Bøker utgitt av Oxford University Press Inc

This book collects the groundbreaking work of linguist Robin Tolmach Lakoff in a single volume, with introductions to essays by prominent linguists that provide commentary on the profound influence of Lakoff's work.

Playable Bodies shows how dance video games work as engines of humor, social risk, and intimacy, urging players to dance like nobody's watching-while being tracked by motion-sensing interfaces in their living rooms. Author Kiri Miller looks at game design and player experiences across media platforms, presenting a new theory of "intimate media."

From smartphones to tablets, mobile media is increasingly playing a central role in the representation, sharing, and experience of events public and private, formal and informal. Drawing on cross-cultural fieldwork, Haunting Hands considers the role mobile media practices and rituals provide as fundamental insights into contemporary notions of life, death, and loss.

Appalachian Spring, with music by Aaron Copland and choreography by Martha Graham, counts among the best known American contributions to the global concert hall and stage. Distinguished musicologist Annegret Fauser offers a concise and lively introduction to the history of the work, its realization on stage, and its transformations over time.

The Democratic Coup d'Etat advances a simple, yet controversial, argument: democracy sometimes comes through a military coup. Covering coups that toppled dictators and installed democratic rule in countries as diverse as Guinea-Bissau, Portugal, and Colombia, the book weaves a balanced narrative that challenges everything we knew about military coups.

In Choral Monuments renowned choral pedagogue and scholar Dennis Shrock offers close studies of eleven of the most significant choral works in Western music history. The volume covers the range of historical eras and a variety of performance forces, from the acapella four-voice Renaissance Mass to the twentieth-century choral symphony with multi-part choir and modern orchestra.

Gender and the Great War provides a global, thematic approach to a century of scholarship on the war, masculinity and femininity, and it constitutes the most up-to-date survey of the topic by well-known scholars in the field.

The first book dedicated to the breakthrough work by one of the most acclaimed composers today, Arvo Part's Tabula Rasa tells the story of its composition and premiere against the backdrop of late Soviet culture and the end of the Cold War.

Digital Organization Tips for Music Teachers is a guide for educators looking to get a grip on the logistics of their job so they can focus on what really matters: teaching music!

In this book, Novenson gives a revisionist account of messianism in antiquity. He shows that, for the ancient Jews and Christians who used the term, a messiah was not an article of faith but a manner of speaking: a scriptural figure of speech useful for thinking kinds of political order.

The Unorthodox Guitar is a comprehensive resource for experimentally minded guitarists and composers wishing to write for or perform on the instrument in new ways. The book focuses on unconventional approaches to the guitar, including alternative tunings, extended techniques, instrumental preparations, electronic augmentations, and issues pertaining to performing and recording with a computer.

Shakespeare's plays were immensely popular in their own day - so why do we refuse to think of them as mass entertainment? In Pleasing Everyone, Jeffrey Knapp opens our eyes to the uncanny resemblance between Renaissance drama and the incontrovertibly mass medium of Golden-Age Hollywood cinema.

Thirty years of thinking and theorizing about the field come together in Modeling Ethnomusicology, a collection of essays by one of its leading figures. Author Timothy Rice weaves together his most important work about music and the way ethnomusicologists study it, and from this work he proposes a new model for constructing how ethnomusicologists theorize as they conduct research.

The Beat Stops Here Lessons on and off the Podium for Today's Conductor is an insightful, occasionally cheeky view of conducting, from score study to Stravinsky, from tempo to Taoism, from brushing the dog to Beethoven. In short, The Beat Stops Here is a compendium of style and substance in the real world of today's conductor.

Analyzing an eclectic history of film and related media, Split Screen Nation argues that popular visions of the American West and the American South must be thought in relation to one another if we are to fully understand the marks both have left on popular ways of imagining the U.S.

Upholding literature and film together as academically interwoven, Perpetual Carnival underscores the everlasting coexistence of realism and modernism, eschewing the popularly accepted view that the latter is itself a rejection of the former.

With Occasional Pieces, composer Christian Wolff brings together a collection of his most notable writings and interviews from 1950 to the present, shining a new light on American music of the second half of the twentieth century. Included are profiles of Wolff's experimentalist contemporaries, including John Cage, Morton Feldman, David Tudor, and Merce Cunningham.

Intimate Violence explores the consistent cold war in Hitchcock's films between his heterosexual heroines and his queer characters, usually though not always male. These conflicts eerily echo the tense standoff between feminism and queer theory. From a reparative psychoanalytic perspective, David Greven merges queer and feminist approaches to Hitchcock.

Notes for Clarinetists: A Guide to the Repertoire offers historic and analytical information concerning thirty major works for solo clarinet, clarinet and piano, and clarinet and orchestra. This information will enhance performance and be useful in preparing and presenting concerts, and recitals.

Focusing on well-known plays and performances of the late nineteenth- and early twentieth-centuries, Performing Queer Modernism demonstrates that queer performance was integral to modernism, that queer modernist performance played a key role in the historical emergence of modern sexual identities, and that it anticipated the insights of contemporary queer modernist studies.

Though science and philosophy take different approaches to ontology, metaphysical inferences are relevant to interpreting scientific work, and empirical investigations are relevant to philosophy. This book argues that there is no uniquely rational way to determine which domains of ontology are appropriate for belief, making room for choice in a transformative account of scientific ontology.

"Excerpts from The absorbent mind ... translated from the Italian by Claude A. Claremont"--T.p. verso.

This is an introduction the thought of Robert Holcot, a Dominican friar who flourished in the 1330's. Although Holcot produced a diverse and influential body of work-including scholastic treatises, biblical commentaries, and sermons-he is often overlooked today. In this book John Slotemaker and Jeffrey Witt restore Holcot to his rightful place as one of the most important thinkers of his time.

This book explores the tradition of Icelandic spirit work, known as andleg mal, as practiced in the northern town of Akureyri. Based on firsthand accounts of these spirit encounters, Corinne Dempsey describes how andleg mal's beliefs and practices span not only earth and spirit but Icelandic histories and cross-Atlantic cultures.