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Music Outside the Lines both successfully reasons that music composition should be at the core of school music curriculum and also provides inservice and pre-service educators with an essential resource and compendium of practical tips and plans for fulfilling this goal.
Based on doctoral dissertation ""Habits in the classroom: A court case regarding Catholic sisters in New Mexico," Princeton (2008).
We are accustomed to the idea that emotions need to be controlled, but the Chinese text "Xing zi mingchu" (300 B.C.E) argues that setting them free allows us to develop our qing. Although the development is completed with the help of the classics, the result is a personal connection to the Dao.
Centering on race and empire, this book revolutionizes the history of management. From slave management to U.S. managers functioning as transnational experts on managing diversity, it shows how "modern management " was made at the margins. Even in "scientific" management, playing races against each other remained a hallmark of managerial strategy.
This book explores 120 years of medical image-making to explain how visual representations came to play a central role in medical education and practice. She demonstrates how medical images acquire cultural meaning and influence, shaping professional and popular understandings of health and disease.
This book highlights the unique and complex role women have played in the shaping of the American environment from pre-Columbian Native Americans to present day environmental justice activists.
The first comprehensive study of fantasy's uses of myth, this book offers insights into the genre's popularity and cultural importance. Combining history, folklore, and narrative theory, Attebery's study explores familiar and forgotten fantasies and shows how the genre is also an arena for negotiating new relationships with traditional tales.
Tracing the evolutions of the categories used by the US census to classify Americans from the first census (1790) to 1940, this book shows the centrality of power relations and of racial ideologies in census-taking, with an emphasis on slavery, segregation, and immigration.
Music Across the Senses shows how music educators can facilitate PK-12 students' listening skills using multisensory means-mapping, movement, and verbal descriptions-in general music and performance ensemble classes.
Africa In Stereo examines the role that African American music has played in the pan-Africanist imagination since the end of the nineteenth century.
The Owner's Manual to the Voice demystifies the voice, enabling singers and all voice professionals - whether actors, broadcasters, teachers, preachers, lawyers, public speakers- to communicate intelligently with physicians and understand dangers, treatments, vocal hygiene and medical procedures.
In Scientists as Prophets, Lynda Walsh argues that our science advisors manufacture certainty for us in the face of the unknown. Through a series of cases reaching from the Delphic oracle to seventeenth-century London to Climategate, Walsh elucidates many of the problems with our current science-advising system.
Thelonious Monk Quartet with John Coltrane at Carnegie Hall is an historical, cultural, and analytical study of the album by the same name. Recorded in 1957, but lost until 2005, it is a particularly interesting lens through which to view jazz both as a historical tradition and as a contemporary cultural form.
Bringing together ecology, evolutionary moral psychology, and environmental ethics, J. Baird Callicott counters the narrative of blame and despair that prevails in contemporary discussions of climate ethics and offers a fresh, more optimistic approach.
A sweeping study that spans two continents and over three hundred years of literary history, Antipodean America identifies the surprising affinites between Australian and American literature.
Animals in rural Egypt became enmeshed in social relationships and made possible many tasks otherwise impossible. Rather than focus on what animals represented or symbolized, Mikhail discusses their social and economic functions, as Ottoman Egypt cannot be understood without acknowledging animals as central shapers of the early modern world.
Ronald L. Grimes offers a systematic theory and method essential for the cross-cultural, interdisciplinary study of ritual enactments.
The Festival of Pirs is an ethnographic study of the religious life of the village of Gugudu in Andhra Pradesh.
Andre Padoux offers the first English translation of the Yoginihrdaya, a seminal Hindu tantric text dating back to the 10th or 11th century CE.
America is Elsewhere provides a rigorous and creative reconsideration of hard-boiled crime fiction and the film noir tradition.
This book treats the morphosyntax of Borgomanerese, a Northern Italian dialect. The rich description of the many unusual features of this dialect, some of which have not been previously reported in the literature, gives rise to a number novel theoretical analyses, advancing our understanding of syntax and syntactic theory.
Kelly Besecke offers an examination of reflexive spirituality, a spirituality that draws equally on religious traditions and traditions of reason in the pursuit of transcendent meaning.
Women in War provides an in-depth analysis of women's experiences in the FMLN guerrilla army in El Salvador, and examines the consequences of those experiences for their post war lives. It also develops a new model for investigating and understanding micro-level mobilization processes that has applications to many social movement settings.
Steven Heine offers a compelling examination of the Mu Koan, widely considered to be the single best known and most widely circulated and transmitted koan record of the Zen school of Buddhism.
We'll Meet Again illuminates music's central role in the design and reception of Stanley Kubrick's films. It brings together archival evidence and close analysis to trace the ways music serves as starting point and inspiration throughout Kubrick's working process.
The Aesthetic Brain takes the reader on a wide-ranging journey addressing fundamental questions about aesthetics and art. Using neuroscience and evolutionary psychology, Chatterjee shows how beauty, pleasure, and art are grounded biologically, and offers explanations for why beauty, pleasure, and art exist at all.
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