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Winner of the 2015 International IMPAC Dublin Literary AwardWinner of the 2014 James Tait Black PrizeShortlisted for the 2013 Man Booker PrizeShortlisted for the 2013 Goldsmiths PrizeShortlisted for the 2014 Walter Scott Prize for Historical FictionAs late summer steals in and the final pearls of barley are gleaned, a village comes under threat. A trio of outsiders - two men and a dangerously magnetic woman - arrives on the woodland borders triggering a series of events that will see Walter Thirsk's village unmade in just seven days: the harvest blackened by smoke and fear, cruel punishment meted out to the innocent, and allegations of witchcraft.But something even darker is at the heart of Walter's story, and he will be the only man left to tell it . . .

Waterstones Scottish Book of the Year.The Other Mrs Walker is the beguiling debut from Mary Paulson-Ellis, for fans of Kate Atkinson and Sarah Waters.Somehow she'd always known that she would end like this. In a small square room, in a small square flat. In a small square box, perhaps. Cardboard, with a sticker on the outside. And a name . . . An old lady dies alone and unheeded in a cold Edinburgh flat on a snowy Christmas night. A faded emerald dress hangs in her wardrobe; a spilt glass of whisky pools on the floor.A few days later a middle-aged woman arrives back in the city she thought she'd left behind, her future uncertain, her past in tatters.She soon finds herself a job at the Office for Lost People, tracking down the families of those who have died neglected and alone.But what Margaret Penny cannot yet know, is just how entangled her own life will become in the death of one lonely stranger . . .'One of the strongest debuts of the year' Herald'Full of twists and turns' Independent'A wonderful, inventive debut . . . I can't wait to see what this author has up her sleeve next' Fanny Blake, Daily Mail

From the Booker Prize-winning author comes the sparkling and lyrical predecessor to the bestselling The English Patient.

With an introduction by Jayne Anne PhillipsShortlisted for the Orange Prize for Fiction, a novel inspired by the shocking true story of the Scottsboro boys.Even after all these years, the injustice still stuns. Innocent boys sentenced to die, not for a crime they did not commit, but for a crime that never occurred. Lives splintered as casually as wood being hacked for kindling.Alabama, 1931. A freight train is stopped in Scottsboro, nine black youths are brutally arrested and, within minutes, the cry of rape goes up from two white girls. In the shocking aftermath, one sticks to her story whilst the other keeps changing her mind, and an impassioned young journalist must try to save nine boys from the electric chair, one girl from a lie and herself from the clutches of the past . . .Stirring racism, sexism and the politics of a divided America into an explosive brew, Scottsboro gives voice to the victims - black and white - of this infamous case. Shortlisted for the Orange Prize for Fiction in 2009, Ellen Feldman's classic charts a fight for justice during the burgeoning civil-rights movement.

'A gripping read as well as an important one.' Rana Mitter, Guardian In October 1839, Britain entered the first Opium War with China. Its brutality notwithstanding, the conflict was also threaded with tragicomedy: with Victorian hypocrisy, bureaucratic fumblings, military missteps, political opportunism and collaboration. Yet over the past hundred and seventy years, this strange tale of misunderstanding, incompetence and compromise has become the founding episode of modern Chinese nationalism. Starting from this first conflict, The Opium War explores how China's national myths mould its interactions with the outside world, how public memory is spun to serve the present, and how delusion and prejudice have bedevilled its relationship with the modern West. 'Lively, erudite and meticulously researched' Literary Review 'An important reminder of how the memory of the Opium War continues to cast a dark shadow.' Sunday Times

Tree of Smoke - the name given to a 'psy op' that might or might not be hypothetical and might or might not be officially sanctioned - is Denis Johnson's most gripping, visionary and ambitious work to date. Set in south-east Asia and the US, and spanning two decades, it ostensibly tells the story of Skip Sands, a CIA spy who may or may not be engaged in psychological operations against the Viet Cong -- but also takes the reader on a surreal yet vivid journey, dipping in and out of characters' lives to reveal fundamental truths at the heart of the human condition. 'A Catch-22 for our times' Alan Warner, Books of the Year, Observer 'The God I want to believe in has a voice and a sense of humour like Denis Johnson's' Jonathan Franzen 'An epic of drenched sensuality and absurdly chewable dialogue, as though Don DeLillo and Joseph Heller had collaborated on a Vietnam war novel' Steven Poole, Books of the Year, New Statesman