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Gender quotas are a growing worldwide phenomenon, yet their variable implementation remains under-researched. Using the prominent case study of France this book approaches quotas from the perspective of the key actors responsible for them - political parties.
In an era of heightened securitization, print, televisual and networked media have become obsessed with the 'pre-mediation' of future events. In response to the shock of 9/11, socially networked US and global media worked to pre-mediate collective affects of anticipation and connectivity, while also perpetuating low levels of apprehension or fear.
Boaz Hagin carries out a philosophical examination of the issue of death as it is represented and problematized in Hollywood cinema of the classical era (1920s-1950s) and in later mainstream films, looking at four major genres: the Western, the gangster film, melodrama and the war film.
Critical reflections by established academics on the crisis of multiculturalism that occurred in Great Britain, Netherlands and Canada. It provides an occasion to develop a sophisticated understanding of societies characterized by religious, ethnic and cultural diversity.
Modernism and Eugenics comprehensively explores modern Europe's fixation with eugenic programmes of racial and national purification. It convincingly demonstrates that between 1870 and 1940 eugenicists were not only preoccupied with rescuing the individual from the anomie of modernity but equally championed a glorious racial destiny for the nation.
The time is ripe for a new international organization, a Global Union based upon a limited sharing of sovereignty. This book examines the successes and failures of the European Union as a sovereignty-sharing organization, and suggests that this unique institution has a critical role to play in the development of a more effective world order.
How should we analyse the meaning of proper names, indexicals, demonstratives and definite descriptions? What relation do such expressions stand to the objects they designate or to mental representations of those objects? George Powell casts new light on these and other questions by approaching them from within a cognitive framework.
This is an interdisciplinary study of the mechanisms by which power corrupts. It incorporates political theory, organizational studies and cognitive science. In particular, it introduces advances in the field of cognitive psychology, which it uses to examine the effects of institutionalized power on how we think.
This book describes the struggle for power between two totalitarian dictatorships in the north of Europe and the battle for survival of a small nation caught between them. Ultimately, it succeeded in extricating itself from the war and, despite the shadow of Russia looming over it, averted a Communist takeover.
This book builds a theoretically-informed politics about changes in the gendered structure of labor by analyzing how the symbolic power of gender is put in the service of neoliberal practices.
Aneji Eko was technically illiterate, but she represents a resource for understanding the complexities of African and Nigerian cultures. This is an account of matriarchy and the complex ties of kinship, their influences in shaping childhood culture, and how they determined cultural expectations across ethnic groups.
Examines black voters' relationship to the political process and to the first black president in a prematurely post-racial America using interviews with members of the Congressional Black Caucus, empirical data, news accounts, academic literature and case law.
British Novelists in Hollywood, 1935-1965 calls attention to the shifting grounds of cultural expression by highlighting Hollywood as a site that unsettled definitions and narratives of colonialism and national identity for prominent British novelists such as Christopher Isherwood, P.G. Wodehouse, Evelyn Waugh, and J.B. Priestley.
What goes on in a classroom? can mean "Are teachers imparting knowledge that will raise test scores?" or it can mean much more. In this series of essays, Block addresses the nature of the classroom as a place for encounter and engagements: with curriculum materials and books, between teachers and students, and with the self.
In this exciting new volume, Schlueter offers a substantial range of novel insights into the socio-economic development trajectories of two deliberately selected New World economies: New Zealand and Uruguay.
The book explores migration and queerness as they relate to ethnic/racial identity constructions, immigration processes and legal status, the formation of trans/national and trans/cultural partnerships, and friendships. It explores the roles that religious identities/values/worldviews play in the fortification/critique of queer migrant identities.
Tracing the changing conceptions of nationality in the work of traveling writers such as D.H. Lawrence, Gertrude Stein, and Claude McKay, Modernism and Mobility argues that the passport system is an indispensable segue into discussions of literary modernism.
Using each chapter to juxtapose works by one female and one male Spanish writer, Gender and Modernity in Spanish Literature: 1789-1920 explores the concept of Spanish modernity. Issues explored include the changing roles of women, the male hysteric, and the mother and Don Juan figure.
Marshall Gregory argues that teachers at the university and high school levels can achieve teaching excellence by grounding their teaching in pedagogical theory that takes into account students' abilities and the ultimate goals of teaching: to develop students' capacities for thought, reflection, questioning, and engagement to their fullest extent.
Urbanization in sub-Saharan Africa has historic roots, and though it has accelerated in recent decades, it retains distinctive forms. This book explores sub-Saharan urbanism through a detailed and wide-ranging study of Maputo, Mozambique, covering physical and socio-economic factors as well as an ethnographic inquiry into cultural attitudes.
Joining a timely conversation within the field of intra-American literature, this study takes a fresh look at Latin America by locating fragments and making evident the mostly untold story of horizontal (south-south) contacts across a multilingual, multicultural continent.
The first full-length study of comedy on the burlesque stage, this book takes the reader inside the burlesque houses of the 1930s, looks at the role comedy played in an entertainment form known mostly for striptease, and explores how these sketch performers approached their craft.
Fifty years after the publication of Martin Esslin's The Theatre of the Absurd , which suggests that 'absurd' plays purport the meaninglessness of life, this book uses the works of five major playwrights of the 1950s to provide a timely reassessment of one of the most important theatre 'movements' of the 20th century.
This text explores the impact of race and racism in different occupational spheres within the labour market. It re-examines a number of central assumptions about segregation within the labour market and applies the concept of social closure to the analysis of the position of ethnic minority workers within the labour market.
Chinese American authors often find it necessary to represent Asian history in their literary works. Tracing the development of the literary production of Maxine Hong Kingston, Amy Tan, Lisa See, and Russell Leong, among others, this book captures the effects of international politics and globalization on Chinese American diasporic consciousness.
Based on interviews with officials, requesters and journalists, as well as a survey of FOI requesters and a study of stories in the national media, this book offers a unique insight into how the Freedom of Information Act 2000 really works.
George Eliot was passionate about music and her writing is steeped in musical allusion. The book establishes how intensely Eliot's musical allusions are informed by her contemporary culture and offers a fresh view of the experimental writing through which she took literary realism into previously uncharted regions.
Leonard Seabrooke argues that they key to understanding 'change' in international finance in the last forty years rests with US structural power.
Drawing on a series of new sources, this biography of Ezra Pound - the first to appear in more than a decade - outlines his contribution to modernism through a detailed account of his development, influence and continued significance. His roles as editor, translator and critic, plus his attempt to complete The Cantos , are also studied.
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