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We build fountains--those vibrant symbols of life and physical embodiments of beauty--to mark and celebrate our favored places. This act is an honor to all, and like listening to music, it is understood on an intuitive level. We also build fountains to commemorate life. Water is the basis for, and the symbol of, life. Many fountains are articulated to recognize some person, institution, or idea. Those particular recognitions are fused with water's deeper symbolism to convey everlastingness to the identities being celebrated. Fountain Safari places on the shelf a sharply focused, comprehensive, useful, entertaining, and hopefully lasting survey aimed to provide a panoramic portrait of the fountain class of artistic endeavor. The material attends especially to the aesthetics of water expression by examining numerous esteemed examples. In the process, a sketch is roughed out of the evolution of fountains over some two millennia and across several cultures. Ultimately, the work attempts to deepen the understanding and appreciation of water features by identifying and clarifying their most essential aesthetic qualities. Fountain Safari is written for design professionals, architects, landscape architects, urban designers, planners, students of the arts or the built environment--and everyone else interested in the engaging, one-of-a-kind subject of fountains.

Bridges as Structural Art features twenty-five bridges designed by Miguel Rosales and his firm Rosales + Partners, Inc.The firm is characterized by a unique combination of architectural sensitivity, engineering knowledge, and communication skills that allows it to create iconic, cost-effective and technically innovative bridges. These transformational bridges have become a source of pride in the areas in which they have been built and tangible expressions of the art of bridge design.

Design Research for Uncertain Futures assembles a diverse group of thinkers and makers, and thinking-through-makers, to situate design research as a form of knowledge generation that is complementary to science, and especially needed now, given changing climates and uncertain futures. Our model of design research envisions a distinct and powerful role for design researchers to work confidently with uncertainty and to skillfully negotiate contested futures as part of creating more equitable and resilient worlds. Using the tools of design research, knowledge is built through an iterative process of questioning, probing, proposing, building, testing, analyzing and revising. The climate crises that are challenging our collective survival demands--indeed, provokes--bold partnerships among the curious and committed to align creativity, analytic rigor and the plurality of values in the broader contexts of uncertainty and experimentation.

This Shooting for the Stars book is a celebration of timeless design. In its 248 colorful pages, there are countless award-winning, successful design programs and projects which have stood the test of time. Over six decades of global corporate clients (like AT&T and DuPont) to smaller not-for-profit organizations (like F.I.T. and Third Street Music School); Huge budgets to tiny, but all with strong concepts and enduring design solutions. Each design example is dated so one can appreciate the longevity of the work. In addition, the book contains many stories of how the projects evolved, some in unique and surprising ways. i.e.: NASA where we presented only a single Logo solution, but with multiple supporting applications; Or this author being stranded after a presentation in Saudi Arabia, with a full lock-down of airspace. Other stories have a decided teaching role and offer counterpoint to the diverse design presentations. There is also much about Danne's design leadership and service, a commitment which goes well beyond his own practice, for the good of all. Simply put, it's an animated long view of our graphic [visual] design profession, its history and evolution.

Rustic Architecture in America 1887-1940 is a history of a series of misunderstood masterpieces, the log-based architecture that emerged in the Adirondacks and the National Parks between 1890 and 1935. It is a history of how both form and technology of construction were determined by the tourist industry and the railroads who built the buildings and the social and environmental damage caused by the larger process of which they were a part. Many of these buildings were constructional shams driven by romantic pretenses, but there is also in the best of this architecture something truly original. It is also a history of how the rustic aesthetic transcended glib, mythic romanticism to produce a truly original architecture, how the unique conditions of the West merged craft with the industrial, of how its designers drew on the landscape of the West in combination with the European traditions of the rustic to create an original architecture and a unique way of building. Forty buildings are examined in detail. The text and the numerous original drawings unfold the story how the work was actually constructed in relation to its many enduring myths.

Like many small residential practices Cohen & Hacker Architects have made a career of doing house additions.In a practice spanning almost forty years they have evolved strategies for making additions that represent both a theoretical and philosophical position about altering older buildings. They believe that recycling existing houses, retrofitting them to meet new energy standards, preserving their embodied energy as well as their cultural significance is the most sustainable way to practice architecture.The projects included in this book seamlessly and often invisibly extend the fabric of an existing house. Cohen & Hacker's remodeled architectural interiors while respectful of the character and scale of the existing house, transform these spaces with ideas taken from modern design, creating spatially open floor plans with traditional details based on the existing architecture.To help illustrate what Cohen & Hacker describe as transformation, this book contains before and after floor plans and often exterior elevation drawings for every project. Almost every residential addition project and remodeling includes photos of new kitchens and bathrooms, a staple typical of small residential practices. From the largest to the smallest project the same care and attention to detail characterizes their work.

Chronicles the growth of the independent, workshop-based, Rambusch Decorating Company in New York, now being run by a fourth generation.

This is a clear, accurate, readable survey of the dramatic transformation of Chinese architecture from 1840 through 2020. It narrates the change from a predominantly timber-frame tradition to construction in twisted steel and ecologically sensitive local materials. The book places the buildings in historical context. Modern Chinese Architecture: 180 Years tells the dramatic story of the transformation of Chinese architecture from a predominantly modular, timber-frame, single-story building system with ceramic tile roofs of anonymous, local craftsmen to skyscrapers designed by internationally acclaimed architects, from temple markets and itinerant peddlers to megamalls, and from open air stages to auditoriums and stadiums with cutting-edge acoustics. The architectural transformation occurs as China transforms from a dynasty ruled by emperors to a republic to a people's republic, from a country in which fewer than half the male population, and perhaps 10 percent of the female population could read to at least 97% literacy, and from a population that was fewer than 5 percent to more than 60 percent urban. The development of architecture in China is explained century-by-century through five generations of architects: foreigners, China's first generation who study modern architecture abroad, their students who design in China during years of war with Japan, internal warfare, and the Cultural Revolution, the next generation who in the 1980s begin to study abroad again, and designers of this century from every continent who compete to transform the Chinese landscape. Buildings in this book are from every province. Illustrations are superior.

Hot Air is a monograph that situates and defines the hot air of the urban equator through the architecture and creative practice of Erik L'Heureux and the Office of Equatorial Intelligence.

Design research from the University of Pennsylvania Weitzman School of Design's MSD-RAS program.

Time is a factor in urban design. Projects sometimes take decades to materialize. Some never make it. This monograph features three decades of urban design projects at Johnson Fain varying in type and scale from conceptual architecture to the design for major city additions, to environmental plans for sites thousands of square kilometers in area. Some have been built; some remain in process. They represent a wide range of engagements, and all seek to address our goal to achieve "civic purpose," benefiting the city, the community and the project's sponsor.>Civic purpose--contributing to the civility of a city--is central to all our projects, public or private. Public and private sponsors may share similar views of civic purposes, yet often are motivated for different reasons--the public interest in social equity and environmental quality, and the private in engendering support for a project's entitlements. The urban design project benefits from both. Listening to stakeholder voices surrounding a project helps us understand the possibilities and the impossibilities, and to establish through involvement of all parties a sense of ownership and commitment assuring its success over time. Engaging others in conceptualizing urban design involves both the art of persuasion and the art of accepting other viewpoints, ceding credit for good ideas because our process is never about a single idea, encouraging robust discussion, concept development, and evaluation of alternatives in a collaborative process.>Across this spectrum of work, innovation is achieved both programmatically by defining the urban problem in different and interesting ways, and structurally by offering a formal framework from which participants contribute to the evolution of a plan. Our designers share a zeal for understanding how cities evolve and are committed to a principled practice that ensures they evolve in a beneficial direction for everyone.

Design for a Radically Changing World brings to light the impact of design on our everyday lives and offers innovative ways that design can help address some of the world's most pressing issues and urgent crises.

The myth of a wild, untouched landscape is persistent in American history. Imaginary wilds helped define an American identity in the early nineteenth century when Thomas Cole produced a series of masterwork paintings of American landscapes. And today the myth of imaginary wilds continues to have a major influence on attitudes toward landscape, nature, and the use of resources extracted from the earth. This book presents a series of student-designed architectural projects for a new gallery building sited within the landscape of Cedar Grove, Thomas Cole's historic home and studio in Catskill, New York. Cole's artistic legacy can be interpreted in different ways because he was concerned with landscapes and nature as both material and ideal conditions. Complexities arising from considering landscapes and nature as both real and ideal create a productive frame for exploring how architects might design buildings in relation to landscapes and nature. Throughout the book, these relationships are seen to play out in five different directions under the guidance of five different design studio instructors. The architectural projects presented here are contextualized in relation to landscape, nature, and Thomas Cole's artistic legacy in a series of essays by a distinguished group of designers and thinkers.

LA+ BOTANIC explores our evolving relationship with plants with contributions that reflect on the many natures and relations that are being materialized in plant conservation, botanic gardens, and botanic art today. A wide range of topics is covered, including plant conservation efforts and the challenges posed by global heating and extinction, the limited plant choices imposed by the horticultural industry, and the many representations of plants found in visual, material, textual, and architectural works. Edited by Karen M'Closkey, contributors include Giovanni Aloi, Irus Braverman, Patrick Blanc, Xan Sarah Chacko, Sonja Dümpelmann, Jared Farmer, Annette Fierro, Matthew Gandy, Ursula K. Heise, Andrea Ling, Janet Marinelli, Beronda L. Montgomery, Catherine Mosbach, Katja Grötzner Neves and Bonnie-Kate Walker.

Creating the Regenerative School profiling case studies from around the world that exemplify best practices in creating healthy, climate appropriate learning environments for early learners through high school with designs that are not only beautiful places to learn, but embrace restorative principles.

The book presents the remarkable history of the emergence in the past two decades of the dramatically new design of multi-tower and multi-functional tall building clusters. Based upon a decade of architectural research, the book provides a definition of the new typology, here termed The Tower Cluster, and its major concepts, design characteristics, and the typological knowledge required to design creative sub-variants. It provides the detailed analysis of a large series of recent case studies of the typology.In addition, the book categorizes various types of sky amenities such as sky pools, sky plazas, outlook decks, and other functions that have been, in this new typology, distributed through the vertical order of the tower cluster in order to create a new form of Vertical Campus which contains a designed selection of social, cultural, commercial, and entertainment facilities. The various types of groupings of advanced amenities in multi-story residential buildings, hotel buildings, office buildings, and high-tech headquarters/research buildings are presented and discussed in detail.The design knowledge and architectural knowledge of tower clusters and their vertical amenity structures are defined, and the definition and general application of typological knowledge in design provides to the reader a valuable knowledge base for the future designs of creative sub-variants tower clusters, as well as for their urban and landscape development. Thereby, the highly articulated knowledge component contained in the book becomes a valuable contribution to the future design of tower clusters as well as to the creation of a model of how to define architectural knowledge. It constitutes a brilliant working guide for the design of new skyscrapers.This work is part of a broad historical quest for an architectural medium - a typology of design - that might be capable of transferring certain urban social places to new locations above their traditional ground-based urban locations. That is, this provides a new medium To Socialize the Sky!Robert Oxman is a Professor and Dean Emeritus of the Faculty of Architecture and Town Planning, The Technion, Israel Institute of Technology. At the Technion he is a Professor of Architectural Design History and Theory. He is a Registered Architect in Massachusetts, and The State of Israel.

While sculpture remained central to his artistic practice, Isamu Noguchi's (1904-1988) interests and production spanned an exceptionally broad terrain that included furniture and lamps, stage sets for dance, plazas, courtyards--and gardens. Noguchi made no distinction between design, craft, and the so-called fine arts: in his view all of these could all be considered art should their aesthetic qualities sufficiently transcend those generated by the simple address of need. Although his gardens include several of the twentieth century's most iconic landscape designs and have received almost universal praise, Noguchi nonetheless occupies a place removed from the normal practice of landscape architecture. As an artist he relied more on intuition--bolstered by focused study where required--than on objective analysis, and he shaped his landscapes as sculpture, with space as their primary vehicle. To Noguchi landscape design was a spatial and formal art, and from his earliest environmental projects to the works of his later maturity, he succeeded in conceiving and constructing a series of remarkable places. In this comprehensive and richly illustrated study of Noguchi's gardens, noted landscape historian Marc Treib describes and critiques projects that date from his early unrealized projects for playgrounds and monuments to a large park in Sapporo, Japan, whose construction was completed only posthumously. The story begins with the discussion of Noguchi sculpture that relate in some way to actual landscapes, then moves to the dance set designs for Martha Graham, finally entering the realm of actual landscapes with his gardens for the Reader's Digest offices in Tokyo and UNESCO House in Paris. Many more projects followed in the United States, Japan, and Israel. Varying in their content and structure, several chapters collectively treat subjects such as landform, water, and the courtyard, while others focus on the major gardens monographically. Accompanied by stunning images from the archives of Isamu Noguchi Foundation and Garden Museum archives and the author's own photographs, the story of Noguchi's Gardens: Landscape as Sculpture will reward those interested in landscape architecture, art history, garden design, and art more broadly.

Drawn is a compendium of Frazier's illustrations for the most prominent publications and businesses in America and abroad. The book presents over 405 illustrations and sketches curated from a career spanning over 40 years. Respected by design peers and leaders in business, Frazier's illustrations connect two often disparate audiences with wit, metaphor and unabashed simplicity. Incorporated are several essays by Frazier on his upbringing and love of drawing, the transition from designer to illustrator, the computer, the business of illustrating, and myriad stories of how--and why--he makes the work that he makes. Through essays and illustration, Drawn shows Frazier's career of work as a designer then an illustrator. He reveals in personal detail the principles and underpinnings of that work. Frazier talks about the business of illustration and his early plan he had to secure the right clientele and the style that he was formulating. He describes his commitment to create conceptual illustrations that are embedded with visual riddles, incongruities and wit designed to intrigue the reader--the style he is recognized for. Drawn is a deeply personal journey through Frazier's creative career. His candor in word and work is equally inspiring and entertaining.

In Reimagined Worlds: Narrative Placemaking for People, Play, and Purpose, Margaret Chandra Kerrison presents an indispensable manifesto, compelling designers of environments and experiences to embrace a people-centered approach fueled by intentional narratives. This thought-provoking book delves into the realm of uncharted possibilities, envisioning a world that fosters a deep sense of belonging and authentic self-expression. She shares her unique insights, drawing from her experiences as a former Walt Disney Imagineer and the 2023 Paul Helmle Fellow at Cal Poly Pomona's School of Architecture. By combining storytelling with architectural and experiential design, the book inspires the creation of meaningful places that cultivate strong communities and shared values. Through this narrative lens, she encourages us to imagine and build a world we truly desire to inhabit, one that thrives on collaboration and purposeful living.

Bracket [On Sharing] considers the historic roots of sharing and their relationship to contemporary models of sharing. Sharing is one of the humanity's most basic traits; we intrinsically recognize the benefits of pooling resources within a community in order take advantage of varied abilities and access in order to fulfill needs. The impact of sharing goes beyond simply satisfying the necessities for survival and extends itself into the social and cultural dimensions of our communities. In constructing an urban commons, composed of collectively managed and shared resources, we shape our physical, social, and cultural environments to achieve some degree of shareabilty--whether of goods, services, or experiences. These historic and evolved cultural roots ensure that sharing is inevitably part of our daily lives. Yet, its central role in how we organize and manage our cities is increasingly threatened. Within a context of increased emphasis on the individual and privatization of the commons, sharing holds much promise for re-evaluating our economic, political, and social relations to equitably distribute resources and services at the scale of both the individual and the collective.

Photographs of actual people at work in various industries in Los Angeles and its environs: cloth, wood, metal, oil, and chemicals. Most of us have little sense of how the stuff of our lives is actually manufactured and the places where that happens. Los Angeles is one of the premier industrial concentrations in the United States. This book shows the reader just what they ordinarily do not see. Krieger has visited hundreds of industrial sites in the Los Angeles area. He is invited in about a third of the time, and then he systematically photographs the people--at work--who make clothing, furniture, chemicals, metal parts, as well as those working at the ports of Los Angeles and Long Beach and at the iconic County Hospital of Los Angeles. Up close, we discover the actual work that people do, and the places where they do that work.

For more than 25 years, Genevieve de Manio has worked in the world's finest venues, photographing events in Boston, New York, the Southeastern United States and Europe.

Modern, Again: The Benda House & Garden in Chicagoland is equal parts a history of modern residential architecture in America and a rewarding journey of preservation and stewardship.

Artists and designers have recorded places, people, and life in drawings and sketchbooks for centuries. Over the past fifty years, Laurie Olin, one of America's most distinguished landscape architects, has recorded aspects of life and the environment in Italy: its cities and countryside, streets and cafes, ancient ruins, art, architecture, people, villas, and gardens--civic and domestic, humble to grand, things of interest to his designer's eye-- taking the time to see carefully. Rome in its seasons, agriculture in Umbria and Tuscany, trees, food, and fountains, all are noted over the years in watercolor or pen and ink. Originally made in the personal pleasure of merely being there as well as self-education, this selection from many sketchbooks and drawings is accompanied with introductory notes and remarks for different regions including Rome, Turin, Venice, Tuscany, Umbria, Lazio, Campania, and Sicily.

Dallas-based architecture firm Droese Raney approaches each project with a generosity of spirit and sense of enthusiasm that encompasses not only client and design but also the physical, spiritual, and emotional well-being of the greater community. The result is a series of buildings and interiors that uses the principles of modern architecture to create comfortable, informal settings; attends to small details and to complex urban contents; highlights the contributions of artists and artisans; and above all tells a story of a specific time and place. The 16 projects in Droese Raney x Design include retail outlets for Billy Reid, the Conservatory, and Neighborhood Goods, each highlighting a distinct, individualized brand; urban redevelopments such as Good-E and 2800 Main, which transform dilapidated historic structures into lively commercial and entertainment zones; and restaurants including José and Mi Cocina, which bring artisanal traditions to contemporary venues. Especially notable are Forty Five Ten, a four-story department store appointed entirely in Knoll furniture and textiles, and the Warehouse, a 31,000-square-foot space for art exhibition and storage. Interspersed between the projects are five first-person narratives from Droese Raney's noted clients and collaborators as well as a sixth with the "insider view" from the firm itself.

Periurban Cartographies looks through the prism of the "almost urban" to consider what a "city" is or could be. In doing so, the book challenges assumptions and reconsiders design practices.

Houses that Sugar Built explores the largely unknown architectural legacy to be found in the ancestral houses of Iloilo, Negros Occidental and Pampanga - the three main sugar-producing provinces of the Philippines. These grand residences have yet to receive international exposure.

Experiential Design Schemas presents a new theoretical and practical framework for designing architectural experiences developed by two seasoned researchers, an architect, and a building scientist.The book delivers 45 experiential design schemas as generative design resources in a novel, multi-scalar networked language. Each schema is published as a modular four-page spread that explains the phenomena and potential feeling state, along with compelling precedents, supporting evidence and design guidelines. Their purpose is to help designers expand the delight, joy, serenity, and nature connections possible in buildings. The schema-based design guidance enables architects to choreograph positive experiences of dynamic and variable environmental conditions that connect people to Nature's rhythms.

Salty Urbanism is a concept that refers to the ways in which cities and urban areas will respond and adapt to rising sea levels and the accompanying increase in salinity of coastal and near-coastal land. This phenomenon is caused by a combination of factors, including global warming, sea-level rise, and human development along coastlines. >In response to Salty Urbanism, urban designers are exploring new strategies to adapt and mitigate the effects of rising sea levels and saltwater intrusion. These strategies include elevating buildings and infrastructure, implementing green infrastructure to absorb excess water, and developing coastal ecosystems to act as buffers against storm surges and flooding. Overall, Salty Urbanism highlights the urgent need for cities and urban areas to adapt and prepare for the ongoing and future impacts of climate change.

LPA Design Studios rose to national prominence by demonstrating that designers can make a real impact on carbon reduction on a large scale. The firm's integrated design approach breaks down the traditional model, eliminating barriers between disciplines to develop innovative designs that reduce energy and water and create a better human experience. The firm's diverse body of work has earned the industry's top awards and set new benchmarks for building performance, proving that there is a better process for designing buildings. Design Matters: Every project. Every budget. Every scale. presents a beautifully curated collection of LPA projects that illustrate what can be achieved through a collaborative design process with architects, engineers, interior designers and landscape architects working together from a development's earliest stages. The projects cross a wide range of sizes and types, including transformational education, commercial, civic, cultural and healthcare facilities. Each was created through a repeatable process focused on cost-effective research-driven design strategies. As a collection, LPA's work is an inspirational model for an integrated, inclusive approach that connects design excellence and building performance.