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An interconnected web of lives in one midwestern city captures the surprising humanity of people searching for their authentic selves amid the 1990s drug crisis. Amy Taylor finds the inner-city streets around her high school vibrant and animated compared to the bland middle-class neighborhood where she lives with her career-driven mother. In these streets, she meets the people of the city, among them a wayward boy named Jonathan, a struggling drug dealer, and Paul Lewis, a documentary photographer who becomes Amys mentor. Under his inspiration, she attempts to capture their world through the lens of her camera.From the multiple perspectives of Amy and the expansive group of people she meets, award-winning novelist Michael Henson presents a heartbreaking portrait of the effects the Reagan-initiated drug war had on the young.

The key to mitigating the environmental crisis isnt just based on science; it depends upon a profound philosophical revision of how we think about and behave in relation to the world. Our ongoing failure to interrupt the environmental crisis in a meaningful way stems, in part, from how we perceive the environmentwhat Robert Booth calls the "e;more-than-human world. Anthropocentric presumptions of this world, inherited from natural science, have led us to better scientific knowledge about environmental problems and more science-basedyet inadequatepractical solutions. Thats not enough, Booth argues. Rather, he asserts that we must critically and self-reflexively revise how we perceive and consider ourselves within the more-than-human world as a matter of praxis in order to arrest our destructive impact on it.Across six chapters, Booth brings ecophenomenologyenvironmentally focused phenomenologyinto productive dialogue with a rich array of other philosophical approaches, such as ecofeminism, new materialism, speculative realism, and object-oriented ontology. The book thus outlines and justifies why and how a specifically ecophenomenological praxis may lead to the disruption of the environmental crisis at its root.Booths observations and arguments make the leap from theory to practice insofar as they may influence how we fundamentally grasp the environmental crisis and what promising avenues of practical activism might look like. In Booths view, this is not about achieving a global scientific consensus regarding the material causes of the environmental crisis or the responsible use of natural resources. Instead, Booth calls for us to habitually resist our impetus to uncritically reduce more-than-human entities to natural resources in the first place. As Booth recognizes, Becoming a Place of Unrest cannot and does not tell us how we should act. Instead, it outlines and provides the basic means by which to instill positive and responsible conceptual and behavioral relationships with the rest of the world. Based on this, there is hope that we may begin to develop more concrete, actionable policies that bring about profound and lasting change.

In this interdisciplinary collection, experts provide the most complete description to date of the often ignored and underappreciated features of the history of the multiple human immunodeficiency viruses (HIVs) responsible for the global AIDS pandemic.

Carment and Samy investigate the dynamics of state transitions in fragile contexts, with a focus on states trapped in fragility. They consider fragility's evolution in trapped countries; in those that move in and out of it; and in those that have exited it, thus taking a major step toward a new theory of the so-called fragility trap.

Foregrounding African womens ingenuity and labor, this pioneering case study shows how women in rural Mali have used technology to ensure food security through the colonial period, environmental crises, and postcolonial rule. By advocating for an understanding of rural Malian women as engineers, Laura Ann Twagira rejects the persistent image of African women as subjects without technological knowledge or access and instead reveals a hidden history about gender, development, and improvisation. In so doing, she also significantly expands the scope of African science and technology studies.Using the Office du Niger agricultural project as a case study, Twagira argues that women used modest technologies (such as a mortar and pestle or metal pots) and organized female labor to create, maintain, and reengineer a complex and highly adaptive food production system. While women often incorporated labor-saving technologies into their work routines, they did not view their own physical labor as the problem it is so often framed to be in development narratives. Rather, womens embodied techniques and knowledge were central to their ability to transform a development project centered on export production into an environmental resource that addressed local taste and consumption needs.

A keenly observant collection of poems on disaster, aging, and apocalypse.Golda Meir once said, Old age is like a plane flying through a storm. Once you're aboard, theres nothing you can do. The poems in Fleda Browns brave collection, her thirteenth, take readers on a journey through the fury of this storm. There are plenty of tragedies to weather here, both personal and universal: the death of a father, a childs terminal cancer, the extinction of bees, and environmental degradation.Browns poems are wise, honest, and deeply observant meditations on contemporary science, physics, family, politics, and aging. With tributes to visionary artists, including Frida Kahlo, Pablo Picasso, and Grandma Moses, as well as to lifes terrors, sadnesses, and joys, these works are beautiful dispatches from a renowned poet who sees the shadows lengthening and imagines what they might look like from the other side.

Chris Hani was one of the most highly respected leaders of the African National Congress, the South African Communist Party, and uMkhonto we Sizwe. His assassination in 1993 threatened to upset the transition to democracy but also prompted an intervention by Nelson Mandela, which accelerated the process.

This stirring, poetic tale features a Bedouin man whose irrepressible love for his family, his camels, and his way of life fuels his harrowing journey into the Sahara Desert to find a lost camel and his struggle to preserve a culture on the brink of profound change.

By prioritizing women and conjugality in the historiography of African colonial soldiers, Militarizing Marriage historicizes how the subjugation of women was indispensable to military conquest and colonial rule across French Empire.

A robust historical case study that demonstrates how village development became central to the rhetoric and practice of statecraft in rural Ghana.Combining oral histories with decades of archival material, Village Work formulates a sweeping history of twentieth-century statecraft that centers on the daily work of rural people, local officials, and family networks, rather than on the national governments and large-scale plans that often dominate development stories. Wiemers shows that developmentalism was not simply created by governments and imposed on the governed; instead, it was jointly constructed through interactions between them.The book contributes to the historiographies of development and statecraft in Africa and the Global South byemphasizing the piecemeal, contingent, and largely improvised ways both development and the state are comprised and experiencedproviding new entry points into longstanding discussions about developmental power and discourseunsettling common ideas about how and by whom states are madeexposing the importance of unpaid labor in mediating relationships between governments and the governedshowing how state engagement could both exacerbate and disrupt inequitiesDespite massive changes in twentieth-century political structuresthe imposition and destruction of colonial rule, nationalist plans for pan-African solidarity and modernization, multiple military coups, and the rise of neoliberal austerity policiesunremunerated labor and demonstrations of local leadership have remained central tools by which rural Ghanaians have interacted with the state. Grounding its analysis of statecraft in decades of daily negotiations over budgets and bureaucracy, the book tells the stories of developers who decided how and where projects would be sited, of constituents who performed labor, and of a chief and his large cadre of educated children who met and shaped demands for local leaders. For a variety of actors, invoking the village became a convenient way to allocate or attract limited resources, to highlight or downplay struggles over power, and to forge national and international networks.

A compelling history of the 1846 Mormon expulsion from Illinois that exemplifies the limits of American democracy and religious tolerance.When members of the Church of Jesus Christ of Latter-day Saints (known as Mormons) settled in Illinois in 1839, they had been persecuted for their beliefs from Ohio to Missouri. Illinoisans viewed themselves as religiously tolerant egalitarians and initially welcomed the Mormons to their state. However, non-Mormon locals who valued competitive individualism perceived the saints' western Illinois settlement, Nauvoo, as a theocracy with too much political power. Amid escalating tensions in 1844, anti-Mormon vigilantes assassinated church founder Joseph Smith and his brother Hyrum. Two years later, the state expelled the saints. Illinois rejected the Mormons not for their religion, but rather for their effort to create a self-governing state in Nauvoo.Mormons put the essential aspirations of American liberal democracy to the test in Illinois. The saints' inward group focus and their decision to live together in Nauvoo highlight the challenges strong group consciousness and attachment pose to democratic governance. The Saints and the State narrates this tragic story as an epic failure of governance and shows how the conflicting demands of fairness to the Mormons and accountability to Illinois's majority became incompatible.

Representations of diasporic Murid disciples often depict them as passive recipients of change wrought by powerful clerics left behind in Senegal. In this study, Cheikh Anta Babou examines the construction of their transnational collective identity and its influence on cultural practices, identities, and aspirations.

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Kubitschek was one of the most important political leaders of Brazil during the twentieth century. As president, he pushed decisively for the industrialization of the largest of the Latin American nations. He also provided his country with the most democratic regime it had ever experienced.

An engaging social history of foreign tourists dreams, the African tourism industrys efforts to fulfill them, and how both sides affect each other.Since the nineteenth century, foreign tourists and resident tourism workers in Africa have mutually relied upon notions of exoticism, but from vastly different perspectives. Many of the countless tourists who have traveled to the African continent fail to acknowledge or even realize that skilled African artists in the tourist industry repeatedly manufacture authentic experiences in order to fulfill foreigners often delusional, or at least uninformed, expectations. These carefully nurtured and controlled performances typically reinforce tourists reductive impressionsformed over centuriesof the continent, its peoples, and even its wildlife. In turn, once back in their respective homelands, tourists accounts of their travels often substantiate, and thereby reinforce, prevailing stereotypes of exotic Africa. Meanwhile, Africans staged performances not only impact their own lives, primarily by generating remunerative opportunities, but also subject the continents residents to objectification, exoticization, and myriad forms of exploitation.

Bridging phenomenology, philosophy of mind, and epistemology, Peter Antich asserts that the latter has long been hampered by an inadequate phenomenology of knowledge. However, a careful description of Merleau-Ponty's phenomenon of motivation can offer compelling new ways to think about knowledge and longstanding epistemological questions.

Cooke's analysis of this milestone Victorian publication reveals the fluctuating harmony and dissonance between Tennyson's poems and their illustrations, the technical challenges and occupations involved in its manufacture, its readers' contemporary reception, and its subsequent influence as a variously revered and reviled publication.

A nineteenth-century entrepreneurs bold, innovative marketing helped transform flower gardens into one of Americas favorite hobbies. There is much that is hard and productive of sorrow in this sin-plagued world of ours; and, had we no flowers, I believe existence would be hard to be borne. So states a customers 1881 letterone of thousands James Vick regularly received. Vicks business, selling flower seeds through the mail, wasnt unique, but it was wildly successful because he understood better than his rivals how to engage customers emotions. He sold the love of flowers along with the flower seeds. Vick was genuinely passionate about floriculture, but he also pioneered what we now describe as integrated marketing. He spent a mind-boggling $100,000 per year on advertising (mostly to women, his target demographic); he courted newspaper editors for free publicity; his educational guides presaged todays content marketing; he recruited social influencers to popularize neighborhood gardening clubs; and he developed a visually rich communication and branding strategy to build customer loyalty and inflect their purchasing needs with purchasing desire.

In this, Julie Hanson's second award-winning book, the poems inscribe deep stillness on a world of harmonies in motion. Whether composed on modern objects, say a vacuum-"e;part pet, part sculpture/sprawled awkwardly, still shrieking"e;-that evokes a sudden onrush of sobbing, or the notional movement between a plastic bag, a lawn and a return from a France not yet visited, these poems circulate among the senses as moments that pass and are recalled.Hanson's poems investigate interiority as they resonate in the ear to excite the eye. Together, her poems illustrate the movement between and among seasons and tasks, work and leisure, solitude and people, and all through the private life as it intersects with the products and noises of industry and nature. Hanson's is a poetic realm that includes the head-splitting bright white screamings of an Indy 500 race into a zen garden, this realm we all inhabit where birdsong and squeaky water meters improvise together.

Joseph J. Capista's Intrusive Beauty reckons with reluctant ecstasy and the improbable forms that beauty assumes. In this powerful debut, Capista traverses earth and ether to yield poems that elucidate the space between one's life and one's livelihood. While its landscapes range from back-alley Baltimore to the Bitterroot Valley, this book remains close to unbidden beauty and its capacity to sway one's vision of the world. Whether a young father who won't lower the volume on the radio or a Victorian farm boy tasked with scaring birds from seed-sown furrows, the inhabitants of Intrusive Beauty are witness to the startling ease with which one's assorted lives come in time to comprise a singular life. Mortality, love, duty, desire, an acute longing for transcendence: here, old themes resound anew as they're uttered in a multiplicity of forms and means, holding fast always to the heart.

Today, the surprisingly elastic form of the memoir embraces subjects that include dying, illness, loss, relationships, and self-awareness. Writing to reveal the inner self-the pilgrimage into one's spiritual and/or religious nature-is a primary calling. Contemporary memoirists are exploring this field with innovative storytelling, rigorous craft, and new styles of confessional authorship. Now, Thomas Larson brings his expertise as a critic, reader, and teacher to the boldly evolving and improvisatory world of spiritual literature.In his book-length essay Spirituality and the Writer, Larson surveys the literary insights of authors old and new who have shaped religious autobiography and spiritual memoir-from Augustine to Thomas Merton, from Peter Matthiessen to Cheryl Strayed. He holds them to an exacting standard: they must render transcendent experience in the writing itself. Only when the writer's craft prevails can the fleeting and profound personal truths of the spirit be captured. Like its predecessor, Larson's The Memoir and the Memoirist, Spirituality and the Writer will find a home in writing classrooms and book groups, and be a resource for students, teachers, and writers who seek guidance with exploring their spiritual lives.

In Mexico Mystique Frank Waters draws us deeply into the ancient but still-living myths of Mexico. To reveal their hidden meanings and their powerful symbolism, he brings to bear his gift for intuitive imagination as well as a broad knowledge of anthropology, Jungian psychology, astrology, and Eastern and esoteric religions.

Decades after independence for most African states, the struggle for decolonization is still incomplete, as demonstrated by the fact that Africa remains associated in many Western minds with chaos, illness, and disorder.

The memoir of Daniel Parker (1781-1861) is an invaluable primary source for post-revolutionary and antebellum American history, an itinerant preacher's account of the frontier's diverse and evolving religious landscape, and an engaging human story.

George M. Houser's moral integrity and influential advocacy for nonviolent protest helped shape the American Civil Rights Movement, anticolonial independence victories across Africa, and the overthrow of the South African apartheid regime.

This addition to the Cambridge Centre of African Studies Series presents multidisciplinary essays that demonstrate how individual and collective anxieties can unsettle dominant historical narratives, shape contemporary discourse, and appear across material culture.

This fictionalized, first-person biography tells how a cunning rogue with nothing to lose relies on his guts and wits to survive amid racism and injustice in apartheid South Africa.

This timely and accessible companion to the work of twentieth-century American poet Theodore Roethke (1908-1963) gathers essays that illuminate his poetics, themes, and the contexts of his poems through the diverse critical approaches that have emerged in the past five decades.