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Winner of the August Prize, the story of the complicated long-distance relationship between a Jewish child and his forlorn Viennese parents after he was sent to Sweden in 1939, and the unexpected friendship the boy developed with the future founder of IKEA, a Nazi activist. Otto Ullmann, a Jewish boy, was sent from Austria to Sweden right before the outbreak of World War II. Despite the huge Swedish resistance to Jewish refugees, thirteen-year-old Otto was granted permission to enter the country-all in accordance with the Swedish archbishop's secret plan to save Jews on condition that they convert to Christianity. Otto found work at the Kamprad family's farm in the province of Småland and there became close friends with Ingvar Kamprad, who would grow up to be the founder of IKEA. At the same time, however, Ingvar was actively engaged in Nazi organizations and a great supporter of the fascist Per Engdahl. Meanwhile, Otto's parents remained trapped in Vienna, and the last letters he received were sent from Theresienstadt. With thorough research, including personal files initiated by the predecessor to today's Swedish Security Service (SÄPO) and more than 500 letters, Elisabeth Åsbrink illustrates how Swedish society was infused with anti-Semitism, and how families are shattered by war and asylum politics.

Part American and part French, part memoir and part guide, this book offers a fresh, unique, and powerful perspective on the challenges of parenting and how to find a rewarding path forward for parents and children alike.How should we raise our children? It should be a simple enough question to answer but in fact it is an intimidating and complex one. We often address it by deciding to do either exactly what our parents did or just the opposite. After that we rely on a cocktail of love and instinct, hoping it will be enough to overcome the difficulties ahead. Far from having perfect free will, however, we are all under the influence. The child still within us confuses, influences, or undermines all our aspirations as parents and prevents us from sticking to the philosophy we initially hoped to follow. These unresolved emotions drive us to reproduce the upbringing we received, including the behaviors that have hurt us the most. In Parents Under the Influence, Cécile David-Weill draws on her own parenting blunders and successes as well as concrete examples, case studies, and works of fiction to guide readers, helping them heal from the past and become effective, nurturing parents.

Notable International Crime Novel of the Year - Crime Reads / Lit HubFrom a prize-winning Turkish novelist, a heady, political tale of one man's search for identity and meaning in Istanbul after the loss of his memory.A blues singer, Boratin, attempts suicide by jumping off the Bosphorus Bridge, but opens his eyes in the hospital. He has lost his memory, and can't recall why he wished to end his life. He remembers only things that are unrelated to himself, but confuses their timing. He knows that the Ottoman Empire fell, and that the last sultan died, but has no idea when. His mind falters when remembering civilizations, while life, like a labyrinth, leads him down different paths.From the confusion of his social and individual memory, he is faced with two questions. Does physical recognition provide a sense of identity? Which is more liberating for a man, or a society: knowing the past, or forgetting it?Embroidered with Borgesian micro-stories, Labyrinth flows smoothly on the surface while traversing sharp bends beneath the current.

From the director of Mondovino, a lively discussion of the expanding world of natural wine that considers the movement as a potential remedy for our current cultural crisis. What if, ten years from now, an artist--a filmmaker, for example--will have become as marginal and anachronistic as a blacksmith? What if the actors in the cultural world are on the brink of extinction, not about to disappear like prehistoric animals, but worse--submitting to the status quo? Absorbed by a marketplace that increasingly devalues true artistic work?In Cultural Insurrection, award-winning filmmaker and sommelier Jonathan Nossiter considers these questions and offers a solution inspired by the rebellious, innovative figures transforming the way we produce and consume wine. This new generation of artisans, working closely with the earth to create exceptional natural wines, has assumed the role of dissenters that artists have abandoned, and we should look to them in order to revitalize contemporary art.

Best International Crime Novel of the Year - Crime Reads / Lit HubThis atmospheric noir novel retraces the steps that led to a murder off the coast of Brittany, probing the relationship between law and justice.In a depressed town on France's northern coast, a man named Martial Kermeur has been arrested for the murder of real estate developer Antoine Lazenec after throwing him overboard. Called before a judge, Kermeur goes back to the beginning to explain what brought him to this desperate point: his divorce, his son's acting out, layoffs at his job, and, above all, Lazenec's dazzling project for a seaside resort. The temptation to invest all of your severance pay in a beautiful apartment with a view of the sea is great. But still, it has to be built. In this subtle, enthralling novel, Tanguy Viel examines not only the psychology of a crime, but also the larger social ills that may offer its justification.

An eloquent, heartfelt account of a young boy's fight with cancer and of a mother's determination and resilience, which see their family through to his recovery.As her ten-year-old son sits at the kitchen table one evening, Lise Marzouk inspects his mouth and discovers an unusual growth, which doctors later confirm is cancerous. When he is hospitalized at the Curie Institute in Paris for lymphoma treatment, Lise finds herself torn between two worlds, one at his bedside, and the other at home with her two younger children, struggling to maintain a sense of stability in their lives. And so she writes-of their fears and doubts, but also of their moments of tenderness and joy-and through these memories, stories, and reveries, she arrives at a deeper understanding of herself as a woman, a mother, and a writer.Brimming with a rebellious sense of hope, If offers an intimate look at how a mother's love and support enabled her family to come out of a devastating experience stronger and more connected.

In this luminous novel about romance and illusion—and what''s left of love when they''re stripped away—an American Anglophile is drawn into the lives of a disintegrating aristocratic family. After the sudden death of her husband, Annie Devereaux flees to England, site of the nostalgic fantasies her father spun for her before he deserted the family. A chance encounter in London leads Annie to cancel her return to New York and move in with Julian, the disaffected, moody son of Helena Denby, a famous British geneticist. As their relationship progresses, Annie meets Julian''s sisters Isabel and Sasha, each of them fragile in her own way, and becomes infatuated with visions of their idyllic childhood in England''s West Country. But the more she uncovers about Julian''s past, the more he explodes into rage and violence. Finally tearing herself away, Annie winds up adrift in London, rescued from her loneliness only when she and Isabel form an unexpected bond. Slowly, with Isabel as her reluctant guide, Annie learns of the emotional devastation that Helena''s warped arrogance, her monstrous will to dominate, inflicted on her children. The family who once embodied Annie''s idealized conception of England is actually caught in a nightmare of betrayal and guilt that spirals inexorably into tragedy.

"A story of madness, art, alcohol and creativity…elegantly translated…vivid." —New York Times An exasperated writer obsessed with American cinema embarks on an increasingly bizarre journey in this heady, engrossing novel.A man writes an enormous screenplay on the life of Herman Melville. Not a single producer is interested in it. One day, someone gives him the phone number of the great American filmmaker Michael Cimino, legendary director of The Deer Hunter and Heaven''s Gate. A meeting is arranged in New York, and Cimino reads the manuscript. What follows is a series of crazy adventures through Ellis Island, the Musée de la Chasse in Paris, a lake in Italy.We run into Isabelle Huppert, Diana the hunting goddess, a Dalmatian named Sabbat, a diabolical neighbor, and two shady characters with conspicuous mustaches. There''s also a pretty PhD student, an unpleasant concierge, and an aggressive maître d'' who looks like Emmanuel Macron...This improbable, insightful tale bridges the divide between cinema and literature in unexpected ways that are at once gratifying and profound.

In early 2005, Richard Polsky decided to put his much-loved, hard-won Warhol Fright Wig, up for auction at Christie''s. The market for contemporary art was robust and he was hoping to turn a profit. His instinct seemed to be on target: his picture sold for $375,000. But if only Polsky had waited . . . Over the next two years, prices soared to unimaginable heights with multimillion-dollar deals that became the norm and not the exception. Buyers and sellers were baffled, art dealers were bypassed for auction houses, and benchmark prices proved that trees really do grow to the sky. Had the market lost all reason?In I Sold Andy Warhol (Too Soon), Polsky leads the way through this explosive, short-lived period when the "art world" became the "art market." He delves into the behind-the-scenes politics of auctions, the shift in power away from galleries, and the search for affordable art in a rich man''s playing field. Unlike most in the art world, Polsky is not afraid to tell it like it is as he negotiates deals for clients in New York, London, and San Francisco and seeks out a replacement for his lost Fright Wig in a market that has galloped beyond his means. A compelling backdoor tell-all about the strange and fickle world of art collecting, I Sold Andy Warhol (Too Soon) takes an unvarnished look at how the industry shifted from art appreciation to monetary appreciation.

Any man—or woman—who wants to hear nothing—or no more—about love should put this book down.Anna and Louise could be sisters, but they don’t know each other. They are both married with children, and for the most part, they are happy. On almost the same day, Anna, a psychiatrist, crosses paths with Yves, a writer, while Louise, a lawyer, meets Anna’s analyst, Thomas. Love at first sight is still possible for those into their forties and long-married. But when you have already mapped out a life path, a passionate affair can come at a high price. For our four characters, their lives are unexpectedly turned upside down by the deliciously inconvenient arrival of love. For Anna, meeting Yves has brought a flurry of excitement to her life and made her question her values, her reliable husband, and her responsibilities to her children. For Louise, a successful career woman in a stable and comfortable marriage, her routine is uprooted by the youthful passion she feels for Thomas. Thought-provoking, sophisticated, and, above all, amusing, Enough About Love captures the euphoria of desire through tender and unflinching portraits of husbands, wives, and lovers.

"Jenny Rogneby is the new queen of Nordic noir. Her heroine is like no one else. And the way she writes! She grabs you and you just can't stop reading." -David Lagercrantz, author of the #1 best-selling The Girl in the Spider's WebIn the highly anticipated sequel to Leona: The Die Is Cast, a corrupt detective deals with the emotional fallout of her actions while investigating a terrorist attack in the heart of Stockholm.A man blows himself up outside the Parliament House in Stockholm, but miraculously survives. Was he a lone wolf, or are there more heinous acts to follow? Leona Lindberg is put on the case. But Leona, who has barely escaped her trials from the last case, is focused on other things. Her family is shattered, she is living under threat, and desperately needs liquid assets. It's lucky then, that she can think outside the box like no other detective. With one foot on each side of the law, she mounts a special operation of grand proportions. And the higher the risk, the higher the rewards.

"One of the four best Hollywood novels ever written." -Elizabeth Frank, New York Times Book Review "Epstein is a master storyteller at the height of his powers." -Jonathan Kirsch, Los Angeles Times Book Review "Mr. Epstein effortlessly captures the magic of a Hollywood childhood . . . San Remo Drive is a haunting and deeply affecting book." -Michiko Kakutani, New York Times Leslie Epstein's bestselling new novel is composed of five interrelated episodes, in each of which a germ of childhood experience is elaborated by the mature imagination of one of this country's most distinguished writers of fiction. Richard Jacobi, the narrator of these reflections, invites us to revisit the crucial experiences of his youth: driving to Malibu to meet the man determined to marry his mother; on vacation in the Mohave, while his father, the famed Hollywood figure Norman Jacobi and Lotte, his mother, must deal with the terrible consequences of Norman's testimony before the House Committee on Un-American Activities; exploring how a night in a bar and brothel in Tijuana becomes linked to the spiritual growth of his brother, Bartie, who is surely destined to be one of the most memorable and endearing characters in modern literature; viewing a precarious initiation into sexuality that will mark forever the way an artist sees the world and does his work. This is, then, a novel written from memory, in the same sense that the Schubert sonatas that attract Lotte to her baby grand are played from memory-that is, by heart.

A classic of Holocaust literature from “one of the great masters of the short novel.”—The New YorkerIn the Vilna Ghetto during World War II, Nazi Commandant Schoger demands that all children be sent to the death camp. When Abraham Lipman pleads with him to spare their lives, Schoger reconsiders, and tells Lipman there will be a chess match between himself and Lipman’s only surviving son, Isaac, a chess prodigy. If Isaac wins, the children will live, but Isaac will die. If Isaac loses, the children will die, but Isaac will live. Only a draw will save the ghetto from this terrible predicament.The chess game begins: a nightmarish contest played over the course of several evenings, witnessed by an audience impotent to act, staking the lives of their children on a stalemate. This is a moving story of a father and a son who shame their cruel perpetrator with their dignity, spirit, and extraordinary courage. Stalemate speaks to the power of humor even under the direst circumstances. As a parable that gives voice to the unspeakable, Stalemate is an antidote to despair.“Gripping . . . a truly memorable work.”—Booklist

In a groundbreaking integration of the work of Lacan, Winnicott, and Tustin, Catherine Mathelin reveals how a child's symptoms can be a striking reflection of its parents' unresolved conflicts. She shows how her patients' art, much of it reproduced here, can communicate both initial anguish and progress in treatment, and draws on her experience of working on a neonatal unit to argue compellingly that a child's mental health can be endangered even before birth."This is a book hard to put down, filled with the most fascinating brief case vignettes of parents and children who live in worlds disconnected from each other, hoping for experts to heal their suffering." -Anni Bergman, coauthor of The Psychological Birth of the Human Infant

A novel about obsession that makes for obsessive reading.All Owen Patterson wants is an normal life, a happy marriage, and a stable family. But following the brutal and random murder of his brother-in-law, that dream is shattered. A year later, his wife is still in mourning and his in-laws won''t talk about anything but their dead son.The murderer, Henry Joseph Raven, has been put in prison, but as far as Owen is concerned, prison isn’t punishment enough. He embarks on a quest to "balance the scales of justice," writing letters to Henry Raven under the pseudonym Lily Hazelton. His plan: to seduce the murderer, make him fall in love with his fictional correspondent, and then break his heart. From one letter to the next, Lily Hazelton develops into a curious amalgam of details from Owen’s imagination, snatches of his difficult childhood, and memories of his cousin Eileen, a suicide who was his first true love. Not entirely in control of his own creation, Owen dives headfirst into the correspondence, only to find himself caught in the trap he’s set for Henry Raven.Bringing together an epistolary game of cat and mouse with the harrowing record of one man’s psychological collapse, The Interloper is a compelling and original debut from a bold new writer."As assured and sumptuously written as any first novel I’ve encountered—Antoine Wilson’s prose sings, and the story he tells here is both clever and compelling. This is writing at its very best." — T. Coraghessan Boyle

Designed for novices as well as students of psychology and literary criticism, these systematic lectures do much to clarify Lacan's groundbreaking work on the birth of the subject and its links with Freud's theory of drives. Moreover, they answer some of the criticisms that have been leveled at Lacan by forms of psychoanalysis unable or unwilling to incorporate his ideas.

In the English-speaking psychoanalytic world, few diagnostic categories are as controversial as hysteria. This concept, widely held to reflect outmoded cultural prejudices aganist women, has virtually disappeared from our theoretical literature, diagnostic manuals, and traning programs. However far from being gender-bound, hysteria from Jacques Lacan represents a psychic strategy that bears on one of the most fundamental preoccupations of existence: What does it mean to be a woman? What does it mean to be a man?

Robert Lindner's 1944 classic Rebel Without a Cause follows the successful analysis and hypnosis of a criminal psychopath, Harold. In full transcriptions of their forty-six sessions, Lindner takes his patient into the depths and recesses of his childhood memories. Plumbing the free-associative monologues for clues to unlock the causes of Harold's criminal behavior, Lindner portrays a man cut off from himself and unable to attach himself to others.Lindner reveals to Harold long-hidden incidents from his infancy and childhood that served to propel him toward a troubled and chaotic adulthood, full of armed robbery, break-ins and random sexual encounters. With care and diligence, patient and analyst begin to excavate events from Harold's childhood and reconstruct them as a foundation for analysis. Heralded as a classic upon its publication, Rebel Without a Cause is the tale of a masterful analysis that is still relevant today, against the complex issues of sanity, rehabilitation, and crime that resonate in our legal system.

A warm, insightful memoir by an acclaimed historian that explores the struggles of twentieth-century Europe through the lives and hopes of a single family-his own Following his relatives' remarkable stories, Mark Mazower recounts the sacrifices and silences that marked a generation and their descendants. With a rich array of letters, photographs, interviews, and archives, he creates a moving portrait of a family that fate drove into the siege of Stalingrad, the Vilna ghetto, occupied Paris, and even the ranks of the Wehrmacht. His British father was the lucky one, the son of Russian Jewish emigrants who settled in London after escaping civil war and revolution. Max, the grandfather, had started out as a member of the socialist Bund organization and manned the barricades against tsarist troops, but never spoke of it. His wife, Frouma, came from a family ravaged by the Great Terror yet somehow making their way in Soviet society. In the centenary of the Russian Revolution, What You Did Not Tell recalls a brand of socialism erased from memory: humanistic, impassioned, and broad-ranging in its sympathies. But it also examines the unexpected happiness that may await history's losers, the power of friendship, and the love of place that allowed Max and Frouma's son to call England home.