award-winning comedian, and author of This Is A BookIf you want to laugh, point your face at this.In his first book, This Is a Book, Demetri Martin introduced fans and readers to his unique brand of long-form humour writing. Now Demetri returns with an eclectic volume devoted entirely to his trademark drawings and word play. Point Your Face At This contains hundreds of hilarious drawings and visual jokes, showcasing Martin's particular penchant for brevity. With a sensibility all its own, this is a great gift book and an absolute must-have for fans of the brainy, ambidextrous, comedian, palindromist (and author), Demetri Martin.Praise for Demetri Martin:'Highly inventive . . . Martin is a genius' Telegraph'A refined sense of the absurd' GuardianDemetri Martin rose to relative obscurity when he started doing stand-up comedy in New York City at the end of the 20th Century. Later he became a writer at Late Night with Conan O'Brien and then a regular performer on The Daily Show with Jon Stewart. In 2003, Demetri won the Perrier Award at the International Fringe Festival for his first one-man show, If I. He released a comedy album called These Are Jokes and then created and starred in his own television series called Important Things with Demetri Martin. Demetri has brown hair, and he is allergic to peanuts. You can find him at www.demetrimartin.com, at www.facebook.com/demetrimartin, on Twitter @demetrimartin, and in various places in the actual physical world.

For Penny, the beautiful island of Tamarind is no more than a half-remembered story from years ago. But one mysterious night, with only a loyal green parrot for company, Penny is flung headfirst into adventure on its magical shores...Penny finds herself in unfamiliar Kana, in the midst of preparations for a magnificent competition - the Bloom Festival. But behind the excitement, something menacing lurks. The idyllic landscape of Tamarind is pocked with strange whorls, and an unnerving presence strikes fear into the hearts of Kana's bravest. From deepest water to darkest jungle, the trials of the Bloom Festival will test strength, courage, and friendships, and sacrifices will have to be made...Can Penny and her new friends beat all the odds and save Kana from ruin?