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Forged in the crucible of family tragedy, Edgar JerinsâEUR(TM) monumental charcoal drawings are a towering achievement of contemporary American art.
Layered Landscapes is a collection of essays and photographs of our beautiful world from just outside our homes all the way to the heavens. The book has introductions by Michael Webb (architecture writer) and Craig Krull (gallerist). Craig Krull aptly points out that Okun's photographs are a "reconstructed harmony into what we believed to be a 'real' landscape." He writes that "her work has always defined the point that landscapes do not exist in nature, but only in our minds." Okun's artwork is a mixture of multiple layers that present a memory of the places she has visited on her many travels. The photographs are as poetic as the essays. Griff Rhys Jones (writer, actor, presenter) explores the color blue. Kathy Lette (author) becomes a cloud on an Australian beach. Thea Musgrave (composer) explains a tempest in musical notes. Tania Compton (garden designer) talks about meadows balancing wild and formal gardens. Caleb Leech (landscape Gardener) writes about medieval gardens. Annie Gatti (garden writer) and Steve Reich (writer and producer) both talk about happiness in gardening. James Forrest (writer) climbs mountains to become calmer. Richard Sparks (writer, director) and Lee Holdridge (Composer) discuss Okun's projected design for opera. Layered Landscapes is a meditation on our earthly desires.
"This autobiographical monograph presents a retrospective of the 40-year innovative graphic design practice of husband-and-wife team, Nancy Skolos and Thomas Wedell. The two have seamlessly merged the boundaries between graphic design, photography and typography, fusing two-and three-dimensional space through overlapping type and image. Long-time influential designers and educators, and 2017 AIGA medalists, Skolos-Wedell's work has been widely exhibited and published in the US and internationally. The book has been written as a series of interviews between Skolos and Wedell, and beautifully designed by the artists themselves. The result is a work of total design that showcases their unique way of thinking and working. Prototypes, iterations, and studio set-ups shed light on the process behind the finished work which unfolds in chronological order, subdivided in decades: 80s, 90s, 00s, 10s, 20s, with each section beginning with a timeline of notable events. While a time-based taxonomy may seem unimaginative, it was critical for presenting the evolving working methods. To provide the most direct view of the studio's collaborative design process, much of the text unfolds as a series of interviews with each other."--
"The intense social and environmental fervor that arose in the 1960s and 1970s in response to assaults on the planet's life support systems, degradation of communities, and socio-economic inequality unleashed revolutionary change at all levels of society. Out of the turmoil of that era, community-based ecological design emerged as a powerful creative force for reshaping the commons, bringing people together, and forming ecologically sustainable relationships with the environment. The stories in this book reveal how the revolution has played out in re-conceiving public places in the landscape of every-day life in northern California. The text focuses on the broad human, social, environmental, and cultural aspects of place-making to create livable, inclusive, sustainable, and treasured spaces. The aesthetic experience of each place is revealed through photos, diagrams, sketches, and plans. Success stories like these offer hope, so sorely needed, for dealing with the seemingly insurmountable current assaults on earth's life support systems" --
The unprecedented growth faced by the Chinese cities in the last decades entailed serious consequences: economic and social disparities, environmental crises, and demographic imbalances between the rural and the urban areas. These issues, together with a growing awareness of the intrinsic unsustainability of Chinese economic model, has stimulated debate on how redefining the approach to urban development.>The publication explores the ongoing processes of suburbanization in Lishui Valley based on three years of design, research and teaching activities carried out by Politecnico di Torino and South China University of Technology since 2020. With a rich collection of original essays and projects, this book combines reflexive knowledge, critical imagination, and design experimentation to provide scenarios for Chinese suburban development.
This book aims to help readers rediscover the sacredness of the everyday landscapes around them in order to shed light on the ecological imperatives of our time. Drawn from the union of art, nature, and metaphysics, it presents some of the myths and legends of antiquity as they might be recognized by our modern society of earth-shapers. Through word and image the authors reference the ecological and environmental concepts found at the core of traditional environmental knowledge and provide a new context for environmental engagement that merges the spiritual and phenomenological with the scientific and empirical. Wisdom of place can be used by anyone--from creatives to spiritual seekers, landscape architects to coders--to call forth the voice of the genius loci--the spirit of place--and reveal the creative forces and hidden currents of nature.
This book explores computation, specifically the craft of writing computer code, as a medium for drawing. Exercises, essays, algorithms, diagrams, and drawings are woven together to offer instruction, insight, and theories that are valuable to practicing architects, artists, and scholars. This book can serve as a primer for those new to programming or motivation and context for those with experience. "Computing" and "drawing" are both deeply historical and loaded terms. Although digital media is often positioned in opposition to the "manual" act of drawing, the broader territory of "computing" includes matters of language, rules, procedures, and orders that are very much compatible with the presence of ink on paper. Indeed, the nature of drawing--a temporal medium governed by marks that can be precisely defined, but not easily edited--provides welcome structure for computational methods.
"Next New York is the third book in the Next Cities publication series by UVA School of Architecture and its Next Cities Institute." -- colophon.
The Shape of the Land: Topography & Landscape Architecture-the first book to centre on this subject-presents the contributions of thirteen well-known practitioners and academics who discuss the forms and ramifications of reconfiguring terrain.
Silt Sand Slurry is a visually rich investigation into where, why, and how sediment is central to the future of America's coasts.
This book traces the historic evolution of urban form, principles, and design; it serves as a compendium, or reference, of city design; and is a polemic about the necessity for the recovery of the city and a contemporary urban architecture. It begins with the planned cities of Greece and the Roman Empire from about 500 BC, through the late-medieval Bastides, the Ideal Renaissance cities, and Baroque new towns, to the urban planning strategies of the nineteenth and early twentieth centuries. It covers anti-urban modernist architecture and the resulting disintegration of the city. It concludes with late-twentieth-century efforts to recover the city, a contemporary urban architecture, and urbanism's potential contribution to the contemporary ecological crisis. The book is project oriented and extensively illustrated. It may be read graphically, textually, or both. As such, it falls into the long tradition of illustrated treatises in which theory is embedded in the projects, with only occasional assistance or clarification from the text. Architecture and urban design are physical arts, not verbal arts, and they are best understood from graphic representations.
In Search for Meaning is the first published book by artist-photographer Felisa Tan. This striking collection covers most of her major work for the past fifteen years, many of which were never published before. Consisting of seventy-two photographs exquisitely made and sequenced by Felisa herself, unveiling spellbinding and strange mundane subjects from her extensive travels and light experimentations at home, she has created a record of the way she experiences the world after undergoing more than a decade of evolution as an artist and human being. Felisa's photographs reflect honest, clear observation, and an intricate and layered way of seeing, as she watches life unfold itself before her eyes. Her exceptionally loaded ways of looking at the world are reflected in her handling of space, composition, synchronized colours, shapes, and framing, and rather imperfect subjects and places. Common things--graffiti, carnivals, twilight, lonely scenes, and empty spaces--are all transformed by her subtle luminous vision into an extraordinary teacher, filled with ageless Presence and wisdom. The consistency of her proclivity towards certain kinds of places and moments of time, and deep insightful rendering of these moments, present us with an extension of her present tense, reading of meaning, and judgment of what might be of timeless importance to the readers in every phase of their lives. Furthermore, with her ability to grasp the little details that come her way as both an individual and a representative of a larger human and universal context, this rich compendium of images in both natural and human settings transport the viewer into the heart of childlike wonder and a lush infinite Universe.
This book celebrates over 20 years of Bonstra|Haresign Architects' community-focused practice. It documents the growth and success attributable to the firm's philosophy and methodological approach.
Climate change poses challenges for human survival and societal development, including frequent urban disasters such as high wave and urban waterlogging, as well as extreme weather events such as sea level rise, floods, tropical storm, wide-range drought, and high temperature in polar regions. Contributed in part by reducing greenhouse gas emission, and also by the means of improving local resilience, the international community have been working on mitigating the uncertain impact of climate change. Against the backdrop of carbon reduction policy such as Carbon Emission Peak and Carbon Neutrality proposed by Chinese government, regional sustainable progress inevitably calls for resilient strategies for human settlements that address local issues upon climate change adaption and resilience theories. Since the impact of climate change on human settlements, risk and resilience assessment methods, and spatial and technological strategies have already broadly studied by international academia, more attention should be taken into research on spatial planning, urban design, landscape design, innovative engineering, emerging technology application, and interdisciplinary perspective to strive to realize the goals of peaking carbon emissions and achieving carbon neutrality. To this end, this issue expects to discuss the resilient strategies adaptive to climate change for improve human settlements at varied scales. Introducing international perspectives, LA Frontiers encourages the bridging the latest research outcome with application and practice.
The photography collected in A View from the Top arose out of a desire to document a singular body of work-the Viewpoint Collection.
Challenging the hegemony of museums and yearning to communicate with a larger diverse audience, trailblazing conceptual artists and land artists found support in newly developed and expanded programs of the NEA and the GSA. This book foregrounds critical questions about public art, the policies that govern it, and the processes that realize it. What makes art public? What makes good public art? Why is there so much bad public art? How can the overall standard of public art be improved? What professional practices sponsor the best art for architecture and the environment? How can the artist selection process ensure that only superior artists are commissioned? Aesthetic judgments are implicit in museums exhibitions and acquisitions. Why should art in public places be held to a lesser standard? How can myriad interests of the community and individuals be harnessed to the higher goal of choosing the best artists for a project. It is a central contention of the book that despite the numerous constraints encountered in any commission, the most excellent public art expresses and even accentuates the personal, innovative vision of the artist. Approaches that compromise that vision, especially those that try to be all things to all people, inevitably diminish the dynamism and uniqueness of the final work. In the best public art, imagination, originality, passion, and even impulsiveness characterize the work of those artists who, while reaching out to a broader public, paradoxically search for new ideas often antithetical to the rules, materialistic culture, and social practices of the community. Many projects have demonstrated that art that seems different, difficult, and provocative can, in time, become familiar and comprehensible in a public setting and resonate more effectively than conventional solutions.
At a time when everything is being forced to rapidly adapt to climate change, landscape comes into focus as a subject and medium of more importance than ever. Nowhere is this better known than at the Weitzman School of Design at The University of Pennsylvania, where the landscape architecture department has been leading the field for over 70 years. Edited by Richard Weller and Tatum Hands, The Landscape Project is a collection of 17 essays by the landscape faculty at Weitzman. Each author takes on a single topic -- animals, plants, water, energy, politics, urbanism, aesthetics, and more. If there is just one book you need to get up to speed on the state of art in landscape architecture, then this beautifully crafted little black book is it!
Following the popular first volume of Folio, Folio 2 features the most inspiring new brick buildings in North America and Australia. Here single-family homes, university buildings, cultural centers, showroom interiors, and more show the possibilities of brick. Each project uses material manufactured by Glen-Gery in a variety of shapes, colors, and textures, from conventional brick to glass brick to custom-designed brick for unique implementations. The buildings are thoroughly documented in photos and drawings, and with texts based on new interviews with their designers--a who's who of both up-and-coming and established architecture firms.
The latest edition of the University of Virginia School of Architecture's design journal, LUNCH 15 turns to the concept of Thickness and considers what possibilities lie in poché, thick description, thin assemblies, and in the many layers of the built environments
What ideas are currently energizing your architectural work and explorations? Why did these ideas become impactful while others did not? What role did mentors and peers play in the development of these ideas? What were your breakthrough insights or aha moments? What is next for you, and for the discipline and discourse of architecture? For this book, Mark Foster Gage has selected eleven of the most noteworthy and fascinating conversations from his year-long project of documenting the ideas of the next generation of designers who are revolutionizing the nature of architectural practice and theory today. This remarkable collection of casual, informative, and personal interviews engages fifteen architects as they reveal what made them who they are, what propels their architectural work forward, and what they anticipate comes next. A noted practitioner, tenured Yale professor, CNN design contributor, and respected insider of the international architectural scene, Mark Foster Gage has spent his professional life with many of the most important figures in architectural discourse and practice. With this book he focuses on an emerging generation of practitioners- approaching his subjects with a characteristic mix of insight, wit, and humor in a book that is consistently entertaining and informative as the architects open up in unexpected ways about their beliefs, work, lives and thoughts about where architecture, and they, are headed next.
Every year millions of travelers arrive in Athens eager to catch a glimpse of the ancient city and savor its classical heritage. But what about the late nineteenth century Athens with her neoclassical buildings, wide avenues and literary salons? An Athens where music wafted from King Otto's palace and the aristocracy waltzed under crystal chandeliers. A city of dignitaries, scholars and architects drawing plans and reworking them, leaving their mark on every dimension of the young capital.An Athens where commoners hovered around dimly lit fires and children played in the mud amidst the ancient ruins. Where criminals settled disputes with drawn knives and prostitutes roamed the ports luring sailors into filthy, smoke-filled taverns. Where Greek refugees lived in wind-swept streets with no sewers or running water, singing about their troubles under the stars.>Athens Unveiled pays homage to the people, streets, and neighborhoods of late nineteenth century Athens, where some of the finest neoclassical buildings still stand next to abandoned mansions, brothels, and old factories; where people still bargain the prices of clothes and produce on the old streets of commerce and where young artists create powerful murals, bringing everything about the city into sharp focus.
Practice with Purpose is about designing buildings beyond their property lines to address some of society's most urgent challenges: the climate emergency, racial and ethnic injustice, chronic homelessness, educational crises, and the preservation of the embodied carbon and culture of existing buildings. >Twenty years ago, San Francisco-based Leddy Maytum Stacy Architects rededicated its practice to focus on these urgent issues. Its mission-driven designs not only address the critical concerns of twenty-first century architecture, but also bring clients and users into the dialogue. LMSa's award-winning works show the creative potential of building a practice with purpose. In this book, LMSa shares its experience and insight as a call to action to the architecture profession. Through case studies, data-driven essays, user testimonials, and thought-provoking questions, LMSa offers design strategies to architects who want to make an environmental and social impact.
"The first comprehensive book on the River Padma, considered the last leg of the Ganges, with a rich collection of new photographs and maps. The Great Padma Book defines the life and history of the Bengal Delta, the largest delta in the world. The book contains original essays by well-known writers, researchers, and academics from diverse fields, including geography, history, literature, architecture, and food history. The preface is written by the renowned author Amitav Ghosh (The Hungry Tide). Besides unpublished photographs documenting the magnificence and diversity of the great river, and wonderful set of maps and diagrams, the book has a rich content in depicting the life and times related to this turbulent river. The wonderful design and layout of the book will make this a collectable item"--Publisher's description.
The book Building Toys: An Architect's Collection documents over 100 architectural building toys from the author's collection, from the mid-1800s to the present, from the U.S. and abroad. Each toy has an immersive two-page spread celebrating its unique features with photos of packaging graphics, component parts, assembly diagrams, and a built example designed and constructed by the author. Well-researched background information on designers and company histories provides intriguing facts which complete each toy's description. When taken together, these stories reveal a microcosm of western commercial and industrial history, illustrating trends in design, advertising, and material production techniques. The book is organized by toy material (natural wood, metal, plastic, etc.), creating six "chapters." It includes a two-page introduction which reflects the author's role as architect, photographer, and collector. There are approximately 250 pages giving a dynamic visual portrayal of a seldom seen world.Book is packaged in an attractive case cover.
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