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Set in the epic years before and after the First World War, Chaff Upon The Wind is a moving novel of Lincolnshire life from Margaret DickinsonKitty Clegg has always accepted the hard work in her job as a kitchen maid at the Manor Farm. But now, at sixteen, she seizes the chance to go up in the world and to become a lady's maid. Handsome Jack Thorndyke has more than once held Kitty's adoring gaze. As he prepares his gleaming threshing machine for its winter work, he finally asks her to be his chosen Harvest Nell when the last of the golden Lincolnshire corn is cut. Carried away by her excitement, Kitty fails to heed the warnings whispered into her ear. Jack is far from the marrying kind. Worse still, his playful charm has attracted another - a young girl far above his station. Will Kitty's dreams be scattered like chaff upon the wind? Or can she hold on to a very special kind of love: a love which will bring both heartache and joy to the Manor in the turbulent decades to come?

In 1776 Foote's was the most talked-of name in the English-speaking world. By 1777 it was almost unmentionable. Samuel Foote, friend of David Garrick and Dr Johnson, is the greatest lost figure of the eighteenth century; his story defies belief and has only been forgotten for reasons both laughable and shocking. Foote wrote the first true-crime bestseller, was the first celebrity impressionist and lost his leg after a bet with the Duke of York when a practical joke went disastrously wrong. Out of this was born the most singular career in stage history. In this unique biography not only does award-winning historian Ian Kelly uncover the tragicomic tale of this Oscar Wilde of the eighteenth century, but he tells the story of the first media storm and the first victim of celebrity culture, and offers a joyous hop around the mad theatre of London life - high and low.Ian Kelly's Mr Foote's Other Leg has also been adapted into a play by the author.

The women of Reality, Reality are mesmerizing, whether in love or in solitude. Full of compassion, generosity, sorrow and joy, their fifteen unforgettable stories explore the power of the imagination to make things real, and celebrate, most of all, those who dare to dream.

Ten years ago, Rachel had an affair. It left her life in pieces. Now, writing at her window, she tries to put those pieces together again. She has her memories, recollections of dreams, and her old yellow notebook. More than anything, she wants to be honest. Rachel knows that her memory is patchy and her notebook incomplete. But there is something else. Something terrible happened to her lover. Her account is hypnotic, delicate, disquieting and bold. But is she telling us the truth?

These seven stunning tales are about all the big things: faith, love, family, temptation and redemption. They show us at our most vulnerable and our most miraculous. They show moments of grief and betrayal as well as humour and happiness. They show us the best of people and the worst. They show us life. Stuart Nadler is a writer in the great American tradition, but one who emerges from the shadows - of Updike, of Bellow, of Cheever - and stakes his own bold and exciting claim.

'Disguised as a young Dinka woman, God came at dusk to a refugee camp in the North Dafur region of Sudan. He wore a flimsy cotton dress, battered leather sandals, hoop earrings, and a length of black-and-white beads around his neck.' So begins Ron Currie Jnr's blasphemous and heretical debut novel. God -- or Sora, as she's called -- has come to earth to experience its conflicts first hand, but of course, adopting a human form also means assuming human frailty and mortality, and when God is killed in action, so to speak, the nations of the world are stripped of all they once thought certain, everything they once held dear. Waves of panic, civil unrest and mass suicide sweep the globe -- but those who have survived the initial shock are subsequently even more shocked to find that life goes on. Somehow. And then, of course, they are faced with the dilema of how -- precisely -- to carry on living this new, God-less life of theirs; the question of who (or what) to believe in now God is dead. Like the holy grail of fiction, God is Dead is a debut novel that is truly -- and terrifyingly -- original. Both fantastic (in all senses of the word) and hypnotic, it promises to be the book of 2007 and beyond.

When they were young men, Kim and his best friend, Garland Rain, travelled the world. They worked as dive guides, living free and easy by the sea. Garland is still out there, but Kim's life is different now. He's married and a father of three. Still longing for the freedom of the water, Kim agrees to help Garland run a one-time trip to the spectacular Brothers Islands in the Red Sea. What neither man expects is just how badly wrong it will go. Drugs and violence collide, and not everyone returns safely. Back on dry land, Kim finds that the decisions you make in the moment can come back to haunt you, even follow you home.

The Alldens live in a ramshackle house in suburban Bath. Don and Emily have four children: confident Liz, satirical Clive, shy Lotte, and Benjamin, the late arrival. Together they take the usual knocks, go to work, go abroad, go to university, go to pieces. Don and Emily stick it out, their strong marriage tested by experience and frustrated by love for Clive, the ardent boxing fan at odds with himself, their special child. But then ordinary is special, too, as the Alldens will discover thirty years later when Emily falls ill and her children come home to say goodbye. Their unforgettable story is an intimate record of survival that is clear-eyed, funny and deeply moving.

With Armour, the great Australian poet John Kinsella has written his most spiritual work to date - and his most politically engaged. The world in which these poems unfold is strangely poised between the material and the immaterial, and everything which enters it - kestrel and fox, moth and almond - does so illuminated by its own vivid presence: the impression is less a poet honouring his subjects than uncannily inhabiting them. Elsewhere we find a poetry of lyric protest, as Kinsella scrutinizes the equivocal place of the human within this natural landscape, both as tenant and self-appointed steward. Armour is a beautifully various work, one of sharp ecological and social critique - but also one of meticulous invocation and quiet astonishment, whose atmosphere will haunt the reader long after they close the book. Praise for John Kinsella: 'Kinsella's poems are a very rare feat: they are narratives of feeling. Vivid sight - of landscapes, of animals, of human forms in distant light - becomes insight. There is, often, the shock of the new. But somehow awaited, even familiar. Which is the homecoming of a true poet' George Steiner

Science is about discovery, a journey towards knowledge. With authors as diverse as Galileo and Lewis Carroll, the extracts featured in this anthology span centuries and continents; they include startling revelations that changed the way we think and tackle more prosaic questions such as why the sea is salty; they consider the natural beauty of the snowflake and the man-made wonder of the first computer. What links them all is a desire to understand, explain and enrich the world, and the ability to communicate this in original, clear and engaging prose.

21st century Britain: a point of view from our fiercest and funniest critic The BBC Radio 4 series A Point of View has been on the air since 2007. Clive James was one of the most popular presenters, and now, for the first time, his original pieces - sixty in total - and previously unpublished postscripts are collected together in one volume. Read along with Clive James as he offers his informative, thought-provoking and entertaining insights into everything from wheelie bins to plastic surgery, Elizabeth Hurley to the Olympics, Britain's Got Talent to Damien Hirst, Harry Potter to giving up smoking - and plenty more besides.

'Beautiful and moving poetry for the real world' Jeanette Winterson, Guardian 'Wonderful . . . a poet alert to every sound and shape of language' Sunday Telegraph The Bees is Carol Ann Duffy's first collection of poems as Poet Laureate. In it she uses her full poetic range: there are drinking songs, love poems, poems of political anger; there are elegies, too, for beloved friends, and - most movingly - the poet's own mother. Woven and weaving through the book is its presiding spirit: the bee. Sometimes the bee is Duffy's subject, sometimes it strays into the poem, or hovers at its edge. In the end, Duffy's point is clear: the bee symbolizes what we have left of grace in the world, and what is most precious and necessary for us to protect. The Bees, at once intimate and public, is a work of great power from one of our most cherished poets. 'Swooningly glorious' The Times 'Indisputably her best volume' Sunday Times 'Duffy is magnificent, grounded, heartfelt, dedicated to the notion that poetry can give us the music of life itself' Scotsman

However arresting, outlandish, or hilarious, the poems in Horoscopes for the Dead are typically prompted by the familiar things of the world: dogs, stars, food, love, and marriage as well as life's local triumphs and disappointments, joys and shames. Collins's gift is to unlock the mysterious in the ordinary, and he is always careful to take his reader with him. Indeed, no other living poet has done more to reengage and revitalize poetry's readership, or so deservedly earned its trust. Few poets have his ability to mix bold, unadorned statements with lyric invention and imaginative richness. And here in these new poems, Collins's inimitable tone - wry, smart, funny, and wise - takes on a darker shade, as the poems declare a deep awareness of transience and mortality. The result is the revelation of a world more precious, more fragile, richer in colour and form than ever. Praise for Billy Collins 'A writer . . . fully aware of his work's power to delight' New York Times 'A poet of plentitude, irony, and Augustan grace' New Yorker

BBC RADIO 4 BOOK OF THE WEEK SHORTLISTED FOR THE ORWELL PRIZE 2012 SHORTLISTED FOR THE CRIME WRITERS ASSOCIATION NON-FICTION DAGGER AWARD 'THE MOST IMPORTANT CRIME STORY OF THE DECADE' Scottish Mail Manchester. London. Glasgow. In the summer of 2011 violence erupted in our inner cities and many blamed gang culture. But is the truth so simple? Hood Rat tells the human stories that the media miss: of young men who have fallen through the system, and of one young woman with a vision for change. 'Unflinching. It penetrates environments that most of us only ever glimpse' Observer 'Impressive. Knight uncovers the sort of stories that never make the news' Scotsman 'This British sensation is a must. Disturbingly compelling' Marie Claire 'A gripping novelistic immersion in the lives of young criminals' Louis Theroux 'The British Wire' BBC Radio 5 Live

East Prussia is no longer on any map, though it was once a thriving land, famously military, deeply forested, artistically fertile, and the birthplace of Immanuel Kant. As the scene of Stalin's 'terrible revenge' it came to embody the turbulence of the twentieth century, was carved up between Poland and the USSR after World War II - and passed abruptly into history. Embarking on a remarkable journey through landscape and memory, Max Egremont has woven the stories of ghosts and survivors into an evocative and deeply moving meditation on identity and the passing of time. 'East Prussia's successful evocation demands both the mind of a poet who can delineate the scale of human loss, and the imagination of an historian who knows how to count the cost. Forgotten Land, a work of consummate artistry, blends both capacities to rare effect' Spectator 'Changing frontiers, blurred racial identities, shifting allegiances and the mass movement of people - this a story for our time' New Statesman 'Illuminating. A literary map to a beguiling hidden enclave of Europe' Metro 'Egremont's compelling tale exploits his boundless intellectual curiosity, mastery of German and eye for whimsy as well as tragedy. The book's canvas is remarkable. Fascinating reading' Max Hastings, Sunday Times

'The Tenderloin bleeds its raw honesty onto every page - it is a truly felt and moving book' Kevin Barry, author of City of Bohane It's 1995 and Evan has embarked on an adventure that will change his life - leaving home in Dublin for the rolling hills and fog-swept bays of San Francisco. Between the Internet revolution and the rave culture of this liberal city, young naive Evan is completely clueless about how to succeed. But he's determined to stumble on, looking for work, looking for love, and - ultimately - looking to define himself. Soon, though, the troubles of his past catch up with him, and everything begins to unravel. 'Funny, sharp-eyed and deeply atmospheric' Belinda McKeon, author of Solace 'A bracingly honest, entertaining and sharply well-observed coming of age story' Sunday Independent

Set over twenty years of convulsive change, Noon is the story of Rehan Tabassum, a young man whose heart is split across two cultures' troubled divide. Throughout his young life, Rehan has been aware of his father's absence. The journey to find him is long and difficult, from the glitter of his mother's New Delhi to the Pakistan of her former lover, the man Rehan has never known. Through lands of sudden wealth and hidden violence, in a toxic atmosphere of blackmail and moral danger, he travels towards the centre of a dark and shifting world. But his imagined destination is simply another beginning . . . 'As the political and personal undergo seismic shifts, Taseer grapples with new ways of telling stories. In both form and content, he conveys with great acuity what happens when the ground beneath our feet is shaken to its core' Independent 'An engrossing and gifted writer' GQ 'Imbued with a feel of latent menace, Noon explores a morally unedifying world of power, corruption, violence and complicity' Guardian 'Gripping' Sunday Times

Tina and Chandi won the hearts of the nation with their fantastic dance routines on Britain's Got Talent. Now, in this heart-warming memoir Tina shares their story. When Tina met Chandi she was a frightened, abandoned puppy in a local pound. Under Tina's care she soon blossomed into an amazingly intuitive dog and together with Pepper, Tina's first rescue dog, she gave Tina a reason to live after losing both her parents to cancer. Tina and Chandi developed a very special bond that allowed them to communicate at an extraordinary level and provided the magic element in their Freestyle dog dancing routines. They performed in front of thousands and went on to become Crufts champions and television stars. This is Tina and Chandi's story of incredible love and devotion.

On an early morning walk, a young girl finds the body of her classmate, Tim Pieters, hidden amongst some bushes. The boy's family are desperate for answers but the killer is never found. Almost two decades later, political pressure sees the cold case reopened and Detective Ella Marconi inherits the job. Ella attacks the case with vigour, determined to shake off the memories of her last investigation, which ended with her being shot in the line of duty. But she knows it won't be easy - after all this time the murderer is probably long gone and the memories of any witnesses are fading. Georgie Riley, the girl who found Tim's body, is now a paramedic, trying to face up to her own demons. There's never been any reason to doubt her story, but when Ella receives an anonymous call insisting that Georgie has information about the Pieters' case, she decides to dig deeper. As long-buried secrets and lies finally come to light, can Ella track down the killer before more people are hurt?

For three Las Vegas women, the Strip is an adults-only playground, a neon-splashed boulevard where excitement, seduction, and betrayal never go to sleep:Kristin Fox - the bestselling writer of controversial and sexy bestsellers who hungers for passion outside the pages of her money-making fiction.Jennifer Payne - the insightful marriage and family therapist who has an answer for every relationship problem except the one happening in her own bedroom.Billie Shelton - the casino showroom headliner who has been saved, remade, and quietly shattered by a darkly obsessive Svengali husband.And they share one magnificent man: Cam Lawford, the ultimate stud-for-hire who has gone from roaring crowds in sports stadiums to willing and generous women in luxury hotels. But who knew the business of sex and satisfaction could be such a dangerous game?J.J. Salem lays bare the high-octane glamour and gritty reality of a world where lovers and gamblers play to win. THE STRIP is a wild, wicked, and gloriously promiscuous novel that will keep you up all night.

When Chief of Police, Kate Burkholder, is called to a farm in the Amish community of Painter's Creek, nothing could prepare her for the horror and tragedy she encounters. Solly and Rachel Slabaugh, and his brother Abel, have drowned in the hog pit leaving the four children as orphans. As the investigation progresses, it seems that the Slabaugh deaths were not an accident, and the case suddenly becomes a murder enquiry. Agent John Tomasetti and Kate have worked together before, and now he is called back to Painter's Creek to help seek out the perpetrators of what appear to be serious hate crimes against the Amish. Whether these crimes and the Slabaugh murders are linked is hard to establish because the Amish are very proud and private people who do not enjoy involvement from outside. As the case deepens, Kate develops a bond with the children, particularly the 15-year-old daughter, Solome. Maybe she is reminded of herself at that age, and maybe there's something about this case which stirs up memories for her. The events surrounding the deaths puzzle her - something doesn't feel right. As more information comes to light, a tragic incident turns into something much more shocking.

Having written enthralling biographies of London and of its great river, the Thames, Peter Ackroyd now turns to England itself. This first volume of six takes us from the time that England was first settled, more than 15,000 years ago, to the death in 1509 of the first Tudor monarch, Henry VII. In Foundation, Ackroyd takes us from Neolithic England, which we can only see in the most tantalizing glimpses - a stirrup found in a grave, some seeds at the bottom of a bowl - to the long period of Roman rule; from the Dark Ages when England was invaded by a ceaseless tide of Angles, Saxons and Jutes, to the twin glories of medieval England - its great churches and monasteries and its common law. With his extraordinary skill for evoking time and place, he tells the familiar story of king succeeding king in rich prose, with profound insight and some surprising details. The food we ate, the clothes we wore, the punishments we endured, even the jokes we told are all found here, too.

'What distinguished Clare is an unspectacular joy and a love for the inexorable one-thing-after-anotherness of the world' Seamus Heaney John Clare (1793-1864) was a great Romantic poet, with a name to rival that of Blake, Byron, Wordsworth or Shelley - and a life to match. The 'poet's poet', he has a place in the national pantheon and, more tangibly, a plaque in Westminster Abbey's Poets' Corner, unveiled in 1989. Here at last is Clare's full story, from his birth in poverty and employment as an agricultural labourer, via his burgeoning promise as a writer - cultivated under the gaze of rival patrons - and moment of fame, in the company of John Keats, as the toast of literary London, to his final decline into mental illness and the last years of his life, confined in asylums. Clare's ringing voice - quick-witted, passionate, vulnerable, courageous - emerges through extracts from his letters, journals, autobiographical writings and poems, as Jonathan Bate brings this complex man, his revered work and his ribald world, vividly to life.

It is 1946: the war is over and three young women face a new kind of life. But peacetime brings its own pressures . . .Katie O'Neill's childhood has been dominated by her temperamental mother and by frightening secrets that she barely understands. Innocent, yet hungry for love, she is easily taken in by male charm and is left outcast and alone with her young son.Emma Brown has spent the war at home in Birmingham, longing for her husband Norm to return and meet the son he has never seen. But she soon finds that the joy of homecoming only brings a whole new set of problems.And Molly Fox, after a sad and brutal childhood, found a place to belong during the war, in the women's army, the ATS. Now, the women are no longer wanted and Molly finds peacetime a bleak, difficult challenge. Finding work in guesthouses and holiday camps, she keeps running from herself, in search of a place she can call home.All the Days of Our Lives by Annie Murray is the story of three girls who first met in a Birmingham classroom in the 1930s, each facing life with all its joys, sorrows and surprises.

'Her past.' Pallioti tapped the files. 'This,' he said, 'is how you'll find her.' In Florence, a young American student goes missing. At first neither Alessandro Pallioti, one of the city's most senior policemen, nor Enzo Saenz, his deputy, are too concerned. But soon the men are horrified to discover that the older man Kristen has been spending time with is Antonio Tomaselli, a member of the notorious Red Brigades. Then, before the police can get a handle on the case, Kristen's step-mother, Anna, also vanishes. Before long Enzo finds himself enmeshed in a web of false identities, betrayed loyalties, and revenge. At its centre is Anna, a woman he is increasingly drawn to, but knows he should not trust; and at stake is the life of an eighteen year old girl. With the horrors of the past rising behind him and the women's futures hanging in the balance, Enzo Saenz is on unfamiliar ground and playing the most deadly game of his life . . . 'Grindle is a craftswoman of delicate, evocative psychological thrillers' Daily Telegraph

The first and best Beatles biography, Norman had close working relationships with each of the Fab Four, having interviewed them many times since 1965 and observed first hand the events that led to the split during 1969-70. The resulting book contained unique insights into the rise of the Beatles, their final years, the chaos of Apple and the collapse of hippy idealism. Now fully updated, and written with all of Norman's trademark verve and skill, this is an essential book for anyone with an interest in pop music, the Sixties and the pleasures and perils of god-like fame. 'Nothing less than thrilling . . . the definitive biography' New York Times 'This stands as the first (and still the best) collision of Beatles history and literary depth . . . just about everything is rendered with beautiful prose and laser-like insight' Q

Felicity's earliest memories are of pain and confusion, of being beaten daily by her nan and watching her mum being beaten too. She ran away from home at fifteen. At thirty-six she was a single mother of three sons who was broke and lost. Remarkably she turned her life around, becoming a teacher. But it wasn't quite enough . . .Felicity needed to understand why her nan abused her - and in researching her family history uncovered a corrosive secret that had scarred succeeding generations. In 1903 her great-grandmother Emily Swann was hung for the murder of her violent husband. The Wombwell Murder was a notorious case, and it brought shame on Emily's orphaned children. Discovering the povery and hardships of Emily's life in Barnsley, and the traumas her nan suffered as a girl, Felicity came to see the destructive patterns that had been repeated in her family for nearly 100 years, and was finally free to walk away into her own future.

Chilling and disturbing, meet the demons in international bestseller James Herbert's Creed.Sometimes horror is in the mind. And sometimes it's real. Telling the difference isn't always easy. It wasn't for Joe Creed. He'd just photographed the unreal. Now he had to pay the price. Because he always thought that demons were just a joke. But the joke was on him.And it wasn't very funny. It was deadly . . .

The nightmare begins before you sleep . . . James Herbert's Moon follows Jonathan, who fled from the terrors of his past, finding refuge in the quietness of the island. And for a time he lived in peace. Until the 'sightings' began, visions of horror seeping into his mind like poisonous tendrils, violent acts that were hideously macabre, the thoughts becoming intense. He witnessed the grotesque acts of another thing, a thing that glorified in murder and mutilation, a monster that soon became aware of the observer within its own mind. And relished contact. A creature that would eventually come to the island to seek him out . . .

The third in the Rats trilogy, international bestseller James Herbert's Domain pits man against mutant rats, who are back with a vengeance.The long-dreaded nuclear conflict. The city torn apart, shattered, its people destroyed or mutilated beyond hope. For just a few, survival is possible only beneath the wrecked streets - if there is time to avoid the slow-descending poisonous ashes. But below, the rats, demonic offspring of their irradiated forebears, are waiting. They know that Man is weakened, become frail. Has become their prey . . .Start from the beginning with The Rats and Lair.